Reading Between the Panels: a Metadata Schema for Webcomics Erin Donohue Melanie Feinberg INF 384C: Organizing Infor
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Queer Here: Poetry to Comic Emma Lennen Katie Jan
Queer Here: Poetry to Comic Emma Lennen Katie Jan Pull Quote: “For the new audience of queer teenagers, the difference between the public and the superhero resonates with them because they feel different from the rest of society.” Consider this: a superhero webcomic. Now consider this: a queer superhero webcomic. If you are anything like me, you were infinitely more elated at the second choice, despite how much you enjoy the first. I love reading queer webcomics because by being online, they bypass publishers who may shoot them down for their queerness. As a result, they manage to elude the systematic repression of the LGBTQA+ community. In the 1950s, when repression of the community was even more prevalent, Frank O’Hara wrote the poem “Homosexuality” to express his journey of acceptance as well as to give advice to future gay people. The changes I made in my translation of the poem “Homosexuality” into a modern webcomic demonstrate the different time periods’ expectations of queer content, while still telling the same story with the same purpose, just in a different genre. Despite the difference between the genres, the first two lines and the copious amount of imagery present in the poem allowed for some near-direct translation. The poem begins with “So we are taking off our masks, are we, and keeping / our mouths shut? As if we’d been pierced by a glance!” (O’Hara 1-2). While usually masks symbolize hiding your true self and therefore have a negative connotation, the poem instead considers it one’s pride. Similarly, for many superheroes, the mask does not represent shame, it represents power and responsibility. -
The History of Web Comics Pdf Free Download
THE HISTORY OF WEB COMICS PDF, EPUB, EBOOK T. Campbell | 192 pages | 06 Jun 2006 | Antarctic Press Inc | 9780976804390 | English | San Antonio, Texas, United States The History of Web Comics PDF Book When Alexa goes to put out the fire, her clothes get burnt away, and she threatens Sam and Fuzzy with the fire extinguisher. Columbus: Ohio State U P. Stanton , Eneg and Willie in his book 'The Adventures of Sweet Gwendoline' have brought this genre to artistic heights. I would drive back and forth between Massachusetts and Connecticut in my little Acura, with roof racks so I could put boxes of shirts on top of the car. I'll split these up where I think best using a variety of industry information. Kaestle et. The Creators Issue. To learn more or opt-out, read our Cookie Policy. Authors are more accessible to their readers than before, and often provide access to works in progress or to process videos based on requests about how they create their comics. Thanks to everyone who's followed our work over the years and lent a hand in one way or another. It was very meta. First appeared in July as shown. As digital technology continues to evolve, it is difficult to predict in what direction webcomics will develop. The History of EC Comics. Based on this analysis, I argue that webcomics present a valuable archive of digital media from the early s that shows how relationships in the attention economy of the digital realm differ from those in the economy of material goods. -
Rocio Vega AI Dreams Is a Webcomic That Was Inspired by My Dreams. It Is
Rocio Vega AI Dreams is a webcomic that was inspired by my dreams. It is a vertical scroller comic for many people to enjoy on their phones. I was introduced to a product called webtoon which is a Korean based company that is now very popular in the USA. I became interested in these webcomics because it was a different way to interact with the viewer. This is especially true to the way I wanted my illustrations to have a more fluid like movement through the pages. This is representing more on how dreams move from one to the other. The reason I chose to make a comic for my dreams, was to create a story that my dreams can live in. This was my decision because I wanted people to enjoy a journey through my dream that's easier to follow along. The flow between dreams would be connected, instead of having it separate stories in a book. The story of AI Dreams is about an AI called Avi. This webcomic is based in the future where tech has been revolutionized. The new dream program made in that time is called AI Dreams which is an easy name to remember. This is a story about an AI forced through obstacles that were set in motion by a dark force at work. An adventure into the self discovery to what Avi is, through her dreams and emotions. The way I made this webcomic was more painterly with detail lines. Many of these comics are made to be fasted paced when making them. -
Don't Make Me Think, Revisited
Don’t Make Me Think, Revisited A Common Sense Approach to Web Usability Steve Krug Don’t Make Me Think, Revisited A Common Sense Approach to Web Usability Copyright © 2014 Steve Krug New Riders www.newriders.com To report errors, please send a note to [email protected] New Riders is an imprint of Peachpit, a division of Pearson Education. Editor: Elisabeth Bayle Project Editor: Nancy Davis Production Editor: Lisa Brazieal Copy Editor: Barbara Flanagan Interior Design and Composition: Romney Lange Illustrations by Mark Matcho and Mimi Heft Farnham fonts provided by The Font Bureau, Inc. (www.fontbureau.com) Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks It’s not rocket surgery™ is a trademark of Steve Krug. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trademark claim, the designations appear as requested by the owner of the trademark. -
Thing Explainer Complicated Stuff in Simple Words Pdf Download
