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Report on the Progress and Condition of the United States National Museum
Q 11 U52Z CRLSSI SMITHSONIAN INSTITUTION UNITED STATES NATIONAL MUSEUM REPORT ON THE PROGRESS AND CONDITION OF THE UNITED STATES NATIONAL MUSEUM FOR THE YEAR ENDED JUNE 30, 1934 •••••*•& x* If .^aea PERN /ORI $ UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1935 Price I 5 cents For sale by the Superintendent of Documents, Washington, D. C. United States National Museum, Under Direction of the Smithsonian Institution, Washington, D. C, October IS, 193Jf. Sir : I have the honor to submit herewith a report upon the pres- ent condition of the United States National Museum and upon the work accomplished in its various departments during the fiscal year ended June 30, 1934. Very respectfully, Alexander Wetmore, Assistant Secretary. Dr. Charles G. Abbot, Secretary, Smithsonian Institution. ii CONTENTS Page Operations for the year 1 Appropriations 1 Collections 2 Explorations and field work 3 Assistance by Civil Works Administration 7 Educational work 9 Visitors 9 Library 10 Publications 12 Photographic laboratory 12 Buildings and equipment 12 Meetings and special exhibits 14 Changes in organization and staff 15 Detailed reports on the collections 17 Department of anthropology 17 Department of biology 26 Department of geology 40 Department of arts and industries 51 Division of history 64 List of accessions 67 List of Museum publications 109 in : REPORT ON THE PROGRESS AND CONDITION OF THE UNITED STATES NATIONAL MUSEUM FOR THE FISCAL YEAR ENDED JUNE 30, 1934 By Alexander Wetmoee Assistant Secretary of the Smithsonian Institution, in Charge of the National Museum OPERATIONS FOR THE YEAR APPROPRIATIONS Funds for the maintenance of the United States National Museum for the fiscal year ended June 30, 1934, were provided by appro- priations carried in the Executive and Independent Offices Act approved June 16, 1933. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 min) Directed by Jim Jarmusch Original Music by Neil Young Cinematography by Robby Müller Johnny Depp...William Blake Gary Farmer...Nobody Crispin Glover...Train Fireman John Hurt...John Scholfield Robert Mitchum...John Dickinson Iggy Pop...Salvatore 'Sally' Jenko Gabriel Byrne...Charlie Dickinson Billy Bob Thornton...Big George Drakoulious Alfred Molina...Trading Post Missionary JIM JARMUSCH (Director) (b. James R. Jarmusch, January 22, 1981 Silence of the North, 1978 The Last Waltz, 1978 Coming 1953 in Akron, Ohio) directed 19 films, including 2013 Only Home, 1975 Shampoo, 1972 Memoirs of a Madam, 1970 The Lovers Left Alive, 2009 The Limits of Control, 2005 Broken Strawberry Statement, and 1967 Go!!! (TV Movie). He has also Flowers, 2003 Coffee and Cigarettes, 1999 Ghost Dog: The Way composed original music for 9 films and television shows: 2012 of the Samurai, 1997 Year of the Horse, 1995 Dead Man, 1991 “Interview” (TV Movie), 2011 Neil Young Journeys, 2008 Night on Earth, 1989 Mystery Train, 1986 Down by Law, 1984 CSNY/Déjà Vu, 2006 Neil Young: Heart of Gold, 2003 Stranger Than Paradise, and 1980 Permanent Vacation. He Greendale, 2003 Live at Vicar St., 1997 Year of the Horse, 1995 wrote the screenplays for all his feature films and also had acting Dead Man, and 1980 Where the Buffalo Roam. In addition to his roles in 10 films: 1996 Sling Blade, 1995 Blue in the Face, 1994 musical contributions, Young produced 7 films (some as Bernard Iron Horsemen, 1992 In the Soup, 1990 The Golden Boat, 1989 Shakey): 2011 Neil Young Journeys, 2006 Neil Young: Heart of Leningrad Cowboys Go America, 1988 Candy Mountain, 1987 Gold, 2003 Greendale, 2003 Live at Vicar St., 2000 Neil Young: Helsinki-Naples All Night Long, 1986 Straight to Hell, and 1984 Silver and Gold, 1997 Year of the Horse, and 1984 Solo Trans. -
08.2013 Edinburgh International Book Festival
