And Cous- Tional Syndication," Says the Pro- March 30 As Part of the "Soul Ins William Guest and Ed Patton) Gram's Creator, Don Cornelius

Total Page:16

File Type:pdf, Size:1020Kb

And Cous- Tional Syndication, BLACK Singer & Her Group Receiving Heritage Award `Soul Train' To Honor Gladys Knight LOS ANGELES Gladys Knight & award in 1987. ed the impetus needed for 'Soul the Pips will receive the second an- Knight & the Pips (her brother Train' to ultimately succeed in na- nual Soul Train Heritage Award Merald "Bubba" Knight and cous- tional syndication," says the pro- March 30 as part of the "Soul ins William Guest and Ed Patton) gram's creator, Don Cornelius. Train" awards broadcast. The pre- have been together since 1957, Knight & the Pips' current al- sentation will be broadcast live when the group was formed in At- bum, "All Our Love," on MCA has from the Santa Monica (Calif.) Au- already spawned one major hit, ditorium. "Love Overboard" and a strong The Heritage award is dedicated Awards show will second single, "Livin' On Next To to artists "whose career accom- air live March 30 Nothing." In addition to being an Solar Stars. Solar /Constellation Records has just expanded its promotion and plishments have had a positive ef- accomplished vocalist, Knight has marketing team. The group includes,from left Delores Carr -Manigo, Nancy Pitts, fect upon music acceptance and ap- appeared as an actress in several Artie Dunning, Charm Warren, Doris Butler, Doug Wilkins, Hank Caldwell, Frank preciation worldwide," according lanta. The group's association with films and on several television Williams, and Andre Fuller. to a "Soul Train" spokesman. "Soul Train" dates back to the shows. She also produced the HBO Stevie Wonder was given the show's first episode, produced Oct. special "Sisters In The Name Of 2, 1971, which the group headlined. Love," in which she co- starred "Gladys Knight & the Pips' ap- with Dionne Warwick and Patti pearance on our first show provid- LaBelle. Old School & New School Rappers Battle For Supremacy Kool Moe Dee, L.L. Cool Busy Reggae, Pop Stars Mix It Up For TV Show J Get NEW YORK "A Reggae Ses- the Neville Brothers, Grace Jones, sion," a program mixing Jamaican Sly & Robbie, Third World mem- RAP MUSIC IS, by its very nature, confrontational. Daze" soundtrack aimed at the quiet storm format, reggae stars with performers ber Cat Coore, and Toots Hibbert. While the primary building block of most pop music including "I Can Only Be Me" by Keith John (writ- from other areas of pop, will air The 55- minute broadcast, shot in is the concept of love in its most romantic form, the ten by Stevie Wonder), "Perfect Match" by Tech & March 20 on cable television's the Jamaican cities of Kingston, essential message of rap is an expression of self- the Effx (produced by Lenny White), and "Be One" Cinemax. Among the artists who Port Royal, St. Ann, and Lime Cay, hood. "I'm bad" or "I'm def" or "I'm stoopid fresh" by Phyllis Hyman ... Derek B has been proclaimed will appear are Jimmy Cliff, Bun- was produced by HBO /Cinema are what rappers claim about themselves. Of Britain's best rapper by the British music press. ny Wailer, Ziggy Marley & the and Delilah Films Ltd. The pro- course, everyone can't be "the deffest." So, in rec- With the release of "Get Down" on Profile we'll see Melody Makers, Chrissie Hynde of gram includes a tribute to Bob ord after record, rappers proclaim their various how he fares against the big boys ... Levert has cut the Pretenders, Carlos Santana, Marley. skills and authority. Some folks are bored by all this tracks with Millie Jackson for her next Arista effort bragging, but to rap fans it's an accepted part of the ... Howard Hewett, Doc Powell, and Monte Moir music's personality. have all contributed songs and production to Nia What is fascinating is Peeples' "Nothing But Music To Play A Key Role In Arts Fest how the battle lines Trouble" album on Poly - have been drawn recent- Gram. Peeples, who NEW YORK "Celebration '88," a by Atlanta songwriters; a blues ly. It's not just