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Hart Publishing Good for lawyers

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1 Dear , Welcome to Hart Publishing

It is my pleasure to welcome you to the Hart author pack. Whether contemplating your first , or an established author, I hope you find this pack helpful in answering any questions you might have on legal publishing generally and Hart Publishing more specifically.

At Hart the author-publisher relationship is at the centre of everything that we do. The whole team, whether editorial, production or , see the process very much as a collaboration and one which we are privileged to be involved in. We recognise that a book is a serious endeavour and on occasion a test of stamina. We will be delighted if this author pack goes some way in ensuring a smoother publishing experience. Of course, if you have any further questions, don’t hesitate to get in touch directly.

We look forward to working with you!

Sinéad Moloney Editorial Director, Hart Publishing, an Imprint of Bloomsbury Publishing

2 About Hart Publishing

A Bit of History Awards

Hart Publishing was established by its founders Richard In 2009 Hart was awarded the title Hart and Jane Parker in 1996 to publish the highest Academic & Professional Publisher of the quality works of legal scholarship. After 17 years as an Year by the Independent Publishers Guild. independent publisher, Hart became a part of Bloomsbury Hart was also highly commended in the ‘Academic, Publishing in 2013. The years since the acquisition by Educational & Professional Publisher of the Year’ category Bloomsbury have seen an unprecedented period of at The Bookseller Awards in 2012. development at Hart. A major programme of digitisation has been undertaken, allowing the Hart front list and Hart books have won numerous prizes for their entire back catalogue to be available in a digital format. contribution to legal studies. Our most recent prizes Recognising the new acquisition trends of librarians, include the following: the Hart list is available on Bloomsbury Collections, our 2019 SLSA Book Prize research platform, which is supported and promoted by ‘Unity in Adversity’ by Charlotte O’Brien the Bloomsbury digital team. We have access to the latest publishing technologies; notably digital publishing/print 2019 SLSA Prize for Early Career Academics on demand, which allows for hardbacks to be re-issued ‘Detention of Terrorism Suspects’ by Maureen Duffy in format to meet demand and which ensures 2018 Inner Temple Book Prize (Main Prize) that no book need ever go out of print. Our new ‘Accessory Liability’ by Paul S Davies also gives increased functionality and ease of navigation. Finally, with the energy and expertise of the global 2018 Inner Temple Book Prize (New Author’s Prize) Bloomsbury sales and distribution team to call upon, ‘Damages and Human Rights’ by Jason Varuhas the reach of every single Hart book now stretches even further. For more information about all of our prizewinning books please visit www.bloomsburyprofessional.com/uk/hart/prizewinners

Our Values

Hart books aim to be intellectually stimulating and innovative, and they seek to contribute to the academic study of as well as to its development and practical implementation. Hart’s list is international in scope, and is distributed globally. With over 1500 titles in print, the list includes , scholarly and works for practitioners and spans the entirety of legal scholarship.

Hart is also proud to have publishing links with many of the world’s leading universities and law schools and with legal publishers across the globe, including CH Beck and Nomos in Germany and Pedone in France.

3 Why should you choose to write with us? What makes us different from other publishers?

Since its inception Hart Publishing has been committed to publishing rigorous, innovative and agenda setting scholarship. Our motto is simple; we publish good books for lawyers and remain exclusively committed to the legal world and its publishing needs. Authors are front and centre of what we do. We define author care in the broadest possible terms: from proposal to , we want authors to feel that they are valued and supported at every step of the way. When joining the Hart list, authors can expect: • Knowledgeable, responsive and supportive editorial contacts • Full • The highest production values • Creative and flexible marketing campaigns • A brand respected by key stakeholders; be they peers, law librarians or legal booksellers • and nimbleness when responding to a changing market • Access to the most current publishing technologies, allowing dissemination in both print and digital formats • Global marketing and distribution fully supported by the wider Bloomsbury global sales team

Publishing with H[e]art: The view from our authors

Here at Hart we pride ourselves on offering a great service to our authors. We aim to make the publishing process as seamless, professional and personal as possible and believe that this is something that sets us apart from other publishers.

But don’t just take our word for it … here are some testimonials from recent authors who’ve had a great experience publishing with us.

