Artists from the Center for Cartoon Studies — Drawings and Cartoons
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The Dahl House
Microcosm Publishing PO Box 14332 Portland, OR 97293 www.microcosmpublishing.com Welcome to the Dahl House Alienation, Incarceration and Inebriation in the New American Rome by Ken Dahl The new Welcome to the Dahl House book collects 10 years of comic artist Ken Dahl’s best work. Dahl, winner of the Ignatz Award for best mini-comic for his STD nightmare Monsters #1 , gives the goods in equally hilarious and harrowing doses. His comics show a dirty, beaten down, drunk-as-hell America where the underdog always rules—even if he never wins. Dahl’s work is normal ol’ painful life with all the warts and scars and stretch-marks fully visible and well-lit. It’s heavy stuff, and decidedly not for the faint of heart, but Dahl’s caustic sense of humor, courage under fire, and strong undercurrent of hope balance out the dark with light and give his comics a well-rounded, triumphant epicness. Like a graphic novel mash up of Gummo, Jesus’ Son, and Married with Children, Welcome to the Dahl House tells it like it is, the existential American experience in 128 pages. “A double-barreled assault on American culture and consumerism and its dev - astatng results ... Dahl’s writing is simply brilliant. He successfully presents a view of America from the outside.” - Midnight Fiction “Ken Dahl’s comics are really well drawn, imaginative, spirited, and forthright, SUBJECT CATEGORY: Graphic Novel, Comic but best of all, painfully, painfully honest.” - Ivan Brunetti, author of Misery RELEASE: 7/1/08 Loves Company PRICE: Retail: $6 | Wholesale: $4.20 ISBN: 978-1-934620-02-1 FORMAT: paperback, 5.5 x 7”, 128 pgs, illustrated ABOUT THE AUTHOR: Born in Honolulu, raised on the roads of the MARKETING NOTES: continental US, Ken Dahl comes at comix- - Author winner of Ignatz Award for best mini-comic makin' with a wealth of world-weariness and - Book is featured on 25,000 postcards distributed wisdom under his belt. -
Queer Here: Poetry to Comic Emma Lennen Katie Jan
Queer Here: Poetry to Comic Emma Lennen Katie Jan Pull Quote: “For the new audience of queer teenagers, the difference between the public and the superhero resonates with them because they feel different from the rest of society.” Consider this: a superhero webcomic. Now consider this: a queer superhero webcomic. If you are anything like me, you were infinitely more elated at the second choice, despite how much you enjoy the first. I love reading queer webcomics because by being online, they bypass publishers who may shoot them down for their queerness. As a result, they manage to elude the systematic repression of the LGBTQA+ community. In the 1950s, when repression of the community was even more prevalent, Frank O’Hara wrote the poem “Homosexuality” to express his journey of acceptance as well as to give advice to future gay people. The changes I made in my translation of the poem “Homosexuality” into a modern webcomic demonstrate the different time periods’ expectations of queer content, while still telling the same story with the same purpose, just in a different genre. Despite the difference between the genres, the first two lines and the copious amount of imagery present in the poem allowed for some near-direct translation. The poem begins with “So we are taking off our masks, are we, and keeping / our mouths shut? As if we’d been pierced by a glance!” (O’Hara 1-2). While usually masks symbolize hiding your true self and therefore have a negative connotation, the poem instead considers it one’s pride. Similarly, for many superheroes, the mask does not represent shame, it represents power and responsibility. -
Reading Between the Panels: a Metadata Schema for Webcomics Erin Donohue Melanie Feinberg INF 384C: Organizing Infor
Reading Between the Panels: A Metadata Schema for Webcomics Erin Donohue Melanie Feinberg INF 384C: Organizing Information Spring 2014 Webcomics: A Descriptive Schema Purpose and Audience: This schema is designed to facilitate access to the oftentimes chaotic world of webcomics in a systematic and organized way. I have been reading webcomics for over a decade, and the only way I could find new comics was through word of mouth or by following links on the sites of comics I already read. While there have been a few attempts at creating a centralized listing of webcomics, these collections consist only of comic titles and artist names, devoid of information about the comics’ actual content. There is no way for users to figure out if they might like a comic or not, except by visiting the site of every comic and exploring its archive of posts. I wanted a more systematic, robust way to find comics I might enjoy, so I created a schema that could be used in a catalog of webcomics. This schema presents, at a glance, the most relevant information that webcomic fans might want to know when searching for new comics. In addition to basic information like the comic’s title and artist, this schema includes information about the comic’s content and style—to give readers an idea of what to expect from a comic without having to browse individual comic websites. The attributes are specifically designed to make browsing lots of comics quick and easy. This schema could eventually be utilized in a centralized comics database and could be used to generate recommendations using mood, art style, common themes, and other attributes. -
Superhero Team Up!
