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2017 Guitars •Custom Shop • Artist Signature Series • Usa Select Series • Pro-Mod Series 2 Custom Shop Custom Custom Built
2017 GUITARS •CUSTOM SHOP • ARTIST SIGNATURE SERIES • USA SELECT SERIES • PRO-MOD SERIES 2 CUSTOM SHOP CUSTOM CUSTOM BUILT Where do you go when your dream guitar is a Charvel® and money is no object? To Charvel’s U.S.A. Custom Shop. We build the very best of the top-line best for the world’s greatest artists, and also for you. Many of the SHOP talented craftsmen who founded the shop are still a part of our valued team, creating the epitome of Charvel style and performance. 3 WARREN DEMARTINI NEW! WARREN DEMARTINI SERIES USA SIGNATURE FRENCHIE Fans have long clamored for a replica of Warren DeMartini’s famed and beloved “Frenchie” guitar, seen live on tour and ARTIST on a slew of magazine covers throughout Ratt’s reign in the 1980s. Charvel has responded with a Snow White and a Gloss Black finish, both detailed with Snow White cross decals and a tribute quote to James Dean in French that reads “too fast to live, too young to die.” Features include a Dinky™ alder body, one-piece bolt-on quartersawn maple neck, 12”- 16” compound radius maple fingerboard with 22 jumbo stainless steel frets and black dot inlays, Seymour Duncan® Custom Warren DeMartini RTM Tommy Williams Tommy (“Rattus Tonus Maximus”) humbucking bridge pickup and SSL-4 Quarter Pound™ Photo: neck pickup, three-way toggle switch, single volume control knob, Floyd Rose® Original locking bridge and Gotoh® tuning machines. 2865005803 - Gloss Black 2865055876 - Snow White Legendary lead guitarist Warren DeMartini led glam metal sensation Ratt to the top of the charts in the 1980s, co-writing several of the band’s biggest hits that earned multiple platinum albums. -
Intune-Pages-JAN2017-SPREADS.Pdf
“ i just go where the guitar takes me. IN TUNE Angus” Young For my dad who has always inspired and encouraged me. 1 2 15 Eddie Van Halen CONTENTS Frankenstrat 1979 Charvel hybrid VH2 EVH Wolfgang BB King Guitar anatomy 19 5 Gibson Memphis ES-355 7 Jimi Hendrix 21 Slash 1967 Flying V Slash Appitite Les Paul 1968 Fender Stratocaster B.C. Rich Mockingbird 1960 Danelectro 1967 Gibson EDS-1275 11 Jimmy Page 25 Details & Backstories 1959 Les Paul Standard 1959 Fender Telecaster Gibson EDS-1275 Index 3 29 4 Cutaway Anatomy Pickgaurd Control knobs Fingerboard Headstock Neck Pickup Bridge Inlay 5 6 1967 Gibson Flying V Handpainted Arrowhead Stringed backwards: E, B, headstock, G, D, A, E. shortened for balance and elegance. Mahogany neck, grade-a rosewood T-Bone PAF-style tones. fingerboard. They are called PAF becuase gibson had applied for a patent but did not recieve the number, hence Patent Applied For. Iconic “v” styling, slimmed down for Two volume optimum playing controls, master comfort. tone, 3-way selector, with JIMI HENDRIX “witch hat” knobs. 7 8 1968 Fender Stratocaster Betty Jean 1960 Danelectro Alder wood headstock. Bottle headstock. Maple wood Rosewood fingerboard in Bolt-on neck with an fingerboard. a“C” Shape with aluminum neck rod a finished Gloss from the peghead to Polyester. the bridge. Alder wood Sleek Body Shape and Contours. Three expressive 2 NOS lipstick American Vintage pickups. ‘65 Gray-Bottom single-coil pickups. 6-Saddle Vintage-Style 5 Poplar wood Synchronized body. 2 stacked tone tremolo bridge. and volume controls. 9 10 ’59 Les Paul Standard Quarter-sawn, lightweight Les Paul headstock mahogany and rosewood is carefully angled at fingerboard. -
S-1 Custom Wiring Diagram
