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The Dahl House
Microcosm Publishing PO Box 14332 Portland, OR 97293 www.microcosmpublishing.com Welcome to the Dahl House Alienation, Incarceration and Inebriation in the New American Rome by Ken Dahl The new Welcome to the Dahl House book collects 10 years of comic artist Ken Dahl’s best work. Dahl, winner of the Ignatz Award for best mini-comic for his STD nightmare Monsters #1 , gives the goods in equally hilarious and harrowing doses. His comics show a dirty, beaten down, drunk-as-hell America where the underdog always rules—even if he never wins. Dahl’s work is normal ol’ painful life with all the warts and scars and stretch-marks fully visible and well-lit. It’s heavy stuff, and decidedly not for the faint of heart, but Dahl’s caustic sense of humor, courage under fire, and strong undercurrent of hope balance out the dark with light and give his comics a well-rounded, triumphant epicness. Like a graphic novel mash up of Gummo, Jesus’ Son, and Married with Children, Welcome to the Dahl House tells it like it is, the existential American experience in 128 pages. “A double-barreled assault on American culture and consumerism and its dev - astatng results ... Dahl’s writing is simply brilliant. He successfully presents a view of America from the outside.” - Midnight Fiction “Ken Dahl’s comics are really well drawn, imaginative, spirited, and forthright, SUBJECT CATEGORY: Graphic Novel, Comic but best of all, painfully, painfully honest.” - Ivan Brunetti, author of Misery RELEASE: 7/1/08 Loves Company PRICE: Retail: $6 | Wholesale: $4.20 ISBN: 978-1-934620-02-1 FORMAT: paperback, 5.5 x 7”, 128 pgs, illustrated ABOUT THE AUTHOR: Born in Honolulu, raised on the roads of the MARKETING NOTES: continental US, Ken Dahl comes at comix- - Author winner of Ignatz Award for best mini-comic makin' with a wealth of world-weariness and - Book is featured on 25,000 postcards distributed wisdom under his belt. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
By ALEC LONGSTRETH Distributed by Adhouse Books Diamond Order
Contact: Alec Longstreth • [email protected] FOR IMMEDIATE RELEASE More info: www.alec-longstreth.com/basewood/ a graphic novel TEN YEARS in the making! by ALEC LONGSTRETH “Drawn with delicate precision, brimming with heart and adventure, Basewood is an exquisite gem of a work. It’s a genuine miracle that a comic this beautifully unique exists at all.” – James Kochalka “Longstreth’s deceptively simple drawings of this harsh world filled with axes, ropes, pulleys, and levers, a place where you must bend nature with your bare hands to survive, have a layered intricacy that looks like something that should be carved on a medieval cathedral. One of my favorite books to spend time with.” – Jeff Smith “Alec Longstreth is the most generous and enthusiastic cartoonist I’ve ever met, and his work brims over with that same contagious energy. His greatest work to date, Basewood, is a full sensory immersion into a meticulously-crafted, warm-hearted, and most of all epic world.” – Craig Thompson ABOUT BASEWOOD: Adventure! Mystery! Tree houses! A Wolf-Dragon! Basewood tells the story of a young man who wakes up in the woods, with no memory of how he got there. The reader follows along as our hero tries to uncover the details of his mysterious past. Drawn in a highly-detailed crosshatching style, this graphic novel took over ten years to write and draw. This beautiful, hardback edition of Basewood was funded by a wildly successful Kickstarter campaign that surpassed its $10,000 funding goal after only 48 hours. A French translation of Basewood was published by L’employé du Moi in 2012, and now the book is finally available here in the United States. -
T Cartoonists
Publisher of the Worl d’sG r eatest Car toon ists SUMMER 2019 SUMMER 2019 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 customer service: 800-657-1100 [email protected] • www.fantagraphics.com Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book special- United States by: ty market by Diamond Comics Distrib- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd utors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre For information on distribution New York, NY 10110 102-0082 Tokyo Singapore 536196 elsewhere, please contact Martin Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Bland. Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 Order Dept. Tel.: 800-233-4830 Tel: (81) 90 3962 4650 email: [email protected] email: [email protected] Order Dept. Fax: 800-458-6515 General Inquiries email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, [email protected] Special Sales Dept.: Myanmar: Sales & Distribution Martin Bland 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Publicity & Marketing Jacq Cohen B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Print Buyer Jason Miles Sec. 4, Taipei 100 Amphur Muang [email protected] -
MUNDANE INTIMACIES and EVERYDAY VIOLENCE in CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in Partial Fulfilm
