Dave Matthews Gorge Tickets
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dave Matthews Band Away from the World Deluxe Rar
Dave Matthews Band Away From The World Deluxe Rar 1 / 4 Dave Matthews Band Away From The World Deluxe Rar 2 / 4 3 / 4 18 May 2018 ... Dave Matthews Band's violinist Boyd Tinsley has been sued for sexual assault, harassment, and “long-term ... But right now being away is better for him. ... Dave Matthews on His New Album, His Fans' Desires, and His Own Self-doubt ... Where Is My Sweatshirt of Ariana Grande Fingering the Earth?. (Rock) Dave Matthews Band - Come Tomorrow (2 CD) - 2018, MP3, 320 kbps 270.4 MB ... Dave Matthews Band - Away from the World (2012) Deluxe Edition .... Dave Matthews Band recorded Away From The World with Steve Lillywhite, who produced its first three studio records Under The Table And Dreaming, Crash .... Rhett Miller Announces New Solo Album + Old 97's Announce Holiday Album · Jim James Announces New Solo Album Uniform Clarity Out 10/5/18 .... Find Dave Matthews Band discography, albums and singles on AllMusic.. 21 Jul 2012 - 4 min - Uploaded by Jean LucDownload the Dave Matthews Band Away from the World Album here!! http:// www.mediafire .... The Best of What's Around Vol. 1, also known as TBOWA Vol. 1, is a greatest hits compilation album by the Dave Matthews Band that was ... Saturday, April 20, 1991 – the date of the band's first ever show, performed at the Earth Day ... Stand Up · Big Whiskey & the GrooGrux King · Away from the World · Come Tomorrow.. 4 Feb 2018 ... This special, uncirculated Dave Matthews solo acoustic ... College Dell, just before the release of the band's sophomore album Crash. -
Dream Askew Play
Dream Askew By Avery Alder The Overview Endlessly supported by Alea Milo Dream Askew gives us ruined buildings and wet tarps, nervous faces in the campire glow, strange new psychic powers, fierce queer love, and turbulent skies A game of belonging outside belonging above a fledgling community, asking “What do you do next?” Sigil by Ezra Rose Released 2018 Imagine that the collapse of civilization didn’t happen everywhere at the same time. Instead, it’s happening in waves. Every day, more people fall out of the Dream Askew was written on the unceded, ancestral territory of the Squamish, society intact. We queers were always living in the margins of that society, Musqueam, and Tsleil-Waututh nations. finding solidarity, love, and meaning in the strangest of places. Apocalypse didn’t come for us first, but it did come for us. Gangs roam the apocalyptic wasteland, and scarcity is becoming the norm. The world is getting scarier, and just beyond our everyday perception, howling and hungry, there exists a psychic maelstrom. We banded together to form a queer enclave — a place to live, sleep, and hopefully heal. More than ever before, each of us is responsible for the survival and fate of our community. What lies in the rubble? For this close-knit group of queers, could it be utopia? Queer strife amid the collapse. Collaboratively generate an apocalyptic setting. Content warnings: violence, gangs, oppression, bigotry, queer sexuality. For 3-6 players across 3-4 hours. Dream Askew Welcome to The Enclave Circle 3-5 visuals an abandoned complex, -
2011 Annual Report
232265_BNY_LiveNation_AR_CVR.indd 1 4/13/12 8:12 PM UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2011, OR ! TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on which Registered Common Stock, $.01 Par Value per Share; New York Stock Exchange Preferred Stock Purchase Rights Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ! No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. ! Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and 2) has been subject to such filing requirements for the past 90 days. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
2012-Loft-Film-Fest-Program
Festival Parties Join us as we cut the ribbon on our brand-new third screen! Ribbon cutting Friday November 9 at 5:00pm Open House 5:00 - 6:30pm Join the Loft staff, Board of Directors and local officials as we un- veil our new third screen (or what we affectionately call Screen 3)! You’ll be the first to step inside this new space for a behind-the- Loft Film Fest 2012 scenes tour! Join us for a champagne toast as we celebrate a job well done by an incredible team of dedicated people! loftfilmfest.com We will recognize the donors who made this phase of the project Inspired by film’s unique ability to entertain, engage, challenge and possible and we will especially honor those who have given their illuminate, The Loft Cinema will present its third annual international name to key parts of the project, including Bob Oldfather and film festival fromNovember 8th – 15th, 2012. Bookmans for the 3-D technology in Screen 3! Honoring Tucson’s richly diverse cultural community, The Loft Film Fest will present foreign films, documentaries and U.S. indies in a cin- You’re invited to The Loft Cinema’s ematic celebration of storytelling from around the world. 