2004 Seymour Duncan Catalog

Total Page:16

File Type:pdf, Size:1020Kb

2004 Seymour Duncan Catalog Want righteous tone? for tone that sets you apart™ “why do some players get Lime righteousrighteous ttoneone?” Blue “the pickups?”pickups?” you say. Uh-huh. Mustard Avocado Brown Taupe Terracotta And just what is righteous tone? Is it singing highs or to making sure our sustain-for-days? Is it product is the best it perfect harmonics that can possibly be. cut through like never before? Or richer, Righteous tone also thicker, punchy bot- comes from the people tom end? Thousands who make the pickups. of famous artists and And because we’re Lime working musicians have a company of guitar asked themselves these and bass players, we same questions. know tone. And we Blue know what it takes to Their solution? give you the tone you’re Seymour Duncan looking for. and Basslines pickups. Why? Because Our devotion to our righteous tone doesn’t customers starts just happen. with our product development and Righteous tone comes extends to our network from years of inventive of authorized dealers research and acquired and our 21-Day Real technical knowledge. World Exchange Policy. Righteous tone comes It’s all about taking care from a 100%, no- of you by helping you compromise attitude find Tone That Sets about our product. From You Apart™.¹ Mustard Uh-huh. the hand assembly to the fanatical quality control, we have a Avocado passionate devotion Brown Taupe Terracotta Lime Blue Mustard Avocado HuMBuckers Invented in 1955 by Seth E. Lover, humbuckers Brown revolutionizedrevolutionized the ssoundound ooff guitguitarar mmusic.usic. The tonetone is bbiggerigger anandd ffatteratter than trtraditionaladitional Taupe single-coils,single-coils, andand the 60-c60-cycleycle hhumum is ggone.one. EachEach ofof thethesese hhumbuckersumbuckers ooffersffers a pplayerlayer aapprovedpproved answeranswer ttoo the qquestion,uestion, “How can I sound better?” Terracotta SH-1 ’59 Model™ Picture this… you warp back to 1959 and purchase a new “Patent Applied For” humbucker with the most crystalline tone on earth. Used by most everyone from jazz gods to blues demons. ™ SH-1 SH-4 JB Model The ‘bucker that started it all and remains our most popular model toto thisthis day.day. SSinginginging mmidsids wwithith bboostedoosted ooutput.utput. IItsts pperfecterfect bblendlend ooff sustainsustain andand ddistortionistortion mmakeake iitt ggreatreat fforor rrockock aandnd bblues.lues. SH-6 Duncan Distortion™ DoDo youyou rrock?ock? I mmeanean rreallyeally rrock???ock??? TThehe DDistortionistortion ggivesives yyouou hhighigh outputoutput ccourtesyourtesy ooff a mmassiveassive cceramiceramic mmagnetagnet fforor aaggressiveggressive SH-4 harmonicsharmonics aandnd ggreatreat llowow eendnd ““chunk.”chunk.” Available in double-black, double-white and zebra. SH-2 Jazz Model™ A most versatile humbucker, SH-6 especially for the neck position. SH-13 Dimebucker™ For the searing, crushing, metal massacre that is Dimebag’s tone SH-12 SH-8 Invader™ Think interplanetary tonal invasion by Hostile forces. SH-2 SH-12 Screamin’ Demon™ Great low end “cabinet thunk” SH-55 matched with screamin’ highs. SH-55 Seth Lover Model™ Can you say “Waaaarm and smoooooth?” Nickel or Gold. SH-13 SH-PG1 Pearly Gates™ Slightly rude “Tejas-tone” SH-PG1 ¹mixed with top end sizzle. APH-1 Alnico II Pro™ Humbucker The ultimate vintage blues humbucker. SH-8 APH-1 ® We’re known SSL-1 SJBJ-1 rAT for helping t Strato-philes SSL-1 Vintage Staggered™ SJBJ-1 JB Jr.