Florfda ARTIST GROUP, INC. • FLORIDA ARTIST GROUP, INC

Total Page:16

File Type:pdf, Size:1020Kb

Florfda ARTIST GROUP, INC. • FLORIDA ARTIST GROUP, INC FLORfDA ARTIST GROUP, INC. • FLORIDA ARTIST GROUP, INC. 36th ANNUAL EXHIBITION . ~ . LONGBOAT KEY ART CENTER LONGBOAT KEY, FLORIDA APRIL 20- MAY 11. 1985 Florida Artist Group, Inc. PURPOSE The FLORIDA ARTIST GROUP was incorporated as a non-profit or­ ganization of practicing artists who had gained recognition nationally or state-wide and whose work would contribute significantly to its ex­ hibitions. The purpose is the stimulation of finer standards of the crea­ tive effort within the State of Florida. ANNUAL SYMPOSIUM Since 1949, the Florida Artist Group has held a symposium and a members' exhibition each year in a different Florida city. Its educa­ tional and other cultural aims are advocated at these meetings through lectures, panel discussions, films and exhibits. In addition to the Symposium and Exhibition held in the Spring, area exhibitions and meetings are sponsored at other times in various places in the state. The nature of these meetings follows, in a small way, the character of the Spring meeting. They also serve to bring the members of the organization more closely together. JURIED SHOWS To insure an annual exhibition of exceptional quality, the show is juried. The organization always brings in an eminent juror from out-of­ state who is primarily associated with art administration, education or a painter or sculptor of national repute. Past locations of Exhibitions have included the Norton Gallery, Ringling Museum, Cummer Gallery of Art, r the Jacksonville Art Museum, Miami Metropolitan Museum and the Lowe Museum, University of South Florida, University of Florida, Rollins College, Daytona Museum of Arts and Sciences and many other out­ standing galleries. OFFICERS President .. .... .. ... ........ .. ...... Mamie Harrison, Dunedin Senior Vice President ... ... .. .. ... .. Dorothy Stewart, Jacksonville Vice President ............ .... ... Mary Faulkner, N. Ft. Myers Treasurer .. .. ... ... .. ... ... .. .... Barbara Edwards, Clearwater Recording Secretary . .. ... .. ....... Margaret Kelly, Lakeland DIRECTORS Immediate Past President ......... ...... ........ Anne Atz, Venice Gallery Representative ....... ... .. ... .. Foster Harmon , Sarasota Educational Representative .. ....... ..... Moe Mitchell, Sarasota State Membership Chairman . ..... ........ Bunny Coppe, Indiantown Area I Chairman ............... ... .. .. Reyna Youngerman, Surfside Area II Chairman ... .. .... ........... Cecily Hangen, W. Palm Beach Area Ill Chairman ..... .. .......... .... .. ... ..... Anne Atz, Venice Area IV Chairman . .. .... .. .. ..... ........ Anne B. Winslow, Tampa Area V Chairman ........ ... .. ... Donna B. Stoddard, Lakeland Area VI Chairman . Dorothy Stewart, Jacksonville Area VII Chairman . ... ....... .............. .. Anne Summy, Naples At Large . .............. .. .. ... ....... ..... Jonas Gerard, Miami At Large . .. ........... ...... ... .. ... Gene Roberds, St. Augustine PRESIDENT'S MESSAGE As we close our 36th year we can give thanks to our founding members for creating the Florida Artist Group; to all members for their creative work and our renowned juror, Dr. Ned Rifkin, Curator of