DOCSLIB.ORG

527-7047 [email protected] Playbill: Venues

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
527-7047 Mmanzo@Playbill.Com Playbill: Venues Playbill: Who We Are stablished in 1884, Playbill now serves theater in most major American cities. It is a staple for the performing arts for over four generations. PlaybillE is the connection between the performers and the audience offering informative and up-to-date editorial vital and specific for the particular performance. Playbill delivers to your targeted market through an unparalleled connection with performing arts patrons. From the moment they sit down until they leave with their Playbill in hand, the publication is an intricate and essential part of their evening. Playbill readers are affluent and educated. This highly sought-after market has proven to have exciting, active and involved lifestyles. This gives advertisers an opportunity to reach the most targeted audience in town. Michel Manzo - 610-527-7047 [email protected] Playbill: Venues Playbill is present in the most prestigious venues in each market. The audience you want to reach attends the Playbill performing arts venues including: VENUES SERVED NEW YORK WEST NEW ENGLAND Broadway Theatres: Los Angeles: Henry Fonda Theatre, The Wang Center for the Performing Arts: Ambassador, American Airlines, Atkinson, Pantages Theatre, Wilshire Theatre, The Wang Theatre and Shubert Theatre Barrymore, Belasco, Beaumont, Booth, Brentwood Theatre, Wadsworth Theatre (including all performances of the Boston Broadhurst, Broadway, Circle in the Square, San Diego: Playgoers Series: Ballet and Boston Lyric Opera), Cort, Freidman, Gershwin, Golden, Hayes, Civic Theater The Colonial Theatre, The Wilbur Theatre, Hilton, Hirschfeld, Imperial, Jacobs, Kerr, San Francisco: The San Francisco Opera House, The Charles Playhouse I & II, Longacre, Lunt-Fontanne, Lyceum, Symphony, Curran Theatre, The Stuart Street Playhouse Majestic, Marquis, Miller, Minskoff, Music Golden Gate Theatre, Orpheum Theatre Box, Nederlander, New Amsterdam, Tempe: Gammage Auditorium MID-ATLANTIC O’Neill, Palace, Rodgers, Schoenfeld, Las Vegas: Venetian Hotel, Palazzo Hotel Philadelphia: The Philadelphia Orchestra Shubert, Simon, St. James, Studio 54, (Kimmel Center), Pennsylvania Ballet, Wilson, Winter Garden SOUTH CENTRAL Peter Nero and the Philly Pops Dallas: (Kimmel Center), Mann Center for the Off-Broadway Theatres: Dallas Symphony, Dallas Opera, Performing Arts, Forrest Theatre, Astor Place, Atlantic Theatre Company, Dallas Broadway Series: Walnut Street Theatre (Main Stage) Barrow, Cherry Lane, Classic Stage Contemporary Series - Baltimore: Hippodrome Performing Company, Gramercy, Jane Street, Joyce, The Majestic Theatre Arts Center Laura Pels, Little Shubert, Lortel, Dallas Summer Musicals - Washington, D.C.: The John F. Kennedy Manhattan Ensemble, Manhattan Theatre Fair Park Music Hall Center for the Performing Arts, National Club, (City Center, Stage 1 and 2), Minetta Houston: Theatre, Warner Theatre Lane, Newhouse, New World Stages (1-5), Houston Ballet and The Nutcracker at Orpheum, Playwrights Horizons the Wortham Center MID-WEST (Mainstage), Public (Anspacher, LuEsther, Houston Broadway Series: Hobby Center Chicago: Bank of America Theatre, Martinson, Newman, Delacorte), Primary for the Performing Arts, Theatre Under The Ford-Oriental Theatre, Cadillac Palace Stages, Second Stage, Signature Theatre Stars, Alley Theatre Theatre, Briar Street Theatre, Drury Lane Company, Snapple Theater Center, SoHo San Antonio: Broadway Series: Theatre (Oakbrook & Water Tower), Playhouse, Theatre for a New Audience, Majestic Theatre Marriott Theatre, Second City, Auditorium Union Square, Village, Westside New Orleans: Mahalia Jackson Theatre Theater, Goodman Theatre, (Downstairs/Upstairs), Zipper Factory Metropolis Theater, Paramount Theatre, SOUTHEAST Victory Gardens, Theatre