Cosmic Trigger I Final Secret of the Illuminati 1St Edition Pdf, Epub, Ebook
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Principia Discordia.Pdf
RAW Intro | Omar Intro | Title Page | Index | Version Notes | INTRODUCTION You hold in your hands one of the Great Books of our century fnord. Some Great Books are recognized at once with a fusillade of critical huzzahs and gonfolons, like Joyce’s Ulysses. Others appear almost furtively and are only discovered 50 years later, like Moby Dick or Mendel’s great essay on genetics. The Principia Discordia entered our space-time continuum almost as unobtrusively as a cat-burglar creeping over a windowsill. In 1968, virtually nobody had heard of this wonderful book. In 1970, hundreds of people from coast to coast were talking about it and asking the identity of the mysterious author, Malaclypse the Younger. Rumors swept across the continent, from New York to Los Angeles, from Seattle to St. Joe. Malaclypse was actually Alan Watts, one heard. No, said another legend – the Principia was actually the work of the Sufi Order. A third, very intriguing myth held that Malaclypse was a pen-name for Richard M. Nixon, who had allegedly composed the Principia during a few moments of lucidity. I enjoyed each of these yarns and did my part to help spread them. I was also careful never to contradict the occasional rumors that I had actually written the whole thing myself during an acid trip. The legendry, the mystery, the cult grew very slowly. By the mid- 1970’s, thousands of people, some as far off as Hong Kong and Australia, were talking about the Principia, and since the original was out of print by then, xerox copies were beginning to circulate here and there. -
Apocrypha Discordiadiscordia Ðe Seconde Edityon
ApocryphaApocrypha DiscordiaDiscordia Ðe Seconde Edityon Compy’eled fromme Dyverƒ Sorƒeƒ by Hiƒ Wholineß ðe Rev DrJon Swabey Wið ILLUMINATIONS by Pope Phil Wlodarczyk III To the Prettiest One and to Blade, without whom. and in honour: Mal2 and Omar; Greg and Kerry; A couple of guys, A couple of saints. Dance with the Goddess (Jiggy-Jiggy) ILLUMINATIONS BY POPE PHIL WLODARCZYK III Content and Layout The Rev DrJon Swabey & a whole bunch of other Erisians, Discordians and Weirdos far too many to list here on this tiny page (sorry). Where identified, they’re all credited in the text. All effort has been made to verify the (K) status of individual items, however in the event of non - (K) items being accidentally included, please notify, and said items will be removed in subsequent editions. ( K ) 2001 ALL RITES REVERSED REPRINT WHAT YOU LIKE Second Edition 2002 3 5 7 9 8 6 4 2 Apocrypha Discordia with ILLUMINATIONS by Pope Phil Wlodarczyk III Assembled by His Wholiness the Rev DrJon on behalf of The Committee for Public Safety Approved for abuse in schools Give me your tired, your poor, Your huddled masses yearning to be free The wretched refuse of your teeming shore This country always needs more Soylent Green HAIL ERIS! — καλλιχτι — ALL HAIL DISCORDIA! Eristroduction You should have put that in there...”I found out I was dying, and used my last days to create a Discordian Manual...” Prince MuChao, Private correspodance, January 2002 Of course, I was wrong, Little Deluded Dupe that I am. Seven days before I was scheduled for Surgery, that quiet voice which I imagine also talks to Zen monks, Sufi mullahs and other Disreputable Persons at the End, rapped sharply on my skull and told me to get my shit in order within the week. -
Transhumanists: Who Are They, What Do They Want, Believe and Predict?