S-1 Custom Wiring Diagram White Neck pickup: Seymour Duncan ‘59 SH-1N Bare Bridge Volume 500k Duncan Designed Red White Red Bare Bridge pickup: Seymour Duncan Custom Custom SH-11 ay Switch 3-W Black Neck 3 2 1 Volume Duncan Designed Black Green 500k Green .022 Tone 3-way switch settings 500k push/pull 1 2 3 1 2 3 Neck push/pull push/pull in DOWN position in UP position Bridge Tip (hot output) 3-Way Sleeve (ground) Switch Tone 1 Bridge Vol 2 3 Output Jack Neck Vol = ground. This symbol is found where any ground connection For technical or warranty questions please email: [email protected] Diagram copyright Schecter Guitar Research 2011 should be soldered. a S-1 Custom Neck Specs: c Scale Length: 628mm/24.75” A: Width at Nut- 42mm B: Width at Last Fret- 56mm b C: Thickness at 1st Fret- 20mm d D: Thickness at 12th Fret- 22mm Radius: 355mm/14” radius Bridge Pickup Neck Pickup Name: Seymour Duncan Custom Custom Name: Seymour Duncan ‘59 Model No: SH-11 Model No: SH-1N Construction: Humbucker Construction: Humbucker Magnet: Alnico II Magnet: Alnico V Output: 14.4k Output: 7.43k Description: The Custom Custom is the SH-5 Description: Late-'50s, vintage-correct, Duncan Custom humbucker with humbucker sound. Warm and an Alnico II magnet for warm and crystalline clean tones. Full and smooth highs, more midrange, and bright distorted tones. Smooth a spongier bottom end than the sustain. Classic appointments SH-5. It's a good choice for players include plain enamel wire, long who need a traditional vintage tone legged bottom plate. -
Superstrat Elektromos Gitárok
Visszalépés a Muszty-Dobay Főoldalra SUPERSTRAT ELEKTROMOS GITÁROK Találkozhatunk még a Superstrato vagy a Sooperstrat elnevezésekkel, illetve ugyanezeket ír(hat)ják egybe vagy külön, esetleg kötőjellel is, ám a leggyakoribb mindenhol, minden nyelven a Superstrat megnevezés. De van, ahol nemes egyszerűséggel „modern Strato (alakú vagy formájú)” elektromos gitárnak nevezik. Nincs hivatalos és pontos meghatározása a Superstrat-nak, ez egy szubjektív elektromosgitár-design, amely hasonlít a Fender Stratocaster-re. Tény, hogy sokan sok helyen vitatkoznak azon, vajon egy-egy gitármárka bizonyos modellje Superstrat-e, vagy sem, ám ettől függetlenül a nagyobb internetes gitáráruházakban már külön kategóriaként kezelik a Superstrat elektromos gitárokat, és külön oldalt kapnak. Ezt a gitártípust a heavy metal zenének az 1980-as évek elején megnőtt népszerűsége hívta életre. A gitárosok elkezdtek keresni egy olyan elektromos gitárt, amelyik jobban megfelelt az új zenei stílusnak úgy a kinézetében, mint játszhatóságában. „Kövérebb” zenei hangot kerestek, illetve egy olyan elektromos gitárt, amely igazán alkalmas az ún. „high-gain” torzított erősítésre. Voltak ugyan gitárosok, akik már használták effélére a Fender Stratocaster-eket is, mint például Ritchie Blackmore vagy Dave Murray, ám az általuk eszközölt módosítások viszonylag csekélyek voltak annak érdekében, hogy a hangszerük minél inkább illeszkedjen a saját egyéni játékstílusukhoz. Természetesen ma Mr. Blackmore-nak és Mr. Murray-nek is van ún. „Signature” gitárja a Fender Stratocaster-ek között. Valószínűleg az első és egyben legismertebb Superstrat gitár Eddie Van Halen legendás Frankenstrat-ja, vagyis egy Frankenstein Stratocaster a ’70-es évek közepéből: A Frankenstrat-nak nem csupán története, hanem történelme, sőt, mára legendája van, fogalom lett, és még Eddie Van Halen honlapján is saját részt kapott. -
Washburn 2006 Catalog
Washburn Guitars are built for artists and students of all ages across all musical genres. From bluegrass to heavy metal, and everything in between. Each guitar reflects the fundamental, hard working spirit of Washburn employees who craft and design them. You should feel confident knowing that each guitar represents the finest quality at the best possible price. Washburn’s 120-year history starts in Chicago and is one steeped in tradition of fine instrument making. From the first dreadnought guitar, to the first jumbo flattop in the early part of the 20th century, Washburn continues to be a consistent leader in combining design, innovation, and technology. In this catalog you will see our signature artists that range from multi-platinum recording artists to emerging guitar virtuosos. You will see the influencers of today and heroes of tomorrow. All of the artists featured reflect the spirit in which our guitars are designed and built. From our shop just outside Chicago, to the instrument dealer, to the musician; we share one common element—passion: Passion for the Guitar. It is with great pride that we present to you our 2006 Guitar line. PI70 RB Sonny Mayo - Sevendust 4 IDOL SERIES In the Chicago neighborhood of Pilsen on the banks of the Chicago River west of the “Loop”, you’ll fi nd the back upon which the City of Broad Shoulders was built. A neighborhood founded and populated by hardworking laborers willing to put in a full days work in pursuit WI68 CRB of the American dream. Like all of us, NC70 TB they’re reaching for their brass ring. -