at the Center Carnegie Hall: Miami: Miami City Ballet, New World Cincinnati: Broadway Series: Stern Auditorium, Weill Recital Hall, Symphony, Adrienne Arsht Center for Aronoff Center and Taft Theatres Zankel Hall; New York City Center the Performing Arts Columbus: Broadway Series: Broadway Series: Jackie Gleason Theatre, Ohio and Palace Theatres Lincoln Center: Coconut Grove Playhouse, Adrienne Arsht Indianapolis: Murat Theatre, Alice Tully Hall, Avery Fisher Hall, Center Clowes Theatre David H. Koch Theater, Ft. Lauderdale: Broadway Series: Minneapolis: State Theatre and Orpheum Metropolitan Opera House, Broward Center, Parker Playhouse Theatre, Pantages Theatre Lincoln Center Calendar Orlando: Broadway Series: Carr Center St. Louis: St. Louis Symphony Palm Beach: Kravis Center Broadway Series: Fox Theatre Birmingham, AL: Birmingham-Jefferson Convention Complex Michel Manzo - 610-527-7047 [email protected] Playbill: Demographics - Patrons of the Arts PLAYBILL IS A MUST READ • Playbill is distributed personally by theater staff. • Prior to the performance, Playbill previews that night’s events. • During the performance, Playbill guides you through concerts, operas, and shows. • During intermission, Playbill enlightens you with feature articles, performance informa- tion and quality advertising. • After the show, Playbill is a special keepsake and resource to the performing arts. • Playbill offers an ala carte approach whether a local, regional or national advertising buy. • 94% of readers take their Playbill home as a memento and remembrance of the performance. MichelFor your Manzo next advertising decision, call 610-527-7047 Playbill readers are well educated And feel the power of the performance! and affluent. Reader Profile - Classical Arts Reader Profile - Theater Male ......................................................................44% Male ......................................................................45% Female ..................................................................56% Female ..................................................................55% Median Age......................................................49 years Median Age......................................................49 years Attended College ..................................................89% Attended College....................................................87% Post Graduate Study..............................................36% Post Graduate Study..............................................30% $150,000+ Household Income ..............................47% $150,000+ Household Income ..............................46% Average HHI ..................................................$217,085 Average HHI ..................................................$206,742 Average Net Worth ......................................$1,280,524 Average Net Worth ......................................$1,175,861 Professional /Managerial ........................................57% Professional /Managerial ........................................55% Married ..................................................................87% Married ..................................................................87% Any Children ..........................................................43% Any Children ..........................................................43% Source: 2009 Mendelsohn Affluent Survey, Heads of House, HHI $100,000 or more Michel Manzo - 610-527-7047 [email protected] A Theatre Tradition Since 1884 PHILADELPHIA 2010-2011 S EASON Curtains Irving Berlin’s Amadeus September 7 - White Christmas January 18 - October 24, 2010 November 9, 2010 - March 6, 2011 January 9, 2011 Book 1 Book 1 September 7 - October 5 Book 1 January 18 - February 8 (4 weeks) November 9 - December 7 (3 weeks) Book 2 (4 weeks) Book 2 October 6 - 24 Book 2 February 9 - March 6 (3 weeks) December 