Con­ temporary Art at the Corcoran Gallery, Washington, D.C. We wish to express our appreciation and thanks to the Longboat Key Art Center for hosting the 36th Annual Exhibition and to the staff for their support and cooperation. Our thanks to all our faithful sponsors of awards and we welcome two new ones this year, namely Park Shore Development Co., Inc. and Coast Federal Savings and Loan. Mamie Harrison President ABOUT OUR JUROR 36th ANNUAL EXHIBITION We are pleased to have as juror for the 36th Annual Exhibition the Curator of Contemporary Art, Corcoran Gallery, Washington D.C., Dr. Ned Rifkin. Dr. Rifkin's credentials are extensive; formerly Assistant Director and Curator, New Museum, New York and juror for numerous exhibitions nationally and lecturer on comtemporary art internationally as well as an author. He holds a B.A. from Syracuse University and a M.A. and PhD. in art history from the University ofMichigan. JUROR'S STATEMENT This exhibition was chose from over twice as many works pre­ sented. I selected works based on either their inventiveness, i.e. the degree to which the artist attempted an original use of the medium or purely on my sense that a significant emotional or intellectual deposit had been invested by the creator. It is extremely difficult to know this and one can only feel or sense it. As a curator, I have tried to choose an exhibition which demonstrates a range of sensibilities. Style is not the predominant feature of art; content is considerably more important to me. I would like to thank the Florida Artist Group and Mrs. Anne Atz for giving me the opportunity to come to this area and view the work presen­ ted and thereby be involved with some of the artists who reside in this beautiful state. Ned Rifkin JURORS 1950-1985 Gainesville ..............1950 Miami ..................1968 Robert Parsons Frank Kleinholz Gainesville ..............1951 Gainesville .............. 1969 Barlett Hayes, Jr. Joel Reeves Clearwater ..............1952 Winter Park .............1970 Lamar Dodd Edward Weeks Sarasota ................ 1953 Venice ................. 1971 Homer-Saint-Gaudens Albert Christ-Janer Daytona Beach ..........1954 Lakeland ...............1 971 Wilbur David Peat Gudmund Vigtel West Palm Beach ........ 1 955 St. Augustine ............ 1972 Thomas M. Beggs Boris Margo Bradenton ..............1956 Boca Raton ............. 1973 Herman Warner Williams, Jr. Dr. Lester H. Cooke Winter Park ............. 1957 St. Petersburg ........... 19 7 4 Robert B. Hale Wm. H. Fagaly Tampa .................1958 West Palm Beach ........1975 Fred Conway Donelson F. Hoopes Miami ..................1959 Jacksonville .............1976 Thomas Tibbs Cleve Scarborough Bradenton ..............1 960 Miami ..................1977 Donald M. Mattison Tom L. Freudenhelm West Palm Beach ........1 961 Naples .................1978 John Taylor and Andree Ruellan Marlo Amaya Daytona Beach .......... 1962 Daytona ................ 1979 Gibson A. Danes David Reese St. Augustine ............1 963 Sarasota ................1980 Carl Hoity Betty Parsons Tampa ................. 1964 Jacksonville ............. 1981 James Byrnes Joseph Shannon Bradenton .............. 1965 Boca Raton ............. 1982 Albert Christ-Janer Gudmund Vigtel Jacksonville ............. 