™ get the absolutely A faithful replica in every You get the same boosted “best possible way. From the hand-ground, output. Same great harmon- tone” out of their staggered, sand-cast, alnico ics. And same sweet high-end r S V rod magnets, to the waxed as a full-size JB. The 12 mini instrument. cloth hookup cable. The adjustable pole pieces let you The Seymour medium output faithfully cap- fine tune your string balance Duncan models tures the true “bell tone” of a for an incredibly versatile, ® described here vintage Strat . boosted output humbucker. And with two coils, there’s are the most absolutely no hum. popular tone solutions, ranging from the ultra- vintage correct APS-1 Alnico II Pro™ iCKups iCKups fo recreations to Vintage tone and looks P single-coil-sized with pronounced mids and humbuckers buttery smooth distortion. that’ll turn SSL-4 Quarter-Pound™ Flat APS-1 your Strat Great big single coil tone, reminiscent of a P-90. ent into an incredibly versatile guitar. STK-S1 Classic Stack® Traditional Strat looks and tone, but guess what? No hum! SCR-1 Cool Rails™ SSL-4 Smooth ‘n’ bluesy. Great paired with a Hot Rails in the bridge. ACEm SDBR-1 Duckbuckers™ All quack. No hum. Need we say more? epl R ® Lime SHR-1 Blue Le STL-1 SHR-1 Hot Rails™ e STL-1 Vintage ’54™ Lead One of the highest output Same coil and same smaller pickups we make. You get T diameter magnets and pole incredible sustain along with piece stagger of the 1954 Tele a fat, full sound that’s great r lead pickups. The result: for heavy rock. And did the same biting tone and same we mention you can kiss gusty punch as the originals. hum goodbye? Great for country. Great for tone. Mustard The current crop of Avocado country, blues and rock Tele-Masters iCKups fo ST59-1 includes one ™ P ST59-1 Little ‘59 Mr. Seymour This pickup is a high-output, W. Duncan. humbuckin’, hybrid that mixes STK-S1 Seymour the warm, fat tone of a full-size ™ knows Tele ’59 Model humbucker with a ent healthy dose of beefed-up Tele tone. And twang. Brown the Seymour Duncan models Taupe SCR-1 listed below are the most popular tone ACEm remedies used STHR-1 by Tele players STHR-1 Hot Rails™ Lead everywhere. epl Like the Hot Rails for Strat®, SDBR-1 but in a Tele lead size. R Terracotta PicKup BoosTer SFX-01 Pickup Booster Pedal TheThe ffirstirst eeffectsffects ppedaledal ddesignedesigned specificallyspecifically ttoo wworkork ttogetherogether withwith tthehe pickupspickups iinn yyourour instrumentinstrument ttoo aachievechieve ooptimumptimum gaingain aandnd rresonanceesonance fforor aallll yyourour tonaltonal aapplications.pplications. TTurnurn tthehe knobknob ttoo ddialial iinn ppure,ure, fflat-EQlat-EQ gain,gain, rangingranging ffromrom 66dB,dB, aallll tthehe wayway ttoo aann aastonishingstonishing 225dB!5dB! InIn addition,addition, tthehe PPickupickup BBoosterooster cancan addadd thicknessthickness ttoo a ssingleingle coilcoil pickup.pickup. BByy eengagingngaging tthehe ResonanceResonance SSwitch,witch, tthehe rresonantesonant peakpeak ofof a ssingleingle ccoiloil ppickupickup ccanan bebe lowered,lowered, mmakingaking a SStrattrat® pickuppickup soundsound llikeike a vvintageintage humbuckerhumbucker oorr eevenven a hhigh-igh- outputoutput hhumbucker.umbucker. • Bypass:Bypass: TTruerue bbypassypass TypeType ofof ccircuitry:ircuitry: FFullyully • ddiscrete,iscrete, cclasslass A Noise:Noise: -120-120 ddBB ((referredreferred ttoo • inputinput withwith ggainain ssetet aatt 225dB)5dB) ChassisChassis material:material: HHeavy-dutyeavy-duty • 11.6.6 mmmm ssteelteel PN # 910012 BassLiNes Lime Blue From pickups to on-board electronics. From passive to active. From retro to space age. It’s all Basslines. These Basslines models will give you a taste of the most popular offerings from the world’s largest and hippest basstone factory. Mustard Avocado Brown Taupe Terracotta Lime STK-J1 SJB-2 Blue STK-J1 Classic Stack® SJB-2 Hot for Jazz Bass® for Jazz Bass® The increased output, deeper You get the same great tone, low-end response, heavier mid- presence and response of a range emphasis, and all-around vintage Jazz Bass pickup, “punch”is