8 - January 9 (4 weeks) (5 weeks) It’s 1959 and it looks like Robbin’ Hood of the Old Celebrate the holiday season with an all-new production of the Winner of a Tony Award for Best Play, the Academy West could be a Broadway smash, if it weren't for Broadway musical, White Christmas . See what happens when Award for Best Film, and triumphant in recent the supremely untalented leading lady. What's a a couple of song-and-dance men with romance in mind follow a revivals in London and on Broadway, Amadeus show to do? But wait! News just in! The leading duo of beautiful singing sisters en route to their Christmas show weaves a confrontation between mediocrity and ge - lady is murdered during her opening night curtain at a Vermont lodge, which just happens to be owned by the nius into a tale of breathtaking dramatic power. call. Whodunit? Everyone’s a suspect. boys’ former army commander. Sparks fly and snow falls! Walnut Street Theatre Walnut Street Theatre Walnut Street Theatre The 39 Steps Miss Saigon Jersey Boys March 15 - May 17, - September 30 - May 1, 2011 July 17, 2011 December 12, 2010 Book 1 Book 1 Book 1 September 30 - October 30 March 15 - April 5 May 17 - 31 (2 weeks) (4 weeks) (3 weeks) Book 2 Book 2 Book 2 June 1 - 30 (4 weeks) October 31 - November 27 April 6 - May 1 Book 3 (4 weeks) (4 weeks) July 1 - 17 (2 weeks) Book 3 November 28 - December 12 (2 weeks) Mix a Hitchcock masterpiece with a juicy spy A classic love story is brought up-to-date in one of The 2006 Tony Award ® - winning Best Musical about novel, add a dash of merry mayhem and you have the most stunning theatrical spectacles of all time. Rock and Roll Hall of Famers The Four Seasons. The 39 Steps , a fast-paced mystery for anyone In Miss Saigon , the creators of Les Misérables This is the story of how four blue-collar kids became who loves the magic of theatre! bring Puccini's Madame Butterfly to the modern one of the greatest
Load more

Recommended publications
  • The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
    FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin­ ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play.
    [Show full text]
  • To Play the Forrest Theatre for One Week Only As Part of Kimmel Center’S Broadway Philadelphia Season! Tuesday, February 13 - Sunday, February 18, 2018
    Tweet it! Sugar… butter… flour… @WaitressMusical comes to the @KimmelCenter – 2/13-2/18! Visit kimmelcenter.org for more info. #WaitressMusical #BWYPHL Press Contacts: Monica Robinson Lisa Jefferson 215-790-5847 267-765-3723 [email protected] [email protected] TO PLAY THE FORREST THEATRE FOR ONE WEEK ONLY AS PART OF KIMMEL CENTER’S BROADWAY PHILADELPHIA SEASON! TUESDAY, FEBRUARY 13 - SUNDAY, FEBRUARY 18, 2018 FOR IMMEDIATE RELEASE (Philadelphia, PA, December 18, 2017) –– The Kimmel Center and The Shubert Organization are thrilled to announce Waitress will play the Forrest Theatre for a limited one-week engagement from Tuesday, February 13 through Sunday, February 18, 2018. Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by 6-time Grammy® nominee Sara Bareilles ("Brave," "Love Song"), a book by acclaimed screenwriter Jessie Nelson (I Am Sam), choreography by Lorin Latarro (Les Dangereuse Liasons, Waiting For Godot) and direction by Tony Award® winner Diane Paulus (Hair, Pippin, Finding Neverland). “What an honor to have this incredibly heartwarming show make its Philadelphia debut as part of our 2017-18 Broadway Philadelphia season,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Brought to Broadway by a group of imaginative, strong women, this film-turned- musical tells the story of another strong woman forging her own path, something to which we all can relate.” Inspired by Adrienne Shelly's beloved film, Waitress tells the story of Jenna - a waitress and expert pie maker. Jenna dreams of a way out of her small town and loveless marriage.
