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Ludwig Mies Van Der Rohe from Traditional Neoclassical Homes to Modernism
Ludwig Mies van der Rohe From Traditional Neoclassical Homes to Modernism AUK College of Art & Sciences/ID IND311 Interior Design History II Asst. Prof. Siniša Prvanov Spring 2019 Page 1 of 96 Contents: Introduction 1. Barcelona Pavilion 1929. 2. Villa Tugendhat 1930. 3. Farnsworth House 1946. 4. New National Gallery, Berlin 1968. 5. Furniture Design Page 2 of 96 INTRODUCTION Ludwig Mies van der Rohe (March 27, 1886 - August 17, 1969) was a German-American architect. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was a director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, and with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies went to the United States. He accepted the position to head the architectural school at the Illinois Institute of Technology, in Chicago. Mies sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created a new twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with Page 3 of 96 expressing the spirit of the modern era. -
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NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) r~ _ B-1382 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Completelhe National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property I historic name Highfield House____________________________________________ other names B-1382___________________________________________________ 2. Location street & number 4000 North Charles Street ____________________ LJ not for publication city or town Baltimore___________________________________________________ D vicinity state Maryland code MD county Baltimore City code 510 zip code 21218 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ^ nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property E] meets D does not meet the National Register criteria. I recommend that this property be considered significant D nationally D statewide ^ locally. -
Kimmel in the C M Nity
THE SIDNEY KIMMEL COMPREHENSIVE CANCER CENTE R AT JOHNS HOPKINS KIMMEL IN THE C MNITY PILLARS OF PROGRESS Closing the Gap in Cancer Disparities MUCH PROGRESS HAS been made in Maryland toward eliminating cancer disparities, and I am very proud of the role the Johns Hopkins Kimmel Cancer Center has played in this progress. Overcoming cultural and institutional barriers and increasing minority participation in clinical trials is a priority at the Kimmel Cancer Center. Programs like our Center to Reduce Cancer Disparities, Office of Community Cancer Research, the Maryland Cigarette Restitution Fund at Johns Hopkins, and Day at the Market are helping us obtain this goal. Historical Trends (1975-2012) The challenge before Maryland is greater than Mortality, Maryland most states. Thirty percent of Maryland’s citizens are All Cancer Sites, Both Sexes, All Ages Deaths per 100,000 resident population African-American, compared to a national average 350 of 13 percent. We view our state’s demographics as 300 black (includes hispanics) an opportunity to advance the understanding of 250 factors that cause disparities, unravel the science White (includes hispanics) 200 that may also play a contributory role, and become the model for the rest of the country. Our experts are 150 setting the standards for removing barriers and 100 hispanic (any race) improving cancer care for African-Americans and 50 other minorities in Maryland and around the world. 0 1975 1980 1985 1990 1995 2000 2005 2010 Although disparities still exist in Maryland, we year of Death continue to close that gap. Overall cancer death rates have declined in our state, and we have narrowed the gap in cancer death disparities between African -American and white Marylanders by more than 60 percent since 2001, far exceeding national progress. -
National Register of Historic Places Registration Form
B-4480 NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word process, or computer, to complete all items. 1. Name of Property historic name One Charles Center other names B-4480 2. Location street & number 100 North Charles Street Q not for publication city or town Baltimore • vicinity state Maryland code MP County Independent city code 510 zip code 21201 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this G3 nomination • request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property C3 meets • does not meet the National Register criteria. I recommend that this property be considered significant D nationally • statewide K locally. -