random The hosts the the U.S. ver- major black arts festival, is set for show on Atlanta's historic Auburn boasting anymore. On a sion of television's "Top July 30 -Aug. 7 in Atlanta, and mu- Avenue; and a seminar on compo- number of recent rec- Rhythm Of The Pops," antici- sic will play a major role. sition that will feature Kansas ords we've heard verbal pates an April release. Seventy events are scheduled City big band leader /pianist Jay battles between the "old and the Not surprisingly, Peep- for the festival, including a tribute McShan. school" and the "new les will be debuting her to New York's Savoy Ballroom, a Among those on the panel of ad- school." The old -school Blues first single, "Trouble," famed dance hall in Harlem; per- visers for the events are film mak- rappers are those whose on "Top Of The Pops" formances by classical singer er Spike Lee, opera diva Jessye careers started in the . Tommy Boy has high Leon Bates and gospel star Shir- Norman, and jazz trumpeter Wyn- New York boroughs of byy Nelso n George hopes that TKA's "Tears ley Caesar; a showcase of music ton Marsalis. the Bronx and Manhattan during the early '70s. The May Fall" will be the latest record to cross over term "new school" is applied to anyone outside that from the Latin dance market to black radio and then elite group, though it is usually meant to refer to to the pop audience ... The Waters (Julia, Luther, FOR WEEK ENDING MARCH 12, 1988 successful younger rappers, often from Queens or Maxine, Oren) have an album, "Welcome Home," ;board' ©Copyright 1988, Billboard Publications, Inc. No part of this Long Island, N.Y., and elsewhere. coming on the indie label publication may be reproduced, stored in any retrieval system, or Waterwheel Records. The transmitted, in any form or by any means, electronic, mechanical, The fight is defined by old -school star Kool Moe first single is "When You Love Somebody" ... Pres- photocopying, recording, or otherwise, without the prior written Dee and new- school superstar L.L. Cool J. The first ton Glass' Glass Slipper Productions has been quite permission of the publisher. volley, according to rap scholars, was fired by L.L. active of late handling production and songwriting on his first album, when the rookie proclaimed him- on projects by: Jermaine Jackson, Johnny Mathis, HOT BLACK SINGLES ACTION self the best out there. Moe Dee, a member of the and Pieces Of A Dream and on the debuts of Leata legendary Treacherous Three, resented the kid's Galloway for Columbia and Prince's sister Tyka RADIO MOST ADDED boasting. On the cover of Moe Dee's second Jive al- Nelson. In addition, Glass and company have started PLATINUM/ BRONZE/ bum, a jeep runs over a red Kangol, the symbol of a label, Gourmet Records, and its first act will be a GOLD SILVER SECONDARY TOTAL TOTAL ADDS ADDS ADDS ADDS ON you know who. Moe Dee also has a a few choice re- formed Graham Central Station led by Larry I6 REPORTERS 30 REPORTERS 51 REPORTERS 97 REPORTERS words for L.L. in his liner notes. The clincher is the Graham ... Atlantic saxophonist Gerald Albright is EVERYTHING WILL B -FINE LISA JAM COLUMBIA track "How Ya Like Me Now ?" -the ultimate old - doing showcase dates in major markets, while At- LISA & CULT 3 8 17 28 53 school attack on "new- jack" rappers. L.L. has an- lantic /Omni vocalist Jean Carne is out on a more ex- MY GIRL swered with "Jack The Ripper" on the B side of tensive tour ... A &M is gearing up for an active SUAVE' CAPITOL 1 9 15 25 44 "Goin' Back To Cali." It hits as hard as "How Ya 1988 in black music. The label's latest addition is the NITE & DAY AL B. SURE! WARNER BROS. 4 8 12 24 44 Like Me Now ?" Fit, which debuts with "Just Havin' Fun." The Fit is Who knows where verbal will end? I AM YOUR MELODY this battle composed of vocalist Vince Ebo and instrumentalist NORMAN CONNORS CAPITOL 4 6 9 19 61 Maybe Don King could promote a contest at Trump Chuck old- Gentry ... One of rap's school masters, I NEED MONEY BAD Plaza. But all of the controversy is just another rea- Spoonie Gee, has an album