Sunburst Finish, S/N: 833616, Dates 1966 Or
04/12/2016 Specialty Auction Auction Lot Description Bidder Winning Bid Gibson ES 335TD Hollow Body Guitar: Sunburst Finish, S/N: 1 833616, Dates 1966 or 1969, w/ Vintage Hard Case O'Connell, John $ 4,210.00 Gibson Les Paul Custom Guitar: w/ Gold Colored Hardware & Gibson Brand Inlaid Head, S/N: 81471558, Circa May 27 1981, 3 Nashville, TN, w/ Lined Hard Case Glass, John $ 1,910.00 Gibson Les Paul Guitar: Desert Burst Finish, Manufactured in Nashville, TN Plant April 2007, S/N: 011070616, w/ Lined Hard 4 Case Stoicescu, Bogdan $ 1,620.00 Gibson Les Paul Supreme Guitar: Honey Burst, Made in USA 2008, 5 w/ Hardshell Case, S/N: 023880360 O'Connell, John $ 1,730.00 Gibson Hollow Body Electric Guitar: 12-String, w/ Hardshell Lined 6 Case, S/N: 437312 O'Connell, John $ 2,330.00 Gibson Explorer Electric Guitar: Circa 2003, USA, w/ Hardshell 7 Case, S/N: 01533616 Fede, Peter $ 720.00 Fender Jazz Master Electric Guitar: Color Sunburst Finish, Dates 8 Circa Mid-1960s, w/ Lined Hardshell Case, S/N: 121947 O'Connell, John $ 3,660.00 Fender Jazz Master Electric Guitar: Contour Body, Circa 1993- 9 1994, w/ Hardshell Lined Case, S/N: Q032356 Mason, Jack $ 500.00 Fender Jazz Bass Guitar: Pearl Metallic Green, S/N: E90750, Made 10 in USA, w/ Hardshell Case Fede, Peter $ 660.00 Fender Jazz Bass Guitar: S/N: P047229, w/ Vintage Design 11 Hardshell Case Goudy, Christine $ 520.00 Fender Jazz Special Bass Guitar: Circa 1984-1987, S/N: E913617, 12 w/ Hardshell Lined Case Fasano Properties $ 360.00 Fender American Special Jazz Bass Guitar: Circa 2010, S/N: 13 -
2016 Product Lineup Catalog
ELECTRIC GUITARS & BASSES 2016 PRODUCT LINEUP CATALOG CONTENTS ELECTRIC GUITARS REVSTAR ·················································································· 1 SG ···························································································· 4 PACIFICA ················································································· 5 RGX ·························································································· 8 AES/SA ····················································································· 9 RGXA ······················································································ 10 ELECTRIC BASSES RBXA ······················································································ 10 BB ·························································································· 11 TRBX ······················································································ 13 TRB ························································································ 14 OTHERS SIGNATURE ············································································ 15 GIGMAKER ············································································· 17 ACCESSORIES ········································································ 18 THR ···························································································· 19 ARTISTS ················································································· 21 1 Yamaha Electric Guitars Yamaha Electric Guitars -
5-Sept-15 Dear Chris. I Am So Glad I Bought Your Pickups. My Experience with Kinman Humbuckers in My Gibsons Is Simply Amazing
