DOCSLIB.ORG

Rights-Agency Please Address All Enquiries Regarding Foreign Rights Department: UA MATTHIASDOTTIR [email protected] Or VALGERDUR BENEDIKTSDOTTIR [email protected] Fiction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rights-Agency Please Address All Enquiries Regarding Foreign Rights Department: UA MATTHIASDOTTIR Ua@Forlagid.Is Or VALGERDUR BENEDIKTSDOTTIR Vala@Forlagid.Is Fiction ALAN WEISMAN | ALBERT CAMUS| ALEKSIS KIWI | ALESSANDRO BARICCO | ALEX GARLAND | ALEXANDRE DUMAS | ALEXANDER MCCALL SMITH AÐALSTEINN ÁSBERG SIGURÐSSON | AGNAR ÞÓRÐARSON | ALDÍS GUÐMUNDSDÓTTIR | ANDREA RÓBERTSDÓTTIR | ANDRÉS INDRIÐASON ANDRI SNÆR MAGNASON | ANNA CYNTHIA LEPLAR | ANNA VALDIMARSDÓTTIR | ARI TRAUSTI GUÐMUNDSSON | ARNALDUR INDRIÐASON ALICE SEBOLD | ALLISON PEARSON | AMY TAN | ANALOLI RYBAKOV | ANDRÉ KAMINSKI | ANNE HOOPER | ANNE B. RAAGDE | ANNIE PROULX ARNBJÖRG L. JÓHANNSDÓTTIR | AUÐUR JÓNSDÓTTIR | ÁLFHEIÐUR STEINÞÓRSDÓTTIR | ÁLFRÚN GUNNLAUGSDÓTTIR | ÁRMANN KR. EINARSSON ANWAR ACCAWI | ANTOINE DE SAINT-EXUPÉRY | ARTHUR S. GOLDEN | ARTO PAASILINNA | ARTURO PÉREZ-REVERTE | ARUNDHATI ROY ÁRMANN HALLDÓRSSON | ÁRMANN JAKOBSSON | ÁRNI ÁRNASON | ÁRNI BERGMANN | ÁRNI BJÖRNSSON | ÁRNI IBSEN | ÁRNI HEIMIR INGÓLFSSON ÁRNI ÞÓRARINSSON | ÁSDÍS ARNALDS | ÁSLAUG JÓNSDÓTTIR | ÁSTRÁÐUR EYSTEINSSON | BALDUR SVEINSSON | BERGLJÓT ARNALDS ASTRID LINDGREN | AUGUST STRINDBERG | ÅSNE SEIERSTAD | ÅKE EDWARDSON | BARBARA MUJICA | BENJAMIN LEBERT | BEN RICE BERGÞÓR PÁLSSON | BIRGIR SIGURÐSSON | BIRNA ANNA BJÖRNSDÓTTIR | BJARNI BJARNASON | BJÖRK BJARKADÓTTIR | BJÖRN TH. BJÖRNSSON BERNHARD SCHLINK | BERTOLD BRECHT | BILL BRYSON | BORIS AKUNIN | BRUCE CHATWIN | BRUNO SCHULZ | CAMILO JOSÉ CELA | CARLO BJÖRN INGI HRAFNSSON | BJÖRN HRÓARSSON | BJÖRN SIGURBJÖRNSSON | BRAGI ÓLAFSSON | BRIAN PILKINGTON | BRYNHILDUR ÞÓRARINSDÓTTIR BUBBI MORTHENS | BÖÐVAR GUÐMUNDSSON | CLARE DICKENS | DANÍEL BERGMANN | DAVÍÐ ÞÓR BJÖRGVINSSON | DAVÍÐ ODDSSON LUCARELLI | CARLOS RUÍZ ZAFÓN | CAROL SHIELDS | CEES NOOTEBOOM | CHARLES DICKENS | CHRISTIAN JACQ | CHRISTIAN JUNGERSEN DAV ÍÐ S T E FÁ NS SON | DIDDA | D ÓR A H A F S T E I NSD Ó T T IR | E DDA A N DR É SD Ó T T IR | E G GERT Þ ÓR BER N H A R ÐS SON | E I NA R BR AGI | E I NA R GU ÐM A N N CHR ISTI A NE NÖSTLINGER | CHR ISTOPH R A NSM AY R | CHR ISTOPHER PAOLINI | CLI V E BA R K ER | COLIN DE X TER | DA MIEN LEW IS | DA NIEL M A SON EINAR KÁRASON | EINAR MÁR GUÐMUNDSSON | EIRÍKUR ÖRN NORÐDAHL | ELÍAS SNÆLAND JÓNSSON | ELÍN EBBA GUNNARSDÓTTIR D AV P I L K E Y | D AV E P E L Z E R | D AV I D A T T E N B O R O U G H | D AV I D G U T E R S O N | D AV I D L O D G E | D E N I S D I D E R O T | D I A N E W E I L I A N G | D I A N E S E T T E R F I E L D ELÍN PÁLMADÓTTIR | ELÍNBORG RAGNARSDÓTTIR | ELÍSABET JÖKULSDÓTTIR | EMBLA ÝR BÁRUDÓTTIR | EYRÚN INGADÓTTIR EYVINDUR KARLSSON | FELIX BERGSSON | FRIÐRIK G. OLGEIRSSON | FRÍÐA Á. SIGURÐARDÓTTIR | GARÐAR GÍSLASON | GEIR KRISTJÁNSSON DORIS LESSING | DOROTHY KOOMSON | E.B. WHITE | EDUARDO