available via Tuff City JOHN WHITEHEAD MERCURY 0 5 13 18 26 son that rap, for all its faults, has so much spirit. Records. It includes remixes of two of his recent 12- LIVIN' IN THE LIMELIGHT inches, "Take It Off" and "The Godfather." Hip - GLENN JONES JIVE 6 11 18 20 SHORT STUFF: Gwen Guthrie is back on the scene hop's hottest producers, Marley Marl and Teddy Ril- WILD, WILD WEST with a new 12 -inch single, "Can't Love You Tonight" ey, handled most of the tracks. Tuff City is at 46 -31 KOOL MOE DEE JIVE 8 8 17 43 b/w "The Surgeon General's Funky 4/4 Beat," on Vernon Blvd., Long Island City, N.Y., 11101 ... Otis WHERE DO BROKEN... Warner Bros. Guthrie produced this safe -sex an- Williams' memoir of his career with the Tempta- WHITNEY HOUSTON ARISTA 1 4 11 16 75 them with Sly Dunbar listed as associate producer tions will be published by Putnam this summer. IF I WERE YOUR WOMAN STEPHANIE MILLS MCA 1 4 10 15 ... Look out for Biz Markie. This unusual -looking Patty Romanowski, who worked on the memoirs 21 MERCEDES BOY rapper may turn out to be the biggest star to of the Supremes' Mary Wilson, aided Williams in his PEBBLES MCA 2 5 8 15 16 emerge from the Cold Chillin'- Warner Bros.
Recommended publications
  • Barber Middle School Accelerated Reader Quiz List Book Interest Quiz No
    BARBER MIDDLE SCHOOL ACCELERATED READER QUIZ LIST BOOK INTEREST QUIZ NO. TITLE AUTHOR LEVEL LEVEL POINTS 124151 13 Brown, Jason Robert 4.1 MG 5.0 87689 47 Mosley, Walter 5.3 MG 8.0 5976 1984 Orwell, George 8.9 UG 17.0 78958 (Short) Story of My Life, The Jones, Jennifer B. 4.0 MG 3.0 77482 ¡Béisbol! Latino Baseball Pioneers and Legends (English) Winter, Jonah 5.6 LG 1.0 9611 ¡Lo encontramos debajo del fregadero! Stine, R.L. 3.1 MG 2.0 9625 ¡No bajes al sótano! Stine, R.L. 3.9 MG 3.0 69346 100 Artists Who Changed the World Krystal, Barbara 9.7 UG 9.0 69347 100 Leaders Who Changed the World Paparchontis, Kathleen 9.8 UG 9.0 69348 100 Military Leaders Who Changed the World Crompton, Samuel Willard 9.1 UG 9.0 122464 121 Express Polak, Monique 4.2 MG 2.0 74604 13: Thirteen Stories...Agony and Ecstasy of Being Thirteen Howe, James 5.0 MG 9.0 53617 1621: A New Look at Thanksgiving Grace/Bruchac 7.1 MG 1.0 66779 17: A Novel in Prose Poems Rosenberg, Liz 5.0 UG 4.0 80002 19 Varieties of Gazelle: Poems of the Middle East Nye, Naomi Shihab 5.8 UG 2.0 44511 1900-10: New Ways of Seeing Gaff, Jackie 7.7 MG 1.0 53513 1900-20: Linen & Lace Mee, Sue 7.3 MG 1.0 56505 1900-20: New Horizons (20th Century-Music) Hayes, Malcolm 8.4 MG 1.0 62439 1900-20: Print to Pictures Parker, Steve 7.3 MG 1.0 44512 1910-20: The Birth of Abstract Art Gaff, Jackie 7.6 MG 1.0 44513 1920-40: Realism and Surrealism Gaff, Jackie 8.3 MG 1.0 44514 1940-60: Emotion and Expression Gaff, Jackie 7.9 MG 1.0 36116 1940s from World War II to Jackie Robinson, The Feinstein, Stephen 8.3
    [Show full text]
  • Gladys Knight
    Contact: Caitlyn Baker [email protected] (805) 944-7780 (c) (805) 350-7913 (o) R&B LEGEND GLADYS KNIGHT TO PERFORM AT CHUMASH CASINO RESORT SANTA YNEZ, CA – August 12, 2019 – Gladys Knight, the “Empress of Soul” who has won seven Grammy Awards throughout the span of her iconic career, is coming to the Chumash Casino Resort’s Samala Showroom at 8 p.m. on Friday, September 6, 2019. Tickets for the show are $79, $89, $99, $109 & $119. Knight has recorded two No. 1 Billboard Hot 100 singles, 11 No. 1 R&B singles and six No. 1 R&B albums. Knight was born in Atlanta, Georgia. In 1952 at the age of 7, she won Ted Mac’s The Original Amateur Hour TV show contest. This event marked her first encounter with fame. Later that year, she formed a musical group named “the Pips” with her brother, sister and cousins. By the end of the decade, the act had begun to tour and eventually her sister and one of her cousins were replaced. By 1961, the group released a single on the tiny Atlanta Huntom label called “Every Beat of My Heart.” In 1966, Gladys Night and the Pips signed on with Motown Records with whom they scored several major hit singles, including “I Heard It Through the Grapevine,” “Take Me in Your Arms and Love Me,” and “If I Were Your Woman.” In 1973, they left Motown for a better deal with Buddah Records. Here they achieved significant success with hits such as the Grammy Award-winning track “Midnight Train to Georgia,” “I’ve Got to Use My Imagination” and “Best Thing That Ever Happened to Me.” The group continued to have hits until the late 1970s when they were forced to record separately due to legal issues, resulting in Knight’s first solo LP recordings – “Miss Gladys Knight” on Buddah Records in 1978 and “Gladys Knight” on Columbia Records in 1979.
