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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
RAISING HOPE "Shelley's in Love."
RAISING HOPE "Shelley's In Love." Written by Jennifer Rose Bellis 566 1/2 W Brady Street. Butler, PA 16001 (724) 679 7900 [email protected] ACT ONE FADE IN: INT. HOWDY’S MARKET - EVENING FRANK and JIMMY stand by the Deli case. JIMMY You should come over tonight. Sabrina is going to Shelley’s for a girl’s night. FRANK Sorry, Dude. Can’t tonight. I’m busy. JIMMY What do you have “hot date”? FRANK Nah, Man. I’m helping my Uncle out with something. JIMMY Okay, some other time then. Jimmy and Frank close up the store. CUT TO: INT. SHELLEY’S APARTMENT - BEDROOM - NIGHT SHELLEY sits in front of her computer wearing a horse mask. On the screen, a man in a baby face mask. SHELLEY I can’t wait till tomorrow. BABY FACE I hope you not an ugo. Shelley laughs. The doorbell RINGS. 2 SHELLEY I have to go. I’ll see you tomorrow. BABY FACE Bye. Shelley leaves the room and makes her way to the door. INT. SHELLEY’S APARTMENT - LIVING ROOM - MOMENTS LATER Shelley answers the door. SABRINA comes in. SHELLEY I’m glad you could come over. I have big news. SABRINA What’s the big news? SHELLEY I’m finally going to meet Baby Face. SABRINA The weird guy that you have been talking to online. SHELLEY Yeah. We are going to meet tomorrow night. Sabrina sits on the couch. Shelley goes to the kitchen and brings back Marguerites. She hands one to Sabrina and sits on the chair beside the couch. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
AAFES Retired Employees Association
AAFES Retired Employees Association Newsletter April 2014 Supporting the Interests of AAFES, Its Retirees and the People it Serves Alamo celebrates 100th birthday of Violet Stricker There are “special birthdays” (say ages 50, 60, 75, 80, etc), but then there’s the “Very Special Birthday” that comes around once every 100 years. The Alamo Chapter of AREA celebrated that type of Very Special Birthday on March 12 as long-time member Violet Stricker turned 100. Violet was beaming (as you can see in the photograph) as she viewed her cake with three candles in the form of “100”. Violet Stricker was all smiles A bouquet of yellow roses brought even at her 100th birthday party given by the Alamo Chapter more smiles. Read the story of Violet’s Centennial Birthday Celebration and view the photos on page 7. Exchange Post will end printing for retirees in August You can read each issue on mobile device or sign up for delivery by email EDITOR’S NOTE: Barbara Kirsch, Exchange Post Editor, The good news is the Exchange Post will be available to you explains the rationale for ending distribution of the monthly three ways, and it’s only a click away: employee newspaper by mail to retirees in the following story: (1) To read the Exchange Post on the internet, click http:// If you are keeping up with the headlines, you are aware the theexchangepost.imirus.com/Mpowered/book/vexp14/i3/p1. U.S. military is being reduced to pre-World War II levels. As the Exchange faces a reduced customer base and increasing (2) You can also read the Exchange Post budget costs, we must reduce expenses to keep the Exchange on your mobile phone or tablet by clicking relevant for years to come. -
The Simpsons “Do Diversity” in the Critical Media Literacy Classroom
“Peace and Chicken” The Simpsons “do diversity” in the critical media literacy classroom Emma Jane McGillivray Department of Integrated Studies in Education McGill University, Montreal January 2011 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Masters of Arts © Emma Jane McGillivray 2011 Acknowledgments It is with the utmost gratitude that I extend a sincere thank-you to everyone that has in one way or another influenced and supported my learning over the last three years of my graduate studies. More specifically, there are pivotal players that have been invaluable throughout this writing process. To my Supervisor—Shirley Steinberg, thank you for answering so many of my questions and for helping me to understand that while The Simpsons might not be hyperreal, you can probably still find a time where they ‘did’ hyperreal. And for sharing your amazing brilliance and strength in everything that you do. Thank-You. To my partner in life—Scott McMichael- ‘I choo choo choose you’ -10 seasons in and a whole lot more to go. You have pushed and encouraged me everyday to do my best. I wouldn’t be here if it wasn’t for you. I love you. To my family— To my grandfather, Dr. Jim, you have made all of this obtainable and have been my hero throughout my life. It is your encouragement and advice that continues to push me to work hard at everything that I do. To my mother, Johanne McGillivray, you have taught me to have faith in the world and not to be afraid to wonder about the unimaginable. -
Current, September 26, 2011