MENDOZA | EMMANUEL CARRÈRE | ENID BLYTON | EOIN COLFER | ERIC CARLE GEIRLAUGUR MAGNÚSSON | GERÐUR KRISTNÝ | GÍSLI PÁLSSON | GRÍMUR THOMSEN | GUÐBERGUR AUÐUNSSON | GUÐBERGUR BERGSSON ERICH KÄSTNER | ERLEND LOE | ERNEST HEMINGWAY | FEDERICO ANDAHAZI | FIODOR DOSTOIEVSKI | FORREST CARTER | FRANCESCA SIMON GUÐBJÖRG DÓRA SVERRISDÓTTIR | GUÐBJÖRG GRÍMSDÓTTIR | GUÐFINNA EYDAL | GUÐJÓN BERGMANN | GUÐJÓN FRIÐRIKSSON GUÐMUNDUR ÓLAFSSON | GUÐMUNDUR PÁLL ÓLAFSSON | GUÐMUNDUR STEINGRÍMSSON | GUÐMUNDUR ANDRI THORSSON FRANCIS SCOTT FITZGERALD | FRANÇOIS RABELAIS | FRANK MCCOURT | FRANZ KAFKA | G.T. ROTMAN | GABRIEL GARCÍA MÁRQUEZ GUÐNI TH. JÓHANNESSON | GUÐRÚN EVA MÍNERVUDÓTTIR | GUÐRÚN HELGADÓTTIR | GUNNAR TH. EGGERTSSON | GUNNAR GUNNARSSON GEOFFREY CHAUCER | GEORGES BATAILLE | GEORGES PEREC | GERONIMO STILTON | GIORGIO BASSANI | GIOVANNI BOCCACIO | GRAHAM SWIFT GUNNAR KARLSSON | GUNNAR HERSVEINN | GUNNAR HELGI KRISTINSSON | GUNNAR KRISTJÁNSSON | GUNNHILDUR HRÓLFSDÓTTIR GYLFI GRÖNDAL | GYRÐIR ELÍASSON | HALLA SÓLVEIG ÞORGEIRSDÓTTIR | HALLDÓR BALDURSSON | HALLDÓR ELVARSSON GUNILLA BERGSTRÖM | GÜNTER GRASS | GÖRAN TUNSTRÖM | HALFDAN W. FREIHOW | HANNE-VIBEKE HOLST | HANS-ULRICH TREICHEL HALLDÓR GUÐMUNDSSON | HALLDÓR LAXNESS | HALLDÓRA JÓNSDÓTTIR | HALLDÓRA KRISTÍN THORODDSEN | HALLFRÍÐUR ÓLAFSDÓTTIR HANS HENNY JAHNN | HARRY MÜLISCH | HELEN FIELDING | HENNING MANKELL | HERBJÖRG WASSMO | HERMAN MELVILLE | HISHAM MATAR HALLGRÍMUR HELGASON | HANNES PÉTURSSON | HANS H. HANSEN | HAUKUR INGVARSSON | HELGI GUÐMUNDSSON | HELLEN LINDA DRAKE HILDUR HELGA | HJÖRLEIFUR STEFÁNSSON | HRAFNHILDUR HAGALÍN GUÐMUNDSDÓTTIR | HRAFNHILDUR SCHRAM IMRE KERTÉSZ | INGO SCHULZE | INGVAR AMBJÖRNSEN | ISABEL ALLENDE | ISHMAEL BEAH | JACK KEROUAC | JAMES JOYCE | JAMES PATTERSON HRAFNHILDUR SIGURÐARDÓTTIR | HRUND ÞÓRSDÓTTIR | HUGLEIKUR DAGSSON | IÐUNN STEINSDÓTTIR | INDRIÐI G. ÞORSTEINSSON JANE AUSTEN | JAQUELINE WILSON | JAROSLAV HASEK | JAVIER SIERRA | J.D. SALINGER | JEAN M. AUEL | JEANETTE WALLS INGA LÁRA BALDVINSDÓTTIR | INGA DÓRA BJÖRNSDÓTTIR | INGIBJÖRG HARALDSDÓTTIR | INGIBJÖRG SIGURÐARDÓTTIR INGÓLFUR ÖRN BJÖRGVINSSON | ÍSAK HARÐARSON | JÓHANN HJÁLMARSSON | JÓHANN ÓLI HILMARSSON | JÓHANN SIGURJÓNSSON JEANETTE WINTERSON | JEFF LINDSAY | JENNY DOWNHAM | JENS LAPIDUS | JO NESBØ | JOHANN WOLFGANG VON GOETHE | JOHN GRISHAM JÓHANNA VIGDÍS HJALTADÓTTIR | JÓHANNA KRISTJÓNSDÓTTIR | JÓHANNES ÚR KÖTLUM | JÓN ATLI JÓNASSON | JÓN BALDUR HLÍÐBERG JOHN STEINBECK | JON KRAKAUER | JORGE LUIS BORGES | JOSEPH CONRAD | JOSÉ SARAMAGO | JOSÉ SOMOSA | JOSTEN GAARDER | JOY FIELDING JÓN GNARR | JÓN HELGASON | JÓN R. HJÁLMARSSON | JÓN HILMAR JÓNSSON | JÓN ÚR VÖR | JÓNAS HALLGRÍMSSON | JÓNAS ÞORBJARNARSON JUAN BENET | JUNG CHANG | KADER ABDOLAH | KARI HOTAKAINEN | KAREL VAN LOON | KARIN FOSSUM | KEN FOLLETT | KERSTIN EKMAN JÓNÍNA LEÓSDÓTTIR | KOLBRÚN BERGÞÓRSDÓTTIR | KRISTINN INGVARSSON | KRISTÍN MARJA BALDURSDÓTTIR | KRISTÍN EIRÍKSDÓTTIR KRISTÍN BJÖRK JÓHANNSDÓTTIR | KRISTÍN HELGA