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February 7, 2021
VILLANOVA THEATRE PRESENTS STREAMING JANUARY 28 - FEBRUARY 7, 2021 About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the M. Louise Fitzpatrick College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Patricia A. Maskinas Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Eric J. Schaeffer and Susan Trimble Schaeffer ’78 The Thomas and Tracey Gravina Foundation For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. gratefully acknowledges the generous support of our many patrons & subscribers. We wish to offer special thanks to our donors. 20-21 Benefactors A Running Friend William R. -
APR 9, 2017 LYRICS by MINDI DICKSTEIN | DIRECTED by VALERIE JOYCE About Villanova University
VILLANOVA THEATRE PRESENTS BOOK BY ALLAN KNEE | MUSIC BY JASON HOWLAND MAR 28 - APR 9, 2017 LYRICS BY MINDI DICKSTEIN | DIRECTED BY VALERIE JOYCE About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff, and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly, Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Join Villanova Theatre online! Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Follow Villanova Follow Villanova Like Villanova Theatre on Twitter Theatre on Twitter For information about how you can support the Theatre Theatre on Facebook! @VillanovaTheatr @VillanovaTheatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. Find VillanovaTheatre on Tumblr Villanova Theatre gratefully acknowledges the generous support of its many patrons & subscribers. -
To Play the Forrest Theatre for One Week Only As Part of Kimmel Center’S Broadway Philadelphia Season! Tuesday, February 13 - Sunday, February 18, 2018
Tweet it! Sugar… butter… flour… @WaitressMusical comes to the @KimmelCenter – 2/13-2/18! Visit kimmelcenter.org for more info. #WaitressMusical #BWYPHL Press Contacts: Monica Robinson Lisa Jefferson 215-790-5847 267-765-3723 [email protected] [email protected] TO PLAY THE FORREST THEATRE FOR ONE WEEK ONLY AS PART OF KIMMEL CENTER’S BROADWAY PHILADELPHIA SEASON! TUESDAY, FEBRUARY 13 - SUNDAY, FEBRUARY 18, 2018 FOR IMMEDIATE RELEASE (Philadelphia, PA, December 18, 2017) –– The Kimmel Center and The Shubert Organization are thrilled to announce Waitress will play the Forrest Theatre for a limited one-week engagement from Tuesday, February 13 through Sunday, February 18, 2018. Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by 6-time Grammy® nominee Sara Bareilles ("Brave," "Love Song"), a book by acclaimed screenwriter Jessie Nelson (I Am Sam), choreography by Lorin Latarro (Les Dangereuse Liasons, Waiting For Godot) and direction by Tony Award® winner Diane Paulus (Hair, Pippin, Finding Neverland). “What an honor to have this incredibly heartwarming show make its Philadelphia debut as part of our 2017-18 Broadway Philadelphia season,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Brought to Broadway by a group of imaginative, strong women, this film-turned- musical tells the story of another strong woman forging her own path, something to which we all can relate.” Inspired by Adrienne Shelly's beloved film, Waitress tells the story of Jenna - a waitress and expert pie maker. Jenna dreams of a way out of her small town and loveless marriage. -
The Game Is Afoot at Lantern Theater Company with The
For further ticket information: Lantern Theater Company Box Office (215) 829‐0395 or lanterntheater.org For further press information: Debbie Fleischman Mailing Address (215) 735‐7356 Lantern Theater Company P.O. Box 53428 Philadelphia, PA 19105-3428 THE GAME IS AFOOT AT LANTERN THEATER COMPANY Theater Address Lantern Theater Company WITH THE HOUND OF THE BASKERVILLES MAY 28‐JUNE 28 At St. Stephen’s Theater 10th & Ludlow Streets Philadelphia, PA 19107 Madcap mayhem and farcical hilarity set the tone for Lantern Theater Box Office Company’s production of The Hound of the Baskervilles by Sir Arthur Conan 215.829.0395 Doyle, adapted by Steven Canny and John Nicholson which closes the Administrative Office 215.829.9002 Lantern’s season, running May 28‐June 28. Directed by Matt Pfeiffer, the Fax 215.829.1161 three‐person cast features Damon Bonetti, Daniel Fredrick and Dave Email Johnson in multiple, quick‐change roles. [email protected] Web www.lanterntheater.org The Hound of the Baskervilles runs May 28 –June 28, 2015 (press opening: Wednesday, June 3, at 7 p.m.). Tickets are $22 – $39 and are available online at lanterntheater.org or by calling the Lantern Box Office at (215) 829‐ 0395. Discounts are available for seniors 65 and up, groups of 10 or more and U.S. military personnel. $10 student rush tickets are available 10 minutes before curtain with valid ID; cash only. $10 industry tickets are available online, by phone or at the box office. One of Sir Arthur Conan Doyle's most beloved Holmes mysteries gets a zany makeover when performed by a trio of endearing clowns and klutzes. -
