Give Rise to the Bodhi Mind
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Cao Pi (Pages 5-6) 5
JCC: Romance of the Three Kingdoms 三國演義 Cao Cao Dossier 曹操 Crisis Director: Matthew Owens, Charles Miller Email: [email protected], [email protected] Chair: Harjot Singh Email: [email protected] Table of Contents: 1. Front Page (Page 1) 2. Table of Contents (Page 2) 3. Introduction to the Cao Cao Dossier (Pages 3-4) 4. Cao Pi (Pages 5-6) 5. Cao Zhang (Pages 7-8) 6. Cao Zhi (Pages 9-10) 7. Lady Bian (Page 11) 8. Emperor Xian of Han (Pages 12-13) 9. Empress Fu Shou (Pages 14-15) 10. Cao Ren (Pages 16-17) 11. Cao Hong (Pages 18-19) 12. Xun Yu (Pages 20-21) 13. Sima Yi (Pages 22-23) 14. Zhang Liao (Pages 24-25) 15. Xiahou Yuan (Pages 26-27) 16. Xiahou Dun (Pages 28-29) 17. Yue Jin (Pages 30-31) 18. Dong Zhao (Pages 32-33) 19. Xu Huang (Pages 34-35) 20. Cheng Yu (Pages 36-37) 21. Cai Yan (Page 38) 22. Han Ji (Pages 39-40) 23. Su Ze (Pages 41-42) 24. Works Cited (Pages 43-) Introduction to the Cao Cao Dossier: Most characters within the Court of Cao Cao are either generals, strategists, administrators, or family members. ● Generals lead troops on the battlefield by both developing successful battlefield tactics and using their martial prowess with skills including swordsmanship and archery to duel opposing generals and officers in single combat. They also manage their armies- comprising of troops infantrymen who fight on foot, cavalrymen who fight on horseback, charioteers who fight using horse-drawn chariots, artillerymen who use long-ranged artillery, and sailors and marines who fight using wooden ships- through actions such as recruitment, collection of food and supplies, and training exercises to ensure that their soldiers are well-trained, well-fed, well-armed, and well-supplied. -
Congressional-Executive Commission on China
CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2017 ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION OCTOBER 5, 2017 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00001 Fmt 6011 Sfmt 5011 U:\DOCS\26811 DIEDRE 2017 ANNUAL REPORT VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00002 Fmt 6019 Sfmt 6019 U:\DOCS\26811 DIEDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2017 ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION OCTOBER 5, 2017 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PUBLISHING OFFICE 26–811 PDF WASHINGTON : 2017 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 U:\DOCS\26811 DIEDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS Senate House MARCO RUBIO, Florida, Chairman CHRISTOPHER H. SMITH, New Jersey, JAMES LANKFORD, Oklahoma Cochairman TOM COTTON, Arkansas ROBERT PITTENGER, North Carolina STEVE DAINES, Montana TRENT FRANKS, Arizona TODD YOUNG, Indiana RANDY HULTGREN, Illinois DIANNE FEINSTEIN, California MARCY KAPTUR, Ohio JEFF MERKLEY, Oregon TIMOTHY J. WALZ, Minnesota GARY PETERS, Michigan TED LIEU, California ANGUS KING, Maine EXECUTIVE BRANCH COMMISSIONERS Department of State, To Be Appointed Department of Labor, To Be Appointed Department of Commerce, To Be Appointed At-Large, To Be Appointed At-Large, To Be Appointed ELYSE B. -
Chapter 25 Uniform Titles Part 1
CHAPTER 25 UNIFORM TITLES Revised: October 2010 25.1. USE OF UNIFORM TITLES 25.1A. Uniform titles can be used for different purposes. They provide the means: for bringing together all catalogue entries of a work when various manifestations (e.g. editions, translations) of it have appeared under various titles; for identifying a work when the title by which it is known differs from the title proper of the item being catalogued; for differentiating between two or more works published under identical titles proper; for organizing the file. The need to use uniform titles varies from one catalogue