Superhero Team up! Working together to teach intellectual property to our students Our Heroes Maria Burchill, The Bookkeeper John Meier, The Cybrarian The story so far... 1. Overview of intellectual property 1. Create your own superhero 1. Ideas for presenting a program like this Golden Age of Comics Silver Age of Comics How do the creators/artists of superheroes protect their creativity and innovation? ● How would you protect your original drawing, story, or theme song? ● How about your invention of a superhero gadget? ● What about the name of your hero? Copyright protects ‘ the authors of “original works of authorship,” including literary, dramatic, musical, artistic, and certain other intellectual works’ www.copyright.gov Copyright 1938 - rights sold for $130 1948 - creators lose to DC 1975 - creators lose but get benefits 1999 - estates renegotiate 2013 - DC sole owner Trademarks “A trademark is a word, phrase, symbol or design, or a combination thereof, that identifies and distinguishes the source of the goods of one party from those of others.” US Patent and Trademark Office (www.uspto.gov) Patents “exclude others from making, using, offering for sale, or selling the invention throughout the United States or importing the invention into the United States” - U.S. Patent Office Copycats are literally Villains! Using someone else’s work without giving them credit is dishonest and wrong (Schlipp and Kocis) Create your own superhero Draw a costume Write a ★Name ★Secret Origin ★Powers ★Gadgets Congratulations! You are now a copyright holder Trademarks need to be used on a product or service in order to file. Patents applications must actually work (no time machines!) Tips for your own program ❏Identify partners in superheroes and IP (local artists and comic store owners) ❏Prepare your presentation content (more video clips for younger audiences) ❏Promote, promote, promote ❏Bring plenty of supplies, comics, & freebies In our next exciting episode.. -
The History of Web Comics Pdf Free Download
THE HISTORY OF WEB COMICS PDF, EPUB, EBOOK T. Campbell | 192 pages | 06 Jun 2006 | Antarctic Press Inc | 9780976804390 | English | San Antonio, Texas, United States The History of Web Comics PDF Book When Alexa goes to put out the fire, her clothes get burnt away, and she threatens Sam and Fuzzy with the fire extinguisher. Columbus: Ohio State U P. Stanton , Eneg and Willie in his book 'The Adventures of Sweet Gwendoline' have brought this genre to artistic heights. I would drive back and forth between Massachusetts and Connecticut in my little Acura, with roof racks so I could put boxes of shirts on top of the car. I'll split these up where I think best using a variety of industry information. Kaestle et. The Creators Issue. To learn more or opt-out, read our Cookie Policy. Authors are more accessible to their readers than before, and often provide access to works in progress or to process videos based on requests about how they create their comics. Thanks to everyone who's followed our work over the years and lent a hand in one way or another. It was very meta. First appeared in July as shown. As digital technology continues to evolve, it is difficult to predict in what direction webcomics will develop. The History of EC Comics. Based on this analysis, I argue that webcomics present a valuable archive of digital media from the early s that shows how relationships in the attention economy of the digital realm differ from those in the economy of material goods. -
By ALEC LONGSTRETH Distributed by Adhouse Books Diamond Order
Contact: Alec Longstreth • [email protected] FOR IMMEDIATE RELEASE More info: www.alec-longstreth.com/basewood/ a graphic novel TEN YEARS in the making! by ALEC LONGSTRETH “Drawn with delicate precision, brimming with heart and adventure, Basewood is an exquisite gem of a work. It’s a genuine miracle that a comic this beautifully unique exists at all.” – James Kochalka “Longstreth’s deceptively simple drawings of this harsh world filled with axes, ropes, pulleys, and levers, a place where you must bend nature with your bare hands to survive, have a layered intricacy that looks like something that should be carved on a medieval cathedral. One of my favorite books to spend time with.” – Jeff Smith “Alec Longstreth is the most generous and enthusiastic cartoonist I’ve ever met, and his work brims over with that same contagious energy. His greatest work to date, Basewood, is a full sensory immersion into a meticulously-crafted, warm-hearted, and most of all epic world.” – Craig Thompson ABOUT BASEWOOD: Adventure! Mystery! Tree houses! A Wolf-Dragon! Basewood tells the story of a young man who wakes up in the woods, with no memory of how he got there. The reader follows along as our hero tries to uncover the details of his mysterious past. Drawn in a highly-detailed crosshatching style, this graphic novel took over ten years to write and draw. This beautiful, hardback edition of Basewood was funded by a wildly successful Kickstarter campaign that surpassed its $10,000 funding goal after only 48 hours. A French translation of Basewood was published by L’employé du Moi in 2012, and now the book is finally available here in the United States. -