GUNNARSDÓTTIR | KRISTÍN STEINSDÓTTIR | KRISTJANA FRIÐBJÖRNSDÓTTIR KERSTIN THORVALL | KHALED HASSEINI | KIM EDWARDS | KJELL ASKILDSEN | KNUT HAMSUN | KNUD ROMER | LARS SAABYE CHRISTIENSEN KRISTJANA HALLGRÍMSDÓTTIR | KRISTIAN GUTTESEN | KRISTJÁN ÞÓRÐUR HRAFNSSON | KRISTJÁN B. JÓNASSON | LINDA VILHJÁLMSDÓTTIR LAURA ESQUIVEL | LAWRENCE NORFOLK | LEIF DAVIDSEN | LEE CHILD | LENA LEANDER | LEMONY SNICKET | LEO TOLSTOI | LINN ULLMANN MAGNÚS GUÐMUNDSSON | MARGRÉT JÓNSDÓTTIR | MARGRÉT LÓA JÓNSDÓTTIR | MARGRÉT LAXNESS | MARGRÉT TRYGGVADÓTTIR MATTHÍAS JOHANNESSEN | NANNA RÖGNVALDARDÓTTIR | NJÖRÐUR P. NJARÐVÍK | NÖKKVI ELÍASSON | ODDNÝ STURLUDÓTTIR LIZ TUCCILLO | LIZA MARKLUND | LUCIUS APULEIUS | LUDMILA PETROVSKAIA | LUIS LÓPEZ NIEVES | MADONNA | MANUEL VÁZQUEZ MONTALBÁN OLGA GUÐRÚN ÁRNADÓTTIR | ÓLAFUR ARNARSON | ÓLAFUR GUNNAR GUÐLAUGSSON | ÓLAFUR GUNNARSSON | ÓLAFUR JÓHANN ÓLAFSSON MARIANNE FREDRIKSSON | MARIE DARIUSSECQ | MARINA LEWYCKA | MARK HADDON | MARK WALDEN | MARKUS ZUSAK | MARY HOFFMAN ÓLAFUR JÓHANN SIGURÐSSON | ÓSKAR GUÐMUNDSSON | ÓTTAR GUÐMUNDSSON | PÁLL ÁSGEIR ÁSGEIRSSON | PÁLL HERSTEINSSON PÁLL KRISTINN PÁLSSON | PÁLL VALSSON | PÉTUR BLÖNDAL | PÉTUR GUNNARSSON | PÉTUR M. JÓNASSON | RAGNA SIGURÐARDÓTTIR MARY WOLLSTONECRAFT SHELLEY | MATS WAHL | MAX FRISCH | MAX SCHMID | MAXIM GORKI | MEG CABOT | MICHAEL CONNELLY RAGNAR AXELSSON | RAGNHEIÐUR GESTSDÓTTIR | RAGNHILDUR RICHTER | RAKEL PÁLSDÓTTIR | RÓBERT JACK | ROBERT JACKSON MICHAEL CRICHTON | MICHAEL MOORE | MICHEL HOULLEBECQ | MIGUEL DE CERVANTES | MIKAEL NIEMI | MIKHAIL BULGAKOV SIF SIGMARSDÓTTIR | SIGFÚS DAÐASON | SIGRÍÐUR DÚNA KRISTMUNDSDÓTTIR | SIGRÍÐUR STEFÁNSDÓTTIR | SIGRÚN AÐALBJARNARDÓTTIR SIGRÚN DAVÍÐSDÓTTIR | SIGRÚN ELDJÁRN | SIGTRYGGUR MAGNASON | SIGURBJÖRG ÞRASTARDÓTTIR | SIGURÐUR A. MAGNÚSSON MIK H A IL L ER MON TOV | MIL A N K U N DER A | MI N ET T E WA LT ER S | MIR EILL E GU IL I A NO | MORT E N R A MSL A N D | MU R R AY BA IL | NA DI N E G OR DIMER SIGURÐUR PÁLSSON | SIGURÐUR ÆGISSON | SIGURGEIR SIGURJÓNSSON | SIGURLAUGUR ELÍASSON | SILJA AÐALSTEINSDÓTTIR NATHANIEL BRANDEN | NEIL GAIMAN | NICHOLAS SHAKESPEARE | OLE LUND KIRKEGAARD | ORHAN PAMUK | OSCAR WILDE | P.D. JAMES SILJA HAUKSDÓTTIR | SNORRI HJARTARSON | SNORRI STURLUSON | SÓLEY ELÍDÓTTIR | SÓLVEIG EINARSDÓTTIR | STEFÁN GUNNAR SVEINSSON STEFANÍA VALDÍS STEFÁNSDÓTTIR | STEFÁN HÖRÐUR GRÍMSSON | STEFÁN MÁNI | STEINAR BERG | STEINAR BRAGI | STEINDÓR J. ERLINGSSON PASCAL QUIGNARD | PATRICK SÜSKIND | PAULO COELHO | PAUL TORDAY | PER OLOF ENQUIST | PETER HÖEG | PHILIP PULLMAN | RANDY B. NOYES STEINGRÍMUR ÞÓRÐARSON | STEINN STEINARR | STEINUNN JÓHANNESDÓTTIR | STELLA BLÓMKVIST | SVAVA JAKOBSDÓTTIR R A Y MON D C H A N DL E R | R A Y MON D K HOU R Y | R É G I N E DE F ORGE S | ROA L D DA H L | ROBE R T L ÖH R | ROBI N S . S H A R M A | RODDY D OY L E | ROY JAC OB S E N SVEINBJÖRN I. BALDVINSSON | SÆUNN KJARTANSDÓTTIR | SÖLVI BJÖRN SIGURÐARSON | SÖLVI SVEINSSON | TERRY GUNNELL RUBEN GALLEGO | SALMAN RUSHDIE | SÁNDOR MARAI | SARA GRUEN | SERGE KAHN | SHOLOM ALEIKHEM | STEN NADOLNY | STEPHEN KING THOR VILHJÁLMSSON | THORSTEN HENN | TÓMAS GUÐMUNDSSON | UNNUR JÖKULSDÓTTIR | VALDIMAR TÓMASSON | VALGARÐUR EGILSSON VALGERÐUR BENEDIKTSDÓTTIR | VALUR GUNNARSSON | VÉSTEINN ÓLASON | VIGDÍS GRÍMSDÓTTIR | VIKTOR ARNAR INGÓLFSSON STEPHENIE MEYER | SVEN NORDQVIST | SÖREN OLSSON | TAHAR BEN JELLOUN | TARJEI VESAAS | TASLIMA NASRIN | TESSA DE LOO | THOMAS VILBORG DAGBJARTSDÓTTIR | VILBORG DAVÍÐSDÓTTIR | VILHJÁLMUR ÁRNASON | ÞORGRÍMUR ÞRÁINSSON | ÞORSTEINN FRÁ HAMRI MANN | THORBJÖRN EGNER | THORVALD STEEN | TOM EGELAND | TOMAS TRANSTRÖMER | TONI MORRISON | TONY ROSS | TORGNY LINDGREN ÞORSTEINN GUÐMUNDSSON | ÞORSTEINN ÞORSTEINSSON | ÞORVALDUR KRISTINSSON | ÞÓR WHITEHEAD | ÞÓRA MÁSDÓTTIR ÞÓRARINN MÁR BALDURSSON | ÞÓRARINN ELDJÁRN | ÞÓRARINN LEIFSSON | ÞÓRBERGUR ÞÓRÐARSON | ÞÓRÐUR VÍKINGUR FRIÐGEIRSSON TOVE APPELGREN | TOVE JANSSON | TRACEY COX | UMBERTO ECO | VIGDIS HJORTH | VIKAS SWARUP | WILLIAM HEINESEN | WILLIAM KOTZWINKLE ÞÓRDÍS ELVA ÞORVALDSDÓTTIR | ÞÓRGUNNUR ODDSDÓTTIR |
Load more

Recommended publications
  • Bollettino Novità
    Bollettino Novità Biblioteca del Centro Culturale Polifunzionale "Gino Baratta" di Mantova 4' trimestre 2019 Biblioteca del Centro Culturale Polifunzionale "Gino Baratta" Bollettino novità 4' trimestre 2019 1 Le *100 bandiere che raccontano il mondo / DVD 3 Tim Marshall ; traduzione di Roberto Merlini. - Milano : Garzanti, 2019. - 298 p., [8] carte 3 The *100. La seconda stagione completa / di tav. : ill. ; 23 cm [creato da Jason Rothenberg]. - Milano : inv. 178447 Warner Bros. Entertainment Italia, 2016. - 4 DVD-Video (ca. 674 min. compless.) -.929.9209.MAR.TIM color., sonoro ; in contenitore, 19 cm. 1 v ((Caratteristiche tecniche: regione 2; 16:9 FF, adatto a ogni tipo di televisore; audio 2 The *100. La prima stagione completa / Dolby digital 5.1. - Titolo del contenitore. [creato da Jason Rothenberg]. - Milano : - Produzione televisiva USA 2014-2015. - Warner Bros. Entertainment Italia, 2014. Interpreti: Eliza Taylor, Bob Morley, Marie - 3 DVD-Video (circa 522 min) : Avgeropoulos. - Lingue: italiano, inglese; color., sonoro ; in contenitore, 19 cm. sottotitoli: italiano, inglese per non udenti ((Caratteristiche tecniche: regione 2; video + 1: The *100. 2. : episodi 1-4 / [creato 16:9, 1.85:1 adatto a ogni tipo di tv; da Jason Rothenberg]. - Milano : Warner audio Dolby digital 5.1, 2.0. - Titolo Bros. entertainment Italia, 2016. - 1 DVD- del contenitore. - Prima stagione in Video (ca. 172 min.) ; in contenitore, 13 episodi del 2014 della serie TV, 19 cm. ((Contiene: I 48 ; Una scoperta produzione USA. - Interpreti: Eliza Taylor, agghiacciante ; Oltre lapaura ; Verso la città Isaiah Washington, Thomas McDonell. - della luce. Lingue: italiano, inglese, francese, tedesco; inv. 180041 sottotitoli: italiano, inglese, tedesco per non udenti, inglese per non udenti, tedesco, DVFIC.HUNDR.1 francese, olandese, greco DVD 1 + 1: The *100'.