40th birthday party! The Loft Film Fest is an eight-day showcase of exclusive, one-time-only Friday November 15 from 5:30 - 7:30pm screenings and will feature: Yes, we know we don’t look 40, but The Loft is celebrating four • Festival favorites from Cannes, Sundance, Telluride, and more! decades of great film in Tucson! • Lively Q&A’s with talented filmmakers and actors Join us as we honor the last 40 years and toast the next 40! • Exciting retrospective screenings Where: The Lodge on the Desert • New international cinema 306 North Alvernon Way • Edgy Late Night movies When: 5:30 - 7:30pm, Thursday, November 15 (the actual 10th an- • Stimulating shorts from the filmmakers of tomorrow niversary of our purchase of The Loft as a nonprofit in 2002!) At the Loft Film Fest, audiences experience world-class film festival Who: Everyone! Loft Film Fest passholders get in free. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Is-There-Really-A-Devil.Pdf
THIS PUBLICATION IS NOT TO BE SOLD. It is a free educational service in the public interest, published by the United Church of God, an International Association. Is There Really a DEVIL? © 2001, 2009 United Church of God, an International Association All rights reserved. Printed in U.S.A. Scriptures in this publication are quoted from the New King James Version (© 1988 Thomas Nelson, Inc., publishers) unless otherwise noted. 2 Is There Really a Devil? Introduction 3 dozens of armed conflicts, uprisings and insurrections have raged around the globe every year, shattering the lives of millions. Few realize that even now the Introduction stage is being set for far greater catastrophes. Why does so much conflict, violence and absolute evil permeate our societies? “My kingdom is not of this world” (John 18:36). Where can we find the answer? If a bright spot could be found ost people who live in advanced nations find it easy to believe that the in the world, surely it would be in state of humanity has never been better. For them, evidence they see the arena of religion, wouldn’t it? M every day would make it hard to argue otherwise. But, sadly, even religion, to which Technologically advanced countries command the highest standard of living many look for solutions to the in history. They enjoy comfortable and affordable housing, fast and efficient world’s problems, is in disarray. transportation, plenty to eat and drink, mostly secure employment, educational Many recent wars have seen not opportunities and a dizzying array of entertaining gadgets and opportunities. -
Audio Streams up 15%, Vinyl Sales Double in First Half of 2021
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 14, 2021 Page 1 of 18 INSIDE Audio Streams Up 15%, Vinyl Sales • Walter Kolm’s WK Double in First Half of 2021 Records Expands, Hires New CEO and BY ED CHRISTMAN Launches Mexican Imprint As the pandemic ends, the recorded music business million streams. (By comparison, Roddy Ricch’s “The has continued to thrive: overall on-demand streams in Box” had been streamed 1.07 billion times during the • Venues Won’t Have to Reapply the U.S. grew 10.8%, to 555.3 billion, in the first half of first half of last year.) for Supplemental 2021 compared to the same period of 2020, according The top album is Morgan Wallen’s Dangerous: The Shuttered Venue to MRC Data. Within that audio streams grew 15% to Double Album, with 2.1 million album consumption Grants nearly 483 billion from nearly 420 million in the cor- units, outpacing the No. 2 title, Olivia Rodrigo’s SOUR, • Why Picking a responding earlier period and globally audio streams at 1.37 million units. Wallen’s album is also outper- New Britney Spears performed even better jumping a whopping 27.3% to forming last year’s mid-year No. 1, Lil Baby’s My Turn, Conservatorship 1.296 trillion. which had nearly 1.5 million album consumption units Lawyer Isn’t So Not all the good news is digital. Vinyl sales, which by this time. Simple have grown for the past decade, more than doubled Taylor Swift’s evermore leads vinyl sales over the • 2021 Billboard Latin between January and June, up 108.2% to 19.2 million period, with 143,000 units sold, followed by Harry Music Awards Date & from 9.2 million in the first six months of last year. -
Watershed Country Music Festival Announces Stacked 2019 Lineup at the Gorge
