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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Bloomberg Center Design Fact Sheet
SEPTEMBER 13, 2017 Bloomberg Center Design Fact Sheet 02 PRESS RELEASE 05 ABOUT MORPHOSIS 06 BIOGRAPHY OF THOM MAYNE 07 ABOUT CORNELL TECH 08 PROJECT INFORMATION 09 PROJECT CREDITS 11 PROJECT PHOTOS 13 CONTACT 1 Bloomberg Center Press Release// The Bloomberg Center at Cornell Tech Designed by Morphosis Celebrates Formal Opening Innovative Building is Academic Hub of New Applied Science Campus with Aspiration to Be First Net Zero University Building in New York City NEW YORK, September 13, 2017 – Morphosis Architects today marked the official opening of The Emma and Georgina Bloomberg Center, the academic hub of the new Cornell Tech campus on Roosevelt Island. With the goal of becoming a net zero building, The Bloomberg Center, designed by the global architecture and design firm, forms the heart of the campus, bridging academia and industry while pioneering new standards in environmental sustainability through state-of- the-art design. Spearheaded by Morphosis’ Pritzker Prize-winning founder Thom Mayne and principal Ung-Joo Scott Lee, The Bloomberg Center is the intellectual nerve center of the campus, reflecting the school’s joint goals of creativity and excellence by providing academic spaces that foster collective enterprise and collaboration. “The aim of Cornell Tech to create an urban center for interdisciplinary research and innovation is very much in line with our vision at Morphosis, where we are constantly developing new ways to achieve ever-more-sustainable buildings and to spark greater connections among the people who use our buildings. With the Bloomberg Center, we’ve pushed the boundaries of current energy efficiency practices and set a new standard for building development in New York City,” said Morphosis founder and design director Thom Mayne. -
Philip Johnson, Architecture, and the Rebellion of the Text: 1930-1934
PHILIP JOHNSON, ARCHITECTURE, AND THE REBELLION OF THE TEXT: 1930-1934 The architect Philip Johnson, intermittently famous for provocative buildings— his modernist Glass House, 1949, and the Postmodern AT&T (now Sony) Building, 1984—will be remembered less for his architecture than for his texts. He first made a reputation as co-author (with Henry Russell Hitchcock) of the 1932 book The Interna- tional Style, which presented the European Modern Movement as a set of formal rules and documented its forms in photographs. In 1947, on the verge of a career in archi- tectural practice, Johnson authored the first full-length monograph on Mies van der Rohe. To these seminal texts in modernism’s history in America should be added a number of occasional writings and lectures on modern architecture. In addition, the exhibitions on architecture and design Johnson curated for the Museum of Modern Art (MoMA), beginning with the seminal Modern Architecture in 1932, should also be considered texts, summarizing, or reducing, architectural experience through selected artifacts and carefully crafted timelines. In the course of a very long career, Johnson was under almost constant fire for de-radicalizing modernism, for reducing it to yet another value-free episode in the history of style, or even of taste. The nonagenarian Johnson himself cheerfully con- fessed to turning the avant-garde he presented to America into “just a garde” (qtd. in Somol 43). Yet in 1931 Johnson described the spirit of his campaign for modernism as “the romantic love for youth in revolt, especially in art, universal today” (Johnson, Writings 45). -
On a Gently Sloping Site in New Canaan, Sanaa Designed Spaces Text Photos for Public Gatherings in the Form of a Meandering River
164 Mark 59 Long Section Sanaa New Canaan — CT — USA 165 Si!ing Lightly on the Land On a gently sloping site in New Canaan, Sanaa designed spaces Text Photos for public gatherings in the form of a meandering river. Michael Webb Iwan Baan 166 Mark 59 Long Section Sanaa New Canaan — CT — USA 167 In essence, the building of glass, concrete, steel and wood is a single long roof that seems to float above the surface of the ground as it twists and turns across the landscape. &e amphitheatre in the foreground seats 700. A few kilometres from Philip Johnson’s Glass House in New Canaan, Connecticut, Sanaa has created a structure that is even more transparent and immaterial. Aptly named the River, it comprises a canopy of Douglas fir, supported