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 9-26-2011 Current, September 26, 2011 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, September 26, 2011" (2011). Current (2010s). 88. https://irl.umsl.edu/current2010s/88 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. SEPTEMBER 26, 2011 VOL. 45; TheWWW.T H E CCurrentURREN T- O N L INE .COM ISSUE 1354 Catholic Newman Center takes a crisp bite By Ashley Atkins, page 12 SARAH LOWE / THE CURRENT ALSO INSIDE StateMan Eatingof University Sandwich Address Triton volleyball Appropriate skirt length 72 NewJubilee art celebration installation announced feeds one man 1314 Tritons defeat Drury 3-2 16 Are cheerleaders’ skirts too short? 2 | The Current | SEPTEMBER 26, 2011 | WWW.THECURRENT-ONLINE.COM | | NEWS TheCurrent VOL. 45, ISSUE 1354 News WWW.THECURRENT-ONLINE.COM Optimism and school pride runs deep at EDITORIAL Editor-in-Chief....................................................Matthew B. Poposky Managing Editor.........................................................Janaca Scherer annual State of the University Address News Editor..................................................................Minho Jung Features Editor............................................................Ashley -
Melbourne Program Guide
MELBOURNE PROGRAM GUIDE Sunday 21st August 2011 06:00 am Jag (Rpt) PG Mixed Messages Some Violence Former f ighter pilot, Captain Harmon "Harm" Rabb, and his team of lawy ers are charged with the duty of inv estigating and litigating crimes committed by Nav y and Marine personnel. Starring: Dav id James Elliott, Catherine Bell, Tracey Needham, Zoe McLellan 07:00 am Macgyver (Rpt) PG Unfinished Business Mild Violence Armed with only a roll of duct tape and a Swiss Army knif e, super resourcef ul secret agent, Angus MacGy v er, can get himself out of any sticky situation by using his brains ov er brawn. Starring: Richard Dean Anderson, Dana Elcar 08:00 am The Brady Bunch (Rpt) G Try, Try Again Here's the story of a lov ely lady … y ou know how it goes! Carol married Mike, both hav e three children each, together with housekeeper, Alice, and dog, Tiger, they became the Brady Bunch. Starring: Robert Reed, Florence Henderson, Barry Williams, Maureen McCormick, Christopher Knight, Ev e Plumb, Mike Lookinland, Susan Olsen, Ann B Dav is 08:30 am Everybody Loves Raymond (Rpt) CC G Somebody Hates Raymond WS Ray 's f riend, Andy , gets a job booking guests f or a sports radio show, but can't book Ray because the presenter openly admits to hating him. This insults not only Ray but the entire Romano clan. Starring: Ray Romano, Patricia Heaton, Doris Roberts, Peter Boy le, Brad Garrett 09:00 am Touched By An Angel (Rpt) PG An Angel On The Roof Adult Themes Be inspired as Monica, Tess and Andrew bring messages of hope and lov e f rom God to the people who need His guidance the most. -
“The Simpsons” As Illustration of Work-Family Concepts Authors
“The Simpsons” as Illustration of Work-Family Concepts Authors: Sara C. Hare & Robert C. Lennartz, Indiana University Southeast Source: Sweet, Stephen, Marcie Pitt-Catsouphes, Joshua Mumm, Judith Casey, and Christina Matz. 2006. Teaching Work and Family: Strategies, Activities, and Syllabi. Washington DC: American Sociological Association. Type: Media Examples Purpose: Using a television show to illustrate family and work concepts The Simpsons, the animated situation comedy, is now in its 17th season. Students have literally grown up with the critically-acclaimed show and understand its biting commentaries on American society, current events and family issues. The Simpson family includes the nuclear family of Homer and Marge, bad-boy Bart, socially- conscious Lisa, and baby Maggie, along with a cast of regular characters from the community of Springfield. Scanlan and Feinberg (2000) introduced the idea of using the television show to teach sociological concepts. While they recommend using the entire 22-minute episode, specific concepts can be introduced or illustrated with a shorter 3-5 minute clip. Seasons 1-7 are now available for purchase or rental so more examples of illustrated concepts from those seasons have been included in the table below. However, episodes are rerun nightly in most viewing areas so that particular episodes can be taped easily. Students may also be a resource for copies of particular episodes. The following table includes episodes that illustrate family and work concepts. The table is organized in chronological order because the episodes are bundled by season when they are purchased or rented. The official identifier for the episode (code number) and the episode title (in quotes) are also included. -
Hulk (Comics) 1 Hulk (Comics)