(2.12.19) https://www.seattletimes.com/entertainment/music/watershed-country-music-festival-announces- stacked-2019-lineup-at-the-gorge/ WATERSHED COUNTRY MUSIC FESTIVAL ANNOUNCES STACKED 2019 LINEUP AT THE GORGE The popular country music festival brings a cast of modern country stars to the Gorge Amphitheatre this summer. Generally speaking, it’s been a rough couple of years for Seattle-area music festivals. But not for Watershed Music Festival, the country music megaparty that yee-haws the Gorge Amphitheatre to sold-out crowds every summer. On Tuesday, the Live Nation-backed fest unveiled its 2019 lineup, stacked with modern country favorites. This year’s headliners are Jason Aldean, whom you may know from every other song on local country radio, stadium country rockers Zac Brown Band and Miranda Lambert, who delivered at the Tacoma Dome last year. Lambert, who made some of the best music of her career on her latest double album “The Weight of These Wings,” is also bringing along her girl-powered supergroup the Pistol Annies, featuring Ashley Monroe and Angaleena Presley. Other standouts include the genre-stretching Kane Brown, Brothers Osborne and rising star Maren Morris, who released a glimmering duet with local Grammy hero Brandi Carlile last week, plus radio darling Mitchell Tenpenny, Chris Young, Carly Pearce, Kip Moore and shoe- shined throwbacks Midland. Former “The Voice” winner Danielle Bradbury, Cam, Cody Johnson, Randy Rogers Band, Michael Ray and Deejay Silver also perform. The boot-kickin’ bash takes over the landmark venue Aug. 2-4. Tickets, which start at $215 for weekend passes, go on sale 10 a.m. -
LIVE NATION, INC. (Exact Name of Registrant As Specified in Its Charter) Delaware 20-3247759 (State of Incorporation) (I.R.S
20072007 ANNUALANNUAL REPORTREPORREPO T TO OUR SHAREHOLDERS We continued to demonstrate success in 2007 in executing our strategic plan. We took multiple steps to transform Live Nation into a vertically integrated live music company that directly unites artists, fans and sponsors across all revenue generating products. We are moving ahead to capitalize on our global concert platform as artists look for expanded and new business partners. Reaching an agreement in principle with U2 for a 12-year exclusive partnership is another signifi cant validation that Live Nation is the most attractive option for the biggest artists in the world. Madonna, and now U2, believe in Live Nation and our promising future as a highly innovative music company that is responding quickly to changes in the music business landscape. As a result, we believe Live Nation is a signifi cantly stronger organization, strategically and fi nancially, than only one year ago. Over the next year, we will continue to build on our three core strategies: • Grow our global concert platform internally • Prepare to launch our global ticketing, online business in 2009 • Continue to enter relationships with touring artists for longer and wider product lines centered around our core concert business When we launched Live Nation in December 2005, the company had been declining in overall profi tability for the previous few years. We set out to stop the decline and turn Live Nation into a growth company by running our core business better and by expanding into new revenue streams. In 2007, we set out to do four main things, all of which we achieved – to improve our North American Music operations, grow our International Music platform, launch the Live Nation Artist division and defi ne our Ticketing/ Online future. -
Rules-For-Radicals.Pdf
Note: This text has been prepared for use with text-to-speech software. Footnotes originally appeared at the bottom of each page; they are now numbered, hot linked and moved to the end of each chapter. To the best of our ability, misspellings and typing errors have been removed unless they are part of the original book. Any text in curly brackets is not part of the original book. RULES FOR RADICALS A Practical Primer for Realistic Radicals SAUL D. ALINSKY VINTAGE BOOKS A Division of Random House, Inc. /New York VINTAGE BOOKS EDITION, OCTOBER 1989 Copyright ツゥ 1971 by Saul D. Alinsky All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published, in hardcover, by Random House, Inc., in 1971. Library of Congress Cataloging-in-Publication Data Alinsky, Saul David, 1909-1972. ツ ツ Rules for radicals : a practical primer for realistic radicals / Saul D. Alinsky. â\” Vintage Books ed. ツ ツ p. cm. ツ ツ Reprint. Originally published: New York: Random ツ ツ House, 1971. ツ ツ ISBN 0-679-72113-4 : $7.95 1. Community organization â\” United States. 2.ツ Political participation â\” United States. 3.ツ Radicalism â\” United States. I. Title. HN65.A675 1989 ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ 89-14823 303.48'4 â\” dc20 ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ ツ CIP "On the Importance of Being Unprincipled," by John Herman Randall, Jr., is reprinted by permission of the publishers from The American Scholar, Volume 7, Number 2, Spring 1938.