Fallen Angels the Devils of Loudun a Flourishing Scourge
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
INSTRUCTION BOOKLET PLEASE CAREFULLY READ the Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY
MECH SEGA of America, Inc. 350 Rhode Island Street, Suite 400, San Francisco, CA 94103 Captain America: The First Avenger, the Movie: © 2011 MVL Film Finance LLC. Marvel, Captain America, all related character names and their distinctive likenesses: TM & © 2010 Marvel Entertainment, LLC and its subsidiaries. All rights reserved. SEGA is registered in the U.S. Patent and Trademark Office. SEGA and the SEGA logo are either registered trademarks or trademarks of SEGA Corporation. © SEGA. All rights reserved. Wii and the Wii logo are trademarks of Nintendo. © 2006 Nintendo. PRINTED IN THE U.S.A. INSTRUCTION BOOKLET PLEASE CAREFULLY READ THE Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT The Official Seal is your assurance that this product is licensed or manufactured by HEALTH AND SAFETY INFORMATION. Nintendo. Always look for this seal when buying video game systems, accessories, games and related products. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES. WARNING – Seizures Trademarks are property of their respective owners. Wii is a trademark of Licensed by Nintendo Nintendo. © 2006 Nintendo. • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they are watching TV or playing video games, even if they have never had a seizure before. • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before playing a video game. • Parents should watch their children play video games. -
Metal Extremo: Estética “Pesada” No Black Metal
UNIVERSIDADE FEDERAL DE JUIZ DE FORA INSTITUTO DE CIÊNCIAS HUMANAS – ICH PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS LUANA CRISTINA SEIXAS METAL EXTREMO: ESTÉTICA “PESADA” NO BLACK METAL Juiz de Fora 2018 LUANA CRISTINA SEIXAS METAL EXTREMO: ESTÉTICA “PESADA” NO BLACK METAL ORIENTADORA: Elizabeth de Paula Pissolato Juiz de Fora 2018 LUANA CRISTINA SEIXAS METAL EXTREMO: ESTÉTICA “PESADA” NO BLACK METAL Dissertação apresentada ao Programa de Pós- Graduação em Ciências Sociais do Instituto de Ciências Humanas da Universidade Federal de Juiz de Fora, como parte dos requisitos necessários à obtenção do título de Mestre em Ciências Sociais. Orientadora: Prof.ª Drª. Elizabeth de Paula Pissolato Juiz de Fora 2018 Fiiha iatalográfia elaboraaa através ao "rograma ae geração automátia aa Biblioteia Universitária aa UFJF, iom os aaaos forneiiaos "elo(a) autor(a) SEIXAS, Luana Cristnaa Metal extremo: : estétia "esaaa no Blaik Metal / Luana Cristna SEIXASa -- 2018a 75 "a : ila Orientaaora: Elizabeth ae Paula Pissolato Dissertação (mestraao aiaaêmiio) - Universiaaae Feaeral ae Juiz ae Fora, Insttuto ae Ciêniias Humanasa Programa ae Pós Graauação em Ciêniias Soiiais, 2018a 1a Est1a Estétiaa 2a Blaik Metala 3a Juiz ae Foraa Ia Pissolato, Elizabeth ae Paula, orienta IIa Títuloa AGRADECIMENTOS Este trabalho apenas se tornou possível devido à contribuição e compreensão de várias pessoas. Agradeço aos meus pais, que no início da faculdade, quando nem compreendiam a minha área de atuação e me deram todo o apoio e que hoje explicam com orgulho o que sua filha estuda, até mesmo para os desconhecidos. Por me apresentar ao Rock quando ainda criança, e quando a situação se inverteu e eu apresentei o Metal, eles estavam abertos a conhecer. -
Read It Here
Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. -
Cullen Bunn · Matteo Lolli · Federico Blee