MUNDANE INTIMACIES AND EVERYDAY VIOLENCE IN CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Kaarina Louise Mikalson, 2020 Table of Contents List of Figures ..................................................................................................................... v Abstract ............................................................................................................................. vii Acknowledgements .......................................................................................................... viii Chapter 1: Introduction ....................................................................................................... 1 Comics in Canada: A Brief History ................................................................................. 7 For Better or For Worse................................................................................................. 17 The Mundane and the Everyday .................................................................................... 24 Chapter outlines ............................................................................................................. 30 Chapter 2: .......................................................................................................................... 37 Mundane Intimacy and Slow Violence: ........................................................................... -
Autobiographical Comics. (Bloomsbury Comics Studies)
European journal of American studies Reviews 2018-4 Andrew J. Kunka, Autobiographical Comics. (Bloomsbury Comics Studies) Christina Douka Electronic version URL: https://journals.openedition.org/ejas/14166 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Christina Douka, “Andrew J. Kunka, Autobiographical Comics. (Bloomsbury Comics Studies)”, European journal of American studies [Online], Reviews 2018-4, Online since 07 March 2019, connection on 10 July 2021. URL: http://journals.openedition.org/ejas/14166 This text was automatically generated on 10 July 2021. Creative Commons License Andrew J. Kunka, Autobiographical Comics. (Bloomsbury Comics Studies) 1 Andrew J. Kunka, Autobiographical Comics. (Bloomsbury Comics Studies) Christina Douka 1 Andrew J. Kunka, Autobiographical Comics. (Bloomsbury Comics Studies) 2 London: Bloomsbury, 2018. Pp. x+290 ISBN: 978-1-4742-2784-1 3 Christina Dokou 4 With the exception of Elisabeth El Refaie’s Autobiographical Comics: Life Writing in Pictures (UP of Mississippi, 2012), which Andrew Kunka cites frequently and with relish in his own survey, this is the only other known full-length monograph study focusing exclusively on the subgenre of autobiographical comics, also identified by other critics and/or creators as “autographics,” “autobiographix,” “autobiofictionalography” or “gonzo literary comics” (Kunka 13-14). Such rarity, even accounting for the relative newness of the scholarly field of Comics Studies, is of even greater value considering that graphic autobiographies constitute a major, vibrant, and—most importantly— mature audience-oriented class of sequential art, recognized by “[m]any comics scholars…as a central genre in contemporary comics” (Kunka 1). As such, this genre has contributed significantly both to the growth of comics as a diverse and qualitative storytelling medium and towards the recognition of said merit by the academic status quo. -
Autobiographical Comics Graphic Novels
✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧ ✵National Book-Collecting Contest✵ ❧ The Complexities of Ordinary Life: Autobiographical Comics AND Graphic Novels ❝ ❝Collect ‘em all! ❞ Trade ‘em with your friends!❞ COLLECTED AND DESCRIBED BY: ✻ Naseem Hrab ✻ ✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧ The Complexities of Ordinary Life: Autobiographical Comics and Graphic Novels Being raised by two psychiatrists has made me extraordinarily interested in learning about the lives of others. While autobiographical comics may seem like an odd crib sheet to use to learn about the human condition, their confessional style provides readers like me with the answers to the questions we dare not ask. I equate reading an autobiographical comic with the occurrence of a stranger handing you his diary, staring meaningfully into your eyes and saying, “I want you to read this… all of it. Oh, and just so you know, I drew pictures of everything that happened, too.” I first became interested in autobiographical comics and graphic novels after reading some of Jeffrey Brown’s comics in 2005. There was something about his loose, sketchbook-style illustrations that made his work accessible to a newly minted comics fan such as myself. There were no superpowers, no buxom women and no maniacal villains in his comics… just real stories. Right when I was on the brink of exhausting Brown’s catalogue, Peter Birkemoe, the co-owner of The Beguiling1, suggested that I expand my interests. When he rang up my latest purchase, he said, “If you like this stuff, you should try reading some John Porcellino.” I promptly swept up Porcellino’s King-Cat Classix: The Best of King-Cat Comics and Stories and I soon discovered other autobiographical cartoonists including Chester Brown, Joe Matt, Lucy Knisley and Harvey Pekar. -
A Guide to Series