on slender steel poles, that descends a gentle slope in a series of switchbacks, widening at five points to embrace rounded glass enclosures that seem as insubstantial as soap bubbles. From one end to the other is 140 m, but it is tucked into a space half that length. From above, the gently bowed roof of anodized aluminium panels picks up the light as though it were a watercourse, and constantly shi$ing perspectives give it a sense of motion. %is linear shelter was commissioned by the non-profit Grace Farms Foundation to house its non-denominational worship space, as a gathering place for the communi& and as a belvedere from which to observe a 32-hectare nature preserve. %eir first impulse was to save this last undeveloped plot of countryside in Fairfield Coun&. -
Amateur Architecture Studio Hangzhou, China
EN Reducing tradition to a decorative symbol and then applying it to combination with concrete and steel structures. If you don’t ram earth in the traditional way, but the surface of a modern construction... That’s exactly what kills with a pneumatic rammer, you have to adjust the true meaning of tradition. Wang Shu your method. In the end, the solution has to be feasible with regard to current regulations, in terms of energy saving, for example. The Pritzker jury appreciated one thing in particular The chairman of the Pritzker Prize jury, when it was In terms of city planning, a lot of effort has been put in your work: the way the ecological aspect of your awarded to you, explained the jury’s decision in these into the urbanisation process over the past few years. architecture has made it possible to avoid the visual words: “The question of the ideal relationship be- W. S. : This subject requires a very wide-reach- repetitiveness caused by globalisation. Hangzhou, China Hangzhou, Amateur Architecture Studio Architecture Amateur tween past and present comes at just the right time, ing cultural vision. Everyone says that the next W. S. : Using true tradition is not synonymous because the urbanisation of China raises the question great hope for the development of China is with uniformity. It means knowing how to an- Lu Wenyu Lu of whether architecture should be anchored in the past urbanisation. In the next five or ten years, we swer one question: how can we ensure that each or only look towards the future. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Claes Oldenburg Proposal for Colossal Structure in the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972
Claes Oldenburg Proposal for Colossal Structure in the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972 City Gallery Wellington Resource Card Demented Architecture About the Exhibition Pre/Post visit suggestions Demented Architecture brings together work by contemporary artists 1. Colossal structures that explores the role of architecture and the mythology of the architect Think about the relationship between art and architecture using the work of from a contemporary art perspective. The exhibition includes video, Claus Oldenburg as a starting point: drawings, prints and sculpture from around the world. Represented in the show are Olafur Eliasson, Edgar Roy Brewster, Brodsky and Utkin, Claes Oldenburg Jasmina Cibic, Henry Coombes, Zbigniew Libera, Kirsty Lillico and Proposal for Colossal Structure in Claes Oldenburg. the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972 Selected works Pop artist, Claes Oldenburg made sculpture versions of everyday Olafur Eliasson The Cubic Structural Evolution Project 2004 objects, often ludicrously enlarged. These eventually The Cubic Structural Evolution Project consists of thousands of pieces became proposals for ‘colossal of white Lego laid out on a large table. The audience is invited to monuments’, This lithograph ‘become’ an architect and participate in the work’s construction, depicts a proposal for an modification, destruction and re-construction. Over time structures unrealised Civic Cathedral in emerge from the rubble and fall back into it, suggesting a city in Seattle in the shape of a tap fed by constant renewal and transformation. More than a simple invitation to a hand crank that both extracts play, Eliasson explores the power of architecture to determine and shoots water back into Lake experience and maintain social order. -
Architecture on Display: on the History of the Venice Biennale of Architecture