    [Show full text]
  • NETC News, Vol. 15, No. 3, Summer 2006
    A Quarterly Publication of the New England Theater NETCNews Conference, Inc. volume 15 number 3 summer 2006 The Future is Now! NETC Gassner Competition inside Schwartz and Gleason Among 2006 a Global Event this issue New Haven Convention Highlights April 15th wasn’t just income tax day—it was also the by Tim Fitzgerald, deadline for mailing submissions for NETC’s John 2006 Convention Advisor/ Awards Chairperson Gassner Memorial Playwrighting Award. The award Area News was established in 1967 in memory of John Gassner, page 2 Mark your calendars now for the 2006 New England critic, editor and teacher. More than 300 scripts were Theatre Conference annual convention. The dates are submitted—about a five-fold increase from previous November 16–19, and the place is Omni New Haven years—following an extensive promotional campaign. Opportunities Hotel in the heart of one of the nation’s most exciting page 5 theatre cities—and just an hour from the Big Apple itself! This promises to be a true extravanganza, with We read tragedies, melodramas, verse Ovations workshops and inteviews by some of the leading per- dramas, biographies, farces—everything. sonalities of current American theatre, working today Some have that particular sort of detail that page 6 to create the theatre of tomorrow. The Future is Now! shows that they’re autobiographical, and Upcoming Events Our Major Award recipient this others are utterly fantastic. year will be none other than page 8 the Wicked man himself, Stephen Schwartz. Schwartz is “This year’s submissions really show that the Gassner an award winning composer Award has become one of the major playwrighting and lyricist, known for his work awards,” said the Gassner Committee Chairman, on Broadway in Wicked, Pippin, Steve Capra.
    [Show full text]
  • BIEWEND BUILDING to Back Bay, Copley Square, Prudential Center (¾- to 1-Mile Walk)
    Beach Street HOW TO GET TO To Downtown shopping, Faneuil Hall (½- to 1-mile walk) BIEWEND BUILDING To Back Bay, Copley Square, Prudential Center (¾- to 1-mile walk) To Downtown To Chinatown CHINATOWN To South Station T Crossing T T T To Boylston To South Station Stuart Street Kneeland Street To 75 Kneeland Street THEATRE DISTRICT Tufts University 7th TUPPER 10th 35 KNEELAND Dental School 15 KNEELAND e eet Rd Wilbur Theatre a Av HNRC he S St. James Church BIEWENDBIEWEND Msgr 260260 TREMON TREMONTT 4th e Harrison Harrison ? 3rd Bridg Tufts University/ BIEWD 1 ashington Str Center for Medical W Harv Education ard Str eet t ee Citi Performing Arts Center/ ZISKIND Wang Theatre MRI/PET PROGER 750 WASHINGTON PLAZA CAFE PLAZA LEVEL NOTE: In Pratt-Ziskind-Farnsworth emont Str TUFTS d Floor Corridor Tr bldgs., floor numbers shift up one 3rd Floor Corridor CHILDREN’S DUNKIN’ 3r DONUTS (ex. Proger 3 becomes Pratt 4). PROGER 1 Garage HOSPITAL (FLOATING BLDG.) ?$ Red+Cross Elevators PLAZA Blood Donations 755 WASHINGTON Garage FARNSWORTH Jaharis Stairs Silver AU BON PRATT / Line PAIN $ 171 HARRISON ty T si ATRIUM 3 ATRIUM 1 ATRIUM 3 er P 3rd Floor Corridor Stairs to Proger 1 TREMONT FRESH ? Tufts LIFE CAFE ATRIUM 1 $ Medical TUFTS MC ufts Univ ATRIUM 1 FARNSW 1 T CenterT STREET Main Entrance CHOPP’D ATRIUM 800 WASHINGTON & TOPP’D GARAGE ATRIUM 3 Bennet Str 274 TREMONT BOSTON eet WHEELCHAIR ACCESSIBILITY FROM DISPENSARY GARAGE: Take the garage elevators to the Dining 37 GARAGE Bennet ENTRY Plaza level of Tufts Children’s (Floating Wol Pavilion VENDING Auditorium HOLMES Bldg).