RATED RATED 0 0 2 1 1 $3.99 2 US T+ 7 59606 09118 8 BONUS DIGITAL EDITION – DETAILS INSIDE! CULLEN BUNN BUNN CULLEN · MATTEO LOLLI · FEDERICO BLEE The space pirate NEBULA – granddaughter of Thanos and rival of Gamora, former Guardian of the Galaxy – is building an armada of the dead. Stealing a leaf from Gamora’s newly villainous playbook (see the events of INFINITY WARS), Nebula kidnapped a dwarf and forced him to lead her to an ancient horn that can call forth the NAGLFAR, an armada manned by soulless corpses of gods who have been reborn in new bodies. With it, she will bring about RAGNAROK, and so claim Gamora’s title of the Deadliest Woman in the Galaxy. Thor’s sister Angela has gathered a team to retake the horn and stop Nebula – or so it seems. For the true mastermind behind the ASGARDIANS OF THE GALAXY is another wayward god…one whose schemes may prove even deadlier than their enemy’s. KID LOKI is back. And he wants the Naglfar Armada for himself. Writer ANGELA CULLEN BUNN The firstborn child of Odin and Freyja, Angela was Artist kidnapped and believed slain by the Queen of Angels, MATTEO LOLLI but a handmaiden rescued her. When Heven was reopened to the other Realms years later, Angela’s Color Artist heritage was revealed. Branded a traitor by both FEDERICO BLEE Asgard and Heven, she now lives by her own code: Nothing for nothing—everything has its price. Letterer VC’s CORY PETIT VALKYRIE Brunnhilde served Asgard for centuries as the leader Cover Artists of the Valkyrior, warrior goddesses who usher the DALE KEOWN worthy fallen to Valhalla. -
Grand Magus Wolf's Return Mp3, Flac, Wma
Grand Magus Wolf's Return mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Wolf's Return Country: Europe Released: 2005 Style: Doom Metal, Heavy Metal MP3 version RAR size: 1371 mb FLAC version RAR size: 1347 mb WMA version RAR size: 1839 mb Rating: 4.4 Votes: 643 Other Formats: AAC MP2 MIDI MOD MP1 RA ADX Tracklist 1 Kingslayer 4:10 2 Nine 3:27 3 Blodörn 1:11 4 Wolf's Return 4:51 5 Blood Oath 4:41 6 Järnbörd 1:09 7 Repay In Kind 5:11 8 Hämnd 1:34 9 Ashes 4:37 10 Light Hater 4:53 11 Wolf's Return Part II 2:30 Companies, etc. Phonographic Copyright (p) – Rise Above Records Copyright (c) – Rise Above Records Distributed By – Plastic Head Music Distribution Ltd. Recorded At – Resync Studio Mastered At – Resync Studio Pressed By – Deluxe Credits Artwork By – Hugh Gilmour Bass – Fox Drums – Fredrik* Guitar, Vocals – JB Mastered By – Oneman Photography – Anna Ledin Producer, Mixed By – Grand Magus, Oneman Notes Recorded at Resync Studio, Stockholm during midwinter 2004-2005. Barcode and Other Identifiers Barcode: 8 03341 19192 1 Mastering SID Code: IFPI L135 Mould SID Code: IFPI 0463 Matrix / Runout: deluxe RISECD060 02 Matrix / Runout (Stamped mould area): MADE IN THE UK Other versions Category Artist Title (Format) Label Category Country Year Grand Wolf´s Return (LP, Rise Above RISELP 60 RISELP 60 UK 2005 Magus Album, Ltd) Records Grand Wolf's Return (CD, Metal Blade 3984-15103-2 3984-15103-2 US 2012 Magus Album, RE) Records Grand Wolf's Return (CD, Rise Above RISECD60 RISECD60 UK Unknown Magus Album, RE) Records Grand Wolf's Return -
Troyw Breakdown.Doc
Thor / Odin Shader Development Thor Shader Development Captain America and Shield Shader Development Environment Light Look Development Thor and Mjolnir Hammer Shader Development Thor Skin Lighting Development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer Shader Development Strucker and Zola Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Strucker Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Iceborn Lighting and Look development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Captain America and Shield Shader Development Environment Light Look Development Environment Lighting and Shading Development Ymir Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer and Shader Development Environment Lighting and Shader Development Hale Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Exo-Suit Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
Rsd21 Drop 1 Remainders 4 July Customer Version