Journal of Personal Cyberconsciousness Terasem Movement, Inc. Vol. 8, Iss. 1 (2013) 20 - 29 www.TerasemCentral.org © Terasem Movement, Incorporated TRANSHUMANISTS: WHO ARE THEY, WHAT DO THEY WANT, BELIEVE AND PREDICT? HANK PELLISSIER Journalist, producer, futurist & Director of Transhumanity.net [email protected] TERESA DAL SANTO, Ph.D. Research Associate for the University of California San Francisco Through the World Future Society, author/writer, Hank Pellissier, in concert with Teresa Dal Santo, Ph.D., Research Associate with the University of California at San Francisco, conducted a 100-question survey (using surveymonkey.com) of 818 Transhumanists1 on what their (and in essence, our) future holds. The online survey took place over eight days during July 2012. An expert in qualitative and quantitative studies and statistical analysis, Dr. Teresa Dal Santo’s report illuminates what Transhumanists believe, hope for, and predict for the future with a particular focus is an inquiry into their ideas about radical life extension and immortality. Keywords: Hank Pellissier, Teresa Dal Santo, qualitative, quantitative, statistical analysis, future, transhumanist, life-extension, immortality, singularity, nanotechnology, genetic engineering, virtual existence, mindfiling, cyborg, SENS, stem cells, enhanced capabilities, Terasemian, Terasem, Thelema, collectivist, Panendeism, discordianism, sexual, heterosexual, homosexual, bisexual, asexual, pansexual, omnisexual, demisexual, Kinsey 5, postsexual, situationally dependent sexual, saplosexual, -
Dr. Roy Murphy
US THE WHO, WHAT & WHY OF MANKIND Dr. Roy Murphy Visit us online at arbium.com An Arbium Publishing Production Copyright © Dr. Roy Murphy 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without prior written permission of the copyright owner. Nor can it be circulated in any form of binding or cover other than that in which it is published and without similar condition including this condition being imposed on a subsequent purchaser. A catalogue record for this book is available from the British Library. Cover design created by Mike Peers Visit online at www.mikepeers.com First Edition – 2013 ISBN 978-0-9576845-0-8 eBook-Kindle ISBN 978-0-9576845-1-5 eBook-PDF Arbium Publishing The Coach House 7, The Manor Moreton Pinkney Northamptonshire NN11 3SJ United Kingdom Printed in the United Kingdom Vi Veri Veniversum Vivus Vici 863233150197864103023970580457627352658564321742494688920065350330360792390 084562153948658394270318956511426943949625100165706930700026073039838763165 193428338475410825583245389904994680203886845971940464531120110441936803512 987300644220801089521452145214347132059788963572089764615613235162105152978 885954490531552216832233086386968913700056669227507586411556656820982860701 449731015636154727292658469929507863512149404380292309794896331535736318924 980645663415740757239409987619164078746336039968042012469535859306751299283 295593697506027137110435364870426383781188694654021774469052574773074190283 -
Illuminati Rulebook
® THE GAME OF CONSPIRACY Game Design by STEVE JACKSON Basic Rules..........................2 With development by J. DAVID GEORGE Object of the Game ....................... 2 Cover DAVID MARTIN Beginning the Game...................... 2 Card illustrators JOHN GRIGNI, Sequence of Play ........................... 2 SHEA RYAN, DAN SMITH, and The Groups.................................... 3 Alignment .................................. 3 CLIFFORD VANMETER Power ......................................... 3 With additional coloring by Resistance .................................. 4 BYRON TAYLOR Income........................................ 4 Art Director ALAIN H. DAWSON Special Abilities ......................... 4 Production by ALEX FERNANDEZ Actions........................................... 4 Attacks........................................... 4 Print Buyer PHILIP REED Attack to Control ....................... 4 Prepress Checker MONICA STEPHENS Attack to Neutralize................... 6 Illuminati Attack to Destroy....................... 6 and the all-seeing pyramid are registered Interference.................................... 7 trademarks, and the names of all other products published by Calling Off an Attack .................... 7 Steve Jackson Games are trademarks or registered trademarks, Transferring Money....................... 7 of Steve Jackson Games Incorporated, or used under license. Illuminati Moving a Group ............................ 7 is copyright © 1982-2013 by Steve Jackson Free Actions.................................. -
9789004226487.Pdf