    [Show full text]
  • Inventory of Networks – Phase II
    Inventory of Networks – Phase II ICELAND Compiled by Rannís and Arctic Portal 1/20/2012 Iceland Preface The Arctic Council and IASC agreed in 2011 to establish Sustaining Arctic Observing Networks (SAON). Yet preparation for SAON had been underway since 2007. The purpose of SAON is to support and strengthen the development of multinational engagement for sustained and coordinated pan-Arctic observing and data sharing systems that serve societal needs, particularly related to environmental, social, economic and cultural issues. SAON promotes the vision of well-defined observing networks that enable users to have access to free, open and high quality data that will realize pan-Arctic and global value-added services and provide societal benefits. Its goal is to enhance Arctic-wide observing activities by facilitating partnerships and synergies among existing observing and data networks (“building blocks”), and promoting sharing and synthesis of data and information. SAON also is committed to facilitating the inclusion of Arctic indigenous people in observing activities, in particular by promoting community-based monitoring (CBM) efforts. Iceland has a unique feature – alongside Greenland ‐ of being the only state that is fully situated within the Arctic. Iceland is also an interesting case study since it is an island in the midst of the north Atlantic, where changes of climate and other aspects of nature can be viewed in a relatively isolated ecosystem. This report introduces the contemporary monitoring institutions and networks in the country. These institutions cover many fields of research and monitoring and they belong to six different ministries. As one of the roles of the Icelandic Centre of Research (RANNIS) is to coordinate and promote Icelandic participation in collaborative international projects in science and technology, RANNIS has been appointed as the national contact point for SAON in Iceland.
    [Show full text]
  • Iceland (Háskóli Íslands) Otago's Second Semester 2009 Degree Programme While on Exchange: Earth Science My Majors: Geology and Zoology Iceland
    Z. Hynd University of Iceland (Háskóli Íslands) Otago's second semester 2009 Degree programme while on exchange: Earth Science My Majors: Geology and Zoology Iceland Ísland - Fire and Ice Pronounced “eesland” ( ís is ice). This is definitely the coolest (but not coldest) place you can go on exchange with Otago! It's not as frigid as its name suggests, everyone knows Iceland is green and Greenland is ice. The capitol city, Reykjavík (pronounced “rake-ya-veek”) enjoys positive temperatures almost the whole year round. On the odd occasion it does drop below 0°C it will rarely reach double digits. Yes they speak English! Though Icelandic (or Íslenska) is the main language, almost everyone except for young children and the extreme elderly can speak very good English. Reykjavík means “smoky bay” in Icelandic. The original Norwegian settlers ~870 AD named it this because of the steam rising from the geothermal springs. The country sits atop the diverging North American and Eurasian tectonic plates and the reason it is not underwater like the rest of the Mid-Atlantic Ridge is because of the Iceland Hotspot. Centred beneath Europe's largest glacier Vatnajökull (“vatna- yerk-idl”), this suspected mantle-plume is responsible for all the excess volcanism on the island. Iceland is geological wonderland on a par with Hawaii and New Zealand and is obviously a fantastic place for geologists, but before tourism focused on its natural wonders, people came to Iceland for its literature. The legendary Icelandic Sagas are the most famous of Icelandic literature, from which it is said J.R.R.
    [Show full text]
  • Seznam Gradiva Knjižnice Laško, Kupljenega S Sredstvi Ministrstva Za Kulturo V L
    Seznam gradiva Knjižnice Laško, kupljenega s sredstvi ministrstva za kulturo v l. 2018 T. Značnica glavnega Leto št. COBISS.SI-ID vpisa Naslov in navedba odgovornosti izida 1 23726080 Kocbek, Edvard Zbrano delo / Edvard Kocbek ; [uredil in opombe napisal Andrej Inkret] 1991 2 55412993 Kozak, Primož Zbrano delo / Primož Kozak ; [uredil in opombe napisal Dušan Voglar] 2005 3 54781185 Kveder, Zofka Zbrano delo / Zofka Kveder 2005 Guareschi, Don Camillo in Peppone / Giovaninno Guareschi ; [prevedel in spremno 4 268826624 Giovaninno besedo napisal Vasja Bratina] 2013 5 288446464 Pamuk, Orhan Rdečelaska / Orhan Pamuk ; iz turščine prevedla Erna Pačnik Felek 2017 6 290784000 Carr, J. L., 1912-1994 Mesec dni na podeželju / J. L. Carr ; [prevod Sonja Porle] 2017 Ponikalnice : petinsedemdeset ugank in ena ugotovitev / Miroslav Košuta 7 291458048 Košuta, Miroslav ; ilustracije Suzi Bricelj 2017 Tukaj, zate, tam : pesmi in eseji / Aleš Debeljak ; [izbrala, uredila in Debeljak, Aleš, 1961- spremni besedi napisala Uroš Zupan in Urban Vovk ; bibliografijo sestavil 8 291657472 2016 Martin Grum] 2017 9 291566080 Clement, Jennifer Molitve za ugrabljene / Jennifer Clement ; prevedla Dušanka Zabukovec 2017 10 292381696 Partljič, Tone Ljudje iz Maribora / Tone Partljič 2017 11 291463168 Skubic, Andrej E. Permafrost / Andrej E. Skubic 2017 Nettel, Guadalupe, Telo, v katerem sem se rodila / Guadalupe Nettel ; prevod [in spremna 12 290250752 1973- beseda] Veronika Rot 2017 13 290382336 Munro, Alice, 1931- Pogled z grajske pečine : zgodbe / Alice Munro ; prevedla Tjaša Mohar 2017 Questions and answers about long ago : with over 60 flaps to lift / 14 16831796 Daynes, Katie [written by Katie Daynes ; illustrated by Peter Donnelly] 2018 Ready player one [Videoposnetek] = Igralec št.