STOCK REMAINING FROM RSD21 DROP 1, JUNE 12, 2021 Items in bold are RSD Drop 1, everything else is back catalogue by the same artists THIS LIST UPDATED 4/7/21; MORE BACK CATALOGUE IN THE NEXT VERSION ITEM ARTIST TITLE FORMAT INFO PRICE £ 1. AC/DC Through The Mists Of Time/Witches Spell 12" clear vinyl Single Classic rock 20.99 2. AC/DC PWR/UP Ltd edn yellow vinyl LP Classic rock 34.99 (NOT RSD) 3. AIR People in the City 12" Picture Disc Electronic 22.75 4. AIR 10 000 H2 Legend 2LP Electronic 22.99 (NOT RSD) 5. ALARM, THE Spirit of '58 7" Punk 12.25 6. ALARM, THE Celtic Folklore Live in London and California 1988 LP Punk 22.99 (NOT RSD) 7. ALARM, THE Equals (2018) LP + poster Punk 18.99 (NOT RSD) 8. ALBERT COLLINS & Albert Collins & Barrelhouse Live 1LP transparent red / solid white / Rock 21.99 BARRELHOUSE black 9. AMORPHOUS ANDROGYNOUS, The World Is Full Of Plankton 10" Techno 14.99 THE 10. ANIMAL COLLECTIVE Prospect Hummer 12" EP Indie 25.49 11. ANTI-FLAG 20/20 Division 1 LP - Coloured Rock 26.25 12. ANTI-FLAG The Bright Lights of America 2LP green vinyl, this is #0462 Includes poster 21.99 (NOT RSD) 13. ANTI-FLAG The General Strike LP Rock 18.99 (NOT RSD) 14. ANTI-FLAG Live acoustic at 11th Street Records LP Rock WAS (RSD16) 20.99 NOW 16.80 15. ARNIE LOVE & THE LOVELETTS Invisible Wind 12" Soul 11.49 16. ART BLAKEY AND HIS JAZZ Chippin' In 2XLP with insert Jazz 39.49 MESSENGERS 17. -
Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community
Sociology and Anthropology 4(2): 82-91, 2016 http://www.hrpub.org DOI: 10.13189/sa.2016.040205 Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community Irina-Maria Manea Faculty of History, University of Bucharest, Romania Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract This paper will be exploring how a specific the cultural codes were preserved: Black metal artists rejoice category of popular music known as Viking Metal in war imagery, fantastic stories and landscapes and above thematically reconstructs heritage and what meanings we can all anti-Christian. The Norwegian scene at the beginning of decode from images generally dealing with an idealized past the ’90 (e.g. Mayhem Burzum, Darkthrone) had a major more than often symbolically equated with Norse myth and impact on defining the genre and setting its aesthetics, antiquity. On the whole we are investigating how song texts however, Sweden’s Bathory played no lesser role, both and furthermore visual elements contribute to the formation through the tone and atmosphere sustained musically by lo-fi of a cultural identity and memory which not only expresses production and lyrically by flirtating with darkness and evil. attachment for a particular time and space, but also serves as More importantly, Bathory marked the shift towards Nordic a leisure experience with the cultural proposal of an alternate mythology and heathen legacy in his Asatru trilogy (Blood selfhood residing in the reproduction of a mystical heroic Fire Death 1988, Hammerheart 1990, Twilight of the Gods populace. -
Artist Title Format Label Retail Abhorer Zygotical
ARTIST TITLE FORMAT LABEL RETAIL ABHORER ZYGOTICAL SABBATORY ANABAPT CD DIGI RM35.00 ABIGAIL THE EARLY BLACK YEARS CD RM56.00 ABIGAIL WELCOME ALL HELL FUCKERS CD RM56.00 ABOMINATION DEMOS CD DIGI RM60.00 ABORYM LIVE IN GRONINGEN CD RM35.00 ABSCESS DAWN OF INHUMANITY CD DIGIBOOK RM40.00 ABSCESS HORRORHAMMER CD RM40.00 ACROSTICHON ENGRAVED IN BLACK+BONUS CD RM55.00 AENAON HYPNOSOPHY CD RM63.00 AGGRESSION FRAGMENTED SPIRIT DEVILS CD RM50.00 AHPDEGMA SEOLFKWYLLEN CD DIGI RM56.00 AKIMBO CITY OF THE STARS CD RM60.00 ALTAR OF BETELGEUZE DARKNESS SUSTAINS THE SILENCE CD RM35.00 AMENOPHIS DEMOS 1991-1992 CD RM35.00 ANATHEMA RESONANCE CD RM45.00 ANATHEMA RESONANCE 2 CD RM45.00 ANATHEMA WERE HERE BECAUSE WERE HERE CD + DVD RM55.00 ANGERMAN NO TEARS FOR THE DEVIL CD RM63.00 ANTICHRIST SINFUL BIRTH CD RM60.00 ANTLERS BENEATH BELOW BEHOLD CD-DIGI RM70.00 APHONIC THRENODY WHEN DEATH COMES* CD RM38.00 APOSTATE VIATICUM BEFORE THE GATES OF GOMORRAH CD RM51.00 ARCANA 13 DANZA MACABRA CD DIGI RM63.00 ARCTURUS SHIPWRECKED IN OSLO CD RM63.00 ARMADILLO STRIGASKOR NR 42 CD-DIGI RM40.00 ARSTIDIR LIFSINS ALDAFÖDR OK MUNKA DROTTINN 2CD DIGI RM86.00 ARSTIDIR LIFSINS HELJARKVIDA CD DIGI RM70.00 ARSTIDIR LIFSINS JÖTUNHEIMA DOLGFERD CD DIGI RM70.00 ARSTIDIR LIFSINS THAETTIR UR SOGU NORDRS MCD DIGI RM70.00 ARSTIDIR LIFSINS VAPNA LAEKJAR ELDR CD DIGI RM70.00 ARSTIDIR LIFSINS / HELRUNAR FRAGMENTS A MYTHOLOGICAL EXCAVATION 2CD DIGI RM86.00 ARTIFICIAL BRAIN INFRARED HORIZON CD DIGI RM65.00 ASHENSPIRE SPEAK NOT OF THE LAUDANUM QUANDARY CD DIGI RM63.00 ASSEMBLY OF LIGHT -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.