1966 Winter Haven ............ 1983 Boris Margo Richard Anuszkiewicz Sarasota ................ 1967 Ft. Myers ............... 1984 Dr. John Craft Will Barnet Longboat Key ........... 1 985 Dr. Ned Rifkin AWARD SPONSORS SOUTHEAST BANK A WARD Southeast Banking Corporation Foundation GRUMBACHER GOLD MEDALLION AWARD M. Grumbacher, Inc. HILTON LEACH MEMORIAL AWARD Mr. & Mrs. Hugh McKean XELDEN ROWLAND MEMORIAL A WARD Katherine Rowland PARK SHORE DEVELOPMENT AWARD Park Shore Development Co., Inc. GENEVIEVE HAMEL MEMORIAL A WARD Mr. John Hamel, Jr. COAST FEDERAL A WARD Coast Federal Savings & Loan PEOPLES CHOICE A WARD Mr. & Mrs. Ralph H. Atz Dr. & Mrs. Everett M. Harrison • • . •• • REMNANTS FOR POSTERITY John Costin, Tampa Southeast Bank Award GLORIA PATRI Ruth Romoser, Bradenton Grumbacher Gold Medallion Award CAMPUS Ill Bruce Gregory. Sarasota Hilton Leech Memorial Award MOTHERS' LACES Pat Rosenstein, Miami Elden Rowland Memorial Award •) ..I (I SIESTA Gregory Biolchini, Fort Myers Park Shore Development Award GRAYFIELD Dorothy Brownell, Naples Genevieve Hamel Memorial Award ,.. MATCH BOX Clyde Hagerty, Naples Coast Federal Award Space provided for photo of award. Choice not known in time for inclusion in cataglogue Peoples Choice Award FLORIDA ARTIST GROUP Joan W. Griggs, Tampa "BARN COUNTRY I" PARTICIPATING ARTISTS Oil on Paper Gladys D. Armstrong, Tequesta Clyde Hagerty, Naples UNTITLED "MATCH BOX" Handcolored Etching Plywood, Canvas, Acrylic Anne L. Atz, Venice Cecily Hangen, W. Palm Beach "FEMME FATALE" "INTERLOCK GREEN" Stoneware Sculpture Acrylic . Gregory Biolchini, Fort Myers Mamie Harrison, Dunedin '· "SIESTA" "AT THE CIRCUS" Pastel Mixed ; Dorothy K. Bosco, Miami Sandi Morrison Hicks, N. Fort Myers "ARCHES" "BIG MAMA" Neon Sculpture Graphic/Embossment Dorothy Brownell, Naples Sylvia Jaffe, Boca Raton "GRAYFIELD" "REGATIA" Acrylic Marble and Stainless Steel Penny Cosentino, Altamonte Springs Gregory A. Jones, Lakeland "SILVER DAWN" "PAINT PAIL" Acrylic Mixed John Costin, Tampa Joyce B. Kearney, St. Augustine "REMNANTS FOR POSTERITY" "FISH" Etchings Acrylic Alice Durick, Fort Myers Pat Eng LaVigne, Fort Myers "LIKE A TEA TRAY IN THE SKY" "MOONSHORE" Acrylic Assemblage Eileen Epaves, Miami Florence Leposky, Cape Coral "CIRCLES" "LAND HO!" Handmade Paper Mixed/Collage Mary Faulkner, N. Fort Myers Fonchen Lord, Lakeland "PRINTERS INK" "MODEL FOR OUTDOOR SCULPTURE" Mixed Aluminum/Glass/Wood Shirley Frank, Seminole William Marshall, Jacksonville "MAY FAIRE" "BAY AND MAIN" Acrylic Acrylic Jonas Gerard, Miami Marilyn Niederman, Fort Myers "PHASE 16" "ASSEMBLAGE OF TROIS" Mixed Handmade Paper/Metal Lola Landry Gerow, Tequesta Nike' Parton, Sarasota "OLIVE TREES, MAJORCA" "BATHED IN LIGHT" Watercolor Watercolor Bruce Gregory, Sarasota Sandra Raphaelson, Bal Harbour "CAMPUS II" "BY A THREAD" Handmade Paper and Pastel Mixed Phil Rasmussen, Fort Myers Lois Bartlett Tracy, Englewood "CIRCA 1700" "BLUE MOVEMENT" Watercolor Oil Marianne Reninger, Venice Jean Sloane Walker, Punta Gorda "THE PROMISED LAND" "A DOZEN" Acrylic Collograph/Watercolor/Paper Mache' Ruth Romoser, Bradenton Marjorie Reiners Wendie,
Recommended publications
  • Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree
    [Show full text]
  • THE POINTED CIRCLE 2020 XXXVI Portland Community College Cascade Campus