“Hart Publishing is, without question, the best “I’d like to reiterate how good it has been to deal professional academic publisher I have ever had the with Hart - it’s been a complete pleasure” pleasure to work with” Hayley J Hooper, Cambridge University Louis J Kotze, North-West University, South Africa “Many thanks to you and all involved at Hart for “It is the second time I have published a book with another first class experience from start to finish. Hart...My impressions are only positive. There never Having published twice with Hart now it continues to seems to be any problem and communication is be the Rolls Royce of publishing experience” always swift and amicable. A pleasure to work with” Anne-Marie McAlinden, Queen’s University Belfast Ian Ward, Newcastle University “Absolute perfection: there is not one aspect of the “I am always impressed by how quickly and smoothly relationship that could have been improved, and no the Hart publishing process is. I wish that all respect in which I haven’t received 100% support” publishers were as easy to deal with!” Nick McBride, Cambridge University Erika Chamberlain, Western University “I cannot imagine a better experience than I had “I have worked with many publishers over the working with Hart” last 20 years and I must say that Hart is absolutely Greg Weeks, University of New South Wales outstanding” Dirk de Meulemeester, Advocatenkantoor Lexlitis “...simply so wonderful and professional, I have no words to describe what a pleasure it was to cooperate “Thank you for all the hard work, enormous efforts with you all!” and support you put into this project. You are such an Mateja Djurovic, Hong Kong City University amazing team and I really did enjoy working with you” Mohamed Elewa Badar, Northumbria University 4 What do we publish?

Print books

We work with the very best UK printers and use only the finest materials in all our books. Our paper is high quality and environmentally sourced – carrying both FSC and PEFC credentials. The cloth we use on our hardback books is sourced from one of the leading and most established UK cloth manufacturers. We work with both in-house and external designers to make sure Hart covers are among the best in the market. We are happy to discuss specific requirements that you may have for a final product and, where possible, accommodate them.

Our digital products

All our books are now available in digital format. We sell titles individually or, as part of our research platform Bloomsbury Collections, in subject collections. Our Collections program is supported by a global sales team visiting and institutions to ensure the widest possible dissemination of the scholarship we publish. We use the latest XML-based technologies when producing our books, which allows for content to be produced in a variety of formats, meaning all digital needs of our customers can be accommodated.

In 2018 we launched a collaborative digital product with Bloomsbury Professional and CH Beck/Nomos. The product is called International Arbitration and offers access to materials by over 60 respected authors with the speed and convenience of online research. Full details can be found at www.bloomsburylawonline.com/internationalarbitration

PROPERTY LAW LEGAL HISTORY CONSUMER LAW GENDER AND THE LAW FAMILY LAW CONTRACT/TORT LAW CRIMINOLOGY TAX LAW COMPETITION LAW IMMIGRATION AND ASYLUM LAW CONSTITUTIONAL LAW LAW EUROPEAN LAW BANKING AND FINANCIAL LAW ARBITRATION AND ALTERNATIVE DISPUTE RESOLUTION LEGAL PHILOSOPHY INTERNATIONAL LAW COMPUTER AND LAW ENVIRONMENTAL LAW LABOUR LAW HUMAN RIGHTS LEGAL AND THE LEGAL PROFESSION COMPARATIVE LAW CRIMINAL LAW MEDIA LAW SOCIO-LEGAL STUDIES EQUITY AND TRUSTS MEDICAL LAW COMPANY LAW

5 Publishing your book

The story from start to finish

The next few pages will give you an idea of what publishing a book with Hart looks like. Some details can change slightly from project to project but they all start with a proposal and end with the finished product in a ready and receptive market.

The Proposal

Our editorial team consists of Sinead Moloney – Editorial Director Kate Whetter – Commissioning Editor Roberta Bassi – Commissioning Editor Rosemarie Mearns – Editorial Assistant Sasha Jawed – Publishing Assistant We are always happy to discuss new ideas with prospective authors and to read and review manuscripts and book proposals. If you have an idea for a book then please contact one of our editorial team whose commissioning responsibilities are listed below.

