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Mozart - Arias « Exsultate, Jubilate » Lenneke Ruiten

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Mozart - Arias « Exsultate, Jubilate » Lenneke Ruiten Mozart - Arias « Exsultate, jubilate » Lenneke Ruiten Concertgebouw Chamber Orchestra Ed Spanjaard HYBRID MUL TICHANNEL Wolfgang Amadeus Mozart (1756-1791) Lenneke Ruiten, Lenneke Ruiten Nederlandse deelnemer en de jeugdjury- 1 Vorrei spiegarvi, oh Dio K.418 6. 46 soprano Haar carrière prijs. Dat betekende de grote doorbraak van k kan me geen leven voorstellen zonder Lenneke, vanaf dat moment is haar carrière (Librettist unknown) Concertgebouw muziek. Ik wil zingen, ik wil de schoon- in een stroomversnelling terechtgekomen. from: Il curioso (Pasquale Anfossi) Chamber Orchestra I heid van muziek delen.” De Nederlandse Lenneke Ruiten zong prachtige ope- conducted by 2 Ah, lo previdi K.272 12. 29 sopraan Lenneke Ruiten trad voor de aller- rarollen in grote zalen en op prestigieuze (VittorioAmadeo Cigna-Santi) Ed Spanjaard eerste keer op in 1992. Zij was veertien jaar festivals. Zo speelde zij Susanna in Le Nozze from: Andromeda (G. Paisiello) en zong mee in het koor op de middelbare di Figaro in het Prinzregententheater in 3 Ah se in ciel, benigne stelle K.538 7. 23 Total playing time: 63. 53 school, tijdens de jaarlijkse uitvoering: München. Tijdens het Holland Festival muziek van Verdi, Brahms en ook toen al zong ze met De Nederlandse Opera de rol (Pietro Metastasio) Recorded: Waalse Kerk, Amsterdam, 4 Vado, ma dove? oh Dei! K.583 Aria 4. 15 The Netherlands, 4/2009 Mozart. Vanaf dat moment wist ze het: ik van Gabriël tijdens de wereldpremière van (Lorenzo da Ponte) Producer: Everett Porter wil zangeres worden. Op achttienjarige de opera Adam in ballingschap. Op het Jean-Marie Geijssen, balance engineer from: Il burbero di buon core (Martin y Soler) leeftijd is Lenneke Ruiten gaan studeren bij Schleswig-Holstein Musik Festival schitterde 5 Bella mia fiamma, addio K.528 8. 39 Photography: Felix Broede Maria Rondel. Ze heeft haar studie afgerond Lenneke als Blondchen in Die Entführung Photography recording session: aan het Koninklijk Conservatorium in Den aus dem Serail en in 2009 maakte zij haar (D.Michele Sacone) Lysanne Buunk Design: Netherlads Haag. Daarna studeerde zij opera aan de debuut op Le Festival d’Opéra Baroque de from: Cerere placata (Niccoló Jommelli) Language Coach Italian: Bayerische Theaterakademie en verdiepte Beaune, als Despina in Così fan Tutte en als 6 Se ardire e speranza K.82/73o 6. 14 Valentina di Taranto zij zich in de liedkunst bij Helmut Deutsch Armida in de opera Rinaldo. In 2010 vertolkt (Lorenzo da Ponte) Coach: Meinard Kraak aan de Hochschule für Musik und Theater Lenneke Ruiten bij Opéra de Lausanne de rol from: Il burbero di buon core (Martin y Soler) Released under exclusive license in München. Lenneke specialiseerde zich in van Pamina in Die Zauberflöte van Mozart. by LIS Records 7 Chi sà, chi sà qual sia K.582 Aria 3. 10 het Duitse lied aan het Oostenrijkse Franz Een jaar later keert zij terug naar Lausanne, (Lorenzo da Ponte) www.lennekeruiten.com Schubert Institut bij Robert Holl, Hans Hotter nu als Almirena in Rinaldo. from: Il burbero di buon core (Martin y Soler) en Walter Berry en in het Franse lied aan de Ook op de concertpodia heeft Lenneke Exsultate, jubilate K.165 Biographien auf Deutsch Académie musicale de Villecroze, waar ze Ruiten een grote staat van dienst. Zij concer- und Französisch finden Sie les kreeg van Elly Ameling en Rudolf Jansen. teert in zalen als de Tonhalle in Zürich, de 8 I Exultate, jubilate 4. 34 auf unserer Webseite. Vanaf 2000 wordt zij gecoacht door Meinard Victoria Hall in Genève, het Gewandhaus in 9 II Recitativ 0. 49 Pour les versions allemande et française Kraak. Leipzig, het Concertgebouw in Amsterdam 10 III Andante 6. 25 des biographies, veuillez consulter In 2002 won Lenneke Ruiten op het en The National Concert Hall van Dublin. notre site. 11 IV Alleluia 2. 33 Internationaal Vocalisten Concours in Lenneke zong de Matthäus Passion met www.pentatonemusic.com ’s-Hertogenbosch de eerste prijs, de pers- het Symphonieorchester des Bayerischen prijs, de publieksprijs, de prijs voor beste Rundfunks en met het Orchestra Sinfonica di Milano Giuseppe Verdi. Zij vertolkte de componist. “Alles wat ik zing van Mozart uitkomt: het opnemen van de allermooiste Lenneke Ruiten Mozarts ‘Exsultate, Jubilate’ met het RTÉ voelt natuurlijk en goed voor mijn stem, ik muziek met ’s werelds beste musici! Tijdens Her career National Symphony Orchestra. In 2010 hoef nooit te worstelen. Dat is heel bijzon- de opnamedagen ontstond een creatief cannot imagine my life without music. I soleert Lenneke Ruiten tijdens een inter- der. Ondanks, of misschien wel dankzij de proces, er was vrijheid en gelegenheid I want to sing; I want to share the beauty nationale tournee met dirigent John Eliot beperkingen die hem door zijn omgeving om te scheppen, om risico’s te nemen. De of music with everyone”. The Dutch soprano, Gardiner, The Monteverdi Choir en The en de tijdgeest werden opgelegd, is zijn sfeer was