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A Colonial Desire and Hybridity in the Selected Fiction of Amitav Ghosh: a Post Colonial Study

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A Colonial Desire and Hybridity in the Selected Fiction of Amitav Ghosh: a Post Colonial Study A COLONIAL DESIRE AND HYBRIDITY IN THE SELECTED FICTION OF AMITAV GHOSH: A POST COLONIAL STUDY A thesis submitted to TILAK MAHARASHTRA VIDYAPEETH, PUNE For the Degree of Doctor of Philosophy (Ph. D.) Subject: English Under the faculty of: Arts and Fine Arts Under the guidance of (Name of the Guide): Dr. Sunil V. Pawar Name of the Research Student: Waghmare Mahesh Ramdatta Name of the Department: English Month and Year: November-2014 1 CERTIFICATE I hereby declare that the thesis entitled A Colonial Desire and Hybridity in The Selected Fiction of Amitav Ghosh: A Post-Colonial Study completed and written by me has not previously formed the basis for the award of any degree or other similar title upon me of this or any other Vidyapeeth or examining body. Research Student Mahesh Ramdatta Waghmare Place: Date:p 2 CERTIFICATE This is to certify that the thesis entitled A Colonial Desire and Hybridity in The Selected Fiction of Amitav Ghosh: A Post-Colonial Study which is being submitted herewith for the award of the Degree of Vidyavachaspati (Ph. D.) in English of Tilak Maharashtra Vidyapeeth, Pune is the result of original research work completed by Mahesh Ramdatta Waghmare under my supervision and guidance. To the best of my knowledge and belief the work incorporated in this thesis has not formed the basis for the award of any Degree or similar title of this or any other University or examining body upon him. Research Guide Dr. Sunil V. Pawar Place: Date: 3 To Beloved Aai ani Bhau Those who are pain experienced and struggle oriented models… 4 ACKNOWLEDGEMENT At the outset I express my deep gratitude to Dr. Sunil V. Pawar, Vice Principal and Associate Professor, Dept. of English, S. M. Dnyandeo Mohekar, Mahavidyalaya, Kalamb Dist. Osmanabad, without whose scholarly guidance and deep inside I couldn’t complete my research work. I have no words to express my gratitude to Prof. Dr. Shripad Bhatt, Head Dept. of Sanskrit and Indological Studies, Shri. Balmukand Lohia Centre, Tilak Maharashtra Vidyapeeth, Pune, for his permanent inspiration. The words are not sufficient to my feelings for Hon. Principal Vasant Sanap, Balbhim Arts, Science and Commerce College, Beed, for inspiring and encouraging to me for the innovative step. I found in him as a very conscious and inspiring human being who has inspired and shortened my vision. I am grateful to Prof. Dr. M. S. Rajpankhe, a well-known poet and gazal writer in Maharashtra, Yeshwantrao Chavan Arts and commerce college, Ambajogai Dist. Beed (MS) whose compassionate vision and positive approach worked as life force to give a final shape to this dissertation. Further, I must thanks to Dr. Sirsat Manohar, who is the source of inspiration and the figure of motivation. I will be failing in my obligations if I do not record my heartfelt gratitude to my friends and colleagues, Vice-Principal Rajni Shikhare, Vice-Principal Sangle V.P., Prof. V.S. Bandal, Prof. Hande M. S., Prof. Jadhaver Bapu, Prof. Satale S.N., Prof. Dr. Ghumatkar Sutesh, Prof. Manal Bhagwan, Prof. Vishnu Patil, Prof. Gondage Ankush, Prof. Taur Santosh, Prof. Mache Suhas, Prof. Mukesh Jadhav, Prof. Maniyar A. R..Prof. Shinde Chandrashekhar, Mr. Sudershan Nikam, Mr. Kale Patil Mr. Ishwar and Dr. Ramesh Landge. Finaly, I thank all the others who 5 contributed to the maturity of this thesis and whose names may have been missed out because of oversight. I cannot end my acknowledgment without expressing my appreciation to my dearly loved friend Vikas Sarwade and his family, and my beloved wife Sneha who always gives me a support from behind the curtain and my dear mischievous son Manas and nephew Vedant, my sister-in-law Nilesh and dear sister Uma. Mahesh R. Waghmare 6 Index Chapter I. Introduction: (2-32) 1.1. Introduction: ………………………………………………………………….2 1.2. Survey of Research: …………………………………………………………..2 1.3. Significance of Research:…………………………….……………….………3 1.4. Scope and Limitations of Research: ………………………………………..4 1.5. Hypothesis: ………………………………………………………………….4 1.6. Research Methodology:………………………………….……………………4 1.7. Research Structure:………………………………………………………….5 1.8. Purpose of Research: …………………………………………………………5 1.9. Statement:……………………………………………………………………5 1.10. Preamble:……………………………………………………………..6 1.11. Colonial India:.…………………………………………………..………....11 1.12. Post-Colonial India: ……………………………………………….……....12 1.13. Colonial Study: ………………………………………………....………… 12 1.13.1. Colony:.………………………………………………..……….....13 1.13.1.1. Types of colonies: …………………………………….………..13 1.14. Colonialism:.……………………………………………………………...14 1.15. Colonization: …………………………………………………….……..…15 1.16. Decolonization: …………………………………………………...….