THE CENTERA FORGUIDE CARTOON STUDIES TO PRESENTS SERIES EDUCATOR’S GUIDE Disney • HYPERION ABOUT THE CENTER FOR CARTOON STUDIES PRESENTS e Center for Cartoon Studies Presents series takes premier talent from the world of cartooning and pairs these writers and artists with important gures from history to create a fresh, graphic take on biography for young readers. Important moments from the lives of Harry Houdini, Satchel Paige, Henry David oreau, Annie Sullivan and Helen Keller, and Charlotte Brontë are carefully and accurately rendered, the stunning illustrations bringing the worlds of these historical gures to life for the reader. With a reliance on primary sources within the text, back matter that includes panel discussions o ering further insight into the life of each subject, and a bibliography, these books make valuable classroom tools. Not only do the books in this series provide an accessible entry point for young readers of biography, but they can also serve as an additional resource for high school or college students studying primary sources. In the more than ten years since the rst book was published, the series has received much acclaim, including two Eisner Awards, and raves from many respected sources, including Kirkus Reviews, Booklist, Publishers Weekly, and the New York Times Book Review. Illustrations this page: Kevin Huizenga Illustrations this page: Illustration this page: Kevin Huizenga Kevin page: this Illustration THE CENTER FOR CARTOON STUDIES produces comics, zines, posters, and graphic novels (like this book about Houdini!). For those interested in making comics themselves one day, the Center for Cartoon Studies is also Huizenga Kevin page: this Illustration THE CENTER FOR CARTOON STUDIES produces comics, zines, posters, and graphicAmerica’s novels nest cartooning (like this school—oering one- and two-year courses of White Riv Juncti, Vmt book about Charlotte Brontë!). -
Studying Comics and Graphic Novels Free
FREE STUDYING COMICS AND GRAPHIC NOVELS PDF Karin Kukkonen | 190 pages | 10 Sep 2013 | John Wiley & Sons Inc | 9781118499924 | English | New York, United States Studying Comics and Graphic Novels | Wiley Your browser does not appear to support JavaScript, or JavaScript is currently disabled. This page uses JavaScript for certain types of content, so we strongly recommend that you enable JavaScript for browsing this site. As instructors are increasingly using comics in the classroom—and especially as more college programs are devoting entire courses to comics studies—the need for a textbook introducing the medium becomes more pronounced. Over the past several years there have been a few works that have attempted to fill this textbook gap by providing broad overviews of the various facets of the nascent discipline. In their edited collection, A Comics Studies ReaderJeet Heer and Kent Worchester pull together previously published essays that would ideally serve as supplementary texts covering the history, craft, as well as cultural and aesthetic contexts of comics. In Caped CrusadersJeffery Kahan and Stanley Stewart create a more focused textbook that uses comics, specifically superhero comics, as a way of structuring a freshman composition course. Smith attempt to cover the broad spectrum of classroom potential when it comes to comics: e. While ambitious in their own ways, each of these texts is not without its problems. The Comics Studies Reader comprises almost arbitrary—and at times, perhaps too specialized—essay choices that may not serve effectively in an introductory comics classroom. Kahan and Stewart's work reads less as a composition guide and more as an excuse to discuss comics under an assumption of pedagogy. -
Success in Media Arts & Illustration
MARYLAND INSTITUTE COLLEGE OF ART careertrack animation (ANIM) • flm & video (video) • illustration (ILL) • photography (photo) volume xviii 2016 Sites around the country where MICA students and recent grads have landed internships, competitive freelance assignments, and jobs: ABC TV Delaware Art Museum Mosaic Learning Seoul Movie Company, LTD Allen Moore Films Die Zeit Literatur MSNBC Society of Illustrators American Express DreamWorks Animation Museum of Fine Arts (Boston) Sparkypants Studios America India Foundation Firaxis Games National Geographic Target American Museum of Google National Public Radio Time magazine Natural History, New York Harper Collins The New York Times USA Today Anthropologie HBO Nickelodeon Urban Outftters Apple, Inc. Johns Hopkins Institute of O Entertainment Vatos International Be a Mentor, Inc. Nanobiotechnology PBS The Wall Street Journal Bloomberg Businessweek KIDdesigns Penguin Random House Walt Disney Animation Studios Cartoon Network LucasArts Entertainment Pixar Whole Foods Market DC Comics Maryland Historical Society Rolling Stone Yahoo! Success in Media Arts & Illustration In our visual culture, the demand is high for artists who give form and expression to cultural content and interpret the world in which we live. SPOTLIGHT ON: Noelle Stevenson ’13 MICA media artists and illustration 2015. Nimona was a success, and grads use their skills in many Stevenson became the youngest industries, from publishing to flm National Book Award fnalist when her and from games to education. One novel was up for the honor in Young alumna, Noelle Stevenson ’13 (ILL), People’s Literature. The illustrator got started early, signing her frst is also co-writer of the comics series book deal while a senior at MICA. -
Zines and Minicomics Collection
http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access.