Rocio Vega AI Dreams Is a Webcomic That Was Inspired by My Dreams. It Is
Rocio Vega AI Dreams is a webcomic that was inspired by my dreams. It is a vertical scroller comic for many people to enjoy on their phones. I was introduced to a product called webtoon which is a Korean based company that is now very popular in the USA. I became interested in these webcomics because it was a different way to interact with the viewer. This is especially true to the way I wanted my illustrations to have a more fluid like movement through the pages. This is representing more on how dreams move from one to the other. The reason I chose to make a comic for my dreams, was to create a story that my dreams can live in. This was my decision because I wanted people to enjoy a journey through my dream that's easier to follow along. The flow between dreams would be connected, instead of having it separate stories in a book. The story of AI Dreams is about an AI called Avi. This webcomic is based in the future where tech has been revolutionized. The new dream program made in that time is called AI Dreams which is an easy name to remember. This is a story about an AI forced through obstacles that were set in motion by a dark force at work. An adventure into the self discovery to what Avi is, through her dreams and emotions. The way I made this webcomic was more painterly with detail lines. Many of these comics are made to be fasted paced when making them. -
T Cartoonists
Publisher of the Worl d’sG r eatest Car toon ists SUMMER 2019 SUMMER 2019 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 customer service: 800-657-1100 [email protected] • www.fantagraphics.com Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book special- United States by: ty market by Diamond Comics Distrib- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd utors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre For information on distribution New York, NY 10110 102-0082 Tokyo Singapore 536196 elsewhere, please contact Martin Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Bland. Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 Order Dept. Tel.: 800-233-4830 Tel: (81) 90 3962 4650 email: [email protected] email: [email protected] Order Dept. Fax: 800-458-6515 General Inquiries email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, [email protected] Special Sales Dept.: Myanmar: Sales & Distribution Martin Bland 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Publicity & Marketing Jacq Cohen B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Print Buyer Jason Miles Sec. 4, Taipei 100 Amphur Muang [email protected] -
Sarah Becan CV
SARAH BECAN 3151 W. WELLINGTON AVE CHICAGO, IL 60618 PH 773.330.9453 WWW.SARAHBECAN.COM SARAH.BECANGMAIL.COM CREATIVE I am a creative director, designer and illustrator located in Chicago. I have twenty years of DIRECTOR professional experience in graphic design, art direction and creative direction, lettering and commercial illustration. I am also a published comics artist, with many titles available at DESIGNER www.sarahbecan.com. I have been twice nominated for Ignatz Awards, and was a recipient ILLUSTRATOR of a Xeric Award and a Stumptown Trophy for my comic art work. PORTFOLIO Recent work can be seen at WWW.SARAHBECAN.COM PROFESSIONAL CREATIVE DIRECTOR, SENIOR DESIGNER, ILLUSTRATOR FOR FATHEAD DESIGN EXPERIENCE Chicago IL. September 2002 - Present Concepting, design and creative direction of client identity packages, websites, print ad campaigns, extensive proposal packages, trade show graphics, product packaging, and email marketing campaigns; drawing and painting for client illustrations. Periodically managing and overseeing small teams of freelance designers and programmers. WWW.FATHEADDESIGN.COM DIGITAL ILLUSTRATOR, PRODUCTION ARTIST FOR ZIPATONI COMPANY St. Louis, MO. June 2000 - August 2002 WWW.ZIPATONI.COM NOW WWW.RIVETGLOBAL.COM GRAPHIC DESIGNER FOR PFEIFFER PLUS COMPANY St. Louis, MO. July 1999 - June 2000 ASSISTANT MANAGER OF ART DEPARTMENT FOR ELAN-POLO SHOES St. Louis, MO. March 1998 - July 1999. EDUCATION B.A. IN STUDIO ART PAINTING AND ILLUSTRATION Beloit College; Beloit, Wisconsin, 1998. B.A. IN MODERN LANGUAGES FRENCH, SPANISH, RUSSIAN Beloit College; Beloit, Wisconsin, 1998. CLIENTS Starr Restaurants Raja Foods INCLUDE Local Foods Saveur Magazine Folk Arts Management Eater.com Levy Restaurants Chicago Reader Bartolotta Restaurants 5th House Ensemble WholeHealth Chicago DePauw University Kelly Restaurant Group Bryn Mawr College Fat Rice TruthOut.com SARAH BECAN 3151 W. -