to another and varies within one catalogue. Base the decision whether to use a uniform title in a particular instance on one or more of the following, as appropriate: 1) how well the work is known 2) how many manifestations of the work are involved 3) whether another work with the same title proper has been identified (see 25.5B) 4) whether the main entry is under title (see 21.1C) 5) whether the work was originally in another language 6) the extent to which the catalogue is used for research purposes. NOTE: Chapter 25 is optional. Although this chapter describes an instructional set of rules, use these rules according to the varying policies of the cataloging agency. LC rule interpretation: Applicability Use a uniform title unless the complete uniform title that would be assigned is exactly the same as the title proper of the item. Exceptions 1) Do not use a uniform title when the only difference is the presence of an initial article in the bibliographic title proper. -
The Contrast of Chinese and English in the Translation of Chinese Poetry
Asian Social Science December, 2008 The Contrast of Chinese and English in the Translation of Chinese Poetry Ning Li Continuing Education College Beijing Information Science & Technology University Beijing 100076, China E-mail: [email protected] Abstract Chinese poetry is the soul of Chinese literature and Chinese culture. A good translation of a Chinese verse can promote the prevalence of Chinese culture. In the translation of Chinese poetry, translators should not only keep the characteristics of Chinese poems, but also embody the English characteristics. This article analyzed some versions of translation and proposed factors affecting the translation of Chinese poetry. Keywords: Chinese Poetry, Translation, Contrast 1. Introduction Chinese poetry is one of the most important parts in Chinese literature. Since The Book of Odes, the first poetry collection written by Confucius in the spring-autumn period was known by people, Chinese poetry has developed quickly. In the Tang Dynasty, Chinese poetry was at its peak. In this period, many immortal poems were written and had great influence on the later Dynasties. In the later Dynasties, Chinese poetry went on its development. But because of the development of other literary styles—Yuan Songs (drama created mainly in Yuan Dynasty), novels, and essays, poetry is no longer the major literary style. In this article, I’d like to talk about the contrast of Chinese and English in the translation of Tang-poems. Tang-poems has very strict phonological format. In each stanza, there are five (in quatrains) or seven (in regulated verses) words. Using limited words to express unlimited sense is the major characteristic of Chinese poetry. -
Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong of Song Princess Der Ling Zu Ding
CHINESE ROYALTY INTRODUCTION PAN GENG EMPRESS GAO TAI WU HE DAN JIA ZU YI EMPEROR LIZONG OF SONG PRINCESS DER LING ZU DING PDF-31CRIPGEGTWHDJZYELOSPDLZD8 | Page: 125 File Size 5,545 KB | 2 Feb, 2020 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong 1/2 Of Song Princess Der Ling Zu Ding - PDF-31CRIPGEGTWHDJZYELOSPDLZD8 Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding e-Book Name : Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding - Read Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 2 Feb, 2020, Ebook ID PDF-31CRIPGEGTWHDJZYELOSPDLZD8. Download full version PDF for Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding using the link below: Download: CHINESE ROYALTY INTRODUCTION PAN GENG EMPRESS GAO TAI WU HE DAN JIA ZU YI EMPEROR LIZONG OF SONG PRINCESS DER LING ZU DING PDF The writers of Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. -
Weaponry During the Period of Disunity in Imperial China with a Focus on the Dao