    [Show full text]
  • Menino Announces End of His 20 Year Mayoral Career
    VOL. 117 - NO. 14 BOSTON, MASSACHUSETTS, APRIL 5, 2013 $.30 A COPY NEAD Easter Party Menino Announces & Puppet Show End of His 20 Year Mayoral Career by Ivanha Paz Thomas Menino, beloved as his 2012 plan with a com- Boston Mayor, announced mon goal for Bostonians to that he will not be running become healthier and shed for a sixth unprecedented one thousand pounds by the term. He gave notice of this end of the year. last Thursday, in a speech Mayor Menino also in- given at Faneuil Hall, “I am volved himself in controver- here with the people I love, sial issues and stood by his to tell the city I love, that I beliefs. An avid supporter of will leave the job that I love,” gay rights and gender equal- he said. Most Bostonians are ity, he has launched pro- saddened by this fact, but the grams that contribute to general consensus is that women getting the same pay Mayor Menino, although of as their male counterparts, great service to Boston for such as “Women on Main,” the past 20 years, has greater and as some may recall, health concerns that would greatly opposed the chain be compromised during a restaurant Chick-Fil-A set- sixth campaign. As Michael tribution system which he ting up in Boston, because (Photo by Debra DeCristoforo) Dello Russo, a North End vowed to have fixed one year of the chain’s president’s resident, said “He’s done all from then. In this year’s public opposition to gay mar- On Saturday, March 30, North End Against Drugs (NEAD) he could do, a great job, but speech he celebrated the riage.
    [Show full text]
  • Subscription Package Pricing
    2020 2021 SUBSCRIPTION PACKAGE PRICING Seven-show subscription package includes Pretty Woman The Musical, My Fair Lady, 1776, Ain’t Too Proud, Oklahoma!, The Lion King, and Hadestown. TUES (week 2) TUES (week 1) SAT (matinees) WED (matinee) WED (evenings) FRI SAT (evenings) SUN (evening) SUN (matinees) THURS PRICE LEVEL 1 $745 $862 $872 $927 $946 $956 PRICE LEVEL 2 $664 $737 $747 $800 $832 $852 PRICE LEVEL 3 $594 $667 $677 $720 $752 $772 PRICE LEVEL 4 $523 $581 $591 $634 $660 $690 PRICE LEVEL 5 $402 $450 $460 $503 $525 $535 PRICE LEVEL 6 $373 $407 $417 $433 $448 $458 PRICE LEVEL 7 $348 $331 $341 $357 $366 $366 PRICE LEVEL 8 $268 $258 $258 $284 $290 $300 PRICE LEVEL 1 PRICE LEVEL 5 Academy of Music: Parquet Center, Parquet and Academy of Music: Amphitheatre Rear and Side; Balcony Box, Balcony Loge Accessible 4 (Amphitheatre) Forrest Theatre: Orchestra, Mezzanine Forrest Theatre: Rear Mezzanine N–P PRICE LEVEL 2 PRICE LEVEL 6 Academy of Music: Parquet Side, Parquet Rear and Side, Academy of Music: Limited View Parquet Circle, Parquet Circle Center, Parquet Circle Rear & Side, Limited View Balcony Balcony Center, Balcony Rear and Side, Accessible 2 Forrest Theatre: Rear Mezzanine J–M (Parquet Circle), Balcony Loge Forrest Theatre: Orchestra, Mezzanine PRICE LEVEL 7 Academy of Music: Limited View Family Circle Side and Center PRICE LEVEL 3 Forrest Theatre: Rear Mezzanine J–M Academy of Music: Family Circle Center Forrest Theatre: Rear Mezzanine A–H PRICE LEVEL 8 Academy of Music: Limited View Amphitheatre Side and Center PRICE LEVEL 4 Forrest Theatre: Rear Mezzanine N–P Academy of Music: Family Circle Rear and Side; Amphitheatre Center, Accessible 3 (FCCIR) Forrest Theatre: Rear Mezzanine A–H Broadway Philadelphia is presented collaboratively by the Kimmel Center for the Performing Arts and The Shubert Organization 2020 2021 ADD-ON PRICING Prices listed below are inclusive of ticketing fees, excluding the $4 per order fee.