MUNDANE INTIMACIES and EVERYDAY VIOLENCE in CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in Partial Fulfilm
MUNDANE INTIMACIES AND EVERYDAY VIOLENCE IN CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Kaarina Louise Mikalson, 2020 Table of Contents List of Figures ..................................................................................................................... v Abstract ............................................................................................................................. vii Acknowledgements .......................................................................................................... viii Chapter 1: Introduction ....................................................................................................... 1 Comics in Canada: A Brief History ................................................................................. 7 For Better or For Worse................................................................................................. 17 The Mundane and the Everyday .................................................................................... 24 Chapter outlines ............................................................................................................. 30 Chapter 2: .......................................................................................................................... 37 Mundane Intimacy and Slow Violence: ........................................................................... -
Current, 3/8/2018 ISAAC CATES
current, 3/8/2018 ISAAC CATES (802) 825-6327 [email protected] EDUCATION Yale University, Ph.D. in English, 2002. Dissertation: “Nature Poetry after Darwin.” (Langdon Hammer and Paul Fry, advisors) Johns Hopkins University, M.A. in the Writing Seminars, 1999. Thesis: “The Book of Insects and Other Poems.” University of Texas at Austin, B.A. in Liberal Arts (with Highest Honors), 1993. FULL-TIME TEACHING POSITIONS University of Vermont – Lecturer Fall 2008–present Long Island University (C.W. Post Campus) – Assistant Professor Fall 2004–Spring 2008 Connecticut College – Visiting Instructor Fall 2002 Yale University – Lecturer and Acting Instructor Fall 2000–Spring 2004 Summer 2000-2005 The Johns Hopkins University – Acting Instructor Fall 1998–Spring 1999 Intersession 1999, 2000 PUBLICATIONS Books Daniel Clowes: Conversations. Ed. Ken Parille and Isaac Cates. University Press of Mississippi, 2010. Peer-Reviewed Articles “Memory, Signal and Noise in the Collaborations of Neil Gaiman and Dave McKean.” In Drawing from Life: Memory and Subjectivity in Comic Art, ed. Jane Tolmie. University Press of Mississippi, 2013. “On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven.” American Literature 83 (December 2011). “The Inhumanist Poetics of Robinson Jeffers.” Raritan 30.3 (Winter 2011). “Diary Comics.” In Graphic Subjects: Critical Essays on Autobiography and Graphic Novels, ed. Michael A. Chaney. University of Wisconsin Press, 2011. “Comics and the Grammar of Diagrams.” In The Comics of Chris Ware: Drawing Is a Way of Thinking, ed. David Ball and Martha Kuhlman. University Press of Mississippi, 2010. “Louise Glück: Interstices and Silences.” Literary Imagination 5.3 (2003). Cates, p. -
Middle Grade Webcomics
Middle Grade Webcomics Audrey’s Magic Nine Written by Michelle Wright and illustrated by Courtney Huddleston, Francesco Gerbino, and Tracy Bailey, this webcomic, now a series of graphic novels published by Farthing Press, centers on a black orphan adopted by a well-meaning but clueless suburban white couple. Breaking Cat News House cats Elvis, Puck, and Lupin report on such breaking news stories as “The people are missing!” and “There’s a box with a towel inside it on the kitchen table.” Georgia Dunn’s hilarious webcomic, with its feline’s-eye view of the world, is also being published by Andrews McMeel as a series of graphic novels. Cucumber Quest In GiGi D.G.’s video game–esque tale, adorable Cucumber the bunny and his sister Almond go up against a series of baddies. A vibrant palette, nonstop action, and a bizarre cast of friends and foes make for immersive reading. Also available as a series of graphic novels published by First Second. Homestuck Andrew Hussie’s wildly popular webcomic follows John Egbert, who on his 13th birthday plays a video game that unleashes the apocalypse. Available in print from Viz Media. Ozy and Millie Two anthropomorphic foxes navigate the world in this sweetly snarky webcomic, now a graphic novel published by Andrews McMeel, by Dana Simpson, creator of the best-selling “Phoebe and Her Unicorn” series. Enjoy the archive, or check out reruns on GoComics! Scared by the Bell Though being the new kid is never easy, it’s especially hard for Peter, an average kid whose classmates include a mummy, a pumpkinhead, and a skeleton.