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1 Medieval and Renaissance Drama Society Newsletter Spring 2018 A Medieval and Renaissance Drama Society Newsletter Spring 2018 rd a The 53 Congress on Medieval Studies b May 9-13, 2018 MRDS Sponsored Sessions Approaches to Teaching Medieval Drama, Revisited Claire Sponsler: In Memoriam I Session 103, Thursday 3:30, Fetzer 1045 Session 287, Friday 3:30, Fetzer 2016 Organizer: Frank Napolitano, Radford Univ. Organizer: Matthew Evan Davis, McMaster Univ. Presider: Andrew M. Pfrenger, Kent State Univ.–Salem Presider: Matthew Evan Davis Authentic Pedagogy in the Medieval Drama Classroom Crossdressing on the Medieval Stage: A Transgender and Cameron Hunt McNabb, Southeastern Univ. Transracial Sartorial Masquerade The Umpteenth Annual Secunda Pastorum at a Commuter Jesse Njus, Virginia Commonwealth Univ. Campus, or, My Son, the Stolen Sheep Medieval Drama and the “Myth of Communal Life” in the Betsy Bowden, Rutgers Univ. Twenty-First Century Countering Presentism in a Student-Led Performance of Heather Mitchell-Buck, Hood College Mankind Hamilton and Medieval Drama Boyda J. Johnstone, Fordham Univ. Michelle Markey Butler, Univ. of Maryland Not Scripted: Playing with the Archive Gina Di Salvo, Univ. of Tennessee–Knoxville Staging Politics: Tyranny, Repression, and Unrest in Medieval and Renaissance Drama Society Medieval Plays Executive Council Meeting Session 161, Friday 10:00, Valley 3 Eldridge 309 Friday 11:45 a.m. Organizer: Mario B. Longtin, Western Univ. Fetzer 1030 Presider: Mario B. Longtin Medieval and Renaissance Drama Society Tyrannicide, Liberation, and Proto-Reformation Preaching in Business Meeting the Earliest Extant William Tell Play (ca. 1512) Friday 5:15 Stephen K. Wright, Catholic Univ. of America Fetzer 2016 That Reverant Unutile Moi Play: Herod’s Gibberish Ruth Nisse, Wesleyan Univ. New Voices in Early Drama Studies Contents Session 229, Friday 1:30, Fetzer 2016 Organizer: Christina M. Fitzgerald, Univ. of Toledo MRDS Medieval Congress Sessions 1 Presider: Christina M. Fitzgerald Other Congress Sessions of Interest 2 Recent Publications 3-6 Approaching Sacred Comedy in Early English Drama Call for Performances 6 Sarah Brazil, Univ. de Genève MRDS Awards 7 Divine Travail: Christ’s Conflicting Abilities and Mobilities in REED and ET News 7 the York Plays Conferences and Calls for Papers 8 Jennie Friedrich, Univ. of California–Riverside Leeds 2018 Sessions of Interest 9 On Stage Directions from the Twelfth Century to the Twenty- 2017 MRDS Meeting Minutes 10 First Century in Jehan Bodel’s Jeu de Saint Nicolas MRDS Officers and Council 11 Nouha Gammar, Univ. of Virginia Colophon 11 “Le diable qui parle par ta bouche”: Vulgar Language from Mankind to Michel Tremblay’s Les Belles-Sœurs Aylin Malcolm, Univ. of Pennsylvania 1 The 53rd Congress on Medieval Studies Session 519, Sunday 8:30, Bernhard 205 Other Sessions of Interest Staging Knowledge in Early English Drama Organizer: Helen Cushman, Harvard Univ.; Joe Stadolnik, Univ. The Continuity of the Middle Ages: Hans Sachs and His College London Contemporaries Presider: Christina M. Fitzgerald, Univ. of Toledo Session 71, Thursday 1:30, Schneider 1325 Preeve Demonstratif Sponsor: Oswald-von-Wolkenstein-Gesellschaft He len Cushman Organizer: Albrecht Classen, Univ. of Arizona Carnal Knowledge in the N-Town Nativity Presider: Albrecht Classen Emma Maggie Solberg, Bowdoin College “Lateinische Kunst” und “Unordentliche Lieb”: Hans Sachs’s “Full wofull is the householde / That wantys a woman”: Staging Version der “Päpstin Johanna” the Secret and Generative Knowledge of Women in the Ingrid Bennewitz, Otto-Friedrich-Univ. Bamberg Wakefield Master’s Plays Pluralisierung und Autorität: Hans Wilhelm Kirchhofs Erin K. Wagner, SUNY–Delhi Wendunmuth als frühneuzeitliche Erzählsammlung Quackery, Continental Drama, and Croxton Play of the Johannes Deibl, Univ. Wien Sacrament A Dramatic Form in a Changing World: Peter Probst’s Joe Stadolnik Shrovetide Plays between Lutheran Discourses and Late Medieval Reception Records of Early English Drama North-East: Five Years In Sindy Müller, Univ. Trier Session 536, Sunday 10:30, Fetzer 2020 Die Rezeption des Werkes von Sebastian Brant in Sprüchen und Sponsor: Dept. of English Studies, Durham Univ. Meistergesängen von Hans Sachs Organizer: Diana Wyatt, Durham Univ. Florent Gabaude, Univ. de Limoges Presider: Alexandra Johnston, Records of Early English Drama Traveling Players on the North Yorkshire Moors Women on the Global Medieval Stage: Performers, David Klausner, Records of Early English Drama Producers, and Artists (A Roundtable) The Murderous Mumming, and Other Unexpected Finds in the Session 148, Thursday 7:30, Fetzer 1045 East Riding of Yorkshire Organizer: Susannah Crowder, John Jay College of Criminal Diana Wyatt Justice, CUNY; Jesse Njus, Virginia