Sinead Moloney Kate Whetter Roberta Bassi (Editorial Director and General (Commissioning Editor) (Commissioning Editor) Manager) [email protected] [email protected] [email protected] Monographs, reference works, textbooks and Monographs, reference works, textbooks and Major Works practitioner titles in: practitioner titles in: Monographs, reference works, textbooks and Charity Law Arbitration and ADR practitioner titles in: Comparative Law Asian Law Competition/Antitrust Law Constitutional and Administrative Law Banking and Financial Law Contract, Tort, and Restitution Law Criminal Law, Criminal Justice and Criminology Company, Corporate and Commercial Law Equity and Trusts Education Law Consumer Law European Law Evidence Energy Environmental and Natural Resources Human Rights Gender and the Law Law Immigration, Asylum, Nationality and Law and Humanities Law Citizenship Law Legal Education and the Legal Profession Law International and Comparative Criminal Law Legal History International Economic and Trade Law Law of the Sea Legal Philosophy International Investment Law Private International Law Litigation and Civil Procedure IT and Technology Law Public International Law Property Law Labour and Discrimination Law Social Welfare Law Law and Economics Socio-Legal Studies Maritime and Shipping Law Media Law Medical Law and Ethics Tax Law

Rosemarie Mearns (Editorial Assistant) [email protected] Monographs, reference works, textbooks and practitioner titles in: Family Law Onati series 6 Key Points

We are interested in publishing all types of books, but we are particularly interested in monographs, 1 student texts, and works of reference for practitioners. We do publish edited collections, but it is now our policy to severely limit the number of such collections published annually because of the difficulties we face marketing such works.

We will not consider a or proposal which has been simultaneously submitted to other 2 publishers; if you are making a submission to more than one publisher then this must be disclosed at the time the submission is made. In exceptional circumstances we may agree to consider a proposal which is also being submitted to another publisher, and will decide at the time of submission whether or not we wish to commence our own review process. In these circumstances we will only commence our review process if the author undertakes to accept our offer of publication without unreasonable delay.

We undertake to complete our review process in a timely and to not keep authors waiting 3 unnecessarily.

We are often asked if we have any objection to parts or the whole of a book being ‘pre-published’ 4 (ie before the book appears) on SSRN, on the author’s own webpage, in a university repository, or in scholarly journals (print and digital). The answer is that while we recognise the temptation and pressure to ‘pre-publish’ in this fashion, in practice, for a variety of reasons it is very off-putting for us if all or part of a manuscript has been pre-published on the web or in a journal. We therefore generally decline to publish material which has been ‘pre-published’ elsewhere, and require authors to disclose at the outset if any part of their manuscript has been, or is in the process of being, ‘pre-published’ elsewhere.

OPEN ACCESS. We don’t allow PDFs of published chapters from our books to be posted on Open 5 Access sites or in personal or university repositories, but we do allow the original Word file to be posted. This applies to contributions to edited collections and journal articles, but not to chapters from sole authored books, textbooks and reference works. The only exceptions are titles commissioned under a Creative Commons License.

7 Book Proposals Process

If your manuscript is written, we will What will happen to your book proposal? usually require the following: All book proposals and manuscripts are initially assessed in-house. This initial assessment focuses on the commercial 1. The manuscript, saved as a Word or PDF file, viability of your proposed book, its ‘fit’ with our list, its supplied as an e-mail attachment. Please use a quality and the availability of space within our schedule. legible font (10pt or larger). This part of the process can take anything from 1 day to 2 2. A brief author CV. weeks, depending on a variety of factors, but we will let you know as soon as possible, and generally within 2 weeks, 3. A critical , analysing the relationship whether or not we wish to take the proposal to the next between the book and other similar or potentially stage. Bearing in mind that we receive between 800-1000 competitive books either published or in the course of proposals annually, of which only 80-90 are accepted, 90% being written. of prospective authors are bound to be disappointed. 4. A proposal document with an for the work, a timetable for completing the script, and the estimated Peer Reviewing final word count. Manuscripts and book proposals are assessed anonymously by a panel of independent reviewers who 5. In the case of a PhD we will also need to see a are experienced, recognised experts. We generally require of your examiners’ reports. two positive assessments, but in some circumstances will Please note: in the case of PhDs, we don’t publish seek additional reports. This part of the process can be unrevised theses and for review purposes we will need time-consuming because we do not have control over details of how the material will be revised, either in the our reviewers and have to allow them time to complete form of a detailed revision plan or a rewritten their work, while recognising that they are usually juggling illustrating the revisions. Please note: some universities do other responsibilities and work commitments. We generally not permit revisions, or allow only minimal revisions, in the try to complete this part of the process in 3 months, but published PhD. Please do check your institution’s policy in occasionally the process can take much longer. During this this regard before submitting as we will require revision. time we will keep you informed of progress. Following the review process we will normally send If the manuscript is not yet written and you are seeking a you the reports written by our reviewers and ask you to contract to write it, we will usually require the following: respond. The reports may contain suggestions for revision, 1. A table of contents. re-organisation, abbreviation or enlargement of your manuscript, and you will be expected to give serious 2. A brief description of the book (150-300 words). consideration to these suggestions. 3. A critical literature review, analysing the relationship We will consider the reviewers’ reports and your response to between the book you are planning to write and them and at that point will decide whether or not to make other similar or potentially competitive books either a positive recommendation to our publishing committee. published or in the course of being written. Our publishing committee meets frequently throughout 4. A brief author CV. the year. It is usual, but not inevitable, for our publishing committee to accept our positive recommendation. At its 5. Your timetable for completing the book, and the meeting our committee will review the assessor’s reports, estimated final word count. and examine the proposal from the point of view of the market, proposed price, title, format, length and so on. If the committee agrees that the manuscript/proposal should be accepted then we will notify you of this and make a written contractual offer within a week of the committee meeting. Prospective authors are expected to accept or reject this offer without unreasonable delay. If, following review of your manuscript, the proposal is rejected, the script will be retained and destroyed after a further month unless you request its return in writing. 8 Publication Promoting your book