archITECTURE ON DIspLAY: ON THE HISTORY OF THE VENICE BIENNALE OF archITECTURE Aaron Levy and William Menking in conversation with: Vittorio Gregotti Paolo Portoghesi Francesco Dal Co Hans Hollein Massimiliano Fuksas Deyan Sudjic Kurt W Forster Richard Burdett Aaron Betsky Kazuyo Sejima Paolo Baratta archITECTUraL assOCIATION LONDON ArchITECTURE ON DIspLAY Architecture on Display: On the History of the Venice Biennale of Architecture ARCHITECTURAL ASSOCIATION LONDON Contents 7 Preface by Brett Steele 11 Introduction by Aaron Levy Interviews 21 Vittorio Gregotti 35 Paolo Portoghesi 49 Francesco Dal Co 65 Hans Hollein 79 Massimiliano Fuksas 93 Deyan Sudjic 105 Kurt W Forster 127 Richard Burdett 141 Aaron Betsky 165 Kazuyo Sejima 181 Paolo Baratta 203 Afterword by William Menking 5 Preface Brett Steele The Venice Biennale of Architecture is an integral part of contemporary architectural culture. And not only for its arrival, like clockwork, every 730 days (every other August) as the rolling index of curatorial (much more than material, social or spatial) instincts within the world of architecture. The biennale’s importance today lies in its vital dual presence as both register and infrastructure, recording the impulses that guide not only architec- ture but also the increasingly international audienc- es created by (and so often today, nearly subservient to) contemporary architectures of display. As the title of this elegant book suggests, ‘architecture on display’ is indeed the larger cultural condition serving as context for the popular success and 30- year evolution of this remarkable event. To look past its most prosaic features as an architectural gathering measured by crowd size and exhibitor prowess, the biennale has become something much more than merely a regularly scheduled (if at times unpredictably organised) survey of architectural experimentation: it is now the key global embodiment of the curatorial bias of not only contemporary culture but also architectural life, or at least of how we imagine, represent and display that life. -
Tobias Armborst – the Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in Search of the User
program 1 Thursday November 11 2010 De Nieuwe Bibliotheek Almere (Public Library of Almere) Stadhuisplein 101, 1315 XC Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 introduction by Michelle Provoost, director INTI opening by René Peeters, alderman City of Almere 10h15 theme 1: Participation and Community Power moderator Michelle Provoost • Tobias Armborst – The Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in search of the user 11h45 theme 2: The Architect and the Process • Kieran Long (Evening Standard) interviews Kees Christiaanse (KCAP) and Nathalie de Vries (MVRDV) on the role of the Architect in the development of New Towns in Russia and Asia 13h00 lunch at Centre for Architecture CASLa, Weerwaterplein 3, 1324 EE Almere 14h30 theme 3: New Towns as Political Instrument moderator: Wouter Vanstiphout • Zvi Efrat – About Politics and Architecture of New Towns in Israel • Azadeh Mashayekhi – Revisiting Iranian New Towns • Dan Handel – Grid and Revelation: Cities of Zion in the American West • Vincent Lacovara – Specific Flexibility in Place-making - or - The Law of Unforseen Planning 17h00 drinks and dinner at restaurant Waterfront Esplanade 10, 1315 TA Almere (Schouwburg of Almere) 2 Friday 12 November 2010 Schouwburg of Almere (Theatre of Almere) Esplanade 10, 1315 TA Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 Introduction by Michelle Provoost, director INTI 09h40 theme 4: Left and Right in Urban Planning moderator Felix Rottenberg • Adri -
New Trends En El Mundo
1 NEW TRENDS EN EL MUNDO La cuarta edición del New Trends of Architecture comenzó en Patras, Grecia, Capital europea de la Cultura 2006, en Junio de ese mismo año. La inauguración fue el día 2 de Junio del 2006. New Trends of Architecture fue fundada en el 2001 por un grupo de consejeros japoneses de la cultura y los medios de comunicación, de quince estados miembros de la Unión Europea, Instituciones Culturales europeas y de la Delegación de la Comisión Europea en Japón. El objetivo es crear una plataforma que constituya una oportunidad para compartir ideas y experiencias entre Europa y Asia Pacífico, a través de exposiciones anuales y simposiums para arquitectos emergentes europeos, japoneses y de otros países del Pacífico que tendrán lugar en Japón y otras capitales europeas. El proyecto fue reconocido no solo por el mundo de la arquitectura sino también por el mundo diplomático. El antiguo director