Commonwealth Univ. Medieval Records for Early English Drama in Durham: Presider: Susannah Crowder and Jesse Njus Entertaining Town and Gown in the Palatinate Women and Performance: The Evidence Too Obvious to See Mark C. Chambers, Durham Univ. James Stokes, Univ. of Wisconsin–Stevens Point Female Actors on Stages of Their Own Making: Thirteenth- Papers of Interest Century Cultural Concepts Paula Karger, Univ. of Toronto Nonhuman Forms of Thought From Exile to Enclosure: A Troveress’s Contrafactum Session 373, Saturday 10:00, Schneider 1325 Rachel Ruisard, Univ. of Maryland Sponsor: Program in Medieval Studies, Rutgers Univ. Drama Queen: The Virgin and the Theater City as Zoophyte: Arboreal Articulations of Urban Community Emma Maggie Solberg, Bowdoin College in Early English Drama Robert W. Barrett Jr., Univ. of Illinois–Urbana-Champaign Session 468, Saturday 3:30, Schneider 1155 Claire Sponsler: In Memoriam II The New “Dark Ages” Sponsor: Lydgate Society Session 476, Saturday 3:30, Schneider 1280 Organizer: Matthew Evan Davis, McMaster Univ.; Alaina Sponsor: International Society for the Study of Medievalism Bupp, Lydgate Society; Timothy R. Jordan, Ohio Univ.– Zanesville A Dark Stage for the Dark Ages: Medieval Theatre as Protest Presider: Matthew Evan Davis (Then and Now) Carol L. Robinson, Kent State Univ.–Trumbull The Sable Colour of Lydgate’s Rhetoric Emily Pez, King’s Univ. College, Western Univ. Reformation II: Rethinking Texts and (Historical) Contexts Prudence and the Female Owners of John Lydgate’s The Seige Session 478, Saturday 3:30, Schneider 1325 of Thebes Sponsor: Society for Reformation Research Samantha Sabalis, Fordham Univ. Baptizing the Dead, Resurrecting the Past: Hector’s The Polish Brethren and the Early Modern English Stage: Embalmment in John Lydgate’s Troy Book Reformation Religion, Revolutionary Politics, and the Public Edward Mead Bowen, Univ. of Rochester London Theatres Kristin Bezio, Univ. of Richmond 2 b Recent Publications a Books, Anthologies Books, General Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences, ed. by Philip Butterworth and Katie Tamara Atkin. Reading Drama in Tudor England . London: Normington (Cambridge: D. S. Brewer, 2017). Routledge, 2018. Claire Sponsler. From Archive to Repertoire: The Disguising at Hertford and Performance Practices. Ross W. Duffin. Some Other Note: The Lost Songs of English Bart Ramakers. Walk, Talk, Sit, Quit? On What Happens in Renaissance Comedy . New York, NY: Oxford University Netherlandish Rhetoricians’ Plays. Press, 2018. Tom Pettitt. Performing Intrusions: Interaction and Jody Enders, ed. and trans . “Holy Deadlock” and Further Interaxionality in Medieval English Theatre. Ribaldries: Another Dozen Medieval French Plays in Modern Katie Normington. Player Transformation: The Role of English. The Middle Ages. Philadelphia: University of Clothing and Disguise. Pennsylvania Press, 2017. Nerida Newbigin. Pavilioned in Splendour: Performing Heaven in Fifteenth-Century Florence. Garrett PJ Epp, ed. The Towneley Plays . Kalamazoo, MI: David N. Klausner. Living Pictures: Drama without Text, Medieval Institute Publications, 2018. Drama without Action. Jennifer Nevile. Performer-Audience Relationships in Christina M. Fitzgerald. The York Corpus Christi Play: Selected Fifteenth- and Sixteenth-Century Danced Spectacles. Pageants . Ontario: Broadview Press, 2018. KathrynEmily Dickason. Deca dance in the Late Middle Ages: The Case of Choreomania . Stephannie Gearhart. Drama and the Politics of Generational Femke Kramer. Writing, Telling and Showing Horsemanship Conflict in Shakespeare’s England . London: Routledge, 2018. in Rhetoricians’ Farce. Max Harris. Inanimate Performers: The Animation and Chanita Goodblatt. Jewish and Christian Voices in English Interpretive Versatility of the Palmesel. Reformation Biblical Drama: Enacting Family and Leanne Groeneveld. ‘lyke unto a lyvelye thyng’: The Boxley Monarchy . London: Routledge, 2018. Rood of Grace and Medieval Performance. Richard F. Hardin. Plautus and the English Renaissance of Philip Butterworth . The Mechanycalle ‘Ymage off Seynt Comedy . Lanham, Maryland: Fairleigh Dickinson UP; Iorge’ at St Botolph’s, Billingsgate, 1474. Rowman & Littlefield, 2018. Paul Frazer and Adam Hansen, Editors. The White Devil: A Leah S. Marcus. How Shakespeare Became Colonial: Editorial Critical Reader . London and New York: Bloomsbury, 2017. Tradition and the British Empire . London: Routledge, 2017. Paul Frazer and Adam Hansen. Introduction. Jem Bloomfield. The Critical Backstory. Paul Menzer. Shakespeare in the Theatre: The American Eva Griffith. The White Devil in Performance. Shakespeare Center . Shakespeare in the Theatre. London and Brett D. Hirsch. The White Devil : The State of the Art. New York: Bloomsbury Arden Shakespeare,
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