If we proceed with your proposal or manuscript the Our marketing team consists of: publishing contract will specify the agreed delivery date, the agreed word count, and the division of Emma Platt – Marketing Manager responsibilities between author and publisher. You will be Rosamund Jubber – Marketing Executive expected to submit the complete manuscript in digital Mary Mahoney – Marketing Assistant form – either as an e-mail attachment, on CD, or on USB – and except in very unusual circumstances we will only The marketing team undertake a wide spectrum of work with digital files. promotional activities designed to draw attention to our books. We work closely with our authors, listening Following receipt of the final manuscript, we normally to their suggestions and using these to bolster our own conduct a short final review, which may be done in-house, marketing plans for each book. We aim to be extremely or by an external reviewer. Provided that we are happy transparent in our approach. We record everything that with the manuscript, we will proceed to production. we do to promote our titles and report this back to our authors, along with some feedback on how the book is selling, once the title has been published for 3 months.

Editing your book The department are responsible for the following tasks:

Our production team consists of: • Compiling and distributing the annual catalogue Achim Bosse-Chitty – Head of Production, Each year over 25,000 copies of the catalogue are distributed Bloomsbury Professional Division worldwide to our trade customers, academics, practising lawyers and librarians and every Hart book gets a slot. Tom Adams – Production Manager Linda Staniford – Production Editor • Compiling and distributing specific subject catalogues and individual book flyers Richard Cox – Production Editor We put together several subject catalogues throughout Production usually takes around 6 months depending the year to distribute at events as well as through direct upon the length, complexity and topicality of your book. postal mailings. We also design individual flyers for each of If there is a particular date by which your book needs to our titles that our authors can use when they are speaking be published in order to take advantage of a significant at conferences or to circulate to their professional contacts. marketing opportunity then we will make every effort to ensure that it is published by that date. • Email Campaigns We have a large, GRPR-compliant in-house mailing list Your manuscript will be copy-edited by an experienced across all areas of the law. Upon publication, details about legal editor and you will be consulted about any major each of our books are mailed to this list which ensures changes and may be asked to answer queries. that we reach the key markets for our books. At the next stage you will receive page proofs and will be • Postal Campaigns asked to check and correct them within a short period. Unless other arrangements have been agreed you may Throughout the year we organise several direct postal also have to produce an and any necessary tables. mailings for our titles. We have a large in-house database of academics with each of their specific legal fields stored You will be kept informed of progress at frequent which ensures that our mailings are extremely targeted. intervals. You will also be consulted about the design and We also buy in lists of barristers from a third-party supplier appearance of your book. where necessary.