    [Show full text]
  • Baltasar Kormákur
    THE DEEP EEN FILM VAN BALTASAR KORMÁKUR WILD BUNCH WILLEMSSTRAAT 24B – 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx THE DEEP – BALTASAR KORMÁKUR PROJECT SUMMARY EEN PRODUCTIE VAN BLUEEYES PRODUCTIONS, FILMHUSET AS TAAL IJSLANDS LENGTE 95 MINUTEN ORIGINELE TITEL DJUPID GENRE DRAMA LAND VAN HERKOMST IJSLAND FILMMAKER BALTASAR KORMÁKUR HOOFDROLLEN ÓLAFUR DARRI ÓLAFSSON, JÓHANN G. JÓHANNSSON, BJÖRN THORS RELEASEDATUM 25 APRIL 2013 FESTIVALS TORONTO INTERNATIONAL FILMFESTIVAL – SPECIAL PRESENTATION KIJKWIJZER SYNOPSIS Als op een koude nacht in 1984 een vissersboot met zijn gehele bemanning aan boord zinkt, is er slechts één iemand die de schipbreuk op miraculeuze wijze weet te overleven. Het is wetenschappelijk onverklaarbaar aangezien Gulli zes uur in het ijskoude water heeft gelegen. Terwijl zijn bovennatuurlijke wil om te overleven hem tot nationale held van IJsland heeft gebombardeerd, herinnert Gulli de zwarte nacht als het moment waarop hij zijn vrienden en collega’s verloor. Gebaseerd op een waargebeurd verhaal. CAST GULLI ÓLAFUR DARRI ÓLAFSSON PALLI JÓHANN G. JÓHANNSSON HALLA PORBJÖRG HELGA PORGILSDÓTTIR GULLI’S FATHER THEODÓR JÚLÍUSSON GULLI’S MOTHER MARÍA SIGURDARDÓTTIR HANNES BJÖRN THORS LÁRUS PRÖSTUR LEÓ GUNNARSSON ERLINGUR GUDJÓN PEDERSEN RAGGI WALTER GRÍMSSON JÓN STEFÁN HALLUR STEFÁNSON CREW DIRECTOR BALTASAR KORMÁKUR SCREENPLAY BALTASAR KORMÁKUR JÓN ATLI JÓNASSON PRODUCER BALTASAR KORMÁKUR AGNES JOHANSEN EXECUTIVE PRODUCER LILJA PÁLMADÓTTIR DAVID LINDE CINEMATOGRAHER BERGSTEINN BJÖRGÚLFSSON EDITOR SVERRIR KRISTJÁNSSON ELÍSABET RONALDSDÓTTIR SOUND KJARTAN KJARTÁNSSON INGVAR LUNDBERG PRODUCTION DESIGNER ATLI GEIR GRÉTARSSON THE DEEP – BALTASAR KORMÁKUR THE DEEP - DIRECTOR’S NOTES I was just a teenager when this actually happened. Like everyone else in our small country I felt for all the people of the Westmann Islands who again had lost men at sea, but I was also fascinated by the news on the sole survivor.
    [Show full text]
  • Comparative Literary Studies Program Course Descriptions 2013-2014
    Comparative Literary Studies Program Course Descriptions 2013-2014 Fall 2013 CLS 206: Literature and Media: LaByrinths Lectures: TTh 11:00-12:20, Fisk B17 Instructor: Domietta Torlasco Expected Enrollment: Course Description: This course will trace a brief history of labyrinths through literature, architecture, cinema, and new media. From classical mythology to cutting-edge computer games, the figure of the labyrinth has shaped the way in which we ask crucial questions about space, time, perception, and technology. Whether an actual maze or a book or a film, the labyrinth presents us with an entanglement of lines and pathways that is as demanding as it is engrossing and even exhilarating. As we move from medium to medium, or pause in between media, the labyrinth will in turn emerge as an archetypal image, a concrete pattern, a narrative structure, a figure of thought, a mode of experience....Among the works which we will analyze are Jorge Luis Borges' celebrated short stories, Italo Calvino's experiments in detective fiction, Mark Z. Danielewski' hyper- textual novelHouse of Leaves, films such as Orson Welles' Citizen Kane (1941), Stanley Kubrick's The Shining (1980), and Christopher Nolan's Inception (2010), and the more intellectually adventurous video games. Evaluation Method: 1. Attendance and participation to lectures AND discussion sessions (25% of the final grade). Please note that more than three absences will automatically reduce your final grade. 2. Two short response papers (15%). 3. Mid-term exam (25%). 4. Final 5-6 page paper (35%). CLS 211 / ENG 211:Topics in Genre: Intro to Poetry Lectures: MW 11:00-11:50, Harris 107 Discussion Sections: F 11:00, 1:00 Instructor: Susannah Gottlieb Expected Enrollment: 100 Course Description: The experience of poetry can be understood in it at least two radically different ways: as a raw encounter with something unfamiliar or as a methodically constructed mode of access to the unknown.