    1 THE POINTED CIRCLE 2020 XXXVI Portland Community College Cascade Campus Copyright 2020 Portland Community College PO Box 19000, Portland, OR 97280-0990 Portland Community College reserves all rights to the material contained herein for the contributor’s protection; on publication, all rights revert to the authors. Cover artwork by Jai Milx Editors: Daniel Bloomfield Niko Boskovic Yao Cheng Zachary Flye Thomasina Fizdale Rizzo Lasagna Jai Milx Bobby Mullan Mylena Panelli Rebecca Petchenik Jasmine Pierce Antonia Silva Kira Smith S.C. Taulbee Camilo Velasco-Overson Aaron Warnock Ash Wilson The editorial staff of The Pointed Circle would like to open this issue with an acknowledgement: the Portland metropolitan area, where this issue of The Pointed Circle was produced and where its editors all reside, rests on unceded traditional village sites of the Multnomah, Wasco, Cowlitz, Kathlamet, Clackamas, Bands of Chinook, Tualatin Kalapuya, Molalla, and many other tribes who were the original protectorates of the land before European colonization. i Introduction This is the issue blindsided by coronavirus. We’d already been planning on using a “monster/transformation” aesthetic. That turned out to be prescient. Because of the gothic little non-lifeform haunting the globe right now, but also because this time has warped us, changed us, both as an editorial team and as a species. We are, all of us, transforming—into what? Only the fullness of time will tell, but perhaps the work contained within this journal may give us clues to the new worlds about to emerge from the body of the old. The word “monster” comes from the Latin word monere, which means “to warn, advise, admonish.” Monsters get a bad rap.
    [Show full text]
  • The Poetry of Sidney A. Alexander
    The Poetry of Sidney A. Alexander -¯- Terry L. Meyers ----¯---- Image reproduced by permission of the Dean and Chapter of St Paul’s Cathedral. i The Poetry of Sidney A. Alexander Not all to that bright station dared to climb. --Shelley Preface I find myself the keeper of a modest flame that burns (in Shelley’s image) barely brighter than a taper through the night of time. That flame marks the remnants of a nearly forgotten Victorian poet, Sidney A. Alexander (1866-1948), who won the 1887 Newdigate prize as a student at Oxford. Some of his other youthful poems after Oxford he did publish, and his name is recorded in the literary history of England.1 But Alexander moved from the muses to Christ, and became a canon at St. Paul’s Cathedral, remembered for his impressive work on behalf of the great Wren edifice, especially for protecting it during World War II. At his death, he left behind a body of religious and other books and essays, plus a notebook of his poems, mostly unpublished fair copies. Besides those he had placed in Victorian magazines, he seems to have had a plan to publish others. My responsibilities as keeper began when I bought the notebook from an English book-dealer, Charles Cox, in 2008 for £70. Alexander’s works, appearing here for the first time in full, may not greatly shift the outlines of Victorian poetry. But they are respectable (and often more) — and are interesting as the work between 1881 and 1890 of a young man with a good education and a poetic talent and vocation.