great for bassists while eliminating that pesky who rock. 60-cycle hum. Mustard Avocado SPB-3 SMB-4D SPB-3 Quarter-Pound™ SMB-4D 4-String for Music for P-Bass® Man® The quarter-inch pole pieces kick in For years the Music Man® faithful a big output boost which translates have been asking us for a into incredible versatility for a replacement pickup with more single-pickup instrument. punch, more versatility and more Brown Country. Blues. Rock. Metal. tone. Well here it is. We got your basses covered. Taupe Terracotta SA-1 SA-1 Acoustic Tube™ This humbucking, instant- mount,mount, height-adjustableheight-adjustable soundholesoundhole pickuppickup hahass a naturalnatural andand eevenven rresponseesponse with a built-inbuilt-in vvolumeolume control to give you all the controlcontrol youyou nneed.eed. GreatGreat forfor finfinger-style.ger-style. GreatGreat forfor ttone.one. Lime Blue SA-3SC SA-3SCSA-3SC Woody™Woody™ SingleSingle CoilCoil PartPart ofof ourour popopularpular WWoodyoody series,series, the SC dedeliverslivers a bright and crisp tone – it’sit’s greatgreat fforor sstrumming.trumming. AnAndd c it “laughs”“laughs” in the ffaceace The physics of ofof feedback.feedback. acoustic guitars ti andand bronzebronze sstringstrings entailentail uniqueunique ttoneone amplificationamplification challenges.challenges. SSeymoureymour Duncan’sDuncan’s AAcousticcoustic Division responds toto thatthat cchallengehallenge SA-6SA-6 MagMag MMicic with thesethese modelsmodels SA-6 Mag Mic™ our most popular Active,Active, humbucking,humbucking, acoustic guitar magneticmagnetic ssoundholeoundhole ppickupickup CouS pickuppickup ssolutions.olutions. featuringfeaturing a bbuilt-inuilt-in mmicrophoneicrophone andand blendblend ccircuit,ircuit, ttogetherogether withwith adjustableadjustable ppoleole ppieces.ieces. TheThe resultresult iiss tthehe mmostost nnatural-atural- Mustard A sounding, three dimensional, acousticacoustic guitarguitar ssoundholeoundhole pickup.pickup. Ever!Ever! Avocado Brown Taupe Terracotta “But
Recommended publications
  • 2017 Guitars •Custom Shop • Artist Signature Series • Usa Select Series • Pro-Mod Series 2 Custom Shop Custom Custom Built
    2017 GUITARS •CUSTOM SHOP • ARTIST SIGNATURE SERIES • USA SELECT SERIES • PRO-MOD SERIES 2 CUSTOM SHOP CUSTOM CUSTOM BUILT Where do you go when your dream guitar is a Charvel® and money is no object? To Charvel’s U.S.A. Custom Shop. We build the very best of the top-line best for the world’s greatest artists, and also for you. Many of the SHOP talented craftsmen who founded the shop are still a part of our valued team, creating the epitome of Charvel style and performance. 3 WARREN DEMARTINI NEW! WARREN DEMARTINI SERIES USA SIGNATURE FRENCHIE Fans have long clamored for a replica of Warren DeMartini’s famed and beloved “Frenchie” guitar, seen live on tour and ARTIST on a slew of magazine covers throughout Ratt’s reign in the 1980s. Charvel has responded with a Snow White and a Gloss Black finish, both detailed with Snow White cross decals and a tribute quote to James Dean in French that reads “too fast to live, too young to die.” Features include a Dinky™ alder body, one-piece bolt-on quartersawn maple neck, 12”- 16” compound radius maple fingerboard with 22 jumbo stainless steel frets and black dot inlays, Seymour Duncan® Custom Warren DeMartini RTM Tommy Williams Tommy (“Rattus Tonus Maximus”) humbucking bridge pickup and SSL-4 Quarter Pound™ Photo: neck pickup, three-way toggle switch, single volume control knob, Floyd Rose® Original locking bridge and Gotoh® tuning machines. 2865005803 - Gloss Black 2865055876 - Snow White Legendary lead guitarist Warren DeMartini led glam metal sensation Ratt to the top of the charts in the 1980s, co-writing several of the band’s biggest hits that earned multiple platinum albums.
