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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. -
KEXP Blog » Blog Archive »
Listen Live: WMA : Real : MP3 ...shhhh! Check out the Live At KEXP Vol. 4 presale . Pass it on... KEXP Suggests Fujiya & Miyagi Lykke Li Miles Benjamin Anthony Robinson The Broken West The High Decibels KEXP.ORG KEXP Events KEXP.ORG Live Performances Archive On Demand Audio Podcasting Programming Real Time Playlist Reviews Streaming Archive Support KEXP Upcoming In Studio Guests Previous Posts 33 1/3 Oddyssey Intern(al) Live at CMJ Live in Chicago Live Reviews Midnight Album Spotlight Review Revue Song of the Day Video Roundup Weird at My School Northwest Music Spotlight Altspeak Champagne Champagne Deer City Jaguar Love The Dead Science Music Sites Aversion Idolator La Blogotheque Pampelmoose Pitchfork Spinner The Tripwire Three Imaginary Girls Music Blogs An Aquarium Drunkard Brooklyn Vegan Friction NYC Gorilla vs. Bear Largehearted Boy Music For Robots Muzzle of Bees My Old Kentucky Blog Northwest Music Blog Product Shop NYC Radio Free Chicago Rock Outs Rock Sellout Shelves of Vinyl So Much Silence Sonic Itch Music Sound on the Sound Stereogum The Finest Kiss You Aint No Picasso Archives August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 « Song of the Day: Freshkills - My House : Out This Week 8/19 » Beijing Rocks: Public Image Limited’s Martin Atkins in China by Chris Estey Not to get all “ Weird At My School ” (that’s DJ El Toro’s job here on the KEXP Blog), but my favorite album that seemed to freak everybody out when I was growing up was Public Image Limited’s Flowers of Romance . -
Songs by Title
Karaoke Box London www.karaokebox.co.uk 020 7329 9991 Song Title Artist 22 Taylor Swift 1234 Feist 1901 Birdy 1959 Lee Kernaghan 1973 James Blunt 1973 James Blunt 1983 Neon Trees 1985 Bowling For Soup 1999 Prince If U Got It Chris Malinchak Strong One Direction XO Beyonce (Baby Ive Got You) On My Mind Powderfinger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Cant Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Everybody's Gotta Learn Sometime) I Need Your Loving Baby D (Everything I Do) I Do It For You Bryan Adams (Hey Wont You Play) Another Somebody… B. J. Thomas (How Does It Feel To Be) On Top Of The World England United (I Am Not A) Robot Marina And The Diamonds (I Love You) For Sentinmental Reasons Nat King Cole (If Paradise Is) Half As Nice Amen Corner (Ill Never Be) Maria Magdalena Sandra (I've Had) The Time Of My Life Bill Medley and Jennifer Warnes (Just Like) Romeo And Juliet The Reflections (Just Like) Starting Over John Lennon (Keep Feeling) Fascination The Human League (Maries The Name) Of His Latest Flame Elvis Presley (Meet) The Flintstones B-52S (Mucho Mambo) Sway Shaft (Now and Then) There's A Fool Such As I Elvis Presley (Sittin On) The Dock Of The Bay Otis Redding (The Man Who Shot) Liberty Valance Gene Pitney (They Long To Be) Close To You Carpenters (We Want) The Same Thing Belinda Carlisle (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears 1 2 3 4 (Sumpin New) Coolio 1 Thing Amerie 1+1 (One Plus One) Beyonce 1000 Miles Away Hoodoo Gurus -
Ray Guntrip and Tina Maythis CD Is the Result of a Collaboration Between Local Jazz Composer/Band Leader Ray Guntrip and Classy Jazz Singer Tina May
Ray Guntrip Out Of The Blue mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin / Funk / Soul / Blues Album: Out Of The Blue Country: UK, Europe & US Released: 2008 Style: Free Jazz, Bop, Big Band, Contemporary Jazz, Latin Jazz MP3 version RAR size: 1823 mb FLAC version RAR size: 1648 mb WMA version RAR size: 1193 mb Rating: 4.5 Votes: 484 Other Formats: APE MOD RA AC3 DXD AHX AU Tracklist Hide Credits Exotic Stranger Backing Vocals – Laura KnightDrums, Percussion – John Willis Electric Bass – Steve King 1 Electric Piano – Ray GuntripGuitar – Damian HawkerLead Vocals – Tina MayTenor 4:05 Saxophone – Alan Barnes, Gary BarnacleTrombone, Soloist – Mark NightingaleTrumpet – Enrico Tomasso, Jon Peel Out Of The Blue Backing Vocals – Laura KnightClarinet, Bass Clarinet – Lawrence FletcherDouble Bass – Alec DankworthDrums – Tony BiancoElectric Piano, Grand Piano, Soloist – Ray 2 5:19 GuntripFlugelhorn – Enrico Tomasso, Jon PeelFlute – Dave Harvey Guitar – Damian HawkerLead Vocals – Tina MayPercussion – John Willis , Steve King Tenor Saxophone – Gary BarnacleTenor Saxophone, Soloist – Iain BallamyVibraphone, Percussion – Steve King Be-Bop-I Gotta Get Away From You Alto Saxophone, Baritone Saxophone – Alan BarnesBacking Vocals – Laura KnightDouble Bass – Alec DankworthDrums – Tony BiancoElectric Piano, Grand Piano, Soloist – Ray 3 5:09 GuntripGuitar, Soloist – Damian HawkerLead Vocals – Tina MayPercussion – John Willis , Steve King Tenor Saxophone – Gary BarnacleTrombone, Soloist – Mark NightingaleTrumpet – Enrico Tomasso, Jon Peel Santa -