Handbook of New Religions and Cultural Production Brill Handbooks on Contemporary Religion Series Editors Carole M. Cusack, University of Sydney James R. Lewis, University of Tromsø Editorial Board Olav Hammer, University of Southern Denmark Charlotte Hardman, University of Durham Titus Hjelm, University College London Adam Possamai, University of Western Sydney Inken Prohl, University of Heidelberg VOLUME 4 The titles published in this series are listed at brill.nl/bhcr Handbook of New Religions and Cultural Production Edited by Carole M. Cusack and Alex Norman LEIDEN • BOSTON 2012 Library of Congress Cataloging-in-Publication Data Handbook of new religions and cultural production / edited by Carole M. Cusack and Alex Norman. p. cm. — (Brill handbooks on contemporary religion, ISSN 1874–6691 ; v. 4) Includes index. ISBN 978-90-04-22187-1 (hardback : alk. paper) 1. Religion and culture. I. Cusack, Carole M., 1962– II. Norman, Alex. BL65.C8H365 2012 200.9’04—dc23 2011052361 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.nl/brill-typeface. ISSN 1874-6691 ISBN 978 90 04 22187 1 (hardback) ISBN 978 90 04 22648 7 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Principia Discordia Free Ebook
FREEPRINCIPIA DISCORDIA EBOOK Malaclypse the Younger,Omar Khayyam Ravenhurst | 106 pages | 19 Apr 2011 | Createspace | 9781461087779 | English | North Charleston SC, United States Principia Discordia | Discordian Wiki | Fandom MAL Sometimes I take humor seriously. Sometimes I take seriousness humorously. Either way it is irrelevant. GP: Maybe you are just Principia Discordia. M2: Indeed! But do not reject these teachings Principia Discordia false because I am crazy. The reason that I am crazy is because they are true. GP: Is Eris true? M2: Everything is true. GP: Even false things? M2: Even false things are true. GP: How can that be? M2: I don't know man, I didn't do it. GP: Why do you deal with so many negatives? M2: To dissolve them. GP: Will you develop that point? M2: No. M2: There is a Zen Story about a student who asked a master to explain the meaning of Buddhism. The Master's reply was "Three pounds of flax. M2: No, of course not. That is just illustrative. The foregoing document was revealed to Mal-2 by the Goddess Herself through many consultations with Her within his Pineal Gland. It is guaranteed to be the Word of Goddess. However, it is only fair to state that Goddess doesn't always say the same thing to each listener, and that other Episkoposes are sometimes told quite different things in their Revelations, which are Principia Discordia the Word of Goddess. Consequently, if you prefer a Discordian Sect other than POEE, then none of these Truths are binding, and it is a rotten shame that you have read all the way down to the very last word. -
Mapping Digital Religion: Exploring the Need for New Typologies
religions Article Mapping Digital Religion: Exploring the Need for New Typologies Piotr Siuda Faculty of Social Communication and Media, Kazimierz Wielki University, 85-064 Bydgoszcz, Poland; [email protected] Abstract: Today, it is challenging to separate online and offline spaces and activities, and this is also true of digital religion as online and offline religious spaces become blended or blurred. With this background, the article explores the need for new typologies of what is religious on the Internet and proposes a conceptual framework for mapping digital religion. Four types of that which is religious on the Internet are presented based on influential classification by Helland. He introduced (1) religion online (sites that provide information without interactivity) and (2) online religion (interactivity and participation). Helland’s concept is developed by, among others, adding two types: (3) innovative religion (new religious movements, cults, etc.) and (4) traditional religion (e.g., Christianity or Islam). Each type is illustrated by selected examples and these are a result of a larger project. The examples are grouped into three areas: (1) religious influencers, (2) online rituals and (3) cyber-religions (parody religions). Additionally, the visual frame for mapping digital religion is presented including the examples mentioned. The presented framework attempts to improve Helland’s classification by considering a more dynamic nature of digital religion. The model is just one possible way for mapping digital religion and thus should be developed further. These and other future research threads are characterized. Keywords: digital religion; media and religion; online religion; religion online; religious influencers; Citation: Siuda, Piotr. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Imagining Albion: Fantasy, Enchantment and Belonging in Contemporary British Paganism Thesis How to cite: Purcell, Helen Maria (2015). Imagining Albion: Fantasy, Enchantment and Belonging in Contemporary British Paganism. PhD thesis The Open University. For guidance on citations see FAQs. c 2015 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000efad Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Imagining Albion: Fantasy, Enchantment and Belonging in Contemporary British Paganism Helen Purcell BA (hons) MA A thesis submitted for the degree of Doctor of Philosophy in the Faculty of Religious Studies at The Open University / 30 March 2015 ProQuest Number: 13834821 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13834821 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Defining Religion to Be Recognized by a State