    [Show full text]
  • Intune-Pages-JAN2017-SPREADS.Pdf
    “ i just go where the guitar takes me. IN TUNE Angus” Young For my dad who has always inspired and encouraged me. 1 2 15 Eddie Van Halen CONTENTS Frankenstrat 1979 Charvel hybrid VH2 EVH Wolfgang BB King Guitar anatomy 19 5 Gibson Memphis ES-355 7 Jimi Hendrix 21 Slash 1967 Flying V Slash Appitite Les Paul 1968 Fender Stratocaster B.C. Rich Mockingbird 1960 Danelectro 1967 Gibson EDS-1275 11 Jimmy Page 25 Details & Backstories 1959 Les Paul Standard 1959 Fender Telecaster Gibson EDS-1275 Index 3 29 4 Cutaway Anatomy Pickgaurd Control knobs Fingerboard Headstock Neck Pickup Bridge Inlay 5 6 1967 Gibson Flying V Handpainted Arrowhead Stringed backwards: E, B, headstock, G, D, A, E. shortened for balance and elegance. Mahogany neck, grade-a rosewood T-Bone PAF-style tones. fingerboard. They are called PAF becuase gibson had applied for a patent but did not recieve the number, hence Patent Applied For. Iconic “v” styling, slimmed down for Two volume optimum playing controls, master comfort. tone, 3-way selector, with JIMI HENDRIX “witch hat” knobs. 7 8 1968 Fender Stratocaster Betty Jean 1960 Danelectro Alder wood headstock. Bottle headstock. Maple wood Rosewood fingerboard in Bolt-on neck with an fingerboard. a“C” Shape with aluminum neck rod a finished Gloss from the peghead to Polyester. the bridge. Alder wood Sleek Body Shape and Contours. Three expressive 2 NOS lipstick American Vintage pickups. ‘65 Gray-Bottom single-coil pickups. 6-Saddle Vintage-Style 5 Poplar wood Synchronized body. 2 stacked tone tremolo bridge. and volume controls. 9 10 ’59 Les Paul Standard Quarter-sawn, lightweight Les Paul headstock mahogany and rosewood is carefully angled at fingerboard.
    [Show full text]
  • Want Righteous Tone?
    want righteous tone? ® electric, basslines , acoustic, pedal ® TM FOR TONE THAT SETS YOU APART why do some players get righteous tone? the pickups? uh-huh. And just what is righteous tone? Is it singing highs or sustain-for-days? Is it perfect harmonics that cut through like never before? Or richer, thicker, punchier bottom end? Thousands of famous artists and working musicians have asked themselves these same questions. Their solution? Seymour Duncan and Basslines pickups. Why? Because righteous tone doesn't just happen. Righteous tone comes from years of inventive research and acquired technical knowledge. Righteous tone comes from a 100%, no-compromise attitude about our product. From the hand assembly to the fanatical quality control, we have a passionate devotion to making sure our product is the best it can possibly be. Righteous tone also comes from the people who make the pickups. And because we’re a company of guitar and bass players, we know tone. And we know what it takes to give you the tone you’re looking for. Our devotion to our customers starts with our product development and extends to our network of authorized dealers and our 21-Day Real World Exchange Policy. It’s all about taking care of you by helping you find Tone That Sets You Apart™. SD Blue Custom, Swag Single Coil PMS 276/Basslines = C:95 M:95 Y:36 K:32 Rubine Red/Humbucker= C:4 M:97 Y:6 K:0 PMS 354/Trembucker= C:83 M:4 Y:91 K:0 NEW PMS 2685/Livewires, Tele = C:95 M:97 Y:9 K:2 LW-MUSTSimplement Noir dave mustaine livewires set The Mustaine Model’s active preamp allows higher gain and more output without sacrific- PMS 193/Pedals = C:0 M:91 Y:65 K:11.5 ing tonal response and dynamic feel.