5-Sept-15 Dear Chris. I am so glad I bought your pickups. My experience with Kinman humbuckers in my Gibsons is simply amazing. I love the sound and the total absence of noise the Extra Vintage Suite produces. When I play in live performances or during recording sessions I always feel comfortable since I am certain of their performance. These Pick ups are without question the best ever. I am really proud to endorse your products. Dario Chiazzolino (international jazz guitarist – composer. Awarded "Best Guitar Player" Umbria Jazz Festival. Nominated Best Guitarist in Italian jazz magazine Guitar List. Nomination for Artist of the year in D-Mag) 31-Aug-13 Installed the Kinman Extra Vintage suite into my Les Paul Standard. The sound is so clear and string balance is just perfect. Even on split coil, they sound great (very little hum). Previously once the AC30 started to clip, the sound lost definition. Now I can get the growl without losing notes. Thanks Chris. These are just brilliant. Regards, Phil Sharp (Australia) 5-July-2013 I have the Impersonator 54 and PAF Astound HSS setup fitted in my favourite Parker Nitefly. Wow!! The sound really nails what I was looking for - some authentic bell-like strat tones from the singles along with some player-sensitive creamy bite from the humbucker. The volume balance is just awesome. The guitar sounds like it really should now - incredibly versatile and all round fantastic. If anybody else should seek advice on doing a Parker Nitefly, you can confidently recommend the setup I've just installed. -
Lollar Pickups & Custom Guitars | the Tonequest Report
Mountainview Publishing, LLC INSIDE the Turning Coils in the Quest for Tone... “Thinking out your tone” and The Player’s Guide to Ultimate Tone TM choosing the right $10.00 US, NOVEMBER 2006/VOL.8 NO.1 Report pickup the first time. DC resistance... inductance in henries... Turning Coils Alnico 2,3 & 5... #42, #43, and #44 gauge wire... To every thing, turn, turn, turn, There is a season, turn, turn, turn, potting... And a time to every purpose under heaven – Pete Seeger nickel silver covers, “handwinding” In simpler times, players played the pickups that came in their guitars and that & was the end of it. Hispanic women wound coils in Fullerton, Latvian women “scatterwinding...” wound ‘em in Kalamazoo, and less celebrated workers of undetermined origin did Do they matter? the same at DeArmond (Rowe Industries) in Toledo, Ohio. Whatever you got was more than good enough – it was all there was. The irony in the idea of such a simple, practical fellow like Leo Fender, who never played an instrument, 4 designing pickups that would define the sound of the electric guitar, or Seth The demystification Lover, an employee of Gibson accomplishing the same, is nearly impossible to of pickup comprehend. Both men worked to build a product that was simply intended to terminology & fill a specific need in the pursuit of a higher goal – to build and sell more myths dispelled courtesy of guitars. Yes, in a way they were the original tonefreaks... but their work was Jason Lollar inspired more by practical necessity than altruistic vision. These were, afterall, practical, buttoned up men with a far better understanding of engineering and electronics than music, and since they were practical 9 men, they possessed enough common sense to defer to musicians for the Pickup Reviews ultimate validation of their work. -
Price List GIBSON Only
EEffeffecctitivvee AugustAugust 11,, 20132013 En Vigueur le 1 août 2013 CCanadiananadian PPrriiccee ListList GGibsonibson PPrrooduducctt LinesLines LisListtee dede PPrixrix YYorkvilleorkville SSoundound 550550 GGrranianittee CCouourrtt PPicickkerineringg,, OOntariontario L1W3Y8L1W3Y8 PPhonehone 905.837.8777905.837.8777 ((DDiirreecctt OOrrderder DDeskesk Line!)Line!) FFaxax 800.665.7317800.665.7317 oror 905.839.5776905.839.5776 oorrders@[email protected] Product Index Index des Produits ACOUSTIC GUITARS .......................................................................... 7,8,12 BASS GUITARS ............................................................................ 4,6,9,11 DOBRO GUITARS .................................................................................... 8 EPIPHONE GUITARS ...................................................................... 