08.2013 Edinburgh International Book Festival Celebrating 30 years Including: Baillie Gifford Children’s Programme for children and young adults Thanks to all our Sponsors and Supporters The Edinburgh International Book Festival is funded by Benefactors James and Morag Anderson Jane Attias Geoff and Mary Ball Lel and Robin Blair Richard and Catherine Burns Kate Gemmell Murray and Carol Grigor Fred and Ann Johnston Richard and Sara Kimberlin Title Sponsor of Schools and Children’s Alexander McCall Smith Programmes & the Main Theatre Media Partner Fiona Reith Lord Ross Richard and Heather Sneller Ian Tudhope and Lindy Patterson Claire and Mark Urquhart William Zachs and Martin Adam and all those who wish to remain anonymous Trusts The Barrack Charitable Trust The Binks Trust Booker Prize Foundation Major Sponsors and Supporters Carnegie Dunfermline Trust The John S Cohen Foundation The Craignish Trust The Crerar Hotels Trust The final version is the white background version and applies to situations where only the wordmark can be used. Cruden Foundation The Educational Institute of Scotland The MacRobert Trust Matthew Hodder Charitable Trust The Morton Charitable Trust SINCE Scottish New Park Educational Trust Mortgage Investment The Robertson Trust 11 Trust PLC Scottish International Education Trust 909 Over 100 years of astute investing 1 Tay Charitable Trust Programme Supporters Australia Council for the Arts British Centre for Literary Translation and the Calouste Gulbenkian Foundation Edinburgh Unesco City of Literature Goethe Institute Italian Cultural Insitute The New Zealand Book Council Sponsors and Supporters NORLA (Norwegian Literature Abroad) Publishing Scotland Scottish Poetry Library South Africa’s Department of Arts and Culture Word Alliance With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by kind permission of the Charlotte Square Proprietors. -
Leila Leiz • Stan Goldberg • the Gods of Mount Olympus
$8.95 in the USA ™ A TwoMorrows Publication No. 9, Summer 2015 Madman TM & © 2015 Michael Allred. Flaming Carrot Bob Burden. E-Man & Nova TM & © 2015 Joe T. Staton. Femme Noir TM & © 2015 Christopher Mills & Joe Staton. Staton. Femme Noir TM & © 2015 Christopher Mills Joe E-Man & Nova TM © 2015 Joe T. 0 3 1 82658 97073 4 also: LEILA LEIZ • STAN GOLDBERG • THE GODS OF MOUNT OLYMPUS • KATIE GREEN Summer 2015 • Voice of the Comics Medium • Number 9 TABLE OF CONTENTS Ye Ed’s Rant: The Tyranny of Time ................................................................................... 2 E-WOODY COMICS CHATTER CBC mascot by J.D. KING Remembering Seth Kushner: The late photographer/writer’s good friend and ©2015 J.D. King. collaborator Christopher Irving recalls the recently departed CBC contributor ................ 3 About Our Cover Katie Green: An interview with the Lighter Than My Shadow graphic novelist ............ 4 Aushenkerology: A personal ode to Cowboy Henk and the great European comics .... 6 Art by JOE STATON Color by MATT WEBB Incoming: The Therapeutic Value of “It” and Roy Thomas on Kull the Conqueror ....... 10 The Good Stuff: George Khoury talks with artist Leila Leiz about living the dream ..... 14 Hembeck’s Dateline: Our Man Fred chats up longtime pal Joe Staton ...................... 17 Stan Goldberg: Part one of Richard J. Arndt’s interview with the late cartoonist and Marvel colorist, a man remarkably appreciative for his long career in comics ....... 18 GODS OF MOUNT OLYMPUS SPECIAL SECTION Johnny Lee Achziger’s Olympian Achievement: CBC’s three-part examination of a little-known but breathtaking 1970s comics project starts with recollections of the guy who authored and helmed the tabloid-size (and ill-fated) series .......... -
Stevie Wonder to Give BC Concert BC Resumes Early-Start Blast Rips Thru
/ Collins buckles u·nder BC resumes Early-start By EDDIE YUTZMAN,Jr. "Despite· .the inconclusiveness of to enter and exit his o~· Rip Ed.itor·ln-Chlef the survey's results, I told Dr. Collins r window." In a · surprising reversal, BC thought there was . a definite trend Apparently 1he final s, President Dr: John Collins announced among students opposing the late-start when a committee of stude11 last week thal the college would ca!en(jar." the Board of Repentants offic1. continue use of the early-start calendar In discussing lhe massive number of with C.OUins to discuss the m.c for next year. The announcement suicide threats, Collins previou$1y Shortly after, C.Olliru, looking rJ came after repeated complaints from stated, "I can appreciate the way some worn out, announced that he hld I, · students about the administration's students feel, however, in making my a change of hearl. I proposal. lo return to the Uadilional decision, I have decided lo. put all late-start schedule. convenience fac101s aside." "After considering all f.u:tors, , . · Collins origin a II y made his For 1his reason, 1he students and the least of which .was my persona, recommendation to return to the faculty alike were quite surpritcd by ~fety, I have decided to v.ithdraw my late-start calendar in spite· of an Collins' announcement last week 1hat · recommendat[on," Collins said impartial survey conducted by David BC would continue use of the shakily. "There, I did it. I gave you all · · Scolt of the Offi~ of Research and early-start calendar. -