    [Show full text]
  • S-1 Custom Wiring Diagram
    S-1 Custom Wiring Diagram White Neck pickup: Seymour Duncan ‘59 SH-1N Bare Bridge Volume 500k Duncan Designed Red White Red Bare Bridge pickup: Seymour Duncan Custom Custom SH-11 ay Switch 3-W Black Neck 3 2 1 Volume Duncan Designed Black Green 500k Green .022 Tone 3-way switch settings 500k push/pull 1 2 3 1 2 3 Neck push/pull push/pull in DOWN position in UP position Bridge Tip (hot output) 3-Way Sleeve (ground) Switch Tone 1 Bridge Vol 2 3 Output Jack Neck Vol = ground. This symbol is found where any ground connection For technical or warranty questions please email: [email protected] Diagram copyright Schecter Guitar Research 2011 should be soldered. a S-1 Custom Neck Specs: c Scale Length: 628mm/24.75” A: Width at Nut- 42mm B: Width at Last Fret- 56mm b C: Thickness at 1st Fret- 20mm d D: Thickness at 12th Fret- 22mm Radius: 355mm/14” radius Bridge Pickup Neck Pickup Name: Seymour Duncan Custom Custom Name: Seymour Duncan ‘59 Model No: SH-11 Model No: SH-1N Construction: Humbucker Construction: Humbucker Magnet: Alnico II Magnet: Alnico V Output: 14.4k Output: 7.43k Description: The Custom Custom is the SH-5 Description: Late-'50s, vintage-correct, Duncan Custom humbucker with humbucker sound. Warm and an Alnico II magnet for warm and crystalline clean tones. Full and smooth highs, more midrange, and bright distorted tones. Smooth a spongier bottom end than the sustain. Classic appointments SH-5. It's a good choice for players include plain enamel wire, long who need a traditional vintage tone legged bottom plate.
    [Show full text]
  • Superstrat Elektromos Gitárok
    Visszalépés a Muszty-Dobay Főoldalra SUPERSTRAT ELEKTROMOS GITÁROK Találkozhatunk még a Superstrato vagy a Sooperstrat elnevezésekkel, illetve ugyanezeket ír(hat)ják egybe vagy külön, esetleg kötőjellel is, ám a leggyakoribb mindenhol, minden nyelven a Superstrat megnevezés. De van, ahol nemes egyszerűséggel „modern Strato (alakú vagy formájú)” elektromos gitárnak nevezik. Nincs hivatalos és pontos meghatározása a Superstrat-nak, ez egy szubjektív elektromosgitár-design, amely hasonlít a Fender Stratocaster-re. Tény, hogy sokan sok helyen vitatkoznak azon, vajon egy-egy gitármárka bizonyos modellje Superstrat-e, vagy sem, ám ettől függetlenül a nagyobb internetes gitáráruházakban már külön kategóriaként kezelik a Superstrat elektromos gitárokat, és külön oldalt kapnak. Ezt a gitártípust a heavy metal zenének az 1980-as évek elején megnőtt népszerűsége hívta életre. A gitárosok elkezdtek keresni egy olyan elektromos gitárt, amelyik jobban megfelelt az új zenei stílusnak úgy a kinézetében, mint játszhatóságában. „Kövérebb” zenei hangot kerestek, illetve egy olyan elektromos gitárt, amely igazán alkalmas az ún. „high-gain” torzított erősítésre. Voltak ugyan gitárosok, akik már használták effélére a Fender Stratocaster-eket is, mint például Ritchie Blackmore vagy Dave Murray, ám az általuk eszközölt módosítások viszonylag csekélyek voltak annak érdekében, hogy a hangszerük minél inkább illeszkedjen a saját egyéni játékstílusukhoz. Természetesen ma Mr. Blackmore-nak és Mr. Murray-nek is van ún. „Signature” gitárja a Fender Stratocaster-ek között. Valószínűleg az első és egyben legismertebb Superstrat gitár Eddie Van Halen legendás Frankenstrat-ja, vagyis egy Frankenstein Stratocaster a ’70-es évek közepéből: A Frankenstrat-nak nem csupán története, hanem történelme, sőt, mára legendája van, fogalom lett, és még Eddie Van Halen honlapján is saját részt kapott.