Weaponry During the Period of Disunity in Imperial China With a focus on the Dao An Interactive Qualifying Project Report Submitted to the Faculty Of the WORCESTER POLYTECHNIC INSTITUTE By: Bryan Benson Ryan Coran Alberto Ramirez Date: 04/27/2017 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen 1 Table of Contents Table of Contents 2 List of Figures 4 Individual Participation 7 Authorship 8 1. Abstract 10 2. Introduction 11 3. Historical Background 12 3.1 Fall of Han dynasty/ Formation of the Three Kingdoms 12 3.2 Wu 13 3.3 Shu 14 3.4 Wei 16 3.5 Warfare and Relations between the Three Kingdoms 17 3.5.1 Wu and the South 17 3.5.2 Shu-Han 17 3.5.3 Wei and the Sima family 18 3.6 Weaponry: 18 3.6.1 Four traditional weapons (Qiang, Jian, Gun, Dao) 18 3.6.1.1 The Gun 18 3.6.1.2 The Qiang 19 3.6.1.3 The Jian 20 3.6.1.4 The Dao 21 3.7 Rise of the Empire of Western Jin 22 3.7.1 The Beginning of the Western Jin Empire 22 3.7.2 The Reign of Empress Jia 23 3.7.3 The End of the Western Jin Empire 23 3.7.4 Military Structure in the Western Jin 24 3.8 Period of Disunity 24 4. Materials and Manufacturing During the Period of Disunity 25 2 Table of Contents (Cont.) 4.1 Manufacturing of the Dao During the Han Dynasty 25 4.2 Manufacturing of the Dao During the Period of Disunity 26 5. -
The Vajra Prajnaparamita Sutra 金剛般若波羅蜜經
The Vajra Prajnaparamita Sutra 金剛般若波羅蜜經 Incense Praise 爐香讚…………………………………………………………2 The Vajra Prajnaparamita Sutra 金剛般若波羅蜜經………………………………………… 4 Liturgy for Making Offerings 上 供………………………………………………………… 61 Making Offerings to the Deceased 靈前回向…………………………………………………… 62 Taking Refuge 三皈依……………………………………………………… 73 A Prayer for the Dharma Service 共修法會祈願文…………………………………………… 74 Transfer of Merit 回向偈……………………………………………………… 82 1 Incense Praise 爐香讚 Lu Xiang Zha Re ， Fa Jie Meng Xun ， 爐 香 乍 爇 ， 法 界 蒙 熏 ， Incense burning in the censer, the fragrance permeates throughout all space. Zhu Fo Hai Hui Xi Yao Wen ， 諸 佛 海 會 悉 遙 聞 ， The Buddhas perceive it from every direction, Sui Chu Jie Xiang Yun 。 隨 處 結 祥 雲 。 Auspicious clouds gathering everywhere. Cheng Yi Fang Yin ， Zhu Fo Xian Quan Shen 。 誠 意 方 殷 ， 諸 佛 現 全 身 。 With our sincerity, the Buddhas manifest themselves in their entirety. *Na Mo Xiang Yun Gai Pu Sa Mo He Sa 。 南 無 香 雲 蓋 菩 薩 摩 訶 薩 。 (*Repeat 3 times) (三稱) We take refuge in the bodhisattva-mahasattvas. *Na Mo Ben Shi Shi Jia Mou Ni Fo 南 無 本 師 釋 迦 牟 尼 佛 (*Repeat 3 times) (三稱) We take refuge in our teacher Sakyamuni Buddha. 2 Sutra Opening Gatha 開經偈 Wu Shang Shen Shen Wei Miao Fa 。 無 上 甚 深 微 妙 法 。 This is the most supreme, profound, and wondrous teaching. Bai Qian Wan Jie Nan Zao Yu 。 百 千 萬 劫 難 遭 遇 。 It is a rare encounter in the mist of trillion kalpas. Wo Jin Jian Wen De Shou Chi 。 我 今 見 聞 得 受 持 。 Now that I have chosen to learn the teaching, I will uphold it. -
UC Berkeley Cross-Currents: East Asian History and Culture Review
UC Berkeley Cross-Currents: East Asian History and Culture Review Title "Music for a National Defense": Making Martial Music during the Anti-Japanese War Permalink https://escholarship.org/uc/item/7209v5n2 Journal Cross-Currents: East Asian History and Culture Review, 1(13) ISSN 2158-9674 Author Howard, Joshua H. Publication Date 2014-12-01 eScholarship.org Powered by the California Digital Library University of California “Music for a National Defense”: Making Martial Music during the Anti-Japanese War Joshua H. Howard, University of Mississippi Abstract This article examines the popularization of “mass songs” among Chinese Communist troops during the Anti-Japanese War by highlighting the urban origins of the National Salvation Song Movement and the key role it played in bringing songs to the war front. The diffusion of a new genre of march songs pioneered by Nie Er was facilitated by compositional devices that reinforced the