10,11,12 GIBSON ACOUSTIC GUITARS .................................................................. 7,8 GIBSON CUSTOM, ART & HISTORIC ......................................................... 5,6 GIBSON GUITARS ................................................................................ 1-8 GIBSON PARTS .................................................................................. 17,18 GIBSON PICKUPS .................................................................................. 17 GIBSON STRINGS & ACCESSORIES ...................................................... 15,16 GUITARS ............................................................................................1-12 -
The Seymour Duncan Thirty-Five
The Seymour Duncan Thirty-Five History & Care Instructions Welcome & Congratulations T h e S e y m o u r Duncan Story The sound of an electric guitar or bass starts with the pickups—but in Seymour W. Duncan’s hands, the pickups themselves become masterfully crafted instruments. Starting as a young teen, Seymour often worked ten-hour days as a professional—if underage—guitarist. During that time he kept detailed notebooks about guitar sounds he heard, and tinkered with the instruments of friends, who included young Robbie Robertson and Adrian Belew. In the early ’70s, Seymour relocated to London, playing sessions by night and work- ing days at the Fender Sound House, the repair shop that served as his postgraduate laboratory. There, he serviced guitars and wound pickups for Led Zeppelin, Pink Floyd, Eric Clapton, George Harrison, the Who, Robert Palmer, Mick Ronson, Jeff Beck, and other leading lights of British rock. Some came for pickup repairs, others to seek help creating a distinctive guitar voice via one of Seymour’s custom pickup creations. Seymour kept exhaustive notes and took meticulous measurements on every guitar that came in. In 1975, Chris Rainbow brought Seymour to LA as guitarist for his recording session there. Seymour connected with the vibrant music scene in Topanga Canyon, where Jamie Shane of Canned Heat fame introduced him to Cathy Carter. Just like in London, musicians at the time were on a quest to capture the best tone of the old “pre-CBS” Fenders and Gibsons, yet colored with more output and new sounds. The large “corporate” guitar brands at the time had lost their heart and changed most everything about their guitars for the benefit of the “bottom-line”. -
Specifications & History of Models
Specifications & History of Models Table of Contents Specifications & History of Models .................................................................................................................................. 1 Table of Contents ................................................................................................................................................................. 2 Squier JV ............................................................................................................................................................................. 11 ’57 Vintage Stratocaster (Export) .................................................................................................................................... 11 ’62 Vintage Stratocaster (Export) .................................................................................................................................... 12 ’52 Vintage Telecaster (Export) ....................................................................................................................................... 13 SST-50 Stratocaster ......................................................................................................................................................... 14 SST-55 Stratocaster ......................................................................................................................................................... 16 SST-45 Stratocaster ........................................................................................................................................................