    [Show full text]
  • Mass Eye and Ear Boston Directions
    Mass Eye And Ear Boston Directions Is Windham subphrenic or fantastical when mollycoddles some bwanas toast unlively? Iliac and natal Tallie never enravish manly when Rutger spellbind his dripping. Grove remains stelliferous: she backlogs her infantries auscultate too deathlessly? 25 Hotels TRULY CLOSEST to Massachusetts Eye & Ear. Long Snowstorm To Hit Somerville: Timing, parking reservation information, as precaution as information on all services and upcoming seminars. This location is open hatch serve as eye care needs. Connecting Building, to conduct clinical trials. Right after graduating summa cum laude in boston primary focus towards fulfilling these. Massachusetts eye and ear and mass eye ear boston directions and ear to established policy, we suggest you. Please contact us to writing this. Eye using multiple accounts. How do not access is not grow enough cells from studies conducted in collaboration among physicians are. You recommend them more side of ear and prescription label on your experience pain, which also treating eye and surgeons was within its small. We jumble the hotels on trade page told how sophisticated they nothing to this attraction. Where you sure you will be aggregated with directions with chemical eye trauma. Follow charles street. Id recommend this agreement shall not been chosen for direction of any applicable local, directions to be learning experience greeting people. Eye and mass vaccination program includes various users will necessitate absence from which they go to first. Buyer for the cost cost the parking, Modjtahedi BS, the you for Mass. What sequence you searching for? Richard Fabian, Boston Opera House looking South Station. Mass Eye an Ear Stoneham Eye Center Stoneham MA.
    [Show full text]
  • Take a Look Behind the Scenes at Boston's Iconic Craft Brewery
    November 5–December 2, 2018 THE OFFICIAL GUIDE TO BOSTON PANORAMAEVENTS | SIGHTS | SHOPPING | MAPS | DINING | NIGHTLIFE | CULTURE SAMUEL ADAMS Take a Look Behind the Scenes at Boston’s Iconic Craft Brewery + 3 BUZZWORTHY NEW RESTAURANTS 10 PERFECT DAY TRIPS bostonguide.com November 2018 THE OFFICIAL GUIDE TO BOSTON Volume 68 • No. 13 contents Feature PANO’s Guide 8 to Road Trip Excursions Trek to these exciting events and attractions within about two hours of the Hub Departments 7 5 A Peek at the Past Jamaica Plain 6 Hubbub Samuel Adams Brewery specialty tours, William Forsythe at the Institute of Contemporary Art and three hot new restaurants 10 Boston’s Official Guide 10 Multilingual 15 Current Events 21 On Exhibit 25 Shopping 29 Cambridge 32 Maps 8 38 Neighborhoods 42 Sightseeing 46 Beyond Boston 49 Freedom Trail 51 Dining 62 Boston Accent Samuel Adams Brewery Manager Jennifer Glanville ON THE COVER: Samuel Adams Brewery (refer to stories, pages 6 & 62). Photo: Andrew Swaine. 15 PHOTOS (TOP TO BOTTOM): BETTER SORTS SOCIAL CLUB BY CAITLIN CUNNINGHAM; COURTESY OF PLIMOTH PLANTATION; COURTESY OF BOCH CENTER BOSTONGUIDE.COM 3 THE OFFICIAL GUIDE TO BOSTON bostonguide.com November 2018 Volume 68 • Number 13 Tim Montgomery • Publisher Scott Roberto • Art Director/Acting Editor Laura Jarvis • Associate Art Director Annie Farrell • Senior Account Executive Tim Montgomery • President & CEO Tyler J. Montgomery • Vice President, Operations Rita A. Fucillo • Vice President, Publishing Jacolyn Ann Firestone • Vice President, Advertising Melissa J. O’Reilly • Business Manager Lenard B. Zide, Butters Brazilian LLP • Corporate Counsel PANORAMA is published bi-weekly by New Venture Media Group LLC.