ideological message of the lyrics, and by the National Salvation Song Movement. By the mid-1930s, this grassroots movement, led by Liu Liangmo, converged with the tail end of the proletarian arts movement that sought to popularize mass art and create a “music for national defense.” Once the war broke out, both Nationalists and Communists provided organizational support for the song movement by sponsoring war zone service corps and mobile theatrical troupes that served as conduits for musicians to propagate their art in the hinterland. By the late 1930s, as the United Front unraveled, a majority of musicians involved in the National Salvation Song Movement moved to the Communist base areas. Their work for the New Fourth Route and Eighth Route Armies, along with Communist propaganda organizations, enabled their songs to spread throughout the ranks. -
Music for a National Defense”: Making Martial Music During the Anti-Japanese War
“Music for a National Defense”: Making Martial Music during the Anti-Japanese War Joshua H. Howard, University of Mississippi Abstract This article examines the popularization of “mass songs” among Chinese Communist troops during the Anti-Japanese War by highlighting the urban origins of the National Salvation Song Movement and the key role it played in bringing songs to the war front. The diffusion of a new genre of march songs pioneered by Nie Er was facilitated by compositional devices that reinforced the ideological message of the lyrics, and by the National Salvation Song Movement. By the mid-1930s, this grassroots movement, led by Liu Liangmo, converged with the tail end of the proletarian arts movement that sought to popularize mass art and create a “music for national defense.” Once the war broke out, both Nationalists and Communists provided organizational support for the song movement by sponsoring war zone service corps and mobile theatrical troupes that served as conduits for musicians to propagate their art in the hinterland. By the late 1930s, as the United Front unraveled, a majority of musicians involved in the National Salvation Song Movement moved to the Communist base areas. Their work for the New Fourth Route and Eighth Route Armies, along with Communist propaganda organizations, enabled their songs to spread throughout the ranks. Keywords: Anti-Japanese War, Li Jinhui, Liu Liangmo, Lü Ji, Mai Xin, mass song, National Salvation Song Movement, New Fourth Army, Nie Er, United Front, Xian Xinghai Reflecting on his country’s defeat in World War II, a Japanese interviewed in Taibei attributed China’s victory neither to superior weaponry nor to battle tactics but to the fact that it had “relied on War of Resistance songs (kangzhan gequ) to arouse tremendous popular sentiment” (Chen F. -
A Discussion of Personages Mentioned in the Huadong and Wang Groups of Oracle Bone Inscriptions
jiz i". This has a definite r eference val ue for resear ch on the pr oblem of"Qin Zi" in bronze inscriptions and investigations of the early history of the Qin state. Key words: Spring and Autumn History; Qin Zi; Qin ziji; Qin Chuzi Bronzes;Epigraphy. A Discussion of Personages mentioned in the Huadong and Wang Groups of Oracle Bone Inscriptions Wei Cide T he art icl e Chines e appears Abstract: The author discusses a number of names that appear in both the Huadong and frompage 33 t041 Wang Groups of oracle bone inscriptions, including MM, Ao, Wei, MM, Shu and Zi Xing, and points out that the names Zang Wei, MM Yi and the officiant Zi Xing's details from the Huadong group can be used to date the periods to which these inscriptions belong. The article also demonstrates that the Huadong Group of divinations has orthographic similarities with the Li Group. Key words: Huadong Group of oracle bone inscriptions; periodisation; the zhenren Wei Zi Xing. A Preliminary Discussion on the Identification of " Zi" in the Huadong Group of Oracle Bone Inscription as Wu Ding's Son Y a o X n a n Abstract: Most of the Fei Wang group of inscribed oracle bones and scapulae found at the Eastern Locus at Huayuanzhuang in Yinxu name the main ancestor as "Zu Yi" or "Zu Jia". The cataloguers identify this "Zu Yi" as the same person named in the contemporary Wang Group of inscriptions, namely the son of Zhong Ding and the father of Zu Xin, while "Zu Jia" is identified as Zu Yi's son Wo Jia (or Qiang Jia). -