Subscription Package Pricing
2020 2021 SUBSCRIPTION PACKAGE PRICING Seven-show subscription package includes Pretty Woman The Musical, My Fair Lady, 1776, Ain’t Too Proud, Oklahoma!, The Lion King, and Hadestown. TUES (week 2) TUES (week 1) SAT (matinees) WED (matinee) WED (evenings) FRI SAT (evenings) SUN (evening) SUN (matinees) THURS PRICE LEVEL 1 $745 $862 $872 $927 $946 $956 PRICE LEVEL 2 $664 $737 $747 $800 $832 $852 PRICE LEVEL 3 $594 $667 $677 $720 $752 $772 PRICE LEVEL 4 $523 $581 $591 $634 $660 $690 PRICE LEVEL 5 $402 $450 $460 $503 $525 $535 PRICE LEVEL 6 $373 $407 $417 $433 $448 $458 PRICE LEVEL 7 $348 $331 $341 $357 $366 $366 PRICE LEVEL 8 $268 $258 $258 $284 $290 $300 PRICE LEVEL 1 PRICE LEVEL 5 Academy of Music: Parquet Center, Parquet and Academy of Music: Amphitheatre Rear and Side; Balcony Box, Balcony Loge Accessible 4 (Amphitheatre) Forrest Theatre: Orchestra, Mezzanine Forrest Theatre: Rear Mezzanine N–P PRICE LEVEL 2 PRICE LEVEL 6 Academy of Music: Parquet Side, Parquet Rear and Side, Academy of Music: Limited View Parquet Circle, Parquet Circle Center, Parquet Circle Rear & Side, Limited View Balcony Balcony Center, Balcony Rear and Side, Accessible 2 Forrest Theatre: Rear Mezzanine J–M (Parquet Circle), Balcony Loge Forrest Theatre: Orchestra, Mezzanine PRICE LEVEL 7 Academy of Music: Limited View Family Circle Side and Center PRICE LEVEL 3 Forrest Theatre: Rear Mezzanine J–M Academy of Music: Family Circle Center Forrest Theatre: Rear Mezzanine A–H PRICE LEVEL 8 Academy of Music: Limited View Amphitheatre Side and Center PRICE LEVEL 4 Forrest Theatre: Rear Mezzanine N–P Academy of Music: Family Circle Rear and Side; Amphitheatre Center, Accessible 3 (FCCIR) Forrest Theatre: Rear Mezzanine A–H Broadway Philadelphia is presented collaboratively by the Kimmel Center for the Performing Arts and The Shubert Organization 2020 2021 ADD-ON PRICING Prices listed below are inclusive of ticketing fees, excluding the $4 per order fee. -
Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini Heather Koren Pinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Pinson, Heather Koren, "Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini" (2002). LSU Master's Theses. 2589. https://digitalcommons.lsu.edu/gradschool_theses/2589 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ASPECTS OF JAZZ AND CLASSICAL MUSIC IN DAVID N. BAKER’S ETHNIC VARIATIONS ON A THEME OF PAGANINI A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Heather Koren Pinson B.A., Samford University, 1998 August 2002 Table of Contents ABSTRACT . .. iii INTRODUCTION . 1 CHAPTER 1. THE CONFLUENCE OF JAZZ AND CLASSICAL MUSIC 2 CHAPTER 2. ASPECTS OF MODELING . 15 CHAPTER 3. JAZZ INFLUENCES . 25 BIBLIOGRAPHY . 48 APPENDIX 1. CHORD SYMBOLS USED IN JAZZ ANALYSIS . 53 APPENDIX 2 . PERMISSION TO USE COPYRIGHTED MATERIAL . 54 VITA . 55 ii Abstract David Baker’s Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term “third stream.” In regard to classical aspects, Baker’s work is modeled on Nicolò Paganini’s Twenty-fourth Caprice for Solo Violin, itself a theme and variations. -
The Temperamentals
Press Contact: Canary Promotion Rose Mineo, [email protected] Office: (215) 690-4065 High-resolution photos available upon request and online at: www.canarypromo.com/mauckingbird Official Website: www.mauckingbird.org FOR IMMEDIATE RELEASE February 24, 2012 Mauckingbird Theatre Company presents The Temperamentals By Jon Marans Directed by Peter Reynolds and Brandon McShaffrey April 11–29, 2012, in the Skybox at The Adrienne Theatre PHILADELPHIA — Mauckingbird Theatre Company opens its fifth season presenting professional gay- themed theater in Philadelphia with the Philly premiere of Jon Marans’ 2009 play The Temperamentals, directed by Mauckingbird Artistic Director Peter Reynolds and Producing Director Brandon McShaffrey. The Temperamentals, so named for the code word gay men used to refer to themselves, reveals the courageous men of the Mattachine Society, the first viable gay rights organization in the United States. The New York Times hailed the play “informative