……16 1.17. Post-Colonialism: ……………………………………………………….….17 1.17.1. Edward Said: …………………………………………………….17 1.17.2. Gaytri Chakrawarti Spivak: ………………………………………18 1.17.3. Homi Bhabha: ……………………………………………….……20 1.18. Colonial Desire: …………………………………………………….…….21 1.19. Hybridity: …………………………………………………………………..21 1 1.19. 1. Homi Bhabha- the pioneer of Hybridity: ………………...………22 1.19. 2. Types of Hybridity: ………...…………………………………….22 1.19. 2.1. Hybridity in linguistics: …….…………………………..…….. 23 1.19. 2.2. Hybridity in Race: ……………………………………..….…..23 1.19. 2.3. Hybridity in Art: …………………………………………...…24 1.19.3. Effect of Hybridity: …………………………………………......24 1.20. Hybridity Theory: ……………………………………………………….…25 1.21. Colonial Desire and Hybridity in the selected fiction of Amitav Ghosh: ….26 1.22. Life of Amitav Ghosh: ………………………………………………….….27 1.23. Summing Up: ………………………………………………………………30 Chapter II: A Critical study of The Glass Palace (33-80) 2.1. Introduction: …………………………………………………………………34 2.2. A Critical study of The Glass Palace: ……………………………………………34 2.3. Summing Up: ……………………………………………………………..…77 Chapter III: A Critical study of The Shadow Line (81-109) 3.1. Introduction: ……………………………………………………………...….82 3.2. A Critical study of The Shadow Line: ……………………………………………83 3.3. Summing Up: ……………………………………………………...……….108 Chapter IV: A Critical study of Sea of Poppies (110- 137) 4.1. Introduction: ……………………………………………………………......111 4.2. A Critical study of Sea of Poppies: ………………………………………111 4.3. Summing Up: ……………………………………………………………....136 2 Chapter V: A Critical study of In An Antique Land (138- 164) 5.1. Introduction: ……………………………………………………………..…139 5.2. A Critical study of In An Antique Land ……………………………………...…140 5.3. Summing Up: ………………………………………………………………162 Chapter VI: Conclusion (165- 177) 6.1. The conclusion and Findings: ………………………………………...……166 6.2. Scope for further research work:…………………...……………………....175 Bibliography: (178-184) Primary Sources:………………………………………………………………179 Secondary Sources:……………………………………………………………179 Articles and Essays:……………………………………………………………180 Webliography:………………………………………………… ….……………184 3 A Colonial Desire And Hybridity In The Selected Fiction Of Amitav Ghosh: A Post-Colonial Study Chapter I. Introduction A Colonial Desire And Hybridity In The Selected Fiction Of Amitav Ghosh: A Post-Colonial Study 1.1. Introduction: Post-colonial literature is the worldwide literature of the colonies being studied even by the colonizers today. The image of man is truly depicted only in Post- colonial literature. Colonial Desire and Hybridity has become core part of this literature. Colonial Desire means to make colony and to rule over them. On the other hand, Hybridity means the mixture of culture, religion and nation etc. Amitav Ghosh’s The Glass Palace, The Shadow Lines, Sea Of Poppies and In An Antique Land are remarkable examples of Colonial Desire and Hybridity. 1.2. Survey of Research: The title of present research is A Colonial Desire and Hybridity in the Selected Fiction of Amitav Ghosh: A Post-Colonial Study. The researchers have focuses on concepts like gender issues, migration, repatriating, exile refuges, assimilation, multiculturalism, and social realism. But no one could handle the issue of Colonial Desire and Hybridity. Therefore, the present research is going to focus on above notions. A Colonial Desire And Hybridity In The Selected Fiction Of Amitav Ghosh: A Post-Colonial Study Abdul Anees Abdul Rashid has awarded Ph. D degree from Dr. Babasaheb Ambedkar Marathwada University, Aurangabad, under the title of Novel As A Paradigm Of Social Realism: A Study Of Amitav Ghosh’s Novels in 2013 Dkhar Jenniefer has also awarded Ph. D. degree from North-Eastern Hill University Shillong, India under the title of Re-inventing history a study of Amitav Ghosh’s novels in 2011. Chambers Claire Gail is one who has awarded Ph. D degree from University of Leeds under the title of The relationship between knowledge and power in the work of Amitav Ghosh in 2003 Hence, the present research is different from other perspectives. It is simply a post-colonial study. 1.3. Significance of Research: The present century, no doubt, is that of scientific and technological development. The education of the techno-era shows the instrumental development of the machine based world. However, it is indispensible to note that we should not remain back in a perceiving the development in the literary genres that show the pursuit of life. This ensures the colonial desire and Hybridity in the novels of Amitav Ghosh is the significance of the title. In this world set up of globalization, we should remember the socio cultural development that many countries in different parts of the world are availing from time to time. What reminds us is the impertinence of colonial desire and Hybridity that is found in multiethnic set up of men’s life. We should be more aware of the changing scenario whether it may be the field of literature,
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