    [Show full text]
  • English Program 2016
    English www.litteraturfestival.no Program 2016 Høydepunkter Highlights The Norwegian Festival of Literature 2016 Dear festival visitors, Welcome to six We are also putting the spotlight on the days of festival activities! Some 400 refugee crisis faced by Norway and the rest authors and artists will be taking part of Europe. What is the background of the in more than 200 events! Whether you refugee crisis? What are the refugees fleeing are coming specifically to experience from and what are they coming to? What is Linn Ullmann, Richard Ford, Ariana taking place in the debate climate, what is Reines or Compagnon, or are planning happening to us and what is in fact correct to take things as they come, you can rest and sustainable? The festival has more assured that the Lillehammer festival will questions than answers, and that is why we provide you with good experiences and have invited experts and writers who have pleasant people. You have made a good in-depth expertise on the complex issues. We decision! You are welcome! We hope you are looking forward to interesting discussions will have a wonderful time! and hopefully proposals for solutions. The refugee theme is a leitmotif running through For this year’s festival the USA is the region this year’s programme. Follow The Asylum in focus and there is a reason for this. March 2016, from Trondheim to Lillehammer, Norwegian books are selling like never before take part in the debate about on the other side of the Atlantic, while the radicalisation or hear a presentation of per- awareness of American literature is growing secuted writers from Norwegian Cities of due to increased access, both digitally and in Asylum.
    [Show full text]
  • Helsinki Literary Agency Foreign Rights List Spring 2020
    Helsinki Literary Agency Foreign Rights List Spring 2020 Contents Novels by prize-winning authors 5 Kari HotaKainen Story 7 Selja aHava The Woman Who Loved Insects 9 Marisha raSi-Koskinen REC 11 Mikko riMMinen If It Looks Like It 13 riikka Pelo All that Is Alive 15 Piia leino Overtime 17 Pirkko SaiSio Prevarications New acclaimed voices 19 anu Kaaja Katie-Kate 21 juHani Karila Fishing for the Little Pike 23 antti rönKä Off the Ground 25 niina Miettinen Wild Rosemary 27 Sisko SavonlaHti Maybe This Summer Everything Will Change 29 ellen StröMberg The Itch 31 annaStiina StorM Mirror, Mirror 33 Katriina Huttunen The Placenta of Grief 35 Harry SalMennieMi Victim Syndrome 37 j. P. laitinen Fictional 39 niillaS HolMberg Underfoot Crime 41 tuoMaS vimma The Left Bank 43 eva Frantz Out of the Game 45 j. P. PulKKinen White Crow 47 j. M. ilveS Bordertown – The Man-Beast Nonfiction 49 vappu Kaarenoja & aurora räMö The Women Who Run Finland 51 lea & Santeri PaKKanen It Happened to Us 53 MarcuS roSenlund Towards the Stars 55 Hannele jyrKKä The Hunter 57 teeMu KeskiSarja The Angel of Death 59 MiKKo PyHälä Venezuela from Riches to Rags 61 Harri KirveSnieMi & axa Sorjanen & Kimmo Syväri The Good Ski School 63 MarKo leppänen & adela Pajunen Woodland Authors See pages 65–71 Literary fiction © Laura Malmivaara Kari Hotakainen (b. 1957) brought his distinctive, personal voice to the Finnish literary scene in 1982. Since then he has published over 20 works comprising novels, poems, and books for children and young people. He has received the Nordic Council’s Literature Prize, the Finlandia Prize, the Prix du Courrier International and the Prix Coup du Coeur, amongst others.
    [Show full text]
  • Skandinavische Erzähler Des 20. Jahrhunderts
    SKANDINAVISCHE ERZÄHLER DES 20. JAHRHUNDERTS Herausgegeben und ausgewählt von Manfred Kluge WILHELM HEYNE VERLAG MÜNCHEN Inhalt DANEMARK MARTIN ANDERSEN NEX0 Jakobs wunderbare Reise 10 TANIA BLIXEN Die Perlen 17 WILLIAM HEINESEN Gäste vom Mond 35 HANS CHRISTIAN BRANNER Zwei Minuten Schweigen 39 TOVE DITLEVSEN Gesichter 51 LEIF PANDURO Röslein auf der Heide 59 VILLY S0RENSEN Der Heimweg 72 KLAUS RIFBJERG Die Badeanstalt 81 INGER CHRISTENSEN Nataljas Erzählung 90 SVEN HOLM Hinrichtung 101 PETER H0EG Carl Laurids 109 FINNLAND FRANS EEMIL SILLANPÄÄ Rückblick 132 TOIVO PEKKANEN Ein Träumer kommt aufs Schiff 152 MARJA-LIISA VARTIO Finnische Landschaft 158 VEIJO MERI Der Töter 168 ANTTI HYRY Beschreibung einer Bahnfahrt 179 MÄRTA TIKKANEN Ich schau nur mal rein 195 ANTTI TUURI 650 nördlicher Breite 206 ROSA LIKSOU Ich hab einen schrottreifen Motorschlitten 217 ISLAND GUNNAR GUNNARSSON Die dunklen Berge 222 HALLDÖR LAXNESS Der Pfeifer 231 STEINUNN SIGURDARDÖTTIR Liebe auf den ersten Blick 247 EINAR KÄRASON Licht in der Finsternis 258 NORWEGEN KNUT HAMSUN Kleinstadtleben 278 SIGRID UNDSET Mädchen 298 GERD BRANTENBERG »Ein Mann wirft einen Schatten« 310 TORIL BREKKE Ein silberner Flachmann 324 INGVAR AMBJ0RNSEN Komm heim, komm heim! 330 JOSTEIN GAARDER ... wir werden herbeigezaubert und wieder weggejuxt... 336 ERIK FOSNES HANSEN Straßen der Kindheit, der Jugend 342 SCHWEDEN HJALMAR BERGMAN Befiehl, Karolina, befiehl 356 SELMA LAGERLÖF Der Roman einer Fischersfrau 365 PÄR LAGERKVIST Der Fahrstuhl, der zur Hölle fuhr 375 EYVIND JOHNSON September 38 382 HARRY MARTINSON Das Seemärchen, das nie passierte 388 LARS AHLIN Man kommt nach Haus und ist nett 395 WILLY KYRKLUND Die Sehnsucht der Seele 404 PER OLOF SUNDMAN Oskar 423 PER OLOV ENQUIST Der Gesang vom gestürzten Engel 436 LARS GUSTAFSSON Eine Wasser-Erzählung 446 LARS ANDERSSON Repja 463 STIG LARSSON Gogols Blick 472 Autoren- und Quellenverzeichnis 483.
