The 'Dirty Middle Ages': Bathing and Cleanliness in the Middle Ages

Total Page:16

File Type:pdf, Size:1020Kb

The 'Dirty Middle Ages': Bathing and Cleanliness in the Middle Ages Albrecht Classen The ‘Dirty Middle Ages’: Bathing and Cleanliness in the Middle Ages. With an Emphasis on Medieval German Courtly Romances, Early Modern Novels, and Art History: Another Myth-Buster Modern Misconceptions About the Middle Ages Most medievalists are only too aware about the many myths that blur ordinary people’s understanding and conceptualization of the Middle Ages, that is, both negative and positive views. Extreme and miserable conditions in everyday life seem to have existed then, since everything must have been so much worse than today, at least according to the global, but certainly wrong, notion that history, hence also cultural history, is determined by a linear, or progressive, develop- ment.1 We can often only shake our heads considering the extent to which mis- 1 See the illuminating discussion by Otto Borst, Alltagsleben im Mittelalter. insel taschenbuch, 513 (Frankfurt a. M.: Insel, 1983); this is now impressively complemented by Peter Dinzelbach- er, Lebenswelten des Mittelalters 1000–1500. Bachmann Basiswissen, 1 (Badenweiler: Wissen- schaftlicher Verlag Bachmann, 2010); see now also Albrecht Classen, “Survey of Fundamental Reference Works in Medieval Studies,” Handbook of Medieval Studies: Terms – Methods – Trends, ed. id., vol. 1 (Berlin and New York: Walter de Gruyter, 2010), XXV–LXVI. See also Philosophy of History After Hayden White, ed. Robert Doran. Bloomsbury Studies in American Philosophy (London and New York: Bloomsbury Academic, 2013); Progress, Apocalypse, and Completion of History and Life After Death of the Human Person in the World Religions, ed. Peter Koslowski (Dor- drecht and London: Kluwer Academic, 2002). The discussion about progress in human history is legion, of course. As to progressivism, see http://en.wikipedia.org/wiki/Progressivism (last accessed on April 16, 2015). A solid, philosophically oriented discussion of this issue, outlin- ing the contrast between the eschatological worldview in the Middle Ages and beyond and the optimism exuded by the Enlightenment, is offered by Friedrich Rapp, “Fortschritt,” Lexikon der Geisteswissenschaften: Sachbegriffe – Disziplinen – Personen, ed. Helmut Reinalter and Peter J. Brenner (Vienna, Cologne, and Weimar: Böhlau, 2011), 194–202; Ronald Wright, A Short History of Progress (Edinburgh and London: Canongate, 2009). Of course, the entire concept of ‘progress’ is the result of Enlightenment theory and developed further in the nineteenth century, while the twentieth century experienced a dramatic decline in this optimistic world view; see, for a Albrecht Classen, The University of Arizona DOI 10.1515/9783110523799-017 Brought to you by | Cambridge University Library Authenticated Download Date | 3/30/17 2:22 AM The ‘Dirty Middle Ages’: Bathing and Cleanliness in the Middle Ages 459 conceptions and prejudice dominate popular opinions about the medieval world, which is mostly seen only through the lens of the modern film industry or popular writing. Binary oppositions make good stuff for fantasy, but they are highly det- rimental to a rational and critical approach to the study of the pre-modern world based on a careful analysis of the rich panoply of sources and historical objects.2 Aside from truly simplistic perspectives regarding the infantile character, ignorance, boorishness, crudeness, simplicity, or outright incompetence of medi- eval people, we are often confronted with such absurd notions as that the Black Death eliminated a large portion of the entire population; that medieval thinkers believed the earth was flat; that lords had the right to deflower the wives of their subjects after the wedding (ius primae noctis); that the medieval Inquisition had invented and used the most abhorrent torture instruments, as obviously docu- mented by countless but mostly silly modern-day torture museums; that everyone drank wine and beer instead of water because of wide-spread pollution; that most people did not reach an age beyond thirty or forty years; that medieval medicine was largely based on superstition; that virtually everyone in the Middle Ages was stationary and did not travel; that the hygienic conditions were simply horrible and people reeked unbearably because they did not wash and clean themselves properly; that women were totally