    [Show full text]
  • Washburn 2006 Catalog
    Washburn Guitars are built for artists and students of all ages across all musical genres. From bluegrass to heavy metal, and everything in between. Each guitar reflects the fundamental, hard working spirit of Washburn employees who craft and design them. You should feel confident knowing that each guitar represents the finest quality at the best possible price. Washburn’s 120-year history starts in Chicago and is one steeped in tradition of fine instrument making. From the first dreadnought guitar, to the first jumbo flattop in the early part of the 20th century, Washburn continues to be a consistent leader in combining design, innovation, and technology. In this catalog you will see our signature artists that range from multi-platinum recording artists to emerging guitar virtuosos. You will see the influencers of today and heroes of tomorrow. All of the artists featured reflect the spirit in which our guitars are designed and built. From our shop just outside Chicago, to the instrument dealer, to the musician; we share one common element—passion: Passion for the Guitar. It is with great pride that we present to you our 2006 Guitar line. PI70 RB Sonny Mayo - Sevendust 4 IDOL SERIES In the Chicago neighborhood of Pilsen on the banks of the Chicago River west of the “Loop”, you’ll fi nd the back upon which the City of Broad Shoulders was built. A neighborhood founded and populated by hardworking laborers willing to put in a full days work in pursuit WI68 CRB of the American dream. Like all of us, NC70 TB they’re reaching for their brass ring.
    [Show full text]
  • Sunburst Finish, S/N: 833616, Dates 1966 Or
    04/12/2016 Specialty Auction Auction Lot Description Bidder Winning Bid Gibson ES 335TD Hollow Body Guitar: Sunburst Finish, S/N: 1 833616, Dates 1966 or 1969, w/ Vintage Hard Case O'Connell, John $ 4,210.00 Gibson Les Paul Custom Guitar: w/ Gold Colored Hardware & Gibson Brand Inlaid Head, S/N: 81471558, Circa May 27 1981, 3 Nashville, TN, w/ Lined Hard Case Glass, John $ 1,910.00 Gibson Les Paul Guitar: Desert Burst Finish, Manufactured in Nashville, TN Plant April 2007, S/N: 011070616, w/ Lined Hard 4 Case Stoicescu, Bogdan $ 1,620.00 Gibson Les Paul Supreme Guitar: Honey Burst, Made in USA 2008, 5 w/ Hardshell Case, S/N: 023880360 O'Connell, John $ 1,730.00 Gibson Hollow Body Electric Guitar: 12-String, w/ Hardshell Lined 6 Case, S/N: 437312 O'Connell, John $ 2,330.00 Gibson Explorer Electric Guitar: Circa 2003, USA, w/ Hardshell 7 Case, S/N: 01533616 Fede, Peter $ 720.00 Fender Jazz Master Electric Guitar: Color Sunburst Finish, Dates 8 Circa Mid-1960s, w/ Lined Hardshell Case, S/N: 121947 O'Connell, John $ 3,660.00 Fender Jazz Master Electric Guitar: Contour Body, Circa 1993- 9 1994, w/ Hardshell Lined Case, S/N: Q032356 Mason, Jack $ 500.00 Fender Jazz Bass Guitar: Pearl Metallic Green, S/N: E90750, Made 10 in USA, w/ Hardshell Case Fede, Peter $ 660.00 Fender Jazz Bass Guitar: S/N: P047229, w/ Vintage Design 11 Hardshell Case Goudy, Christine $ 520.00 Fender Jazz Special Bass Guitar: Circa 1984-1987, S/N: E913617, 12 w/ Hardshell Lined Case Fasano Properties $ 360.00 Fender American Special Jazz Bass Guitar: Circa 2010, S/N: 13
    [Show full text]
  • 2016 Product Lineup Catalog