Hulk (comics) 1 Hulk (comics) Hulk Promotional art for The Incredible Hulk vol. 3, #92 (April 2006) by Bryan Hitch. Publication information Publisher Marvel Comics First appearance The Incredible Hulk #1 (May 1962) Created by Stan Lee Jack Kirby In-story information Alter ego Bruce Banner Species Human Place of origin Earth Team affiliations • The Worthye • Warbound • Avengers • Defenders • Pantheon • Hulkbusters • Heroes for Hire • Horsemen of Apocalypse • The Order • New Fantastic Four Notable aliases War, Joe Fixit, Green Scar, World-Breaker, Sakaarson, Abilities • Banner: Genius-level intellect • Hulk: Superhuman strength, speed, stamina, endurance & durability • Immunity to diseases & viruses • Regenerative healing factor • Resistance to mind control The Hulk is a fictional character, a superhero who appears in comic books published by Marvel Comics. Created by Stan Lee and Jack Kirby, the character first appeared in The Incredible Hulk #1 (May 1962). He is a gigantic, green, irradiated, mutated humanoid monster with incredible strength and an inability to control his rage. The Hulk is sometimes characterized as hyper-aggressive and brutal, other times as cunning, brilliant, and scheming. He is often portrayed as an antihero. The Hulk is cast as the emotional and impulsive alter ego of the withdrawn and reserved physicist Dr. Bruce Banner; Banner first transforms into the Hulk shortly after he is accidentally exposed to the blast of a test detonation of a gamma bomb he invented. Subsequently, Banner will involuntarily transform into the Hulk whenever he gets too angry or if his life is in danger, leading to extreme complications in Banner's life. Lee said the Hulk's creation was inspired by a combination of Dr. -
Neoliberalism and Working- Class Representation in Contemporary Television
WORKING HARD OR WORKING CLASS?: NEOLIBERALISM AND WORKING- CLASS REPRESENTATION IN CONTEMPORARY TELEVISION A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy in Communication By HOLLY WILLSON HOLLADAY Dr. Melissa A. Click, Dissertation Supervisor May 2015 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled WORKING HARD OR WORKING CLASS?: NEOLIBERALISM AND WORKING- CLASS REPRESENTATION IN CONTEMPORARY TELEVISION presented by Holly Willson Holladay, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ___________________________________________________ Dr. Melissa A. Click ___________________________________________________ Dr. Jennifer Stevens Aubrey ___________________________________________________ Dr. Elizabeth Behm-Morawitz ___________________________________________________ Dr. Rebecca R. Scott iii ACKNOWLEDGMENTS I was twenty years old when I first decided I wanted to become an academic, even though I had no idea what that meant. Eleven years later, I am actually earning my PhD. My five years of doctorate education has been at once challenging and rewarding, and heartbreaking and heartwarming. I couldn’t have imagined how necessary an extensive support system would be. This never would have been possible without my advisor, Dr. Melissa Click. You have been my champion, my sounding board, my therapist, and my friend. I wish I could list the innumerable things you have taught me, but that would require you to read another 250 pages, so I’ll limit it to this: how to bug the hell out of someone until they agree to be in your focus group, the importance of an accountability buddy, the danger in ordering spicy Thai food, the necessity of printing contracts in blood font, the value in putting myself out there to have my ideas heard, and, most significantly, how to take care of myself during this process. -
2556 Total Amount of Data: 761041MB G:/America
Total Number of Files: 1474 Total amount of data: 391021MB Total Number of Files: 2556 Total amount of data: 761041MB G:/American Dad!/American Dad! - [04x01] - 1600 Candles.avi G:/American Dad!/American Dad! - [04x02] - The One That Got Away.avi G:/American Dad!/American Dad! - [04x03] - One Little Word.avi G:/American Dad!/American Dad! - [04x04] - Choosey Wives Choose Smith.avi G:/American Dad!/American Dad! - [04x05] - Escape From Pearl Bailey.avi G:/American Dad!/American Dad! - [04x06] - Pulling Double Booty.avi G:/American Dad!/American Dad! - [04x07] - Phantom of the Telethon.avi G:/American Dad!/American Dad! - [04x08] - Chimdale.avi G:/American Dad!/American Dad! - [04x09] - Stan Time.avi G:/American Dad!/American Dad! - [04x10] - Family Affair.avi G:/American Dad!/American Dad! - [04x11] - Live and Let Fry.avi G:/American Dad!/American Dad! - [04x12] - Roy Rogers McFreely.avi G:/American Dad!/American Dad! - [04x13] - Jack's Back.avi G:/American Dad!/American Dad! - [04x14] - Bar Mitzvah Shuffle.avi G:/American Dad!/American Dad! - [04x15] - Wife Insurance.avi G:/American Dad!/American Dad! - [05x01] - In Country... Club.avi G:/American Dad!/American Dad! - [05x02] - Moon Over Isla Island.avi G:/American Dad!/American Dad! - [05x03] - Home Adrone.avi G:/American Dad!/American Dad! - [05x04] - Brains, Brains and Automobiles.avi G:/American Dad!/American Dad! - [05x05] - Man in the Moonbounce.avi G:/American Dad!/American Dad! - [05x06] - Shallow Vows.avi G:/American Dad!/American Dad! - [05x07] - My Morning Straitjacket.avi G:/American