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Christidispetros2017.Pdf ΤΕΧΝΟΛΟΓΙΚΟ ΕΚΠΑΙΔΕΥΤΙΚΟ ΙΔΡΥΜΑ ΚΡΗΤΗΣ Σχολή Εφαρμοσμένων Επιστημών Τμήμα Μηχανικών Μουσικής Τεχνολογίας και Ακουστικής Πτυχιακή Εργασία Dub Μουσική: η ιδέα, η σημασία και η εξέλιξή της έτ ος ηστίδης ΑΜ 1074 Επιβλέποντες Καθηγητές: Κώστας Παπαρρηγόπουλος Δημήτρης Ξενικάκης Ρέθυμνο 2017 2 3 ε ιεχόμενα Περιεχόμενα ...................................................................................................................... 3 Ευχαριστίες ....................................................................................................................... 5 Περίληψη .......................................................................................................................... 7 Abstract ............................................................................................................................. 7 Κεφάλαιο 1 ....................................................................................................................... 9 1.1 Ιστορική Εισαγωγή ................................................................................................. 9 1.1.2 Rastafari ......................................................................................................... 10 1.2 Μουσική ................................................................................................................ 12 1.2.1 mento ............................................................................................................. 12 1.2.2 R'n'B ............................................................................................................... 13 1.2.3 Sound Systems ............................................................................................... 13 1.2.4 Από την R'n'B στο rock'n'roll ......................................................................... 15 1.3 Δεκαετία 1960 ....................................................................................................... 15 1.3.1 Ska ................................................................................................................. 15 1.3.2 Rocksteady ..................................................................................................... 17 1.3.3 Reggae ........................................................................................................... 18 1.3.4 Studios ........................................................................................................... 18 1.3.5 Παραγωγοί και Versions ................................................................................ 19 1.3.6 dj .................................................................................................................... 22 1.4 Δεκαετία 1970 ....................................................................................................... 23 1.4.1 Πολιτική ......................................................................................................... 23 1.4.2 From versions to dub ..................................................................................... 25 1.4.3 Sylvan Morris ................................................................................................ 26 1.4.4 Errol Thompson ............................................................................................. 27 1.5 King Tubby ........................................................................................................... 28 1.5.1 Άλλοι ηχολήπτες στο studio του Tubby ......................................................... 31 1.5.2 Philip Smart (Prince Philip) ........................................................................... 31 1.5.3 Lloyd James (King Jammy) ........................................................................... 31 1.5.4 Overton Brown (Scientist) ............................................................................. 33 1.6 Lee “Scratch” Perry .............................................................................................. 34 1.7 Το τέλος της roots εποχής ..................................................................................... 41 1.8 Σύνοψη .................................................................................................................. 43 Κεφάλαιο 2 ..................................................................................................................... 45 2.1 UK Dub story ........................................................................................................ 45 4 2.1.1 Η γενιά του Windrush .................................................................................... 45 2.2 Μουσικη των Δυτικών Ινδιών στην Αγγλία .......................................................... 48 2.3 ska, punk & psychedelic rock ............................................................................... 50 2.4 Rock Against Racism ............................................................................................ 50 2.5 post punk and dub ................................................................................................. 52 2.6 Sound Systems ...................................................................................................... 54 2.7 Jah Shaka ............................................................................................................... 58 2.8 Παραγωγοί ............................................................................................................. 60 2.8.1 Dennis Bovell ................................................................................................. 60 2.8.2 Adrian Sherwood ............................................................................................ 62 2.8.3 Mad Professor ................................................................................................ 65 2.9 Σύνοψη .................................................................................................................. 67 Κεφάλαιο 3 ...................................................................................................................... 70 3.1 Hip-Hop ................................................................................................................. 70 3.2 Electronica ............................................................................................................. 73 3.2.1 Jungle/Drum n Bass ....................................................................................... 73 3.2.2 Trip Hop ......................................................................................................... 74 3.3 Η Γερμανική εκδοχή ............................................................................................. 75 3.3.1 Stephan Betke (Pole) ...................................................................................... 75 3.3.2 Rhythm and sound .......................................................................................... 76 3.4 Σύνοψη .................................................................................................................. 76 Κεφάλαιο 4 ...................................................................................................................... 78 Τεχνικό μέρος .............................................................................................................. 78 4.1 King Tubby-King Tubby meets The Rockers Uptown .......................................... 79 4.1.1 Ηχογράφηση ................................................................................................... 80 4.1.2 Post-Production .............................................................................................. 80 4.2 Mad Professor- Rasta Dub .................................................................................... 81 4.2.1 Ηχογράφηση ................................................................................................... 81 4.2.2 Post Production .............................................................................................. 82 4.3 Essence of Dub ...................................................................................................... 82 Επίλογος .......................................................................................................................... 86 Βιβλιογραφία ................................................................................................................... 88 Ηλεκτρονική Βιβλιογραφία ............................................................................................. 89 5 Ευχα ιστίες Θα ήθελα να ευχαριστήσω τους καθηγητές μου, Δημήτρη Ξενικάκη και Κώστα Παπαρρηγόπουλο, για το ενδιαφέρον που επέδειξαν και για την πολύτιμη βοήθεια τους κατά την διαδικασία της δημιουργίας αυτής της εργασίας. Επίσης θα ήθελα να ευχαριστήσω τους μουσικούς Γιώργο Χατζημανώλη και Γιώργο ‘Τρικαλέρο’ Ζαμπακά, για τον χρόνο τους και την ‘γκρούβα’ τους, καθώς και τον βοηθό στο studio του τμήματος Νίκο Παναγιώτη Ανδρέου για την υπομονή του και την διάθεση του να βοηθήσει. Έπισης τον Κωνσταντίνο Λαδικό, που μου γνώρισε την dub και με έκανε να την εκτιμήσω και θα ήθελα να ευχαριστήσω και την οικογένεια μου για την υποστήριξη και την υπομονή τους. 6 7 ε ίληψη Αυτή η πτυχιακή εργασία μελετά την επιρροή της dub reggae μουσικής στην νεότερη μουσική, μέσω της πολύ ιδιαίτερης ιστορίας της μουσικής της Τζαμάικα από τα μέσα του προηγούμενου αιώνα. Το πρώτο κεφάλαιο μελετά τη γέννηση της dub απο τα πρώτα Sound Systems που έπαιζαν RnB στα γκέτο της Τζαμάικα, την ιδιαίτερη σύνδεση studio, παραγωγού και Sound Systems, καθώς και τους πρώτους παραγωγούς που εφάρμοσαν
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