The Primitons: All My Friends Pure Joy: Ocean
w/ Cover Page All My Friends The Verge: Tradition The Primitons: from the EP Habitual from the EP The Primitons c. 1983 No Crust Records c. 1985 Throbbing Lobster The Verge were a relatively short-lived Albany, NY post-punk trio who recorded a small body of work during their early-80s lifespan, with an even The Primitons were an Alabama-based outfit active roughly more minute segment of those recordings having been made available for between 1984 to 1990. Because of their pop-country public consumption. The band married jagged, but sweet echoing guitar influences, jangly guitar and Mitch Easter production, they licks with Thomas Rella's dissonant vocals. The result were surprisingly were usually lumped in with Lets Active, Guadalcanal Diary and intoxicating, not unlike what Killing Joke and Middle Class were dispensing R.E.M. in the outburst of Southern guitar pop of the mid 1980s. around the same time. Definitely a must for all you KBD fans out there. They found many devoted fans locally and in the music press, but troubles with record labels folding, lackluster production, and weak marketing kept the Primitons from reaching deserved Crash Course in Science: Cardboard Lamb stardom. All Primitons material was re-issued by The Arena Rock Recording Company in 2008/2009. from the EP Signals From Pier 13 c. 1981 Press Records Crash Course in Science were a post punk band formed in 1979 in Philadelphia. They avoided the sounds of conventional instrumentation by Pure Joy: Ocean using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats. -
Anti-Blues Music, Dub and Racial Identity
Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk Article (Accepted Version) Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/67704/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 1 Mimi Haddon 29.01.2016 ‘Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk’ Abstract This article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s. -
Lynsey De Paul
2 don’t understand why so many people are angry with the recent iTunes promotion of U2’s new album. Now, don’t get me wrong. I am not saying this because I am a fan of the band, or because I think it is a remarkable record. It’s not, and I’m not. The band have made much better records in the past, and they have made considerably worse ones. That isn’t the issue. There have been times in my life when I have been quite impressed with the band’s output, although I would never have called myself a true blue fan. But that isn’t the issue either. The issue is why are so many people incensed by the fact that iTunes paid the band an undisclosed sum (said to be in the multiple millions) to send a copy of the record to everybody who had an iTunes account on the day in question? Those beneficiaries included Dear Friends, me, by the way – twice. Welcome to another issue of Gonzo Weekly The album can be removed from your playlists magazine. For the first time in quite a few with a couple of clicks of a mouse, and although issues, our own life has quietened down I believe it is slightly more complicated if you somewhat; Weird Weekends have come and have an iPhone, I truly don’t think it is going to gone, grand-daughters have been born, and we be that much of an issue. are back in the relative safety of our own little sanctum in North Devon. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Hollywood Beyond If Mp3, Flac, Wma
Hollywood Beyond If mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: If Country: Japan Released: 1998 Style: Disco, Synth-pop, Garage House MP3 version RAR size: 1972 mb FLAC version RAR size: 1755 mb WMA version RAR size: 1515 mb Rating: 4.2 Votes: 963 Other Formats: MMF AUD DMF MOD MP2 XM VQF Tracklist Hide Credits Opening Scenario 1 0:34 Producer, Mixed By, Performer – Cliff WhyteWritten-By – Rose* Vision Of Love 2 Engineer – Josh AbbeyProducer – Tommy LiPumaProducer, Mixed By, Performer – Bernard 3:26 EdwardsWritten-By – Rose* After Midnight 3 5:20 Engineer – Eric CalviProducer – Marcus Miller Save Me 4 Engineer – Dominick MaitaEngineer [Assistant] – FernandoProducer, Mixed By, Performer 5:15 – Mike ThorneWritten-By – Rose* Crimes Of Passion 5 Engineer [Assistant] – Matt BarryProducer, Engineer, Mixed By, Performer – Phil 5:37 Thornalley What's The Colour Of Money? 