Mustang Daily, May 6, 1985
Mustang DailyC'ulifornia Polytechnic State l'nivcrsity, San l-uis Obispo Volume 49, No. 110 Monday, May 6,1985 Nuclear response plan distributed to dorms By MARY ANNE TALBOTT Staff Writer A handbook that details the response plan at Cal Poly in the event of an emergency at the Diablo Canyon Nuclear Power RADIATION SHtITFR ARfAS Plant is scheduled to be distributed to student residence halls Monday. Faculty and staff received copies of the handbook last week, said Richard Hrug, director of Public Safety. Titled "Your Respon.se to an Emergency at Diablo Canyon," the handbook has been distributed throughout San Luis Obispo County. A green cover that gives response instructions for people on the Cal Poly cam pus and describes the four stages of radiation alert has been added to the booklet. "Faculty, staff and students in residence halls are generally the ones we'll have to deal with," said Hrug. The plan was prepared by En- virosphere Company of New • % York, which also prepared the master disaster plan last lall for Cal Poly. Hrug said the emergency plan was designed voluntarily with the aid of the County of San Luis •J:' Obispo, and was not mandated t by law. ' i r He explained that the campus i| is only twelve miles from the OONAIO MUNRO/Muttang D*lly Diablo Canyon plant. If the In the event of an emergency at the Diablo Canyon Nu- Sheltered in 13 buildings on campus. A response plan was campus was within a ten mile clear Po\wer Plant, students would be temporarily scheduled to be distributed to dorm residents Monday. -
The 2000 AD Script Book Kindle
THE 2000 AD SCRIPT BOOK PDF, EPUB, EBOOK Pat Mills, John Wagner, Peter Milligan, Al Ewing, Rob Williams, Dan Abnett, Emma Beeby, Gordon Rennie, Ian Edginton, Alan Grant | 192 pages | 03 Nov 2016 | Rebellion | 9781781084670 | English | Oxford, United Kingdom The 2000 AD Script Book PDF Book And there's a bunch of other properties out with film companies. He was supported by bio-chips of the personalities of three dead comrades, which, slotted into his equipment, could talk to him. Would it be safe to say that you have contributed more material to " AD" than any other writer? Retrieved 10 May All that was seen of Nemesis was the outside of his vehicle, the Blitzspear. However, the fanzine's genesis was plagued by bad luck, not least of all Dick's health worsening. It's gone down very well with readers. There were also gimmicks, like the "sex issue", sold in a clear plastic wrapper, The Spacegirls , a series attempting to cash in on the popularity of the Spice Girls , B. His real task? The last issue titled AD and Tornado was prog , dated 13 September Films Hardware Judge Dredd Dredd. Tweet Clean. Paradoxically, I owe my "Requiem's" success to them. In addition, there are interviews with leading writers and artists, and each issue includes a bonus page graphic novel every month, featuring material from the AD archive! Cover of the first issue of AD , 26 February I kept it going until various story threads were resolved, which took longer than I anticipated. Featuring original script drafts and the final published artwork for comparison, this is a must have for fans of AD and those interested in the writing process. -
College Reveals Science Hall Plans by JOANIE GIBLIN the Renovation