subjugated and had no rights, living an exist- ence comparable to sex slaves; that the witch craze raged already in the Middle Ages; that the medieval Catholic Church ruled supremely and dominated every- one’s personal lives, hence that there were no counter-movements, no heretics, or no atheists3; that peasants barely carved out an existence and were constantly victims of famines; that physical violence was very common and criminals were hardly ever punished; and that husbands commonly employed the chastity belt to control their wives’ sexuality during their own absence.4 good overviews https://en.wikipedia.org/wiki/Idea_of_Progress; and http://plato.stanford.edu/ entries/progress/ (both last accessed on June 12, 2016). 2 Rémi Brague, The Legend of the Middle Ages: Philosophical Explorations of Medieval Christi­ anity, Judaism, and Islam, trans. Lydia G. Cochrane (2006; Chicago: University of Chicago Press, 2009). 3 For a significant and solid analysis of atheism in the Middle Ages, see Peter Dinzelbacher, Unglaube im “Zeitalter des Glaubens”: Atheismus und Skeptizismus im Mittelalter (Badenweiler: Wissenschaftlicher Verlag Bachmann, 2009); Paolo Golinelli, Il Medioevo degli increduli: mis­ credenti, beffatori, anticlericali. Storia, biografie, diari (Milan: Mursia, 2009); for a useful text anthology, see Dale McGowan, Voices of Unbelief: Documents from Atheists and Agnostics (Santa Barbara, CA: Greenwood, 2012). 4 The internet offers numerous good pages where many of those myths about the Middle Ages are well summarized, and often also busted, see, for instance: http://www.medievalists. net/2014/06/27/15-myths-middle-ages/; http://web.maths.unsw.edu.au/~jim/medmyths.html; Brought to you by | Cambridge University Library Authenticated Download Date | 3/30/17 2:22 AM 460 Albrecht Classen Most stunningly, we also hear from serious scholars in the field of sociology or anthropology that rationality and reasonable operations were the characteris- tic features only of the early modern age, as if individuals such as Roger Bacon or Albertus Magnus never existed.5 At the same time, current youth culture, just as in the age of Romanticism, seems to colonize the Middle Ages once again for its own purposes, playing out its characteristic needs for fantasy somehow situated in the past.6 Undoubtedly, mythical concepts about the past have been of greatest influ- ence both on the lay public and also scholars, as the history of literature, the visual arts, music, and architecture especially mostly since the early nineteenth century has demonstrated.7 Just as much as the Romantics can be credited with having http://listverse.com/2009/01/07/top-10-myths-about-the-middle-ages/; http://io9.com/10-worst- misconceptions-about-medieval-life-youd-get-fr-1686799982 (all last accessed on April 5, 2015). To the credit of the internet, as many of these myths actually circulate today, as many efforts are being made to combat them as well in a critical fashion. I have engaged with the last myth myself intensively, see Albrecht Classen, The Medieval Chastity Belt: A Myth­Making Process. The New Middle Ages (Houndmills, Basingstoke, Hampshire, England, and New York: Palgrave Macmillan, 2007). This has led recently to online interviews and newspaper reports: Rita Abundancia for El Pais Jan. 26, 2016: http://smoda.elpais.com/placeres/la-verdadera-historia-del-cinturon-de-cas- tidad/; Interviewed by Lauren Oyler for Vice’s Broadly Channel (online) on the medieval chastity belt: https://broadly.vice.com/en_us/article/chastity-belts-arent-real-tell-it-to-the-firemen-who- rescued-a-woman-from-one. See also the contributions to Misconceptions about the Middle Ages, ed. Stephen J. Harris and Bryon L. Grigsby. Routledge Studies in Medieval Religion and Culture, 7 (New York: Routledge, 2008). However, neither hygiene nor medicine, neither baths nor the use of water are addressed here. For a critical examination of medieval cosmography, hence of the alleged concept of the ‘flat earth,’ see Frank Schleicher, Cosmographia Christiana: Kosmologie und Geography im frühen Christentum (Paderborn: Ferdinand Schöningh, 2014). 5 See, for instance, Don LePan, The Cognitive Revolution in Western Culture. Vol. 1: The Birth of Expectation (Houndmills, Basingstoke, Hampshire: The Macmillan Press, 1989). For a range of contrastive opinions, see the contributions to Which Past, Whose Future?: Treatments of the Past at the Start of the 21st Century: An International Perspective. Proceedings of a Conference Held at the University of York, 20 ‒ 21 May 2005 (2007), ed. Sven Grabow. BAR International Series, 1633 (Oxford: Archaeopress, 2007); see also Charles P. Webel, The Politics of Rationality: Reason Through Occidental History. Routledge Studies in Social and Political Thought, 87 (New York: Routledge, 2013). 