    [Show full text]
  • Kritikens Ordning Svenska Bokrecensioner 1906, 1956, 2006
    Kritikens ordning Svenska bokrecensioner 1906, 1956, 2006 © lina samuelsson Grafisk form anita stjernlöf-lund Typografi AGaramond Papper Munken Pure Omslagets bild gertrud samén Tryck trt boktryckeri, Tallinn 2013 Förlag bild,text&form www.bildtextform.com isbn 978-91-980447-1-3 Lina Samuelsson Kritikens ordning Svenska bokrecensioner 1906, 1956, 2006 bild,text&form 7 tack 8 förkortningar 8 pseudonym- och signaturnyckel 9 inledning 10 Vad är litteraturkritik? 11 Institution – diskurs – normer 14 Tidigare forskning 1906 17 Det litterära året 18 Urval och undersökt material 21 kritikerna 1906 21 Litteraturbevakningen före kultursidan 23 Kritikerkåren 26 Litteraturen 28 Kritiken av kritiken 33 recensionerna 1906 33 Utveckling, mognad och manlighet. Författaren och verket 35 ”En verklig människa, som lefver och röres inför våra ögon”. Kritikens värderingskriterier I 38 ”Det själfupplefvdas egendomlighet och autopsi”. Kritikens värderingskriterier II 41 Vem är författare? Konstnärlighet, genus och rätten till ordet 46 För fosterlandet. Föreställningar om nationalism 50 exempelrecension 1956 56 Det litterära året 58 Urval och undersökt material 62 kritikerna 1956 62 Kultursidor och litteraturtidskrifter 66 Kritikerkåren 72 Litteraturen 75 Kampen om kritiken 79 recensionerna 1956 79 En ny och modern kritik. Verket och kritikern 82 Enkelt och äkta. Kritikens värderingskriterier I 84 Om att vara människa. Kritikens värderingskriterier II 88 ”Fem hekto nougat i lyxförpackning”. Populärlitteratur och genus 94 exempelrecension 2006 99 Det litterära året riginal 101 Urval och undersökt material 105 kritikerna 2006 105 Drakar, bloggar och tabloider 110 Kritikerkåren 116 Litteraturen 121 Kritik i kris? 125 recensionerna 2006 125 Subjektiv och auktoritär – kritikern i centrum 129 Personligt, biografiskt (och dessutom sant). Författaren och verket 134 Drabbande pageturner som man minns länge.
    [Show full text]
  • Literary Translation from Turkish Into English in the United Kingdom and Ireland, 1990-2010
    LITERARY TRANSLATION FROM TURKISH INTO ENGLISH IN THE UNITED KINGDOM AND IRELAND, 1990-2010 a report prepared by Duygu Tekgül October 2011 Making Literature Travel series of reports on literary exchange, translation and publishing Series editor: Alexandra Büchler The report was prepared as part of the Euro-Mediterranean Translation Programme, a co-operation between the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, Literature Across Frontiers and Transeuropéenes, and with support from the Culture Programme of the European Union. Literature Across Frontiers, Mercator Institute for Media, Languages and Culture, Aberystwyth University, Wales, UK This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License. 1 Contents 1 EXECUTIVE SUMMARY ............................................................................................ 4 1.1 Framework .......................................................................................................... 4 1.2 Method and scope ................................................................................................. 4 1.3 Conclusions ......................................................................................................... 5 1.3.1 Literary translation in the British Isles ................................................................... 5 1.3.2 Literature translated from Turkish – volume and trends .............................................. 6 1.3.3 Need for reliable data on published translations
    [Show full text]
  • Extensions of Witness Fiction
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title "Alla människor har sin berättelse": Interculturalism, Intermediality and the Trope of Testimony in Novels by Ekman, Ørstavik and Petersen Permalink https://escholarship.org/uc/item/5xc593sq Author Martin, Suzanne Brook Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California “Alla människor har sin berättelse”: Interculturalism, Intermediality and the Trope of Testimony in Novels by Ekman, Ørstavik and Petersen By Suzanne Brook Martin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Linda Rugg, Chair Professor John Lindow Professor Hertha D. Sweet Wong Professor Troy Storfjell Fall 2010 Abstract “Alla människor har sin berättelse”: Interculturalism, Intermediality and the Trope of Testimony in Novels by Ekman, Ørstavik and Petersen by Suzanne Brook Martin Doctor of Philosophy in Scandinavian University of California, Berkeley Professor Linda Rugg, Chair This study focuses on Kerstin Ekman’s Vargskinnet trilogy (1999-2003), Hanne Ørstavik’s Presten (2004) and Martin Petersen’s Indtoget i Kautokeino (2004). The premise of this dissertation is that these novels provide a basis for investigating a subcategory of witness literature called witness fiction, which employs topoi of witness literature within a framework of explicitly fictional writing. Witness literature of all types relies on the experience of trauma by an individual or group. This project investigates the trauma of oppression of an indigenous group, the Sami, as represented in fiction by members of majority cultures that are implicated in that oppression.
    [Show full text]