    [Show full text]
  • 2019 Unclaimed Property Report
    NOTICE TO OWNERS OF ABANDONED PROPERTY: 2019 UNCLAIMED PROPERTY REPORT State Treasurer John Murante 402-471-8497 | 877-572-9688 treasurer.nebraska.gov Unclaimed Property Division 809 P Street Lincoln, NE 68508 Dear Nebraskans, KUHLMANN ORTHODONTICS STEINSLAND VICKI A WITT TOM W KRAMER TODD WINTERS CORY J HART KENNETH R MOORE DEBRA S SWANSON MATHEW CLAIM TO STATE OF NEBRASKA FOR UNCLAIMED PROPERTY Reminder: Information concerning the GAYLE Y PERSHING STEMMERMAN WOLFE BRIAN LOWE JACK YOUNG PATRICK R HENDRICKSON MOORE KEVIN SZENASI CYLVIA KUNSELMAN ADA E PAINE DONNA CATHERNE COLIN E F MR. Thank you for your interest in the 2019 Property ID Number(s) (if known): How did you become aware of this property? WOODWARD MCCASLAND TAYLORHERDT LIZ “Claimant” means person claiming property. amount or description of the property and LARA JOSE JR PALACIOS AUCIN STORMS DAKOTA R DANNY VIRGILENE HENDRICKSON MULHERN LINDA J THOMAS BURDETTE Unclaimed Property Newspaper Publication BOX BUTTE Unclaimed Property Report. Unclaimed “Owner” means name as listed with the State Treasurer. LE VU A WILMER DAVID STORY LINDA WURDEMAN SARAH N MUNGER TIMOTHY TOMS AUTO & CYCLE Nebraska State Fair the name and address of the holder may PARR MADELINE TIFFANY ADAMS MICHAEL HENZLER DEBRA J property can come in many different Husker Harvest Days LEFFLER ROBERT STRATEGIC PIONEER BANNER MUNRO ALLEN W REPAIR Claimant’s Name and Present Address: Claimant is: LEMIRAND PATTNO TOM J STREFF BRIAN WYMORE ERMA M BAKKEHAUG HENZLER RONALD L MURPHY SHIRLEY M TOOLEY MICHAEL J Other Outreach
    [Show full text]
  • Collector's Issue
    / Fall • Winter Winter • Fall 2005–06 The Studio Museum in Harlem Magazine / Fall • Winter 2005–06 COLLECTOR’S ISSUE From the Director SMH Board of Trustees wide variety of media. However, It is with great pride that I also Raymond J. McGuire I do believe that Frequency is a congratulate artist Julie Mehretu Chairman snapshot of the current moment on her being awarded a Carol Sutton Lewis Vice-Chair we live in, and just as Freestyle MacArthur “genius” grant this Reginald Van Lee ushered in a new generation of past September. Julie has a Treasurer artists, I believe we are about to long, rich history with the Studio Gayle Perkins Atkins become acquainted with some Museum as an Artist-in-Resi- Kathryn C. Chenault of the most exciting new voices dence (2000-2001) and as a Paula R. Collins in contemporary art. part of 2001’s Freestyle. I am Gordon J. Davis thrilled that the MacArthur Foun- Anne B. Ehrenkranz dation recognized the talents of Susan Fales-Hill an important artist such as Julie Dr. Henry Louis Gates, Jr. Sandra Grymes Mehretu. Joyce Haupt Arthur J. Humphrey,Jr. George L. Knox When it comes to art, never say Nancy L. Lane never. After the tremendous Dr. Michael L. Lomax success of Freestyle in 2001, I I want to thank all of the support- Tracy Maitland had both privately and publicly ers of the Frequency exhibition Rodney M. Miller acknowledged that there might for their unwavering support and Eileen Harris Norton no longer be a need for me to their considerable generosity: Corine Pettey organize group shows featuring The Andy Warhol Foundation David A.
    [Show full text]
  • 36Th Annual Symposium
    FLORfDA ARTIST GROUP, INC. • FLORIDA ARTIST GROUP, INC. 36th ANNUAL EXHIBITION . ~ . LONGBOAT KEY ART CENTER LONGBOAT KEY, FLORIDA APRIL 20- MAY 11. 1985 Florida Artist Group, Inc. PURPOSE The FLORIDA ARTIST GROUP was incorporated as a non-profit or­ ganization of practicing artists who had gained recognition nationally or state-wide and whose work would contribute significantly to its ex­ hibitions. The purpose is the stimulation of finer standards of the crea­ tive effort within the State of Florida. ANNUAL SYMPOSIUM Since 1949, the Florida Artist Group has held a symposium and a members' exhibition each year in a different Florida city. Its educa­ tional and other cultural aims are advocated at these meetings through lectures, panel discussions, films and exhibits. In addition to the Symposium and Exhibition held in the Spring, area exhibitions and meetings are sponsored at other times in various places in the state. The nature of these meetings follows, in a small way, the character of the Spring meeting. They also serve to bring the members of the organization more closely together. JURIED SHOWS To insure an annual exhibition of exceptional quality, the show is juried. The organization always brings in an eminent juror from out-of­ state who is primarily associated with art administration, education or a painter or sculptor of national repute. Past locations of Exhibitions have included the Norton Gallery, Ringling Museum, Cummer Gallery of Art, r the Jacksonville Art Museum, Miami Metropolitan Museum and the Lowe Museum, University of South Florida, University of Florida, Rollins College, Daytona Museum of Arts and Sciences and many other out­ standing galleries.