and evocative. … The Temperamentals succeeds at conveying an era when only a few brave men dared announce their sexual identity before a society that vilified them.” This production features cast members Mike Dees, Carl Granieri, Doug Greene, John Jarboe and Matt Tallman. The Temperamentals begins previews April 8 and runs April 11–29, 2012 (opening night is Wednesday, April 11, at 7 p.m.), at the Skybox at The Adrienne Theatre, located at 2030 Sansom St. in Philadelphia. Tickets are $25 for adults, $20 for seniors and $15 for students and are available by calling the Mauckingbird Theatre Company box office at (215) 923-8909 or online at www.mauckingbird.org. Set against a backdrop of intolerance at the height of early-1950s McCarthyism, The Temperamentals tells of a secret love story that unfolds between communist Harry Hay (Matt Tallman) and Viennese refugee and designer Rudi Gernreich (John Jarboe). -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
Universiv Micrcsilms International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. Tlie sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
The Chamber Orchestra of Philadelphia 4-RC-21019 6-9-05
UNITED STATES OF AMERICA BEFORE THE NATIONAL LABOR RELATIONS BOARD REGION FOUR CONCERTO SOLOISTS d/b/a THE CHAMBER ORCHESTRA OF PHILADELPHIA1 Employer and Case 4–RC–21019 PHILADELPHIA MUSICIANS’ UNION LOCAL 77, AMERICAN FEDERATION OF MUSICIANS, AFL-CIO2 Petitioner REGIONAL DIRECTOR’S DECISION AND DIRECTION OF ELECTION The Employer, The Chamber Orchestra of Philadelphia, is a small, elite orchestra which performs at concerts and other engagements. The Petitioner, Philadelphia Musicians’ Union Local 77, has filed a petition with the National Labor Relations Board under Section 9(c) of the National Labor Relations Act seeking to represent a unit of the Musicians who perform in the Chamber Orchestra. There are about 33 Musicians in the petitioned-for unit. The Employer contends that the Musicians are independent contractors and thus are excluded from the coverage of the Act. A hearing officer of the Board held a hearing, and the parties filed briefs. I have considered the evidence and the arguments presented by the parties, and as discussed below, I have concluded that the Musicians are statutory employees. Accordingly, I am directing an election in a bargaining unit of the Employer’s Musicians.3 To provide a context for my discussion, I will first present a brief overview of the Employer’s operations. Then, I will review the factors that must be evaluated in determining independent contractor status and present in detail the facts and reasoning that support my conclusion that the Musicians are statutory employees. 1 The Employer’s name was amended at the hearing. 2 The Petitioner’s name was amended at the hearing. -
Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile. -
Septa-Phila-Transit-Street-Map.Pdf
A B C D E F G H I J K L M N O P Q v A Mill Rd Cricket Kings Florence P Kentner v Jay St Linden Carpenter Ho Cir eb R v Newington Dr Danielle Winding W Eagle Rd Glen Echo Rd B Ruth St W Rosewood Hazel Oak Dr Orchard Dr w For additional information on streets and b v o o r Sandpiper Rd A Rose St oodbine1500 e l Rock Road A Surrey La n F Cypress e Dr r. A u Dr Dr 24 to Willard Dr D 400 1 120 ant A 3900 ood n 000 v L v A G Norristown Rd t Ivystream Rd Casey ie ae er Irving Pl 0 Beachwoo v A Pine St y La D Mill Rd A v Gwynedd p La a Office Complex A Rd Br W Valley Atkinson 311 v e d 276 Cir Rd W A v Wood y Mall Milford s r Cir Revere A transit services ouside the City of 311 La ay eas V View Dr y Robin Magnolia R Daman Dr aycross Rd v v Boston k a Bethlehem Pike Rock Rd A Meyer Jasper Heights La v 58 e lle H La e 5 Hatboro v Somers Dr v Lindberg Oak Rd A re Overb y i t A ld La Rd A t St ll Wheatfield Cir 5 Lantern Moore Rd La Forge ferson Dr St HoovStreet Rd CedarA v C d right Dr Whitney La n e La Round A Rd Trevose Heights ny Valley R ay v d rook Linden i Dr i 311 300 Dekalb Pk e T e 80 f Meadow La S Pl m D Philadelphia, please use SEPTA's t 150 a Dr d Fawn V W Dr 80- arminster Rd E A Linden sh ally-Ho Rd W eser La o Elm Aintree Rd ay Ne n La s Somers Rd Rd S Poplar RdS Center Rd Delft La Jef v 3800 v r Horseshoe Mettler Princeton Rd Quail A A under C A Poquessing W n Mann Rd r Militia Hill Rd v rrest v ve m D p W UPPER Grasshopper La Prudential Rd lo r D Newington Lafayette A W S Lake Rd 1400 3rd S eldon v e Crestview ly o TURNPIKE A Neshaminy s o u Rd A Suburban Street and Transit Map.