    [Show full text]
  • Music 18145 Songs, 119.5 Days, 75.69 GB
    Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L..
    [Show full text]
  • Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A
    Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A Study of Language and Ideology in Rap Music Advisor: Dr. O. Osinubi Dissertation Dated June 5,1998 This study examined the language of Hip-Hop songs and ideology of the artists as reflected through their songs. The study was based on the theory that Hip-Hop or rap songs are legitimate artforms because of their use of poetic elements such as figuration, figures of sound, symbolism, and ambiguity. The study recorded and interpreted the lyrics of a few current rap songs for the purpose of investigating their poetical and ideological elements. The researcher found signification battles by some rap artists as the best examples of songs which express the richness and complexity of Hip-Hop music. The researcher found that both Hip-Hop music lyrics and standard poetry have many similarities, but also have a few different features which enhance their uniqueness. The conclusions drawn from the findings suggest that the main reason many critics do not consider Hip-Hop or rap music an artform, is that they either compare the music to something extremely different, or they simply do not take the time to listen to its songs. Rap Music is an artform that expresses poetic elements and utilizes electronic devices, thus making it a Postmodernist popular artform. Through the research, the researcher showed that rap music lyrics also have intense meaning, just like poetry. 2 A STUDY OF LANGUAGE AND IDEOLOGY IN RAP MUSIC A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AFRICAN AND AFRICAN-AMERICAN STUDIES BY AUGUSTUS JORDAN III SCHOOL OF ARTS AND SCIENCES ATLANTA,GA JULY 1998 R -111 P-Jfl © 1998 AUGUSTUS W.
    [Show full text]
  • The Vocal Booth Is
    For... With... Of... With... For... The Vocal Booth Weekender is an event that brings together like-minded, open hearted music lovers from around the globe. The diversity of the crowd matches For... the diversity of the music, yet there’s one thing that connects it all: soul. This community was started 10 years ago and has With... grown by word of mouth, creating an inclusive and intimate atmosphere that has people returning year- The Story Of on-year. Of... The vibe is reminiscent of clubbing back in the day, yet the broad range of DJs keeps the music fresh and current. The love of music is the glue that bonds this family together and the shared memories keep people Booth Weekender Vocal coming back for more. ANDY WARD The Story Of The Vocal Booth Cover photos: Andy Ward & Martin Clark Cover design: Andy Ward Weekender For... With... Of... With... For... The Vocal Booth Weekender is an event that brings together like-minded, open hearted music lovers from around the globe. The diversity of the crowd matches For... the diversity of the music, yet there’s one thing that connects it all: soul. This community was started 10 years ago and has With... grown by word of mouth, creating an inclusive and intimate atmosphere that has people returning year- The Story Of on-year. Of... The vibe is reminiscent of clubbing back in the day, yet the broad range of DJs keeps the music fresh and current. The love of music is the glue that bonds this family together and the shared memories keep people Booth Weekender Vocal coming back for more.