de la comisión europea, Romano Prodi y, el primer ministro de Japón, Junichiro Koizumi, mencionaron este proyecto especialmente como un programa de intercambio importante durante la cumbre euro japonesa en Julio 2002. En el año 2004, coincidiendo con la ampliación de la Unión Europea, la tercera edición de New Trends of Architecture fue presentada como una nueva iniciativa: un proyecto para las regiones de Europa y el Pacífico asiático. La exposición, acompañada de un simposium, fue organizada en Lille, Hong-Kong, Tokio, Cork, Melbourne y Anyang. En cada ciudad resultó ser una fuente de encuentros e intercambios enriquecedores. El concepto básico de este proyecto fue inspirado por la idea europea de la Capital Europea de la Cultura. -
Introduction to Modern Literature David Spurr, Fall 2020 11 Nov
Introduction to Modern Literature David Spurr, Fall 2020 11 Nov. Architectural form and representation: Some principles American beginnings of modernism: The Chicago School Louis Sullivan, “The Tall Office Building Artistically Considered,” 1896 https://ocw.mit.edu/courses/architecture/4-205-analysis-of-contemporary- architecture-fall-2009/readings/MIT4_205F09_Sullivan.pdf 18 Nov. Organic architecture: Frank Lloyd Wright Wright, “In the Cause of Architecture,” 1908 https://www.architecturalrecord.com/ext/resources/news/2016/01- Jan/InTheCause/Frank-Lloyd-Wright-In-the-Cause-of-Architecture-March- 1908.pdf “Frank Lloyd Wright: American Architect,” Museum of Modern Art, 1940: https://www.moma.org/calendar/exhibitions/2992 Architectural Forum, special issue on Wright, January 1938: https://usmodernist.org/AF/AF-1938-01.pdf 25 Nov. European beginnings of modernism: Walter Gropius Gropius, “Bauhaus Manifesto and Programme,” 1919 http://mariabuszek.com/mariabuszek/kcai/ConstrBau/Readings/GropBau19.p df Gropius, “Principles of Bauhaus Production,” 1926 http://mariabuszek.com/mariabuszek/kcai/ConstrBau/Readings/GropPrdctn.p df Gropius, ”The Theory and Organization of the Bauhaus,” 1923, in Herbert Bayer, Bauhaus 1919-1928, Museum of Modern Art: https://www.moma.org/documents/moma_catalogue_2735_300190238.pdf De Stijl: Gerrit Rietveld Theo van Doesburg, First De Stijl Manifesto, 1918 https://www.readingdesign.org/de-stijl-manifesto Rietveld, “The New Functionalism in Dutch Architecture,“ 1932 https://modernistarchitecture.wordpress.com/2010/10/20/gerrit-rietveld- %E2%80%9Cnew-functionalism-in-dutch-architecture%E2%80%9D-1932/ Machines for Living: Le Corbusier Le Corbusier, “Five Points Towards a New Architecture,” 1926 https://www.spaceintime.eu/docs/corbusier_five_points_toward_new_archit ecture.pdf Le Corbusier, “Towards a New Architecture,” 1927 https://archive.org/details/TowardsANewArchitectureCorbusierLe/page/n91/ mode/2up E1027: Eileen Gray Joseph Rykwert, “Eileen Gray, Design Pioneer,” 1968. -
420 Architectural Works Compete for the European Union Prize for Contemporary Architecture – Mies Van Der Rohe Award 2015
EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE MIES VAN DER ROHE AWARD 2015 420 ARCHITECTURAL WORKS COMPETE FOR THE EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE – MIES VAN DER ROHE AWARD 2015 The European Commission and the Fundació Mies van der Rohe announced today the list of 420 projects competing for the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2015. 27% of the proposals deal with Housing while 24% are Cultural facilities. 11% are connected to Education, 5% to Offices and the other 33% include mostly Sport, Commercial, Governmental, Transport and Urban typologies. Initiated in 1987 after an agreement between the European Commission and the Barcelona City Hall, the 60.000€ prize is the highest award in European architecture and is awarded biennially to works completed within the previous two years. The principal objectives are to recognise and commend excellence in the field of architecture and to draw attention to the important contribution of European professionals in the development of new ideas and technologies and of the clients who support them. Previous winners include: Harpa - Reykjavik Concert Hall & Conference Centre; Reykjavik, by Peer Henning Larsen Architects / Teglgaard Jeppesen, Osbjørn Jacobsen; Studio Olafur Eliasson / Olafur Eliasson; Batteríid architects / Sigurður Einarsson Neues Museum, Berlin, by David Chipperfield Architects / David Chipperfield, in collaboration with Julian Harrap Norwegian National Opera & Ballet, Oslo, by SNØHETTA / Kjetil Trædal Thorsen, Tarald