Various Total Recall Volume 10 Mp3, Flac, Wma
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Basslines 2: Everything Can Be Dub Has No End?
Basslines 2: Everything Can Be Dub Has No End? Column in the zweikommasieben Magazin #11, 2015 (www.zweikommasieben.ch ) Annotated version with sound and text references Text: Marius ‚Comfortnoise‘ Neukom (www.comfortnoise.com ) „Everything can be dub” says Lee ‘Scratch’ Perry in the documentary Dub Echoes .1 He is not too far off with that comment because dub is actually more of a production technology that can apply to all styles than it is a genre of music. However, it is cer- tainly worth looking at dub more intimately. In his professorial dissertation Dub. Soundscapes & Shattered Songs in Jamaican Reggae , Michael E. Veal (2007) fo- cuses on musical developments in Kingston, Jamaica between 1968 and 1985 and presents impressive analyses that involve musicological, psychoacoustic and cultural theory aspects.2 For Veal, dub is a sub-style of roots reggae which has been dismantled by predomi- nantly electronic sound processing and converted into new, often unfinished sound 1 Natal, 2009, 25:32. 2 See the blog entry „The Essential, Annotated Dub Library“ for further recommendable literature and movies in the context of Dub and Reggae: www.comfortnoise.com/blog/2015/06/essential-dub- library.html version 2015-07-19 structures. Its musical effect and technical aspects have transformed pop music and enabled genres such as hip-hop and techno to be born. Veal provides detailed analyses that document the difference between the original pieces and their „dub versions” as well as indicate the individual touches of leading engineers like King -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Christidispetros2017.Pdf
ΤΕΧΝΟΛΟΓΙΚΟ ΕΚΠΑΙΔΕΥΤΙΚΟ ΙΔΡΥΜΑ ΚΡΗΤΗΣ Σχολή Εφαρμοσμένων Επιστημών Τμήμα Μηχανικών Μουσικής Τεχνολογίας και Ακουστικής Πτυχιακή Εργασία Dub Μουσική: η ιδέα, η σημασία και η εξέλιξή της έτ ος ηστίδης ΑΜ 1074 Επιβλέποντες Καθηγητές: Κώστας Παπαρρηγόπουλος Δημήτρης Ξενικάκης Ρέθυμνο 2017 2 3 ε ιεχόμενα Περιεχόμενα ...................................................................................................................... 3 Ευχαριστίες ....................................................................................................................... 5 Περίληψη .......................................................................................................................... 7 Abstract ............................................................................................................................. 7 Κεφάλαιο 1 ....................................................................................................................... 9 1.1 Ιστορική Εισαγωγή ................................................................................................. 9 1.1.2 Rastafari ......................................................................................................... 10 1.2 Μουσική ................................................................................................................ 12 1.2.1 mento ............................................................................................................. 12 1.2.2 R'n'B .............................................................................................................. -
Edinburgh Research Explorer
Edinburgh Research Explorer Tubby's dub style Citation for published version: Williams, S 2012, Tubby's dub style: The live art of record production. in The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate popular and folk music series, Ashgate Publishing, pp. 235-246. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Art of Record Production Publisher Rights Statement: © Williams, S. (2012). Tubby's dub style: The live art of record production. In The Art of Record Production: An Introductory Reader for a New Academic Field. (pp. 235-246). (Ashgate popular and folk music series). Ashgate. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 1 CHAPTER FIFTEEN Tubby's Dub Style: The Live Art Of Record Production Sean Williams University of Edinburgh [email protected] Abstract This paper is a material analysis of the tools and techniques used by King Tubby and his apprentices at his 18 Dromilly Avenue Studio in the key period from 1972 when the dub style developed until the late 1970s. -
Irie Records Gmbh Irie Records Gmbh New Release Catalogue No
IRIE RECORDS GMBH IRIE RECORDS GMBH NEW RELEASE CATALOGUE NO. 358 RINSCHEWEG 26 (CD/LP/10"&12"/7") 48159 MUENSTER (07.06.2013 - 25.06.2013) GERMANY TEL. 0251-45106 HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 CD CD CD CD CD CD 16,99€ 14,99€ 1) 17,99€ 16,99€ 14,99€ 1) 16,99€ 16,99€ 17,99€ CD 2CD CD CD CD CD 17,99€ 26,99€ 15,99€ 18,99€ 11,99€ 16,99€ 18,99€ 17,99€ 15,99€ 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL 20.07.2013! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 06/2013 #2 PAGE 2 *** CDs *** DENNIS BROWN...................... RARE GROOVES REGGAE RHYTHM & BLUES (2CD)................... CPL............ (GBR) (93/93). 15.99EUR 2CD CORNELL CAMPBELL.................. NEW SCROLL.................... ZION HIGH PRODU (USA) (13/13). 17.99EUR YVONNE CURTIS..................... MOVE ON....................... BROWN.......... (GBR) (09/09).. 9.99EUR DANIELLE DI (feat. CHERINE (2x)/SHABBA RANKS/GRAMPS MORGAN)............. THE REBEL (SLY & ROBBIE PROD.) TAXI........... (USA) (13/13). 18.99EUR DUBTONIC KRU (ENHANCED CD)........ EVOLUTION (+ BONUS VIDEOS).... DUBTONIC KRU... (USA) (13/13). 16.99EUR CAS HALEY......................... LA SI DAH..................... EASY STAR...... (USA) (13/13). 16.99EUR JAHCOUSTIX (feat. APPLE GABRIEL/HORACE ANDY/KABAKA PYRAMID & RAPHAEL /DUB INC.)....................... FREQUENCY..................... IRIEVIBRATION.. (GER) (13/13). 16.99EUR VIVIAN JONES...(back in stock!)... 50th.......................... COUSINS....... -
18 Ch15 Sean Williams S Edit
Edinburgh Research Explorer Tubby's dub style Citation for published version: Williams, S 2012, Tubby's dub style: The live art of record production. in The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate popular and folk music series, Ashgate Publishing, pp. 235-246. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Art of Record Production Publisher Rights Statement: © Williams, S. (2012). Tubby's dub style: The live art of record production. In The Art of Record Production: An Introductory Reader for a New Academic Field. (pp. 235-246). (Ashgate popular and folk music series). Ashgate. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 14. May. 2021 1 CHAPTER FIFTEEN Tubby's Dub Style: The Live Art Of Record Production Sean Williams University of Edinburgh [email protected] Abstract This paper is a material analysis of the tools and techniques used by King Tubby and his apprentices at his 18 Dromilly Avenue Studio in the key period from 1972 when the dub style developed until the late 1970s.