Walt Whitman Quarterly Review
Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr A Selected Bibliography of Walt Whitman in Chinese (1919-1984) Xilao Li Volume 3, Number 4 (Spring 1986) pps. 43-47 Stable URL: http://ir.uiowa.edu/wwqr/vol3/iss4/10 ISSN 0737-0679 Copyright c 1986 by The University of Iowa. BIBLIOGRAPHIES A SELECTED BIBLIOGRAPHY OF WALT WHITMAN IN CHINESE (1919-1984) Tian, Han. "ping min shi ren hui te man bai nian ji" ["Commemorating the Centenary of the Birth of Whitman" -the Common People's Poet], Shao Nian Zhong Guo [The Young China], 1, No.1 (July 1919). Xi Chu. "hui te man zi you shi xuan yi" ["Selected Translations ofWhitman's Poems of Freedom"], Ping Min Jiao Yu [Education of the Common People], No. 20 (March 1920). Can Hong. "yi hui te man xiao shi wu shou" ["Five Poems ofWhitman Translated"], Cheng Bao Fu Kan [The Supplement to Morning Post], 20 May 1921. Shen, Yanbing. "hui te man zai fa guo" ["Whitman in France"], Xiao Shuo Vue Bao [Short Story Monthry], 12, No.3 (March 1921). Liu, Yanling. "mei guo de xin shi yun dong" ["New Poetry Movement in America"], Shi [Poetry], 1, No.2 (February 1922). Dong Lai, translator. "lei" ["Tears"], Wen Xue Zhou Bao [Literary Weekly], No. 30 (1923?). Xu, Zhimo, translator. "wo zi ji de ge" ["Song ofMyself"],XiaoShuo Vue Bao [Short Story Monthry], 15, No.3 (March 1924). SQn Lianggong. "Walt Whitman," in his Shi Jie wen xue jia lie zhuan [Biographical Notes of World-famous Literary Writers], Zhong Hua Book Co., 1926 and 1930. -
Die Beziehungen Der Volksrepublik China Zu Multilateralen Gruppierungen Im Asiatisch- Pazifischen Raum, 1989-1999*
Die Beziehungen der Volksrepublik China zu multilateralen Gruppierungen im asiatisch- pazifischen Raum, 1989-1999* Dr. Dirk Schmidt _______________________________________________________________________ * zugleich Dissertation zur Erlangung des Grades eines Doktors der Wirtschaftswissenschaft an der Universität des Saarlandes, Saarbrücken 2001 I Inhaltsverzeichnis Einleitung............................................................................................................................................................... 1 1. Kapitel Systematische Grundlegung ............................................................................................................. 17 1.1 Definitionen................................................................................................................................................ 19 1.2. Untersuchungsgegenstände und Fragestellungen der Kooperations-, Institutionen- und Regimeforschung............................................................................................................................................. 26 1.2.1. Problemkreis 1: Die Herbeiführung von Kooperation ........................................................................ 27 1.2.2. Problemkreis 2: Der Wert internationaler Institutionen beziehungsweise Regime ............................. 30 1.2.3. Problemkreis 3: Der Einfluß internationaler Regime.......................................................................... 32 1.2.4. Weitere Einzelfragen der Regimeforschung ......................................................................................