    [Show full text]
  • World Rose News
    VOLUME 2 3: JULY 201 2 World Rose News NEWSLETTER of the WORLD FEDERATION of ROSE SOCIETIES Japan Blooms for the 12th International Heritage Roses Conference A section of the "Wedding Garden" at the Akao Herb and Rose Garden Photo Sue Zwar 1 PRESIDENT’S MESSAGE July, 2012 WFRS President 2009 - 2012 Dear Rosarians of the World Federation of Rose Societies, The Heritage Convention in Sakura, Japan with a pre- and post-convention tour was most enjoyable. Despite all the difficulties following their national disaster last year, our Japanese friends worked positively with great courage and determination and the result was a most successful 12 days with excellent lectures, great camaraderie among rose friends, interesting excursions and some of the most beautiful rose gardens. The details will be reported elsewhere in this publication. During my visit to Japan when discussing the 16 th World Roses Convention with delegates, it was pointed out to me more than once that attending two conventions in the same year is not a financial possibility for many people. This concern was raised by the South African organising committee at the time of the Japanese postponement. It was generally felt that it would not affect the numbers in South Africa. As at the early bird cut-off we were only halfway there. We are not in any way suggesting that Japan has made all the difference but it is something to be borne in mind for future years. I therefore urge all Rose Societies the World over to encourage your members to take advantage of a wonderful opportunity to visit the continent of Africa where there is so much that is different to see and where the value of the local currency is in favour of the visitors.
    [Show full text]
  • Volume 26 • Number 1 • January, 2015
    Volume 26 • Number 1 • January, 2015 January, 2015 Page 1 Contents Editorial 2 President’s Message 3 EDITORIAL WFRS Regional Convention India – 4 We start 2015 with the first World Rose News for the Pre-convention Tour 5 year giving descriptions of the Regional Convention Lecture programme 14 held in India late last year. This appears to have been a Convention 22 Post Convention Tour 26 convention with a difference and I am sure you will HRIA - Conference 36 enjoy reading about the gathering of rosarians in this Futaba Rose Garden colourful country in the pages that follow. Never before Lost Forever 40 have delegates ridden elephants during a rose Lyon Roses 2015 43 convention! The Laperriére Family 52 Obituary - Ed Griffith 55 The Heritage Rose Society of Australia held a most Rosedal de Palermo Award successful Conference in Tasmania at the same time of Garden Excellence 56 as the Indian Convention – the first to be held on this Diary of Events 58 WFRS Executive Committee 59 charming island. Standing Committee Chairmen 60 Helga Brichet has served two terms of three years each Member Societies 61 as Chairman of the Publications Committee and Associate Members and according to WFRS regulations is not eligible to stand Breeders’ Club 62 again. We thank her for her guidance and leadership. Friends of the Federation 63 There can’t be many roles in the WFRS that Helga has not carried out! My thanks go to Diane vom Berg, our able Treasurer. I also thank the publication team, Steve Jones, Malcolm Watson and Ethel Freeman for their participation and support since October 2012 and in particular for their meticulous proof reading which has required great patience! As always I wish to thank the contributors to this issue and in particular to those not writing in their home language.