Oscarsaysknoll
There are the film stars of the world: Grace Kelly, Marilyn Monroe, Bridget Bardot, Meryl Streep. Such talent and beauty. But we’re more interested in the talent behind furniture beauties: Saarinen and Bertoia and van der Rohe. Knoll designs have featured prolifically in film, from the classical to the contemporary to the futuristic - evidence that Knoll is Modern Always. Whether it’s a Bertoia Chair in Devil Wears Prada or a Platner Chair in Quantum of Solace, furniture can often hijack the attention of the audience, away from the action and dialogue of a film to communicate values and mood wordlessly. A well-chosen sofa, chair, or table can subliminally tell us more about a character’s personality or an environment’s tone than many pages of script. When a production designer needs to convey a character’s good taste and discerning style or when they simply need an extremely handsome piece in a domestic or office setting, we’ll often spot a Knoll. With the Oscars upon us, allow us to recognize some of our most prominent leading characters to grace the big screen. EERO SAAR INEN THE WOMB CHAIR was a groundbreaking design by Saarinen at Florence Knoll's request for "a chair that was like a basket full of pillows - something she could really curl up in." This mid-century classic supportas countless positions and offers a comforting oasis of calm—hence the name. And resulting in being staged on countless sets for a sense of chic comfort and style. THE WOMB CHAIR IN LEGALLY BLONDE “Endorphins make you happy…” and so does good design. -
9780714839622-Mies-Preview.Pdf
6 Introduction Critical Realism: Life and Form 14 Apprenticeship in Reform 20 Riehl House: Country House Critical Realism 32 Bismarck Memorial: Form and Space 44 Kröller-Müller Villa: Living Geometry Avant-garde: Art and Life 58 Glass Skyscraper: New Beginnings 82 Good Forms for New Types 92 Esters and Lange Houses: New Language 114 Weissenhofsiedlung: Urban Montage Task: Mastering Modernity 138 Barcelona Pavilion: Spiritualizing Technology 168 Tugendhat House: An Elevated Personal Life 182 Neue Wache: In the World and Against It 194 Bauhaus Education 210 Reichsbank: In Dark Times Organic Architecture 232 Resor House: Autonomy 244 AIT/IIT: Open Campus 258 IIT: Clear Construction Unfolding Structure 282 Farnsworth to Crown Hall: Clear Span 314 860–880 Lake Shore Drive: High Rise 338 Seagram Building: Dark Building 364 50 x 50 House to New National Gallery: Variations and Permutations 400 Lafayette Park: City Landscape 444 Event Space: Living Life Large 468 Notes 506 Bibliography 530 Index 007 Ludwig Mies, Riehl House, Potsdam-Neubabelsberg, 1906–7; entrance from the upper walled garden 008 Ludwig Mies at the Riehl house, ca.1912 008 007 In 1906 Bruno Paul recommended Mies to the philosopher Alois Riehl Whereas the neighbouring villas were built as Italian or German Re- became the locus for an alternative way of life. Critical of placing Riehl House: Country and his wife, Sophie, who were looking to build a quiet house for naissance icons set within miniature picturesque gardens, the Riehl houses as features in the centre of their lots and treating the garden summers, weekends and their imminent retirement in the fashionable House was designed by Mies as a simple neo-Biedermeier block as a residual fragment of a picturesque landscape, Muthesius argued Berlin suburb of Potsdam-Neubabelsberg 008. -
2021 GBC Member Directory
GREATER BALTIMORE COMMITTEE Member Directory Anne Arundel County Baltimore City Baltimore County Carroll County Harford County Howard County Regional business leaders creating a better tomorrow . today. Greater Baltimore Committee Member Directory Message to Members Awards 3 17 2021 Board of Directors Year in Photos 4 21 GBC at a Glance 11 Year in Review 29 Vision, Mission and 2020 Programs, Regional Perspective 11 Projects and 29 Core Pillars for a Highlights Competitive Business 11 Advocacy Environment 31 Events and 2021 Membership by Communications for 12 Industry Guide 33 Member Engagement 2021 Member Directory 36 Committees 13 Preparing for the Future: 2020 Event Sponsors 7 A Regional Workforce 1 Development Initiative 14 Inside Report Advertisers’ Index Back Cover GBC’s Next Up Program CONTENTS 15 www.gbc.org | 1 INVEST WITH CONFIDENCE UP T.RowePrice Our commitment to positive change is supported through sponsorships, youth programming, volunteerism, and pro bono service. We are an organization focused on