Defining religion to be recognized by a state The case of neo-pagan community “Romuva“ in Lithuania Lukrecijus Tubys Master thesis Religion, conflict and dialogue programme Faculty of Theology Helsinki University 2020 2 3 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildingsprogram – Degree Theology Programme Religion, conflict and dialogue Tekijä – Författare – Author Lukrecijus Tubys Työn nimi – Arbetets titel – Title Defining religion to be recognized by a state. The case of neo-pagan community “Romuva“ in Lithuania Oppiaine/Opintosuunta – Läroämne/Studieinriktning – Subject/Study track Työn laji – Arbetets art – Level Aika – Datum – Month Sivumäärä – Sidoantal – Number of Masters and year 11, 2020 pages 82 4 Tiivistelmä – Referat – Abstract Lithuanian neo-pagan community “Romuva” approached the Lithuanian parliament to grant it state’s recognition. According to the Ministry of Justice, the religious community met all necessary requirements – it has been registered for 25 years, its customs and creeds do not contradict law and morals, and it has support in the society. However, the Lithuanian parliament voted against granting the new status. This thesis aims on how was the legal recognition of the “Romuva” argued for and against in the public media and the Lithuanian parliament and what kind of understanding of neo-paganism in particular and religion in general was constructed in these arguments. To achieve the goal two sets of data were analyzed: all articles related with “Romuva” recognition appeared on the most popular as well as pro-christian and pro-romuvian media sites from 2018-2020. Also public records from the Lithuanian parliament during submission and consideration phases, letters to parliamentarians. The data was also structured in a timeline to track the development of arguments. -
UNIVERSITY of CALIFORNIA Santa Barbara the Church
UNIVERSITY OF CALIFORNIA Santa Barbara The Church of All Worlds: From an Invented Religion to a Religion of Invention A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Religious Studies by Damian Lanahan-Kalish Committee in charge: Professor Joseph Blankhom, Chair Professor Elizabeth Perez Professor David Walker June 2019 The thesis of Damian Lanahan-Kalish is approved. ____________________________________________________________ Elizabeth Perez ____________________________________________________________ David Walker ____________________________________________________________ Joseph Blankholm, Committee Chair May 2019 ABSTRACT The Church of All Worlds: From an Invented Religion to a Religion of Invention by Damian Lanahan-Kalish The Church of All Worlds is a Neo-Pagan religious group that took its inspiration from a Work of fiction. The founders of this church looked at the religion that Robert Heinlein created in his science fiction novel Stranger in a Strange Land and decided to make it a reality. This puts them squarely in the company of What Carole Cusack has termed “invented religions.” These are religions that seek validity in works that are accepted as fiction. The Church of All Worlds, noW over fifty years old, has groWn beyond its science fiction roots, adopting practices and beliefs that have made them an influential part of the modern Pagan movement. Though fiction no longer plays as strong a role in their practice, they have remained dedicated to an ethic of invention. Through ethnographic research With Church members in Northern California, this paper explores hoW this ethic of invention manifests in official Church history, the personal relationships of members, and the creation of public rituals. -
\-WG.~\· B. Uru).Y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT
THE WILL TO CHAOS AND A DANCING STAR: ALEISTER CROWLEY, NEO-P AGANISM AND THE TECHNOLOGIES OF THE SELVES THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Joseph A. Marino III * * * * * The Ohio State University 2007 Master's Thesis Committee: Approved by Professor Hugh Urban, Adviser Professor Michael Swartz \-WG.~\· b. Uru).y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT Entrenched in Victorian England and raised in a puritanical Christian family, Aleister Crowley delved into Western Esotericism and the study of ritual magic as a means to subvert the stifling environment into which he was bom. Among his chief acts of subversion were his many displays of a very fluid and malleable identity. He played with “selves” like they were merely wardrobes for a day and found himself developing more fully for the breadth of experience that he achieved from such practices. In the wake of Friedrich Nietszche, Crowley looked to the strength of each individual will to deny being identified by traditional systems such as Christianity or “Modernity,” pushing instead for a chaotic presentation of the self that is both wholly opposed to external authority and wholly enthusiastic about play, contradiction and experimentation. Through the lens of Michel Foucault’s “Technologies of the Self' and Judith Butler’s notion of performativity, one can come to see Crowley’s performances (through dress, pseudonyms, literary license and more) as operations that he performs on himself to knowingly affect a change in his identity.