Thing Explainer Complicated Stuff In Simple Words Pdf Download 1 / 4 Thing Explainer Complicated Stuff In Simple Words Pdf Download 2 / 4 3 / 4 Editorial Reviews. Review. “Brilliant…a wonderful guide for curious minds.”—Bill Gates ... Thing Explainer: Complicated Stuff in Simple Words by [Munroe, Randall] .... devices; Due to its large file size, this book may take longer to download .... [BOOKS] Thing Explainer: Complicated Stuff In Simple Words by Randall Munroe. Book file PDF easily for everyone and every device. You can download and .... Simple Way to Read Online Thing Explainer: Complicated Stuff in Simple Words by Randall Munroe Book or Download in PDF and Epub hi, my fellowship .... Read Thing Explainer PDF Part1 from the story Thing Explainer (PDF) ... Download Thing Explainer: Complicated Stuff in Simple Words ePUB .... DOCDOWNLOADER. Home Thing Explainer - Complicated Stuff in Simple Words by Randall Munroe. Thing Explainer - Complicated Stuff in Simple Words by .... Download PDF Thing Explainer: Complicated Stuff in Simple Words ebook ... ISBN-10 : 0544668251 ISBN-13 : 9780544668256 #ebook #pdf #download #read .... Thing Explainer: Complicated Stuff in Simple Words DOWNLOAD, Ebook [Kindle], [EbooK Epub], [PDF] Download, R.E.A.D. [BOOK].. PDF Drive - Search and download PDF files for free. Thing Explainer Complicated Stuff In Simple Words. [MOBI] Thing Explainer Complicated .... [PDF DOWNLOAD] Thing Explainer: Complicated Stuff in Simple Words Full Ebook By Randall Munroe. DOWNLOAD NOW !!! Click Link .... WESNE7BY8RTP » PDF » Thing Explainer: Complicated Stuff in Simple Words (Illustrated edition). Read Doc. THING EXPLAINER: COMPLICATED STUFF IN .... PDF - Thing Explainer: Complicated Stuff in Simple Words. From the creator of the webcomic"xkcd"and author of the #1"New York Times"bestseller"What If?," a ... -
MUNDANE INTIMACIES and EVERYDAY VIOLENCE in CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in Partial Fulfilm
MUNDANE INTIMACIES AND EVERYDAY VIOLENCE IN CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Kaarina Louise Mikalson, 2020 Table of Contents List of Figures ..................................................................................................................... v Abstract ............................................................................................................................. vii Acknowledgements .......................................................................................................... viii Chapter 1: Introduction ....................................................................................................... 1 Comics in Canada: A Brief History ................................................................................. 7 For Better or For Worse................................................................................................. 17 The Mundane and the Everyday .................................................................................... 24 Chapter outlines ............................................................................................................. 30 Chapter 2: .......................................................................................................................... 37 Mundane Intimacy and Slow Violence: ........................................................................... -
Middle Grade Webcomics
Middle Grade Webcomics Audrey’s Magic Nine Written by Michelle Wright and illustrated by Courtney Huddleston, Francesco Gerbino, and Tracy Bailey, this webcomic, now a series of graphic novels published by Farthing Press, centers on a black orphan adopted by a well-meaning but clueless suburban white couple. Breaking Cat News House cats Elvis, Puck, and Lupin report on such breaking news stories as “The people are missing!” and “There’s a box with a towel inside it on the kitchen table.” Georgia Dunn’s hilarious webcomic, with its feline’s-eye view of the world, is also being published by Andrews McMeel as a series of graphic novels. Cucumber Quest In GiGi D.G.’s video game–esque tale, adorable Cucumber the bunny and his sister Almond go up against a series of baddies. A vibrant palette, nonstop action, and a bizarre cast of friends and foes make for immersive reading. Also available as a series of graphic novels published by First Second. Homestuck Andrew Hussie’s wildly popular webcomic follows John Egbert, who on his 13th birthday plays a video game that unleashes the apocalypse. Available in print from Viz Media. Ozy and Millie Two anthropomorphic foxes navigate the world in this sweetly snarky webcomic, now a graphic novel published by Andrews McMeel, by Dana Simpson, creator of the best-selling “Phoebe and Her Unicorn” series. Enjoy the archive, or check out reruns on GoComics! Scared by the Bell Though being the new kid is never easy, it’s especially hard for Peter, an average kid whose classmates include a mummy, a pumpkinhead, and a skeleton. -
Enhanced Webcomics”: an Analysis of the Merging Of
University of Amsterdam Spring Semester 2015 Department of Media Studies New Media and Digital Culture Supervisor: Dr. Erin La Cour Second reader: Dr. Dan Hassler-Forest MA Thesis “Enhanced Webcomics”: An Analysis of the Merging of Comics and New Media Josip Batinić 10848398 Grote Bickersstraat 62 f-1 1013 KS Amsterdam [email protected] 06 264 633 34 26 June 2015 Table of Contents 1. Introduction .......................................................................................................................... 1 2. Defining Comics, Webcomics, and Enhanced comics ....................................................... 6 3. Literary Basis ...................................................................................................................... 11 4. Analysis ................................................................................................................................ 27 4.1 Infinite Canvas ................................................................................................................................. 27 4.2. Moving Image and Sound ............................................................................................................... 37 4.3 Co-Authorship and Reader-Driven Webcomics ............................................................................... 43 4.4 Interactivity ...................................................................................................................................... 49 5. Epilogue: A new frontier for comics ................................................................................ -