6 Núria Perpinya, Ruins, Nostalgia and Ugliness: Five Romantic Perceptions of the Middle Ages and a Spoonful of Game of Thrones and Avant­Garde Oddity (Berlin: Logos Verlag, 2014). 7 See the book series edited by Ulrich Müller and Werner Wunderlich, Mittelalter Mythen, 1–5 (St. Gall: UVK – Fachverlag für Wissenschaft und Studium, 1996–2008); see also Norma Lorre Goodrich, Medieval Myths, Newly rev. and enl. ed. (New York: New American Library, 1977);
Recommended publications
  • The Element of List in Thirteenth-Century Courtly Romances, with Emphasis on Heinrich Von Dem Türlin’S Diu Crône
    “MIT GRÔZEN LISTEN WART GESTALT”: THE ELEMENT OF LIST IN THIRTEENTH-CENTURY COURTLY ROMANCES, WITH EMPHASIS ON HEINRICH VON DEM TÜRLIN’S DIU CRÔNE by Gary C. Shockey Within the greater corpus of courtly romance in the thirteenth century, the concept of list, or cunning, assumes a particularly alluring position. Poets and philosophers throughout the whole of the Middle Ages were clearly fascinated by the notion of a knight, a king, a lady of the court, a seneschal, or a scoundrel twisting others in such a manner as to achieve remarkable success in some venture. The ambiguities of the human condition most likely led men and women to exploit weaknesses in others for personal or professional gain, as well as for the benefit of the realm or sovereign. Clever cunning, guile, and the substance of the quick-thinking man or woman proved to be riveting material for both courtly audiences and the emerging bourgeoisie in the cities and towns, and we are blessed with a variety of texts which demonstrate the art of perspicacity in a myriad of forms. Cognizant of their influence, poets readily employed many of these attributes as socially acceptable vehicles of change, both in a positive and negative sense. The individual bard deliberately chose a path for his protagonists: he or she could use guile in a decidedly evil way, or perhaps in a manner designed to effect a positive outcome. Thus, arguments on the moral underpinnings of list remained the domain of the writer; the poets themselves offer a variety of views on this subject.
    [Show full text]
  • Der Garel-Zyklus Auf Schloss Runkelstein
    Diplomarbeit Titel der Diplomarbeit: Der Garel-Zyklus auf Schloss Runkelstein Verfasserin: Verena Hilber Angestrebter akademischer Grad: Magistra der Philosophie (Mag. phil.) Wien, im April 2008 Studienkennzahl lt. Studienblatt: A315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuerin: Ao. Prof. Monika Dachs-Nickel 1 2 Inhaltsverzeichnis: Vorwort S. 5 Einleitung S. 7 I. Schloss Runkelstein: Geschichte und Freskenausstattung 1. Geschichte des Schlosses S. 11 2. Die Fresken auf Schloss Runkelstein im Überblick S. 16 2.1 Das Sommerhaus S. 16 2.2 Das Westpalas S. 18 2.3 Die Schlosskapelle S. 19 II. Historischer Kontext: Zur geschichtlichen Einordnung der Auftraggeber 1. Abriss der Geschichte des Landes Tirol S. 20 2. Die Stellung des Bürgers und die Bedeutung des Handels S. 24 3. Die Vintler S. 26 III. Darstellungen von Ritterepen im alpinen Raum und Oberitalien 1. Freskenzyklen mit Themen aus der Artussage S. 29 2. Minne-, Kampf- und Monatsbilder: Freskenzyklen mit nicht-arturischen Sujets S. 34 IV. Zum künstlerischen Stellenwert des Garel-Zyklus 1. Der literarische Kontext: Kurze Übersicht zur Entwicklung des klassischen Artus-Romans und die literarische Einordnung des „Garel vom blühenden Tal“ S. 42 2. Überlegungen zur Bilderzählung: Der Roman „Garel vom blühenden Tal“ und die dargestellten Szenen auf Runkelstein S. 46 3. Die Meisterfrage S. 73 4. Die Raumgestaltung und Bildkomposition der Szenenkulisse im Garel-Zyklus S. 78 5. Motivtradition des Artusromans im Garelzyklus S. 83 5.1 Bilderfelder mit zeremoniellem Inhalt S. 86 5.2 Kampf und Schlachtenszenen S. 88 Zusammenfassung S. 91 Bibliographie S. 93 Abbildungsnachweis S. 100 Lebenslauf S. 106 3 4 Vorwort Nachdem mir bereits vor mehreren Jahren vorgeschlagen worden war, ein Diplomarbeitsthema zu wählen, das mit Schloss Runkelstein in Verbindung steht, entschloss ich im März 2006 – nach mehreren Arbeitstitel-Vorschlägen von Seiten des Kurators Mag.