    [Show full text]
  • The United Eras of Hip-Hop (1984-2008)
    qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 Permalink https://escholarship.org/uc/item/3hd2d12n Author Viator, Felicia Angeja Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 By Felicia Angeja Viator A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair Professor Scott Saul Fall 2012 Abstract Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 by Felicia Angeja Viator Doctor of Philosophy in History University of California, Berkeley Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair “Gangster Boogie” details the early development of hip-hop music in Los Angeles, a city that, in the 1980s, the international press labeled the “murder capital of the U.S.” The rap music most associated with the region, coined “gangsta rap,” has been regarded by scholars, cultural critics, and audiences alike as a tabloid distortion of East Coast hip-hop. The dissertation shows that this uniquely provocative genre of hip-hop was forged by Los Angeles area youth as a tool for challenging civic authorities, asserting regional pride, and exploiting the nation’s growing fascination with the ghetto underworld. Those who fashioned themselves “gangsta rappers” harnessed what was markedly difficult about life in black Los Angeles from the early 1970s through the Reagan Era––rising unemployment, project living, crime, violence, drugs, gangs, and the ever-increasing problem of police harassment––to create what would become the benchmark for contemporary hip-hop music.
    [Show full text]
  • Hip Hop As Oral Literature Patrick M
    Bates College SCARAB Honors Theses Capstone Projects Spring 5-2016 "That's the Way We Flow": Hip Hop as Oral Literature Patrick M. Smith Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Smith, Patrick M., ""That's the Way We Flow": Hip Hop as Oral Literature" (2016). Honors Theses. 177. http://scarab.bates.edu/honorstheses/177 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “That’s the Way We Flow”: Hip Hop as Oral Literature An Honor Thesis Presented to The Faculty of the Program of African American Studies Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts by Patrick Miller Smith Lewiston, Maine 3/28/16 2 Acknowledgments I would like to thank all of my Bates Professors for all of their help during my career at Bates College. Specifically, I would like to thank my thesis advisor, Professor Sue Houchins, for all her hard work, helping me wrestle with this thesis, and for being a source of friendship and guidance since I first met her. Professor Nero, I would also like to send a big thank you to you, you have inspired me countless times and have pushed me since day one. Professors Rubin, Chapman, Jensen, and Carnegie, thank you all very much, each of you helped me on my way to this point and I am very grateful for your guidance.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
    DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance.
    [Show full text]
  • From Jazz Assembly Series to Hip
    teacher resource guide assembly series from jazz to hip hop DJ Mike-Doelo featuring mark gross quartet and dj mike-doelo about the meet the in the spotlight performance artists An Interview with Mark Gross and DJ Mike-Doelo The Mark Gross Quartet and DJ Mike-Doelo will take you on Mark Gross, who leads his How did your professional training and experience inform to want to DJ. In the late 1980s, we moved to the west side a sonic journey exploring two of America’s greatest musical namesake quartet, has been the your performances? of Manhattan at a time when hip hop was maturing. Teddy innovations—jazz and hip hop—and the language, rhythms and Director of Jazz Instruction at Riley actually lived in my apartment building when he was cultural significance of the two art forms, including their close New Jersey Performing Arts Mark Gross: I started playing saxophone when I was 6 or 7 spearheading the whole new jack swing movement. I was connections. The performance will be interactive and feature Center (NJPAC) since 2015. years old. I initially learned to play by ear. Growing up in a there when hip hop grew up, watching music videos, and being a call-and-response dynamic between the audience and Gross is a dedicated and home where music was often played, mostly gospel music such inspired by it all. My inspiration came from the people living performers—like the ones found at a great hip hop concert or accomplished jazz saxophonist as Mahalia Jackson or Reverend C. L. Franklin, I was deeply and composing and performing all around me.
    [Show full text]