    [Show full text]
  • Unclaimed Property Report Notice to Owners of Abandoned Property
    2018 EDITION UNCLAIMED PROPERTY REPORT NOTICE TO OWNERS OF ABANDONED PROPERTY Tom Rock, Omaha, with Nebraska Treasurer Photo by KETV Karen and Ken Sawyer, Brady Ardys and Herb Roszhart Jr., Marquette Walter Johnson and Josh Gartrell, North Platte Ann Zacharias Grosshans, Nemaha County Alicia Deats, Lincoln Photo by Tammy Bain The Nebraska Treasurer holds more than $170 million of unclaimed money for more than 350,000 Nebraskans and former Nebraskans. In 2017, the Treasurer’s Office paid 16,748 claims totaling $15.3 million. Nebraska State Treasurer Unclaimed Property Division 402-471-8497 | 877-572-9688 809 P Street treasurer.nebraska.gov Lincoln, Nebraska 68508 Tips from the Nebraska State Treasurer’s Office Filing a Claim If you find your name on these pages, follow any of these easy steps: • Complete the claim form and mail it, with documentation, to the Unclaimed Property Division, 809 P Street, Lincoln, NE 68508. • For amounts under $500, you may file a claim online at treasurer.nebraska.gov. Include documentation. • Call the Unclaimed Property Division at 402-471-8497 or 1-877-572-9688 (toll free). • Stop by the Treasurer’s Office in Suite 2005 of the Capitol or the Unclaimed Property Division at 809 P Street in Lincoln’s Haymarket. Hours are 8 a.m. to 5 p.m., Monday through Friday. Recognizing Unclaimed Property Unclaimed property comes in many shapes and sizes. It could be an uncashed paycheck, an inactive bank account, or a refund. Or it could be dividends, stocks, or the contents of a safe deposit box. Other types are court deposits, utility deposits, insurance payments, lost IRAs, matured CDs, and savings bonds.
    [Show full text]
  • MANUEL IZQUIERDO Myth, Nature, and Renewal
    MANUEL IZQUIERDO Myth, Nature, and Renewal ROGER HULL HALLIE FORD MUSEUM OF ART Willamette University Salem, Oregon distributed by university of washington press seattle and london This book was published in connection with an exhibition arranged by the Hallie Ford Museum of Art at Willamette University entitled Manuel Izquierdo: Myth, Nature, and Renewal. The dates for the exhibition were January 19 to March 24, 2013, with companion exhibitions entitled Manuel Izquierdo: Maquettes and Small Sculptures and Manuel Izquierdo: Works on Paper, presented from November 17, 2012, to February 10, 2013. Designed by Phil Kovacevich Editorial review by Sigrid Asmus Printed and bound in Canada CONTENTS Front cover and Fig. 2, page 15: Manuel Izquierdo. Cleopatra. 1982. Welded sheet bronze. 23 x 16 x 30 inches. Hallie Ford Museum of Art, Willamette University, Salem, Oregon. The Bill Rhoades Collection, a gift in memory of Murna and Vay Rhoades. 2008.023.020 Frontispiece: Manuel Izquierdo in his studio, 1967. Photograph by Alfred A. Monner, courtesy of the Manuel Izquierdo Trust. Back cover and Fig. 93, page 96. Manuel Izquierdo. Center Ring. 1982. Woodcut. 30 x 22 inches. Hallie Ford PREFACE Museum of Art, Willamette University, Salem, Oregon. The Bill Rhoades Collection, a gift in memory of Murna 7 and Vay Rhoades. 2012.003.013 Photo credits: Arbona Fotografo, Figure 4; Bridgeman Art Library, Figure 74; Karen Engstrom, page 132; Paul Foster, Figures 22, 24, 27, 50, 54, 79, 81, 82; Richard Gehrke, Figure 62; Carl Gohs, Figure 68; Aaron Johanson, ACKNOWLEDGMENTS Figures 20, 21, 23, 35, 37, 38, 41, 45, 46, 47, 59, 60, 67, 73, 75, 76, 80, 83, 86, 95, 97, 99, 100, 101, 102, 108, and page 119; Manson Kennedy, page 6; Felipe Llerandi, Figure 11; Jim Lommasson, Figure 78; Kevin Longueil, Figure 103; 9 Frank Miller, front cover and Figures 2, 3, 7, 26, 36, 39, 40, 43, 44, 58, 61, 63, 64, 65, 66, 69, 70, 71, 72, 84, 92, 96, 107; Alfred A.