    [Show full text]
  • The Round Table 141
    the round table 141 The Round Table A Survey of Recent Scholarship in German (2) hartwig mayer his is a follow up to my earlier survey of research on Arthurian literature Twritten in German for colleagues who do not read German scholarly prose with ease.1 It covers the years 1993/94 to 2000/2001. Much work is still done on the ‘classical’ Arthurian texts (Chrétien de Troyes/ Hartmann von Aue: Erec et Enide/Erec, Yvain/Iwein, Chrétien de Troyes/Wolfram von Eschenbach: Perceval/Parzival), with Wolfram of Eschenbach’s Parzival once again receiving the lion’s share. However, the shift towards research on ‘postclassical’ Arthurian texts (Ulrich von Zazikhoven, Lanzelet; Heinrich von dem Türlin, Diu Crône; Der Stricker, Daniel von dem Blühenden Tal; Der Pleier, Garel von dem Blühenden Tal; Prose Lancelot) continues.2 The major research topic during recent years has been the question of fictionality, of the relationship between fiction and history in literary texts, and with it the question of the role of the author/narrator and of narration in general. These issues are frequently discussed in the context of the orality/literacy debate. Surprisingly missing—if one thinks of the North American scene—are gender studies. A new approach looks at the Arthurian (and other medieval) texts from the point of view of media theory. The two names to be mentioned here are Horst Wenzel and Haiko Wandhoff. In 1995 Wenzel published a major study in which he tried to reconstruct the production of vernacular German literary culture as an integral part of a culture of remembrance which realizes itself still to a large degree in immediate personal contact with the carriers of the culture.3 In 1996 Haiko Wandhoff’s ‘media historical study of courtly literature’appeared.4 In this highly theoretical study, he argues for multisensory communication with special emphasis on the visual dimension of oral recital.
    [Show full text]
  • Unclaimed Bank Balances
    Unclaimed Bank Balances “Section 126 of the Banking Services Act requires the publication of the following data in a newspaper at least two (2) times over a one (1) year period.” This will give persons the opportunity to claim these monies. If these monies remain unclaimed at the end of the year, they will become a part of the revenues of the Jamaican Government. SAGICOR BANK BALANCE Name Last Transaction Date Account Number Balance Name Last Transaction Date Account Number Balance JMD JMD ALMA J BROWN 7-Feb-01 5500866545 32.86 ALMA M HENRY 31-Dec-97 5501145809 3,789.62 0150L LYNCH 13-Jun-86 5500040485 3,189.49 ALMAN ARMSTRONG 22-Nov-96 5500388252 34.27 A A R PSYCHOLOGICAL SERVICES CENTRE 30-Sep-97 5500073766 18,469.06 ALMANEITA PORTER 7-Nov-02 5500288665 439.42 A F FRANCIS 29-Sep-95 5500930588 23,312.81 ALMARIE HOOPER 19-Jan-98 5500472978 74.04 A H BUILDINGS JAMAICA LTD 30-Sep-93 5500137705 12,145.92 ALMENIA LEVY 27-Oct-93 5500966582 40,289.27 A LEONARD MOSES LTD 20-Nov-95 5500108993 531,889.69 ALMIRA SOARES 18-Feb-03 5501025951 12,013.42 A ROSE 13-Jun-86 5500921767 20,289.21 ALPHANSO C KENNEDY 8-Jul-02 5500622379 34,077.58 AARON H PARKE 27-Dec-02 5501088128 10,858.10 ALPHANSO LOVELACE 12-Dec-03 5500737354 69,295.14 ADA HAMILTON 30-Jan-83 5500001528 35,341.90 ALPHANSON TUCKER 10-Jan-96 5500969131 48,061.09 ADA THOMPSON 5-May-97 5500006511 9,815.70 ALPHANZO HAMILTON 12-Apr-01 5500166397 8,633.90 ADASSA DOWDEN SCHOLARSHIP 20-Jan-00 5500923328 299.66 ALPHONSO LEDGISTER 15-Feb-00 5500087945 58,725.08 ADASSA ELSON 28-Apr-99 5500071739 71.13
    [Show full text]
  • The Beginnings of Medieval Romance: Fact and Fiction, 1150-1220
    The Beginnings of Medieval Romance Up to the twelfth century writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were held to convey the truth. The second half of the twelfth century saw the emergence of a new genre, the romance, which was consciously conceived as fictional and therefore allowed largely to break free from traditional presuppositions. Dennis Green explores how and why this happened, and examines this period of crucial importance for the birth of the romance and the genesis of medieval fiction in the vernacular. Although the crucial innovative role of writers in Germany is Green’s main concern, he also takes Latin, French and Anglo-Norman literature into account. This study offers a definition of medieval fictionality in its first formative period in the twelfth century, and underlines the difficulties encountered in finding a place for the fictional romance within earlier literary traditions. d. h. green is Schroder¨ Professor Emeritus of German at the University of Cambridge. He is a Fellow of Trinity College, Cambridge, and of the British Academy. He is the author of The Carolingian Lord (1965), The Millstatter¨ Exodus (1966), Approaches to Wolfram von Eschenbach (1978), Irony in the Medieval Romance (1979), The Art of Recognition in Wolfram’s Parzival (1982), Medieval Listening and Reading (1994) and Language and History in the Early Germanic World (1998). This Page Intentionally Left Blank CAMBRIDGE STUDIES IN MEDIEVAL LITERATURE General editor Alastair Minnis,
    [Show full text]
  • 3.Mythologie
    DIPLOMARBEIT Titel der Diplomarbeit Die keltischen Elemente im Artusroman Verfasserin Daniela Elisabeth Jancsik angestrebter akademischer Grad Magistra (Mag.) Wien, 2014 Studienkennzahl lt. Studienblatt: 057 327 Studienrichtung lt. Studienblatt: Individuelles Diplomstudium Keltologie Betreuer: Univ.-Ass. Dr. Aaron Griffith 2 Inhaltsverzeichnis 1.Einleitung ........................................................................................................................................7 1.1 Allgemeines ..............................................................................................................................7 1.2 Vorgehensweise ........................................................................................................................8 1.3 Keltischer Schamanismus..........................................................................................................9 1.4 Resümee .................................................................................................................................13 2. Die keltischen Elemente in der Kultur ...........................................................................................13 2.1 Die keltischen Elemente ..........................................................................................................13 2.2 Der Gral und der Schädelkult ..................................................................................................14 2.3 Das Wasser und die Göttin ......................................................................................................17
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit „What a Gawain should be“ Erwartungen an die Figur des Gawein in der deutschen und englischen Artusliteratur am Beispiel von Diu Crône und Sir Gawain and the Green Knight Verfasserin Barbara Marek, BA angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 332 Studienrichtung lt. Studienblatt: Deutsche Philologie Betreuer: O. Univ.-Prof. Dr. Matthias Meyer Gawein bin ich zwar genant, Das weisz die welt allesamt. (Diu Crône, V. 17634 f.) Inhaltsverzeichnis 1. Einleitung...............................................................................................................................7 1.1. Untersuchungsgegenstand und Forschungsüberblick....................................................7 1.2. Textauswahl und Methode............................................................................................11 2. Gawein in der Geschichte der Artusliteratur........................................................................14 2.1. Ursprünge und Geschichtschroniken............................................................................14 2.2. Chrétien de Troyes........................................................................................................20 2.3. Deutsche Artusdichtung...............................................................................................23 2.4. Französische höfische Romane nach Chrétien.............................................................27
    [Show full text]
  • The Arthurian Trilogy of Der Pleier: a Reassessment
    The Arthurian Trilogy of Der Pleier: a Reassessment Neil Thomas University of Durham Little is known of the poet using the name (or pseudonym) of Der Pleier. It is possible that the name comes from the verb blaejen, 'blow' which would be found in Upper German dialects with initial po. This verb was used for the activity of glass-blowers, so that the poet may have come from a family who practised such a trade. Alternatively, the name could have been a poetic pseudonym which, it has been conjectured, 'refers metaphorically to his writing tech­ nique of using old materials, melting them up and fusing them into new works'.1 His language and r~ymes assign him possibly to the Salzburg region but the dating of hi s three Arthurian romances (and the sequence in which they appeared) is unknown. The poet mentions Hartmann and Wolfram as celebrated poets which demonstrates that he lived after them, but how long after has been much debated. Most scholars choose the second half of the thirteenth century, approxi­ mately 1260-1280. Pleier wrote three Arthurian romanc es , Garel von dem bliihenden Tal, Meleranz and Tandareis und Flordibel,2 the combined number of lines of the trio amounting to more than fifty two thousand (almost twice as many as Heinrich von dem Tlirlin's Diu Crone). The first of the above works, Garel, has received most critical attention since it appears to be a response to the Daniel von dem bliihenden Tal (c.1220-1230) of Pleier's literary predecessor, Der Stricker. 3 The latter author is best known as a writer of short stories containing shrewd and resourceful clerical heroes (of whom Pfaffe Amis is the best known), His one Arthurian romance is widely regarded as having transferred such a hero to the knightly sphere, for Daniel typically wins his combats by the application of list (cunning, resourcefulness), Stricker's romance relates how the young Daniel goes to the Arthurian Court to offer hi s services to the King.
    [Show full text]
  • The Legend of Sir Lancelot Du Lac
    The Legend Of Sir Lancelot Du Lac By Jessie L. Weston THE LEGEND OF SIR LANCELOT DU LAC CHAPTER I INTRODUCTORY To the great majority of English readers, those who are familiar with the Arthurian legend through the pages of Malory and Tennyson, the name which occurs most readily to their minds in connection with the court and Table of King Arthur is that of Lancelot du Lac, at once the most gallant servant of the king, and the secret lover of the queen. To many the story of Lancelot and Guinevere is the most famous of all stories of unlawful love. True, of late years the popularity of Wagner's music has made their ears, at least, familiar with the names of Tristan and Iseult. Still, that Tristan and Iseult were ever as famous as Lancelot and Guinevere, few outside the ranks of professed students of mediæval literature would believe; still fewer admit that the loves of Arthur's queen and Arthur's knight were suggested by, if not imitated from, the older, more poetic, and infinitely more convincing, Celtic love-tale; that Lancelot, as Arthur's knight and Guinevere's lover, is a comparatively late addition to the Arthurian legend. Yet so it is. I doubt if any scholar of standing would now argue that Lancelot and his relation to the queen formed an integral portion of the early tradition; if any, conversant with the literature of the cycle, would reckon Lancelot among the original band of heroes who gathered round the British king. In the introduction to my studies on the Gawain legend, I remarked that, if we desired to arrive at an elucidation of the Arthurian problem as a whole, we must first begin with the elucidation of its component parts—we must severally disentangle the legends connected with the leading knights of the cycle before we can hope to understand the growth and development of that cycle.
    [Show full text]
  • A Journal of Medieval and Renaissance Studies
    UCLA Comitatus: A Journal of Medieval and Renaissance Studies Title "Mit grôzen listen wart gestalt": The Element of List in Thirteenth-Century Courtly Romances, with Emphasis on Heinrich Von Dem Türlin's Diu Crône Permalink https://escholarship.org/uc/item/4d44q4rv Journal Comitatus: A Journal of Medieval and Renaissance Studies, 31(1) ISSN 0069-6412 Author Shockey, Gary C Publication Date 2000-10-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California “MIT GRÔZEN LISTEN WART GESTALT”: THE ELEMENT OF LIST IN THIRTEENTH-CENTURY COURTLY ROMANCES, WITH EMPHASIS ON HEINRICH VON DEM TÜRLIN’S DIU CRÔNE by Gary C. Shockey Within the greater corpus of courtly romance in the thirteenth century, the concept of list, or cunning, assumes a particularly alluring position. Poets and philosophers throughout the whole of the Middle Ages were clearly fascinated by the notion of a knight, a king, a lady of the court, a seneschal, or a scoundrel twisting others in such a manner as to achieve remarkable success in some venture. The ambiguities of the human condition most likely led men and women to exploit weaknesses in others for personal or professional gain, as well as for the benefit of the realm or sovereign. Clever cunning, guile, and the substance of the quick-thinking man or woman proved to be riveting material for both courtly audiences and the emerging bourgeoisie in the cities and towns, and we are blessed with a variety of texts which demonstrate the art of perspicacity in a myriad of forms. Cognizant of their influence, poets readily employed many of these attributes as socially acceptable vehicles of change, both in a positive and negative sense.
    [Show full text]
  • Annegret Oehme a Dissertation Submitted to the Faculty at The
    ADAPTING ARTHUR: THE TRANSFORMATIONS AND ADAPTATIONS OF WIRNT VON GRAFENBERG’S WIGALOIS Annegret Oehme A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Carolina- Duke Graduate Program in German Studies. Chapel Hill 2016 Approved by: Ruth von Bernuth Christoph Brachmann Jonathan M. Hess Laura S. Lieber Kathryn Starkey © 2016 Annegret Oehme ALL RIGHTS RESERVED ii ABSTRACT Annegret Oehme: Adapting Arthur. The Transformations and Adaptations of Wirnt von Grafenberg’s Wigalois. (Under the direction of Ruth von Bernuth) The stories of King Arthur and his noble knights have fascinated audiences for many centuries and continue to being retold and fashioned to attract modern audiences. Amongst these stories is the tale of Wigalois, the son of the reputable Gawain. This dissertation traces the story of Wigalois across different languages, cultures, and media in order to show how this is a shared German-Yiddish narrative. Furthermore, this dissertations challenges traditional understanding of adaptation within a diachronic and teleological framework by uncovering dialogical and dynamic processes inherent in this narrative tradition. Using the theoretical framework of a combined Adaptation Studies and Medieval Literature Studies’ notions of unstable texts my argumentation focuses on eight specific examples: Wirnt von Grafenberg’s Wigalois (1st half 13th ct.), Italian murals from the fourteenth century, Wigoleis von dem Rade (1483/93), Viduvilt (Yiddish, 16th ct.), Johann Christoph Wagenseil’s Belehrung der Jüdisch-Teutschen Red- und Schreibart (Yiddish and German, 1715), Gabein (Yiddish, 1789), the illustrations by Ludwig Richter (before 1851), and Die phantastischen Abenteuer der Glücksritters Wigalois (Comic, German, 2011).
    [Show full text]
  • In the United States Bankruptcy Court for the District of Delaware
    Case 18-10601-MFW Doc 27 Filed 03/20/18 Page 1 of 394 IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE -------------------------------------------------------------x : In re: Chapter 11 : : THE WEINSTEIN COMPANY HOLDINGS Case No. 18-10601 (MFW) : LLC, et al., : : Debtors.1 Joint Administration Requested : -------------------------------------------------------------x NOTICE OF FILING OF CREDITOR MATRIX PLEASE TAKE NOTICE that the above-captioned debtors and debtors in possession have today filed the attached Creditor Matrix with the United States Bankruptcy Court for the District of Delaware, 824 North Market Street, Wilmington, Delaware 19801. Deadline 1 The last four digits of The Weinstein Company Holdings LLC’s federal tax identification number are (3837). The mailing address for The Weinstein Company Holdings LLC is 99 Hudson Street, 4th Floor, New York, New York 10013. Due to the large number of debtors in these cases, which are being jointly administered for procedural purposes only, a complete list of the Debtors and the last four digits of their federal tax identification numbers is not provided herein. A complete list of such information may be obtained on the website of the Debtors’ claims and noticing agent at http://dm.epiq11.com/twc. RLF1 18980238v.1 Case 18-10601-MFW Doc 27 Filed 03/20/18 Page 2 of 394 Dated: March 20, 2018 Wilmington, Delaware /s/ Paul N. Heath RICHARDS, LAYTON & FINGER, P.A. Mark D. Collins (No. 2981) Paul N. Heath (No. 3704) Zachary I. Shapiro (No. 5103) Brett M. Haywood (No. 6166) David T. Queroli (No. 6318) One Rodney Square 920 North King Street Wilmington, Delaware 19801 Telephone: (302) 651-7700 Facsimile: (302) 651-7701 - and - CRAVATH, SWAINE & MOORE LLP Paul H.
    [Show full text]