Sparkplug Books Backlist
Sparkplug Books Backlist IndyWorld.com Sparkplug Books was a Portland-based publisher that played host to an exciting and fresh roster of diverse artists throughout its 14 years. Founded by cartoonist and comics historian Dylan Williams, whose strong ethical sense and personal taste drove the direction of the company, Sparkplug was a resolutely small press, focusing on handmade and independently produced comics in a world veering ever toward mass production. After Williams passed away in September of 2011, his wife Emily Nilsson took over and, in February 2013, passed the helm to artist Virginia Paine. Sparkplug stopped publishing books in 2015 and transferred their remaining backlist to Alternative Comics in 2016. Alternative Comics has been a co-operative organization of independent comic book publishers, editors, and artists since 1993, and is the home to some of the finest creator-owned graphic novels and comic books. Distributed to the trade by Consortium Book Sales & Distribution Visit CBSD.com Cover art from Vortex by William Cardini Alternative Comics | 21607B Stevens Creek Blvd., Cupertino, CA 95014 [email protected] | (408) 921-5164 IndyWorld.com | Follow us on Twitter @AltComics US orders: Canadian orders: Consortium Book Sales & Distribution Publishers Group Canada 210 American Drive, Jackson, TN 38301 c/o Raincoast Books Phone: 800-283-3572 | Fax: 612-647-2632 2440 Viking Way Email: [email protected] Richmond, BC V6V 1N2 Phone: 1-800-663-5714 (toll free) Fax: 1-800-565-3770 (toll free) IndyWorld.com Email: [email protected] Our books are also available from Diamond Comics, Last Gasp, Baker & Taylor & Ingram Jason Shiga Bookhunter 144-page 7.5” x 9” two color paperback Published: May 2007 ISBN: 978-0-9742715-6-9 List price: $15.00 COMICS & GRAPHIC NOVELS | MYSTERY Ripped from today’s headlines, Bookhunter fires off and you can’t quit reading. -
Emotional and Descriptive Meaning- Making in Online Non-Professional Discussions About Science
` “Nah, musing is fine. You don't have to be 'doing science'” Emotional and Descriptive Meaning- Making in Online Non-Professional Discussions about Science Oliver Martin Marsh UCL Department of Science and Technology Studies Submitted for the degree of Doctor of Philosophy August 2017 1 ` Declaration I, Oliver Martin Marsh, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ` Abstract In this thesis I use online settings to explore how descriptive and emotional forms of meaning-making interact in non-professional discussions around ‘science’. Data was collected from four participatory online fora, from March 2015 to February 2016. Posts and comments from these fora were examined through discourse analysis, supplemented by interviews with participants and computer-aided text analysis, over the period August 2015 to August 2017. Theoretical background drew on Science and Technology Studies (STS) and Fan Studies (FS), to examine how science was presented in both descriptive and emotional terms. There were two main findings. Firstly, discussions were shaped by an expectation that members should respect mainstream scientific consensus. In a manner familiar from STS, participants treated claims which went against scientific consensus as incorrect or non- credible. Responses also showed emotional aspects which shaped participation. Respect for scientific consensus facilitated social bonding and expression of community values, while disrespect was met with anger and/or ridicule. Through normalisation of such behaviour, scientific authority was maintained by communal sanctions rather than accredited expertise. The second main finding was a distinction between two forms of discourse, which I refer to as musing and identifying. -
Zines and Minicomics Collection
http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access. -
Rethinking Webcomics: Webcomics As a Screen Based Medium
Dennis Kogel Digital Culture Department of Art and Culture Studies 16.01.2013 MA Thesis Rethinking Webcomics: Webcomics as a Screen Based Medium JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanities Art and Culture Studies Tekijä – Author Dennis Kogel Työn nimi – Title Rethinking Webcomics: Webcomics as a Screen Based Medium Oppiaine – Subject Työn laji – Level Digital Culture MA Thesis Aika – Month and year Sivumäärä – Number of pages January 2013 91 pages Tiivistelmä – Abstract So far, webcomics, or online comics, have been discussed mostly in terms of ideologies of the Internet such as participatory culture or Open Source. Not much thought, however, has been given to webcomics as a new way of making comics that need to be studied in their own right. In this thesis a diverse set of webcomics such as Questionable Content, A Softer World and FreakAngels is analyzed using a combination of N. Katherine Hayles’ Media Specific Analysis (MSA) and the neo-semiotics of comics by Thierry Groensteen. By contrasting print- and web editions of webcomics, as well as looking at web-only webcomics and their methods for structuring and creating stories, this thesis shows that webcomics use the language of comics but build upon it through the technologies of the Web. Far from more sensationalist claims by scholars such as Scott McCloud about webcomics as the future of the comic as a medium, this thesis shows that webcomics need to be understood as a new form of comics that is both constrained and enhanced by Web technologies. Although this thesis cannot be viewed as a complete analysis of the whole of webcomics, it can be used as a starting point for further research in the field and as a showcase of how more traditional areas of academic research such as comic studies can benefit from theories of digital culture.