    ELECTRIC GUITARS & BASSES 2016 PRODUCT LINEUP CATALOG CONTENTS ELECTRIC GUITARS REVSTAR ·················································································· 1 SG ···························································································· 4 PACIFICA ················································································· 5 RGX ·························································································· 8 AES/SA ····················································································· 9 RGXA ······················································································ 10 ELECTRIC BASSES RBXA ······················································································ 10 BB ·························································································· 11 TRBX ······················································································ 13 TRB ························································································ 14 OTHERS SIGNATURE ············································································ 15 GIGMAKER ············································································· 17 ACCESSORIES ········································································ 18 THR ···························································································· 19 ARTISTS ················································································· 21 1 Yamaha Electric Guitars Yamaha Electric Guitars
    [Show full text]
  • 5-Sept-15 Dear Chris. I Am So Glad I Bought Your Pickups. My Experience with Kinman Humbuckers in My Gibsons Is Simply Amazing
    5-Sept-15 Dear Chris. I am so glad I bought your pickups. My experience with Kinman humbuckers in my Gibsons is simply amazing. I love the sound and the total absence of noise the Extra Vintage Suite produces. When I play in live performances or during recording sessions I always feel comfortable since I am certain of their performance. These Pick ups are without question the best ever. I am really proud to endorse your products. Dario Chiazzolino (international jazz guitarist – composer. Awarded "Best Guitar Player" Umbria Jazz Festival. Nominated Best Guitarist in Italian jazz magazine Guitar List. Nomination for Artist of the year in D-Mag) 31-Aug-13 Installed the Kinman Extra Vintage suite into my Les Paul Standard. The sound is so clear and string balance is just perfect. Even on split coil, they sound great (very little hum). Previously once the AC30 started to clip, the sound lost definition. Now I can get the growl without losing notes. Thanks Chris. These are just brilliant. Regards, Phil Sharp (Australia) 5-July-2013 I have the Impersonator 54 and PAF Astound HSS setup fitted in my favourite Parker Nitefly. Wow!! The sound really nails what I was looking for - some authentic bell-like strat tones from the singles along with some player-sensitive creamy bite from the humbucker. The volume balance is just awesome. The guitar sounds like it really should now - incredibly versatile and all round fantastic. If anybody else should seek advice on doing a Parker Nitefly, you can confidently recommend the setup I've just installed.