SMC Judicial Board- page 3 TUESDAY, SEPTEMBER 18, 1984 College reveals science hall plans By JOANIE GIBLIN the renovation. Staff Reporter “In the four-year period following the opening of the present science The $6.5 million Saint Mary’s Sci facility, there were 160 science ence Hall renovation is slated to majors. During the period from begin by March, 1985 according to 1980 to 1983 we expect to see ap Vice President and Dean of Faculty proximately 445 science majors in Dr. William Hickey. our biology, chemistry and medical "We hope to go to our Board of technology programs," noted Regents in October with the final Hickey. “ These students are now cost estimate, as well as all of the taught by a staff of 16 full-time, 2 final details, for approval," said part-time faculty, and 3 full-time lab Hickey. "Subsequent to that, we oratory assistants. In addition, the hope to start accepting bids for a nursing program, which enrolls contractor in January 1985, begin about 60 students per year, has had a construction in March of that year, significant impact on the science and see the project completed in the facility." fall of 1986.” Hickey said the conditions which Plans for the renovation and addi exist in the present facility are not tion have been in the works since only inadequate, but unsafe. “The 1979. The College hired a consul crowded conditions and the use of a tant in 1981, and selected the Min variety of chemicals, instruments, nesota architectural firm of Sovik, etc., make safety a very real concern Mathrc, Sathrum and Quanbeck in for all of us. -
COMICS+Scifinow+Feature+On+
Comics-wise, France's Metal Hurlantand the pre-superhero American tradition (Weird, Eerie) provided his inspiration. During this remarkably long gestation period - partly the result of missing a launch deadline, partly Sanders apprehending Mills was cooking up "something special" - a hiccup occurred when a public outcry followed not long after the February '76 launch of Mills's revolutionarily gory and anti-authority Action. That October, Action was briefly taken off the stands to be cleaned up. "The disastrous press obviously had an effect on 2000 AD and stories that were originally much tougher and much harder suddenly had to be toned down," says Mills. Nonetheless, 2000 AD would remain an edgy concoction: "Action had very much a street consciousness and there's a spillover of that into 2000 AD." Additionally, "You wrote a character with some humanity in, it would bomb. You wrote a character who was totally brutal and totally ruthless, the readers would love it. John Wagner and I had both observed this trend in reader taste, so what you might call a traditional hero just didn't cut it." He happily found that the nature of the new comic gave him something of a get-out from higher-ups' disapproval: the sci-fi backdrops served to make the violence and harsh ambience seem less 'real'. An indication of just how much thought went into 2000 AD is Mills's work on the comic's look. He admired the high standards of Spaniards like Carlos Ezquerra and Italians like Massimo Belardinelli. However, though he commissioned Continental artists, he also felt them to be a little dull compared to technically inferior British ones. -
The Machine Age in the 1920S
BECOMING MODERN: AMERICA IN THE 1920S PRIMARY SOURCE COLLECTION ONTEMPORAR Y * IN OMMENTARY THE T WENTIES C “A vision of modern progress,” illustration in Popular Science Monthly, February 1928 (detail) — THE “MACHINE AGE” — Will MACHINES liberate man or enslave him? Will they deliver a bounteous future previously unimaginable, or a barren soulless prison of man’s making? Perennial questions. Here we examine how they were addressed in the 1920s through the writings of industrialists, engineers, economists, clergymen, novelists, a dramatist, a humorist, and other voices who cheered, mourned, or questioned the longterm consequences for man of his precocious offspring, the machine. People call this the mechanistic age, enlarge upon its many Edward S. Martin objectionable features and grumble about the acceleration of “Model T and the Millennium” life and all that. But what would they have? Is the mechanistic Harper’s, February 1928 age a good thing or a bad thing? Is the speeding up of life a basis for satisfaction or for regret? Twenty miles on the highway in old times used to be a pretty fair day’s work for a team. It took three or four hours to do it. When it was done the horses needed to rest and be fed. Now it is something to be done, where the roads are good, in half an hour or a little more by a creature that is not tired when it has done it. The speeding up of life is trying of course, but who can doubt that it is an immense achievement! Our great property in this life is time, and when we get about more quickly we save it. -
NY Unofficial Archive V5.2 22062018 TW.Pdf
........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION