Psychosexual Development of Sun Wukong
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International Reinterpretations
International Reinterpretations 1 Remakes know no borders… 2 … naturally, this applies to anime and manga as well. 3 Shogun Warriors 4 Stock-footage series 5 Non-US stock-footage shows Super Riders with the Devil Hanuman and the 5 Riders 6 OEL manga 7 OEL manga 8 OEL manga 9 Holy cow, more OEL manga! 10 Crossovers 11 Ghost Rider? 12 The Lion King? 13 Godzilla 14 Guyver 15 Crying Freeman 16 Fist of the North Star 17 G-Saviour 18 Blood: the Last Vampire 19 Speed Racer 20 Imagi Studios 21 Ultraman 6 Brothers vs. the Monster Army (Thailand) The Adventure Begins (USA) Towards the Future (Australia) The Ultimate Hero (USA) Tiga manhwa 22 Dragonball 23 Wicked City 24 City Hunter 25 Initial D 26 Riki-Oh 27 Asian TV Dramas Honey and Clover Peach Girl (Taiwan) Prince of Tennis (Taiwan) (China) 28 Boys Over Flowers Marmalade Boy (Taiwan) (South Korea) Oldboy 29 Taekwon V 30 Super Batman and Mazinger V 31 Space Gundam? Astro Plan? 32 Journey to the West (Saiyuki) Alakazam the Great Gensomaden Saiyuki Monkey Typhoon Patalliro Saiyuki Starzinger Dragonball 33 More “Goku”s 34 The Water Margin (Suikoden) Giant Robo Outlaw Star Suikoden Demon Century Akaboshi 35 Romance of the Three Kingdoms (Sangokushi) Mitsuteru Yokoyama’s Sangokushi Kotetsu Sangokushi BB Senshi Sangokuden Koihime Musou Ikkitousen 36 World Masterpiece Theater (23 seasons since 1969) Moomin Heidi A Dog of Flanders 3000 Leagues in Search of Mother Anne of Green Gables Adventures of Tom Sawyer Swiss Family Robinson Little Women Little Lord Fauntleroy Peter -
Theory, Practice, Activism
7 Transgenderism in Japanese Manga as Radical Translation The Journey to the West Goes to Japan Leo Tak-Hung Chan The subversive nature of manga is a fact widely acknowledged. Using "an expressive format that combines stylized and simplistic imagery with a laconic text," it can "lampoon, satirize, romanticize [and] reimagine the world in which people live" ( Allison 1996 : 56-57). But what if the targetof the parody is a text from another culture? A case in point involves the parodic manga versions of the Chinese classic The Journey to the West (Xiyouji; hereafter The Journey), representing a shift from a verbal to a visual medium and from a Chinese to a Japanese context. Not surprisingly, when such manga is translated back into Chinese, readers in China are offended to see their own cherished literary work tampered with, leading in 2007 to a critical attack on Japanese manga versions of a parodic nature ( Lin and Zhang 2008 : 168); official statements were issued concerning the need to curb the translation of such works in order to protect the health of Chinese culture. Much venom was directed not just at manga derived from The Journey, but on Japanese parodies in general. An article in the national newspaper Huanqiu shibao was subtitled "Why Does Japan Parodythe Classics of Other Countries?" Among the commentators (e.g., Zhu 2007 ; Lin and Zhang 2008 ), the point was stressed that a culture of egao, or 'malicious meddling,' originated in a Japanese concept that had spread to Mainland China via Taiwan and Hong Kong. There were also strongly -
An Illustrated Guide to Taiwanese Temples 圖解台灣廟宇傳奇故事
AN ILLUSTRATED GUIDE TO TAIWANESE TEMPLES 圖解台灣廟宇傳奇故事 124 myths and 300 illustrations to unlock the secrets of traditional temple art The depth of information embodied in the decorations of Taiwan’s traditional temples can sometimes seem intimidating – but that shouldn’t be a reason for anyone to miss out on the chance to enjoy their exquisite craftsmanship. The walls, roofs, eaves and ridges of temples are layered with meaningful decoration, not to mention the Category: Architechture countless statues illustrating famous scenes from legend and Publisher: Morning Star literature. Kuo Hsi-Pin, an expert on temple culture, has written an Date: 6/2016 engaging, unpretentious introduction to the most common of these stories, equipping readers with the knowledge to appreciate these Rights contact: traditional forms of art and architecture. booksfromtaiwan.rights @gmail.com This book divides these tales into ten categories, from the myth of Pages: 304 Nüwa patching the sky to the most famous scenes in the Romance of Length: 126,000 characters the Three Kingdoms and Journey to the West; from the sea goddess (approximately 88,000 words Mazu to the enlightenment of Buddha. The stories are paired with in English) attractive images, labelled to show the temple location, the names of Material: Sample the craftsmen, and the relevant historical era. The biographies of these craftsmen are also threaded through the chapters, opening up a whole new perspective on their art. In an era when traditional arts are in decline, Kuo Hsi-Pin’s labor of love offers a unique glimpse into a world of gods, demons, dragons, phoenixes and qilins, chronicling the masterpieces of craftsmen whose achievements are all too easily forgotten today. -
Transformations of Xiyouji in Korean Intertexts and Hypertexts
Fakultät für Ostasienwissenschaften Transformations of Xiyouji in Korean Intertexts and Hypertexts Dissertation zur Erlangung des akademischen Grades einer Dr. phil. vorgelegt von Barbara Wall, M.A. aus Neumünster Referent/in: Prof. Dr. Marion Eggert Korreferent/in: Prof. Dr. Barbara Mittler Bochum 2014 2 Table of Contents Introduction………………………………………………………………….. 5 Gérard Genette‟s theory of intertexts and hypertexts ………............... 6 Xiyouji as hypotext, hypertext and intertext………………………….. 15 Multiple facets of Xiyouji mirrored in intertexts and hypertexts……... 23 1. Korean intertexts of Xiyouji before the 20th century……………………..... 34 1.1. Transformations of Sun Wukong……………………………………... 34 1.1.1. The “impertinent” Sun Wukong in Chŏkhu haeng……………….. 34 1.1.2. The “obedient” Sun Wukong in inscriptions on Gushi huapu……. 37 1.1.3. Sun Wukong‟s “superhuman power” in Hong Kiltong chŏn……… 41 1.1.4. Sun Wukong as roof figure in Ch‟angdŏkkung suri togam ŭigwe… 47 1.1.5. The “unique” Sun Wukong in sijo………………………………… 55 1.2. Transformations of particular episodes of Xiyouji…….………………. 59 1.2.1. The Cart Slow Kingdom episode in Pak t‟ongsa………………….. 59 1.2.2. The Cobweb Cave episode in Kuunmong…………………………… 60 1.2.3. The “false Sun Wukong” in Che Im Mi Fu-p‟ung ch‟ŏp hu............ 64 1.2.4. The Black Rooster Kingdom episode in Pongsan mask dance…... 65 1.2.5. Dragon execution episode in: 1.2.5.1. Kuunmong………………………………………………… 69 1.2.5.2. Annotations on Muyŏm hwasang pimyŏng……………….. 72 1.2.5.3. Tang T‟aejong chŏn……………………………………….. 74 Conclusion…………………………………………………………….. 80 2. Korean hypertexts of Xiyouji in the 20th and 21st centuries.….………….. -
Scanned Using Book Scancenter 5131
ADAPTATION & REPRESENTATIONiu i< — T > CHINESE C f EPIC SF u tn sfotm in g t H o n k t y SUN GO CD u n iv e r sit y ?" PENNSYLVANIA. LIBRARIES Transforming Monkey Transforming Monkey ADAPTATION AND REPRESENTATION OF A CHINESE EPIC Hongmei Sun UNIVERSITY OF WASHINGTON PRESS Seattle f l l 1 I modern language I I I I initiative THIS BOOK IS MADE POSSIBLE BY A COLLABORATIVE GRANT FROM THE ANDREW W. MELLON FOUNDATION. Copyright © 2.018 by the University of Washington Press Printed and bound in the United States of America zz 21 zo 19 18 54321 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. University of Washington Press www.washington.edu/uwpress Cataloging-in-Publication Data available from the Library of Congress. ISBN (hardcover): 978-0-195-74318-9 ISBN (paperback): 978-0-295-74319-6 ISBN (ebook): 978-0-295-743Z0-Z To my parents. With you there, I will never feel lost. To my three sisters. We do not mention the love between us, only because we know it is always there. CONTENTS Acknowledgments ix Introduction 3 1. Who Is Sun Wukong? The Image of the Monkey King in Journey to the West 15 2. The Transmutable Monkey: Between Theater and Fiction in Traditional China 3 6 3. From Trickster to Hero: National Mythmaking in Wartime and Maoist China 60 4. -
Fiction-2-2018-1.Pdf
New Journeys to the West A.D. & F.D. of Pok Oi Hospital Mrs Cheng Yam On School, Chiu, Pui Yan Elsa - 9 n the way to the West. Xuan Zang says, ‘I don’t want to retrieve the Original Buddhist scriptures because its so tiring! I want to eat pizza!’ Zhu Bajie says, ‘This is the delicious food in Italy!’ O Xuan Zang and his pupils on their Journeys to the West Sun Wukong helps Xuan Zang to expel demon. Sometimes they lost, but Guanyin will help them to solve the problem. One time Guayin ask them, ‘How are you?’ Zhu Bajie says, ‘Can we try pizza after we complete our mission?’ Guanyin says, ‘OK! But you must finish your mission.’ When they arrived at Italy. They try it and translator the Scripture to local language through electronic product. And then post to facebook Xuan Zang and his pupils arrived different countries and try the local food. When they arrived at India, the Indian King says, ‘You mustn’t try the super spicy curry.’ After they finish this challenge, they want to understand the local culture. Moreover, they start to translate scriptures to Chinese. When they knew the local culture. Also use the advances electronic product to translator the Scripture. They post the photos and text to Facebook. They sent the message to others by Whatapps. At a short time, a lot of people know the Buddhist scriptures. Xuan Zang and his pupils felt satisfied. They had a goal. They want to take missionary work to Space. Sha Waging and Zhu Bajie want to make rockets. -
REHEARSAL SCHEDULE – PHP YOUNG ACTING COMPANY 2015 - PAGE 1 As of 12/30/2014
“JOURNEY TO THE WEST” REHEARSAL SCHEDULE – PHP YOUNG ACTING COMPANY 2015 - PAGE 1 as of 12/30/2014 Definition of GROUPS on this rehearsal schedule – MONKEYS - Alaina Fritzinger, Ben Berger, Isabella Reeser, Julia Garfinkel, Kaitlyn Simmons, Lauren Cribbs, Sarah O’Connor, Seth Winnick, Tatiana Gibson CLERKS– Adriana Rivera, Isabella Reeser, Kaitlyn Simmons, Leighann Koppenhofer, Melissa Ulanoski, Sarah O’Connor, Tatiana Gibson JADE SOLDIERS - Alex Winnick, Cassius Koppenhofer, Colin Wilmarth, Jacob Reardon, Kailynn Koozer, Kevin Foltz III, Logan Velez, Zubin Noushi DRAGON BODY - Carl Bright-Walck, Christina Johns, Elizabeth Tesler, Evelyn Adams, Grace Miller, Jacob Runkel, Kaylee Kramer, Leighann Koppenhofer, Lennex Terry, Lindsay Kowalski, Melissa Ulanoski, Meredith Jacobs, Sophia James VILLAGERS - Cassius Koppenhofer, Colin Wilmarth, Isabella Reeser, Jacob Reardon, Kailynn Koozer, Kaitlyn Simmons, Kevin Foltz III, Sarah O’Connor, Tatiana Gibson, Zubin Noushi DEMONS - Carl Bright-Walck, Christina Johns, Connor Coyle, Julia Toyer, Meredith Jacobs, Shula Bronner FIRE DANCERS - Adriana Rivera, Alaina Fritzinger, Charlotte Henninger-Voss, Helena Webb, Kaylee Kramer, Lauren Cribbs, Macy Kiker, Rose Weber, Treajoir Walker Time What Principle Characters Called Ensemble Members Called Known Conflicts JAN 12 – WORKING ELIZABETH TESLER JULIA GARFINKEL @ 4 pm 12-12:45 – TAI CHI FORMS PG. 6 12-12:45 – MONKEY KING, SUBHUTI, 12:30 1-1:45 – FIGHT 10 PG. 45 DAOIST 1, DAOIST 2, DAOIST 3 1-1:45 – DEMONS KATIE LATTA 2-2:45 –DEMONS PG. 45 1-1:45 –SANDY, PIGSY, MONKEY COPY 2-2:45 – DEMONS MEREDITH JACOBS @ 1 SAT 3 SKYLAR CARRAN 3-3:45 – FIRE DANCE PG. 45-46 3-3:45 – FIRE DANCERS ZUBIN NOUSHI 6 – 8 WORKING 6-6:30 – JADE EMPEROR, LAO TZU, MELISSA NICHOLSON ALEX WINNICK @ 6:30 pm 6-6:30 – ACT 1 SCENE 1 PG. -
CCTV Animation Monkey King Licensed by Bubble Mon
CCTV Animation Monkey King Licensed by Bubble Mon CCTV-Children is the most competitive national program for children in China. It has the widest network and biggest influence. CCTV Animation INC. is the only institution developing cartoon programs, cartoon derivatives, and building CCTV brands for CCTV’s youth program. January 16, 2009, “CCTV Animation Monkey King Brand Licensing Auction” was held in Beijing. More than 10 companies attended the event. Most of them were from book & audio publishing and toys industry. The total transaction value was around RMB41,350,000. Auction from five categories including audio, book and toy were closed, which made RMB17,030,000. The auction was named as “The first auction in China’s cartoon industry”, and thus had overwhelming influence on the industry. This is also the very first try in China’s cartoon derivative licensing industry. Animation Information Duration: 52 volumes X 22 minutes Release date: in the summer of 2009 Broadcasting station: CCTV-children Production Cost: RMB 36,000,000 Production period: 10 years After the test screening of the first 26 volumes, the feedback was very positive: High TV rating: around 2.12%, farther ahead of similar programs Quite a number of young fans: request the broadcast of the rest 26 volumes Monthly best-seller children comic book on DangDang.com (the biggest Chinese online bookstore): 300,000 volumes sold out within the first month More licensing projects: the second round of brand auction was successfully held Characters Named as Sun Wukong Born from a cracked stone Become the Monkey King Characters Young six-ear monkey Six-ear monkey Characters Jade Rabbit The White Dragon Ginger Fruit The Devil The Red Boy Supreme Lord Lao Zi Characters Wudou 五斗 Silver Horn Old Monkey Golden Horn White Deer Puti Old Man in White Clothes Characters Old Man in White Clothes Ginger Fruit Monkey King Six-ear monkey Jade Rabbit Publicity The general manager of Bubble Mon Licensing (Mr. -
Fiction-2-2018-2-1.Pdf
Energy Powered Demon Korean International School, Robinson, Conor - 10 nce upon a time, there was a monkey named Sun Wukong and he was the King of the Fruit and Flowers Mountain. He lived with lots of other monkeys and apes in the cave Sun Wukong found O behind the Fruit and Flower mountain waterfall. All of the monkeys and apes liked their life living in the cave obeying Sun Wukong’s orders. One day, there was a huge magical storm outside and all the monkeys stayed inside the cave. One monkey said, “Oh I am scared!” “Don’t worry I am here to protect you,” Sun Wukong replied. Sun Wukong looked outside and surprisingly, a demon was outside running. Sun Wukong ran outside because he wanted to defeat the demon. He went and fought the demon. When it was badly hurt, the demon got struck by one of the magical lightning and it started to grow… and grow … and grow until it was the size of a tall tree. Then the demon fought back! But there was one problem, the demon was super strong! “Oh no!!!” Sun Wukong said. The demon shouted, “ Mwuahahahaha!!!” The demon looked like the Buddha but the shorter and uglier version; it moved like lightning but was faster. Sun Wukong was no match against this beast and got knocked out by the demon. When he woke up, he was in a room in a cage! He thought of what to do, and in a few hours time he knew what to. He would wait till the demon sleeps and then he will turn into a bee or fly and he will fly into the demon’s bedroom. -
Dynamic Texts As Hotbeds for Transmedia Storytelling: a Case Study on the Story Universe of the Journey to the West
International Journal of Communication 13(2019), 2116–2142 1932–8036/20190005 Dynamic Texts as Hotbeds for Transmedia Storytelling: A Case Study on the Story Universe of The Journey to the West BARBARA WALL1 University of Copenhagen, Denmark Transmedia storytelling is often promoted as the future of storytelling. By Henry Jenkins’ definition of transmedia storytelling, however, we can also find transmedia stories in the past. Taking The Journey to the West as a case study, I show how it is a transmedia story that started to unfold hundreds of years ago. Although The Journey is conventionally identified with a Chinese novel, most people are familiar with The Journey universe through films, comics, or computer games. Although Jenkins argues that transmedia stories are too broad to be grasped, I suggest that by approaching them as what Roland Barthes calls dynamic texts we can develop tools for comprehension and analysis. In this study, I demonstrate how such a tool might work by applying Barthes’ concept to Korean variations of The Journey, and in particular by using tree diagrams and an animation to create a visual map of the story’s elements. Keywords: transmedia storytelling, dynamic texts, Henry Jenkins, Roland Barthes, radial tree diagrams, mapping, PHP/JavaScript application Transmedia storytelling is often associated with digitalization, “Web 2.0,” or simply the “future” (Costa-Zahn et al., 2011). New production and reception practices have definitely opened the doors to new transmedia storytelling experiences, while media convergence makes storytelling across multiple platforms inevitable (Jenkins, 2006, p. 104). In his essay “Transmedia 202: Further Reflections” (2011), however, Henry Jenkins argues that transmedia storytelling was possible even before “the rise of networked computing and interactive entertainment” (para. -
Fiction 1 2018
The Monkey King’s Adventure A.D. & F.D. of Pok Oi Hospital Mrs Cheng Yam On School, Fung, Tsz Yuen – 8 he story happened amongst the Monkey King, Pigsy and two soldiers. T Once upon a time there were two soldiers. They and Pigsy lived near a mountain. Pigsy wanted to go inside the mountain. But the two soldiers didn’t let him go inside the mountain. The soldiers asked the fairy to tell Pigsy raised troops to fight and asked why they didn’t let him go inside. The soldiers fought with Pigsy. The Monkey King saw this and tired to stop them. The fairy was bad and she used magic to make a mountain press down the Monkey’s body. The Monkey King asking Mountain God and the Land to help him The Monkey King told the Land that the fairy and soldiers were not good people anymore. The Land had a good idea. They also used magic and the Monkey King became an old fairy. They met Demon in front of the mountain. Demon thought the old fairy looked unusual. Then they followed the old fairy and continued their journey. Another beloved story is Iran Fan Princess. The Monkey King and Pigsy went to western heaven. On the way, they began to feel hotter and hotter. It was very strange because it was autumn, They knew they needed a big fan to overcome the hot weather. They asked the Princess to borrow the hot weather. They asked the Princess rejected and blew the Monkey King very far away. -
Wheeler, Jenny 2018 Comparative Literature Thesis
Wheeler, Jenny 2018 Comparative Literature Thesis Title: Shooting for the Heavens: Examing the Accessibility of the Spiritual Renewal in Journey to the West Advisor: Sarah Madeleine Allen Advisor is Co-author: None of the above Second Advisor: Released: release now Contains Copyrighted Material: No SHOOTING FOR THE HEAVENS: EXAMINING THE ACCESSIBILITY OF SPIRITUAL RENEWAL IN JOURNEY TO THE WEST by JENNY WHEELER Sarah Madeleine Allen, Advisor A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors in Comparative Literature WILLIAMS COLLEGE Williamstown, Massachusetts MAY 21st, 2018 Table of Contents Page Number Introduction 1 Chapter I 7 Section I: Defining the epic 9 Section II: The novel, distinct from the epic 11 Section III: Mythic Time and Place 15 Section IV: Parts versus Whole 21 Section V: Humor and Extraliterary genres 22 Section VI: Conclusion 25 Chapter II 27 Section I: Defining the Bildungsroman and its significance 28 Section II: Physical transformation in the mini coming-of-age 30 Section III: A Problematic Return 34 Section IV: Rewards for Rebellion? 38 Section V: Scripture pilgrimage and spiritual conquest 42 Section VI: Conclusion 49 Chapter III 51 Section I: Valuing the group over the individual 54 Section II: Subsuming the self to the universe 58 Section III: The restrictiveness of “hero” 63 Section IV: Conclusion 69 Conclusion 72 Works Cited 75 1 Introduction The Journey to the West (hereafter Journey) is an odyssey of history, religious teachings, and readerly endurance. This story, first printed in 1592 during the late years of the Ming dynasty, draws on the historical pilgrimage of Xuanzang, a Buddhist monk who traveled west from China to India to retrieve Buddhist scriptures in the year 617 A.D.