• Maintaining the Hart website (www.hartpublishing.co.uk) The department are responsible for keeping the website up to date and for uploading banners and other digital adverts for our books. 9 • Organising conference displays and conference • Assisting with book launch events inserts Where necessary the marketing team can handle The marketing team identify conferences that we can everything from booking the venue and catering to attend to display our books and also where we can send designing and sending out the invitations and attending inserts advertising our books for the delegate packs. We on the night to sell copies. attend around 30 conferences per year all over the world covering a wide variety of legal subject areas. • Sending out inspection copies Each of our textbooks will be sent out to relevant lecturers • Promoting our titles via on inspection. We have a large database of academic We are in regular contact with several blogs which help to contacts and actively research lecturers teaching in our promote our books by reviewing them and announcing books’ specific subject areas. We also record feedback them to -readers. from lecturers who have received inspection copies and send this back to our authors. • Promoting books through legal associations There is a large network of legal associations and societies • Placing adverts in legal journals who regularly help to promote our books to their We advertise our titles in over 10 prominent legal journals members (for example the Society of Legal Scholars). each year. The marketing team organise mailings to members and promotions via the social media accounts/ of the • Arranging bookshop promotions associations. We are in close contact with several legal bookshops and send them materials for in-store displays and for • Organising reviews in legal journals promotion via the bookshops’ own mailing lists etc. Each Hart book will be sent for review in several legal journals. We have a large database of journal contacts and • Handling Hart’s social media accounts a close relationship with many of the leading journals. Hart have accounts on Twitter (@hartpublishing), (HartPublishing2) and LinkedIn (Hart Publishing) and are very active on social media. As well as using the platforms to promote our books, the marketing team run competitions and special offers to engage with our followers.

Marketing Timeframe

Below you will find information on the different stages of contact you will receive from our marketing team.

6 months Upon 3 months prior to publication after publication publication

Marketing questionnaire Authors notified that the Marketing department contact sent to authors to gather individual marketing plan has authors about sales of their feedback on possible been actioned for their book book and give a breakdown promotional ideas of the promotions that have been carried out for the book

10 Who’s Who?

And what do we do?

Director Sasha Jawed, Publishing Assistant [email protected] Sinéad Moloney, Editorial Director Assistant to Sinéad Moloney and [email protected] responsible for the annual Judicial Review Responsible for overseeing the publishing Conference and the relationship between Hart programme at Hart. Also responsible for and CH Beck commissioning books in various subject areas as listed on page 6 Rosemarie Mearns, Editorial Assistant [email protected] Production Team Assisting the commissioning editors in Achim Bosse Chitty, Head of Production, procuring covers and copy for books. Bloomsbury Professional Division Responsible for keeping our publishing [email protected] schedule up to date in terms of manuscript delivery dates. Commissioning in the areas listed on page 6. Manages the Production-Editorial teams within the Professional Division, encompassing the Bloomsbury Professional and Hart imprints. Marketing Team Emma Platt, Marketing Manager Tom Adams, Production Manager [email protected] [email protected] Responsible for overseeing all of the Responsible for overseeing production activities carried out by the marketing team. process from delivery of manuscript to Main contact for authors with regards to delivery of printed copies and formats. book promotion. Responsible for maintaining the Hart website and compiling Hart’s annual catalogue Linda Staniford, Production Editor [email protected] Rosamund Jubber, Marketing Executive Responsible for overseeing production [email protected] process from delivery of manuscript to Responsible for planning and actioning delivery of printed copies and ebook formats. marketing campaigns. Maintains Hart’s social media accounts. Organises postal and email Richard Cox, Production Editor mailings. Handles review work for all titles. [email protected] Responsible for overseeing manuscript Mary Mahoney, Marketing Assistant production processes and cover design [email protected] approvals. Responsible for maintaining Hart’s mailing lists and supplying bibliographic data to Editorial Team trade customers. Arranges for the supply Roberta Bassi, Commissioning Editor of inspection copies to lecturers. Sends out new titles [email protected] announcements to our internal mailing list. Organises the logistics of all of the conferences attended by Hart Responsible for commissioning books in various subject areas as listed on page 6

Kate Whetter, Commissioning Editor [email protected] Responsible for commissioning books in various subject areas as listed on page 6 11 FAQs

Proposing a book: Writing your book:

Q: How do I propose a book to Hart? ? Q: Can I include extracts from legislation or other A: Contact the relevant member of our sources in my book? editorial team for your subject area – see page 6 for details A: The inclusion of extracts from legislation will be fine as this is covered by Crown or EU copyright, however, it Q: I would like to speak to someone about a book is your responsibility to seek the necessary permissions proposal. Which commissioning editor should I for the inclusion of extracts from other sources from the approach? relevant copyright holder. A: Each of our four commissioning editors is responsible for different subject areas. Details of the subject split can Q: What happens if there is some important be found on page 6. regulatory or legislative change during the proofing process? Q: I would like to publish my PhD thesis. A: We will strive to accommodate such changes as far as Would Hart consider this? possible. In order to enable us to successfully manage A: We do publish PhD theses but will not consider this, it is important to give your Production Editor or unrevised theses and for review purposes we will need Commissioning Editor notice of any impending changes details of how the material will be revised, either in the as early as possible. form of a detailed revision plan or a rewritten chapter illustrating the revisions. Q: Once the book is published, can I re-use the content for other projects? Q: I want to submit my book for the REF. A: Please give us notice of your intention to re-use content Will Hart be able to accommodate this? and we will normally be able to accommodate such A: At Hart Publishing we are mindful of publication requests. Please contact your Commissioning Editor to deadlines relating to the REF and are always happy to discuss this. discuss timelines and schedules for required for relevant REF periods. Q: I have some ideas in mind for my cover; to whom should I talk? A: Please contact your Commissioning Editor.