geweldig, we zijn naar elkaar toe- Lenneke Ruiten, performed in public for the English Baroque Soloists. muziek zo vrij, creatief, expressief, onvoor- gegroeid, er was geen stress, er was alleen very first time in 1992. She was 14 years old spelbaar en vol diepgang. Dat vind ik geniaal, maar plezier. En dat hoor je terug op de CD!” and sang in her secondary school choir’s Over Mozart maar ook een levensles op zich. Mozart is annual concert: music by Verdi, Brahms et Requiem van Wolfgang Amadeus voor mij een grote inspiratiebron.” Johan Kloosterboer and, even then, Mozart. That was when HMozart was voor Lenneke Ruiten de she discovered she wanted to become a allereerste kennismaking met klassieke Over de CD singer. When she was 18, Lenneke Ruiten muziek. Haar fluitlerares op de muziekschool, e CD bevat één motet en zeven con- started taking lessons from Maria Rondel, die bij Lenneke een gretige belangstelling Dcertaria’s. Lenneke heeft aria’s gekozen later completing her studies at The Royal voor klassieke muziek bespeurde, gaf haar die stuk voor stuk theatraal zijn, maar ook Conservatoire in The Hague. She went een cassettebandje mee naar huis met heel verschillend. ‘Ah, lo previdi!’ is bijvoor- on to study opera at the Bayerische daarop het Requiem. Lenneke: “Ik vond het beeld dramatisch, desolaat en ‘Ah, se in ciel, Theaterakademie, exploring the art of prachtig, ik heb het honderden keren beluis- benigne stelle’ is een echte coloratuuraria: Lieder singing with Helmut Deutsch at the terd. Vanaf dat moment was ik regelmatig snel en spectaculair. De verschillen tussen de Hochschule für Musik und Theater in Munich. in de bibliotheek te vinden, op zoek naar jonge en de oudere Mozart zijn ook duidelijk Lenneke specialised in German Lieder at the steeds weer nieuwe muziek: natuurlijk van te horen. De eerste aria’s die hij schreef heb- Austrian Franz Schubert Institut, studying Mozart, maar ook Bach, Debussy, Prokofiev ben een eenvoudige structuur, zijn latere with Robert Holl, Hans Hotter and Walter en Shostakovich.” Ook de film Amadeus, over werken zijn meer chromatisch en complexer. Berry, and in French Lieder at the Académie het leven van Mozart, maakte in die tijd een Maar al zijn muziek is geniaal, authentiek, musicale de Villecroze with Elly Ameling and diepe en onuitwisbare indruk. “Ik zag de film geloofwaardig en perfect gestructureerd. Rudolf Jansen. Meinard Kraak has been her tijdens muziekles op de middelbare school. Zowel de aria’s als de karakterrollen zijn puur, coach since 2000. Er zit zoveel in: de ontroerende beelden, de er is niets gekunstelds aan. Lenneke Ruiten is In 2002, Lenneke Ruiten won first prize meeslepende muziek, de tragiek, de span- trots op het resultaat: “Ik vind het geweldig in the International Vocal Competition in nende operascènes. Mozart is één brok dat ik heb mogen samenwerken met het ’s-Hertogenbosch. She also won the Press theater!” Lenneke heeft inmiddels hoofd- Concertgebouw Kamerorkest en dirigent Ed prize, Audience prize, the prize for the best rollen mogen vertolken in vijf opera’s van Spanjaard. Het is voor mij een droom die Dutch participant and the Young Jury prize. It was Lenneke’s big breakthrough and, after Orchestra, she performed Mozart’s ‘Exsultate, tain limitations on him. Despite (or perhaps this wonderful atmosphere, a mutual under- that, her career really took off. Jubilate’. In 2010, there are solo appearances because of) that, his music is free, creative, standing developed. No stress, just pleasure. Lenneke Ruiten has sung some splendid during an international tour with the con- expressive, unpredictable and profound. And you can hear that on the CD!” opera roles at both major venues and pres- ductor John Eliot Gardiner, The Monteverdi I think that’s ingenious, as well as being a tigious festivals. She played Susanna in Le Choir and The English Baroque Soloists. lesson for living. Mozart is my best source Johan Kloosterboer Nozze di Figaro in the Prinzregententheater of inspiration.” English translation: Christine Davies in Munich and Gabriel in the world premiere About Mozart of the opera ‘Adam in ballingschap’ with De he Requiem by Wolfgang Amadeus About the CD Lenneke Ruiten Nederlandse Opera during the Holland TMozart was Lenneke Ruiten’s very his CD contains a motet and seven con- Ihre Karriere Festival. Lenneke excelled at the Schleswig- first introduction to classical music. Her Tcert arias. Lenneke has chosen arias that in Leben ohne Musik kann ich mir nicht Holstein Musik Festival as Blondchen in Die flute teacher at the music school noticed are all theatrical, but also very diverse. ‘Ah, lo Evorstellen. Ich will singen, ich will die Entführung aus dem Serail, and in 2009 Lenneke’s avid enthusiasm for classical music previdi!’, for example, is dramatic and melan- Schönheit der Musik mit anderen Menschen she made her debut at Le Festival d’Opéra and gave her a cassette of the Requiem to cholic while ‘Ah, se in ciel, benigne stelle’ is teilen.“ Ihren ersten Auftritt hatte die nieder- Baroque de Beaune, as Despina in Così fan listen to at home.
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