    [Show full text]
  • Lollar Pickups & Custom Guitars | the Tonequest Report
    Mountainview Publishing, LLC INSIDE the Turning Coils in the Quest for Tone... “Thinking out your tone” and The Player’s Guide to Ultimate Tone TM choosing the right $10.00 US, NOVEMBER 2006/VOL.8 NO.1 Report pickup the first time. DC resistance... inductance in henries... Turning Coils Alnico 2,3 & 5... #42, #43, and #44 gauge wire... To every thing, turn, turn, turn, There is a season, turn, turn, turn, potting... And a time to every purpose under heaven – Pete Seeger nickel silver covers, “handwinding” In simpler times, players played the pickups that came in their guitars and that & was the end of it. Hispanic women wound coils in Fullerton, Latvian women “scatterwinding...” wound ‘em in Kalamazoo, and less celebrated workers of undetermined origin did Do they matter? the same at DeArmond (Rowe Industries) in Toledo, Ohio. Whatever you got was more than good enough – it was all there was. The irony in the idea of such a simple, practical fellow like Leo Fender, who never played an instrument, 4 designing pickups that would define the sound of the electric guitar, or Seth The demystification Lover, an employee of Gibson accomplishing the same, is nearly impossible to of pickup comprehend. Both men worked to build a product that was simply intended to terminology & fill a specific need in the pursuit of a higher goal – to build and sell more myths dispelled courtesy of guitars. Yes, in a way they were the original tonefreaks... but their work was Jason Lollar inspired more by practical necessity than altruistic vision. These were, afterall, practical, buttoned up men with a far better understanding of engineering and electronics than music, and since they were practical 9 men, they possessed enough common sense to defer to musicians for the Pickup Reviews ultimate validation of their work.
    [Show full text]
  • Price List GIBSON Only
    EEffeffecctitivvee AugustAugust 11,, 20132013 En Vigueur le 1 août 2013 CCanadiananadian PPrriiccee ListList GGibsonibson PPrrooduducctt LinesLines LisListtee dede PPrixrix YYorkvilleorkville SSoundound 550550 GGrranianittee CCouourrtt PPicickkerineringg,, OOntariontario L1W3Y8L1W3Y8 PPhonehone 905.837.8777905.837.8777 ((DDiirreecctt OOrrderder DDeskesk Line!)Line!) FFaxax 800.665.7317800.665.7317 oror 905.839.5776905.839.5776 oorrders@[email protected] Product Index Index des Produits ACOUSTIC GUITARS .......................................................................... 7,8,12 BASS GUITARS ............................................................................ 4,6,9,11 DOBRO GUITARS .................................................................................... 8 EPIPHONE GUITARS ...................................................................... 10,11,12 GIBSON ACOUSTIC GUITARS .................................................................. 7,8 GIBSON CUSTOM, ART & HISTORIC ......................................................... 5,6 GIBSON GUITARS ................................................................................ 1-8 GIBSON PARTS .................................................................................. 17,18 GIBSON PICKUPS .................................................................................. 17 GIBSON STRINGS & ACCESSORIES ...................................................... 15,16 GUITARS ............................................................................................1-12
    [Show full text]
  • The Seymour Duncan Thirty-Five
    The Seymour Duncan Thirty-Five History & Care Instructions Welcome & Congratulations T h e S e y m o u r Duncan Story The sound of an electric guitar or bass starts with the pickups—but in Seymour W. Duncan’s hands, the pickups themselves become masterfully crafted instruments. Starting as a young teen, Seymour often worked ten-hour days as a professional—if underage—guitarist. During that time he kept detailed notebooks about guitar sounds he heard, and tinkered with the instruments of friends, who included young Robbie Robertson and Adrian Belew. In the early ’70s, Seymour relocated to London, playing sessions by night and work- ing days at the Fender Sound House, the repair shop that served as his postgraduate laboratory. There, he serviced guitars and wound pickups for Led Zeppelin, Pink Floyd, Eric Clapton, George Harrison, the Who, Robert Palmer, Mick Ronson, Jeff Beck, and other leading lights of British rock. Some came for pickup repairs, others to seek help creating a distinctive guitar voice via one of Seymour’s custom pickup creations. Seymour kept exhaustive notes and took meticulous measurements on every guitar that came in. In 1975, Chris Rainbow brought Seymour to LA as guitarist for his recording session there. Seymour connected with the vibrant music scene in Topanga Canyon, where Jamie Shane of Canned Heat fame introduced him to Cathy Carter. Just like in London, musicians at the time were on a quest to capture the best tone of the old “pre-CBS” Fenders and Gibsons, yet colored with more output and new sounds. The large “corporate” guitar brands at the time had lost their heart and changed most everything about their guitars for the benefit of the “bottom-line”.
    [Show full text]