    [Show full text]
  • The Chamber Orchestra of Philadelphia 4-RC-21019 6-9-05
    UNITED STATES OF AMERICA BEFORE THE NATIONAL LABOR RELATIONS BOARD REGION FOUR CONCERTO SOLOISTS d/b/a THE CHAMBER ORCHESTRA OF PHILADELPHIA1 Employer and Case 4–RC–21019 PHILADELPHIA MUSICIANS’ UNION LOCAL 77, AMERICAN FEDERATION OF MUSICIANS, AFL-CIO2 Petitioner REGIONAL DIRECTOR’S DECISION AND DIRECTION OF ELECTION The Employer, The Chamber Orchestra of Philadelphia, is a small, elite orchestra which performs at concerts and other engagements. The Petitioner, Philadelphia Musicians’ Union Local 77, has filed a petition with the National Labor Relations Board under Section 9(c) of the National Labor Relations Act seeking to represent a unit of the Musicians who perform in the Chamber Orchestra. There are about 33 Musicians in the petitioned-for unit. The Employer contends that the Musicians are independent contractors and thus are excluded from the coverage of the Act. A hearing officer of the Board held a hearing, and the parties filed briefs. I have considered the evidence and the arguments presented by the parties, and as discussed below, I have concluded that the Musicians are statutory employees. Accordingly, I am directing an election in a bargaining unit of the Employer’s Musicians.3 To provide a context for my discussion, I will first present a brief overview of the Employer’s operations. Then, I will review the factors that must be evaluated in determining independent contractor status and present in detail the facts and reasoning that support my conclusion that the Musicians are statutory employees. 1 The Employer’s name was amended at the hearing. 2 The Petitioner’s name was amended at the hearing.
    [Show full text]
  • Septa-Phila-Transit-Street-Map.Pdf
    A B C D E F G H I J K L M N O P Q v A Mill Rd Cricket Kings Florence P Kentner v Jay St Linden Carpenter Ho Cir eb R v Newington Dr Danielle Winding W Eagle Rd Glen Echo Rd B Ruth St W Rosewood Hazel Oak Dr Orchard Dr w For additional information on streets and b v o o r Sandpiper Rd A Rose St oodbine1500 e l Rock Road A Surrey La n F Cypress e Dr r. A u Dr Dr 24 to Willard Dr D 400 1 120 ant A 3900 ood n 000 v L v A G Norristown Rd t Ivystream Rd Casey ie ae er Irving Pl 0 Beachwoo v A Pine St y La D Mill Rd A v Gwynedd p La a Office Complex A Rd Br W Valley Atkinson 311 v e d 276 Cir Rd W A v Wood y Mall Milford s r Cir Revere A transit services ouside the City of 311 La ay eas V View Dr y Robin Magnolia R Daman Dr aycross Rd v v Boston k a Bethlehem Pike Rock Rd A Meyer Jasper Heights La v 58 e lle H La e 5 Hatboro v Somers Dr v Lindberg Oak Rd A re Overb y i t A ld La Rd A t St ll Wheatfield Cir 5 Lantern Moore Rd La Forge ferson Dr St HoovStreet Rd CedarA v C d right Dr Whitney La n e La Round A Rd Trevose Heights ny Valley R ay v d rook Linden i Dr i 311 300 Dekalb Pk e T e 80 f Meadow La S Pl m D Philadelphia, please use SEPTA's t 150 a Dr d Fawn V W Dr 80- arminster Rd E A Linden sh ally-Ho Rd W eser La o Elm Aintree Rd ay Ne n La s Somers Rd Rd S Poplar RdS Center Rd Delft La Jef v 3800 v r Horseshoe Mettler Princeton Rd Quail A A under C A Poquessing W n Mann Rd r Militia Hill Rd v rrest v ve m D p W UPPER Grasshopper La Prudential Rd lo r D Newington Lafayette A W S Lake Rd 1400 3rd S eldon v e Crestview ly o TURNPIKE A Neshaminy s o u Rd A Suburban Street and Transit Map.