transforming communities. troweprice.com/responsibility CCON0061882 202009-1355�17 Message to Members It is an understatement to say that 2020 has been a unique, difficult and • Commit to creating a more representative Board of Directors. challenging year. However, despite the disruptions to normal business • Evaluating and deciding each GBC public policy position through operations brought about by the coronavirus pandemic and other an equity lens. societal challenges, the work of the GBC in its 65th year has remained • Conducting a series of programs to educate and provide needed strong and we expect an even stronger 2021. resources so GBC member and non-member companies can create Like many of you, the GBC has adapted to meet the challenges and has inclusive business environments. -
Historic Properties Identification Report
Section 106 Historic Properties Identification Report North Lake Shore Drive Phase I Study E. Grand Avenue to W. Hollywood Avenue Job No. P-88-004-07 MFT Section No. 07-B6151-00-PV Cook County, Illinois Prepared For: Illinois Department of Transportation Chicago Department of Transportation Prepared By: Quigg Engineering, Inc. Julia S. Bachrach Jean A. Follett Lisa Napoles Elizabeth A. Patterson Adam G. Rubin Christine Whims Matthew M. Wicklund Civiltech Engineering, Inc. Jennifer Hyman March 2021 North Lake Shore Drive Phase I Study Table of Contents Executive Summary ....................................................................................................................................... v 1.0 Introduction and Description of Undertaking .............................................................................. 1 1.1 Project Overview ........................................................................................................................... 1 1.2 NLSD Area of Potential Effects (NLSD APE) ................................................................................... 1 2.0 Historic Resource Survey Methodologies ..................................................................................... 3 2.1 Lincoln Park and the National Register of Historic Places ............................................................ 3 2.2 Historic Properties in APE Contiguous to Lincoln Park/NLSD ....................................................... 4 3.0 Historic Context Statements ........................................................................................................ -
INTERVIEW with JOSEPH FUJIKAWA Interviewed by Betty J. Blum
INTERVIEW WITH JOSEPH FUJIKAWA Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 1995 Revised Edition © 2003 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Outline of Topics vii Oral History 1 Selected References 31 Curriculum Vitæ 33 Index of Names and Buildings 35 iii PREFACE Since its inception in 1981, the Department of Architecture at The Art Institute of Chicago has engaged in presenting to the public and the profession diverse aspects of the history and process of architecture, with a special concentration on Chicago. The department has produced bold, innovative exhibitions, generated important scholarly publications, and sponsored public programming of major importance, while concurrently increasing its collection of holdings of architectural drawings and documentation. From the beginning, its purpose has been to raise the level of awareness, understanding, and appreciation of the built environment to an ever-widening audience. In the same spirit of breaking new ground, an idea emerged from the department’s advisory committee in 1983 to conduct an oral history project on Chicago architects. Until that time, oral testimony had not been used frequently as a method of documentation in the field of architecture. -
Bertrand Goldberg Preserving a Vision of Concrete
BERTRAND GOLDBERG PRESERVING A VISION OF CONCRETE ANDREA N. SFORZA Submitted in partial fulfillment of the requirements for the degree of Master of Science in Historic Preservation Columbia University Graduate School of Architecture, Planning & Preservation May 2017 ACKNOWLEDGEMENTS To my advisor, Theodore Prudon, PhD, FAIA, Adjunct Professor in the Historic Preservation program at Columbia GSAPP, for his knowledge, encouragement to write on this subject, and guidance along the way. To my readers, Brian Greve, Associate Principal at Wiss, Janney, Elstner, and Mark Pasnik, AIA , Architect and founding principal of over,under for their input during the final stretch of the thesis process. To the staff