6 Engineer – David JacobMixed By – Chris Lord Alge*Producer – Stephen HagueWritten-By – 3:25 Rose* No More Tears 7 Engineer – David JacobMixed By – Chris Lord Alge*Producer – Stephen HagueWritten-By – 4:51 Rose* Metal On Glass 8 Engineer [Assistant] – Matt BarryProducer, Engineer, Mixed By, Performer – Phil 4:52 Thornalley Shadows I Remember 9 Engineer [Assistant] – Matt BarryProducer, Engineer, Mixed By, Performer – Phil 4:47 Thornalley Hollywood Beyond 10 4:00 Engineer – Dave Barrett*Producer, Mixed By, Performer – Cliff WhyteWritten-By – Rose* Credits Backing Vocals – Angela M. Barton, Audrey Wheeler, B.J. Nelson, Diane Nelson , George Chandler, London Gospel Centre Ltd.*, Michelle Wallen*, Izumi Kobayashi*, Sharon Blackwell Coordinator [Creative Co-ordination & Styling] – Jamie B. Rose Design, Art Direction – Laurence Dummore Management – David Massey Performer – Andy Pask, Bruce Smith, Chris Spedding, Chris Whitten, Eddy Martinez, Frank Ricotti, Gary Barnacle, Gavin Wright*, Georges F. -
Kim Wilde Select Mp3, Flac, Wma
Kim Wilde Select mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Select Country: Italy Released: 1982 Style: Synth-pop MP3 version RAR size: 1474 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1578 mb Rating: 4.6 Votes: 325 Other Formats: AUD VOC WAV MMF VQF AAC VOX Tracklist Hide Credits A1 Ego A2 Words Fell Down Action City A3 Featuring – Gary Barnacle A4 View From A Bridge A5 Just A Feeling B1 Chaos At The Airport B2 Take Me Tonight B3 Can You Come Over B4 Wendy Sadd B5 Cambodia - Reprise Companies, etc. Record Company – EMI Italiana S.p.A. Made By – RAK Records Ltd. Published By – Rickim Music Publishing Co. Ltd. Published By – Rak Publishing Ltd. Credits Producer [Produced By] – Ricky Wilde Written-By – Marty Wilde, Ricky Wilde Notes ℗ 1982 Made in Italy Barcode and Other Identifiers Rights Society: S.I.A.E. Other versions Category Artist Title (Format) Label Category Country Year SRAK 548 Kim Wilde Select (LP, Album) RAK SRAK 548 UK 1982 2C 070-64787 Kim Wilde Select (LP, Album) RAK 2C 070-64787 France 1982 1C 064-64787 Kim Wilde Select (LP, Album) RAK, EMI 1C 064-64787 Europe 1982 Select (Cass, Album, Not On US 1725 Kim Wilde US 1725 Singapore 1982 Unofficial) Label 31C 064 64787 Kim Wilde Select (LP, Album) RAK 31C 064 64787 Brazil 1982 Related Music albums to Select by Kim Wilde Kim Wilde - Schoolgirl Kim Wilde with Ricky Wilde - Pop Don't Stop (The 12 Inch Remix) Kim Wilde - The UltraSelection Kim Wilde / Sheena Easton - The Best Of Kim Wilde & Sheena Easton Marty Wilde - The Versatile Mr Wilde Kim Wilde - Chequered Love Kim Wilde - View From A Bridge Kim Wilde - Greatest Hits Kim Wilde - Kim Wilde Kim Wilde - Cambodia. -
Big Fun a Pocketful of Dreams Mp3, Flac, Wma
Big Fun A Pocketful Of Dreams mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: A Pocketful Of Dreams Country: UK Released: 2010 Style: Synth-pop MP3 version RAR size: 1226 mb FLAC version RAR size: 1840 mb WMA version RAR size: 1303 mb Rating: 4.9 Votes: 295 Other Formats: DMF VOC MP3 TTA DXD ADX MMF Tracklist Hide Credits 1 –Big Fun Handful Of Promises 3:18 2 –Big Fun Blame It On The Boogie 3:38 3 –Big Fun Can't Shake The Feeling 3:43 4 –Big Fun Fight For The Right To Party 4:49 5 –Big Fun Not That Kinda Guy 3:25 6 –Big Fun We're In This Love Forever 3:31 7 –Big Fun Why Did You Break My Heart 3:10 8 –Big Fun Bring Your Love Back 4:09 9 –Big Fun The Heaven I Need 3:42 10 –Big Fun Hey There Lonely Girl 3:45 Bonus Tracks You've Got A Friend Backing Vocals – Linda Taylor, Mae McKennaDrums – A. LinnKeyboards, –Sonia & 11 Backing Vocals – Mike StockKeyboards, Guitar – Matt AitkenMixed By – 3:37 Big Fun Pete HammondProducer – Stock Aitken Waterman*Saxophone [Featuring] – Gary Barnacle I Feel The Earth Move (Club Mix) Backing Vocals – Mae McKenna, Miriam StockleyKeyboards, Bass, 12 –Big Fun 7:56 Backing Vocals – Ian CurnowMixed By, Drums – Phil HardingProducer, Engineer – Phil Harding & Ian Curnow Blame It On The Boogie (PWL Mix) Backing Vocals – Mae McKenna, Miriam StockleyDrums – A. 13 –Big Fun LinnEngineer – Karen Hewitt, Yo Yo*Keyboards, Backing Vocals – Mike 6:33 StockKeyboards, Guitar – Matt AitkenMixed By – Phil HardingProducer – Stock Aitken Waterman* Can't Shake The Feeling (12" Remix) Backing Vocals – Mae McKenna, Miriam StockleyDrums – A.