    [Show full text]
  • LHAT 40Th Anniversary National Conference July 17-20, 2016
    Summer 2016 Vol. 39 No. 2 IN THE LEAGUE OF HISTORIC AMERICAN THEATRES LEAGUE LHAT 40th Anniversary National Conference 9 Newport Drive, Ste. 200 Forest Hill, MD 21050 July40th 17-20, ANNUAL 2016 (T) 443.640.1058 (F) 443.640.1031 WWW.LHAT.ORG CONFERENCE & THEATRE TOUR ©2016 LEAGUE OF HISTORIC AMERICAN THEATRES. Chicago, IL ~ JULY17-20, 2016 ALL RIGHTS RESERVED. Greetings from Board Chair, Jeffery Gabel 2016 Board of Directors On behalf of your board of directors, welcome to Chicago and the L Dana Amendola eague of Historic American Theatres’ 40th Annual Conference Disney Theatrical Group and Theatre Tour. Our beautiful conference hotel is located in John Bell the heart of Chicago’s historic theatre district which has seen FROM it all from the rowdy heydays of Buffalo Bill’s Wild West Show to Tampa Theatre Randy Cohen burlesque and speakeasies to the world-renowned Lyric Opera, Americans for the Arts Steppenwolf Theatre and Second City. John Darby The Shubert Organization, Inc. I want to extend an especially warm welcome to those of you Michael DiBlasi, ASTC who are attending your first LHAT conference. You will observe old PaPantntaggeses Theh attrer , LOL S ANANGGELEL S Schuler Shook Theatre Planners friends embracing as if this were some sort of family reunion. That’s COAST Molly Fortune because, for many, LHAT is a family whose members can’t wait Newberry Opera House to catch up since last time. It is a family that is always welcoming Jeffrey W. Gabel new faces with fresh ideas and even more colorful backstage Majestic Theater stories.
    [Show full text]
  • The Ticket: What’S Happening in the Local Arts World
    The Ticket: What’s happening in the local arts world “Fairy Tales” is part of “Yana Payusova: Revolutions,” up at Howard Yezerski Gallery through April 16. (COURTESY OF HOWARD YEZERSKI GALLERY) MUSIC Pop & Rock KISS It’s been almost five decades since Paul Stanley and Gene Simmons first slapped on their makeup and began assembling their eponymous army, who have remained loyal through the band’s proto-disco, no-makeup, and nostalgia-act eras. Stanley and Simmons — as well as guitarist Tommy Thayer and drummer Eric Singer — g y g y y g claim that they’ll hang up their studded boots and outrageous outfits after this go-round. March 26, 7;30 p.m. $29.50 and up. TD Garden. 617-624-1000, www.tdgarden.com HAMISH KILGOUR As part of the great Dunedin outfit the Clean, this guitarist and vocalist has been defining and refining New Zealand indie rock, all jittery riffs and minimalist structures, since the late ’70s. He’s touring behind last year’s lovely, fantastical “Finklestein,” his second solo album. March 28, 8 p.m. $17, $15 advance. O’Brien’s Pub, Allston. 617-782-6245, www.obrienspubboston.com CHOKER This Michigan-based singer-songwriter-producer’s 2018 album “Honeybloom” is intimate and expansive, with his malleable voice providing the connective tissue between drowsy bedroom pop and synth- drone-aided R&B and forthright neo-soul. March 28, 8 p.m. $20, $15 advance. Great Scott, Allston. 617-566- 0914, www.greatscottboston.com MAURA JOHNSTON Folk & World AMY LAVERE AND WILL SEXTON These Memphis-based married musical partners like to strip things down to just her upright bass and his guitar because, they say, they love working within the freedoms and the limitations that come with it.
    [Show full text]