at the Ryerson and Burnham Library at the Art Institute of Chicago for their assistance in navigating the Goldberg archive. To Geoffrey Goldberg for taking the time to meet with me and discuss his father’s architectural legacy. For his invaluable personal insight on the subject and excitement in sharing images from his personal collection with me. To those whom I met with or spoke to over the phone to discuss the topic. Including Carol Dyson, AIA, Chief Architect and Deputy State Historic Preservation Officer at the Illinois Historic Preservation Agency; Lisa DiChiera, Director of Advocacy at Landmarks Illinois; Jim Peters, private preservation planning consultant and past President of Landmarks Illinois; and Donald Moore, River City condominium board president. Thank you for your time and interest in my endeavors. Last but not least, to my -
A New Era of American Architectural Concrete: from Wright to Som First Volume
Roberto Gargiani A NEW ERA OF AMERICAN ARCHITECTURAL CONCRETE: FROM WRIGHT TO SOM FIRST VOLUME TREATISE ON CONCRETE Treatise on Concrete Directed by Roberto Gargiani A NEW ERA OF AMERICAN ARCHITECTURAL CONCRETE: FROM WRIGHT TO SOM FIRST VOLUME prologue chapter five. Effects of Scale and Prestressing: Surface Finishes by the Book: The Accomplishments Works by SOM and Mies of Architectural Concrete Goldsmith: Superstructure and Bracing Learning from Nervi chapter one. The Self-Built Construction of Wright SOM’s Quest for an Expressive Structure and Residential Fabrication Systems The Bridges and Prestressed Girders of SOM and Khan Wright’s Desert Concrete: Toward a Constructional New Paths of Gravity: Goldsmith and Lin Primitivism Mies’s Reinforced Trilith Textile and Concrete Blocks for the Usonian Houses The Experimental Residential Construction chapter six. The Skyscrapers of Mies, Kahn, and Wright of Rudolph and Goldberg The Unclear Structure of Mies and Severud The Monolithic Houses of Le Tourneau and IBEC for the Seagram Building The Lift Slab Method by Youtz & Slick and by the Johnson and the Enigma of Diagonal Bracing Vagtborg Corporation Kahn’s Tower of Triangular Concrete Frames The Richards Laboratories: Prefabrication chapter two. The Primitive Frame of Mies and Post-Tensioning Beauty is the Splendor of Truth: Mies’s Chicago Debut Wright’s Tripod Frame Construction and Molded Belluschi’s Equitable Building: The Copy Ornament The Promontory Apartments: The Degree Zero The Illinois Mile-High Cantilever Sky-City of the New Chicago Frame Prototype Variations chapter seven. Architectural Concrete Variations, Affordable Housing in Chicago, or the Miesian Aesthetic from Breuer to Saarinen Mo-Sai Precast Concrete Cladding Panels chapter three. -
Mies Van Der Rohe Collection Florence Knoll Collection Ludwig Mies Van Der Rohe Collection
Ludwig Mies van der Rohe Collection Florence Knoll Collection Ludwig Mies van der Rohe Collection From his work on the German Pavilion in Barcelona to the Tugendhat House in Brno, the Seagram Building in New York to the Farnsworth House in Illinois, Ludwig Mies van der Rohe defined an architectural vocabulary for the modern world in terms that are clear and honest. For his famous 1929 German Pavilion, Mies designed the classic Barcelona® chair and ottoman. Subsequently, in 1930, he created the Brno and MR Collections for the Tugendhat House in Brno, Czechoslovakia. These pieces mirror the groundbreaking simplicity of their original environments, with simple profiles, clean lines and meticulous attention to detail. They demonstrate the Bauhaus approach to combining industrial materials and modern forms. In 2004, KnollStudio introduced the Krefeld™ Collection, designed by Mies in 1927 for a residence in Krefeld, Germany, but never produced. Developed in collaboration with The Museum of Modern Art, the Krefeld Collection offers beautifully proportioned pieces that reflect Mies’ fondness of traditional furniture types. After emigrating to the United States in 1937, Mies formed a lasting friendship with a young student, Florence Knoll, who in 1948 acquired exclusive rights to produce the Barcelona Collection. Knoll subsequently acquired the remainder of Mies’ furniture designs, pieces that have taken their place among the most profoundly original furniture designs of the twentieth century. One day, Florence Knoll and Gordon Bunshaft, a leading partner in the architectural firm Skidmore, Owings & Merrill, were leaving the office of a large commercial client. “Where would they be without us?” she jokingly asked.