    [Show full text]
  • Blue Horizons | September 2018 Blue 16-17 Horizons CONTENTS SEPTEMBER 2018
    EXCLUSIVE Q&A WITH ROL CRUISE SEPTEMBER 2018 AMBASSADOR JENNIE BOND BLUE Horizons VOTED ‘NO. 1 MONTHLY CRUISE MAGAZINE’ BY ALL LEADING CRUISE LINES RIVERS & WATERWAYS OF EUROPE FROM ONLY £699PP The Exclusive 2020 India Golden Triangle & Tiger Safari UNMISSABLE SOLO DEALS from only £1,189 Experience EXCLUSIVE PROMOTION ENDS 8.30PM 29TH AUGUST 2018 CRUISE NEWS SEPTEMBER 2018 1893 Captain Richard With established a steamship service to link northern and southern Norway HURTIGRUTEN 1936 A ship left Bergen TH every day. Each year, CELEBRATE 125 more than 230,000 passengers travelled on board the 14 ANNIVERSARY strong fleet 1937 All ships were equipped with a radio transmitter his month marks 125 years since Hurtigruten was founded on Tthe Norwegian coast. Established in 1893 by Captain Richard 1952 With, today Hurtigruten are the world’s largest expedition company, The distinction taking their guests on adventures from pole to pole. “Ultimately,” between classes was done away with says Hurtigruten, “it is people – the Captains and their crew, the 2010 staff in our global offices, the experienced expedition teams, our The customer loyalty pro- travel partners, and crucially, you and your inner explorer – you gramme “1893 Ambassador” was introduced worldwide are the people who have made us who we are today.” 2018 Hurtigruten celebrates its 125th birthday TURN TO PAGE 34 AND EMBARK ON YOUR OWN EXPEDITION TO EXPERIENCE THE NORTHERN LIGHTS AT CHRISTMAS! ROL NEWS A NEW DAWN FINALISTS ANNOUNCED Silversea have announced an exciting The shortlists for each category of the TTG Travel Awards 2018 eleventh ship, bringing them one step have been announced, and ROL Cruise are thrilled that our closer to fulfilling their founder’s vision own Beth Holland, Customer Services Team Leader, has been of a twelve-ship fleet.
    [Show full text]
  • Crafting Words and Wood: Myth, Carving and Húsdrápa
    Crafting Words and Wood: Myth, Carving and Húsdrápa By Erik Schjeide A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor John Lindow, Chair Professor Jonas Wellendorf Professor Beate Fricke Fall 2015 Abstract Crafting Words and Wood: Myth, Carving and Húsdrápa by Erik Schjeide Doctor of Philosophy in Scandinavian Languages and Literatures University of California, Berkeley Professor John Lindow, Chair In the poem Húsdrápa, ca. 985, Úlfr Uggason described woodcarvings of mythological scenes adorning an Icelandic hall owned by the chieftain Óláfr pái. The performance, of which some verses have been passed down in writing, was an act of referential intermedia, insofar as the art form of skaldic poetry presented with woven words the content of a wood-carved medium that has long since rotted away. Hence, the composition of the poem combined with the carvings created a link that opens up a union between extant literary sources and material culture which contributes to expanding cultural insight. This study draws from a range of sources in order to answer central research questions regarding the appearance and qualities of the missing woodcarvings. Intermedia becomes interdisciplinary in the quest, as archaeological finds of Viking Age and early medieval woodcarvings and iconography help fill the void of otherwise missing artifacts. Old Norse literature provides clues to the mythic cultural values imbued in the wooden iconography. Anthropological and other theories drawn from the liberal arts also apply as legend, myth and art combine to inform cultural meaning.
    [Show full text]