Q: Do I need to lay out my Word file so that it looks like the book? A: No, this is not necessary, as your manuscript will be typeset to our house style. As long as the hierarchy of headings is clear in your manuscript, it does not matter what the appearance of the text is in the Word files.

12 Once your book has published: Promoting your book:

Q: Will I receive gratis copies of my book? Q: Who is my main marketing contact? A: Authors, editors and contributors are entitled to gratis A: Emma Platt, Marketing Manager copies. Your commissioning editor will be able to advise ([email protected]) further on this. Q: I want to tell my contacts and clients about my Q: Can I buy extra copies of my book once published? book. Can I offer them a discount? A: Yes, as a Hart author you will be entitled to a generous A: Yes, you are welcome to offer them a 20% discount discount on copies of your own book as well as a discount on the book. We can provide you with a discount on all other Hart titles. announcement/PDF flyer for the book to be circulated via email or printed flyers to be circulated by hand/ Q: When will I receive my books? via the post. Please feel free to ask Emma Platt A: You will receive your gratis copies upon publication. if this is something you are interested in. For any further copies that you purchase with your author discount it will depend on the date you placed your order Q: I am thinking of holding an event at my university/ and where in the world we need to ship the copies to. chambers. Can Hart help with this? A: We are more than happy to help with book launch Q: Can I find out how many books I have sold? events and can be as involved as we need to be. For A: Yes, please feel free to contact any member of the Hart example, if needed we can book the venue and the team to ask this and we will get back to you ASAP. The catering, send out invitations and record RSVPs, send marketing department will also be in touch to give you along a Hart representative with promotional materials/ feedback on sales 3 months after your book has been copies of the book for sale on the night. Please feel free to published. contact Emma Platt about this.

Q: Can I upload chapters from my book to SSRN? Q: I think there is a market for my book amongst students, whom can I talk to about this? A: We don’t allow PDFs of published chapters from our books to be posted on sites or in Personal or A: Please feel free to direct any queries about inspection University Repositories, but we do allow the original Word copies/student textbooks to Mary Mahoney file to be posted. ([email protected])

Q: Will my book be re-published in paperback format? Q: How can I use my own social media accounts to promote my book? A: We assess all of our books for their suitability as 18 months after initial publication. A: We can send you links to the web page for your book/ images of the etc to promote via social media. Please feel free to contact Emma Platt for more information.

Q: I’ve noticed that some information about me/my book is incorrect on your website/Amazon/other sales websites. Whom should I talk to? A: Please let Emma Platt know of any errors you spot on our website. Most of the bibliographic information on our website is updated every evening so we can make changes quickly and efficiently. Amazon/other websites are handled by Bloomsbury.

13 Hart Authors 2018

Adrien de Hauteclocque Erika Rackley Kazuhide Odaki Rohan Havelock Alan Bogg Ewan McGaughey Kenneth Einar Himma Ronald Leenes Alan Greene Fiona de Londras Kern Alexander Rosalind Dixon Albert Sanchez-Graells Francesco Maria Salerno Kit Barker Rosamunde van Brakel Alexander Horne Francisco de Elizalde Kristin Henrard Rosemary Auchmuty Alexander Somek Gavin Drewry Leigh Hancher Rosemary Rayfuse Alison L Young Geert De Baere Lilian Edwards Ross Grantham Allan Rosas Genevieve Lennon Linden Thomas Russell Buchan Amy Goymour Gillian Douglas Lord Dyson Sacha Garben Andrew Burrows Giovanni Gruni Lorna Armati Sadaf Aziz Andrew Gilbert Graham Virgo Maria Tzanakopoulou Sanam Saidova Andrew Goldsmith Greg Pynt Marise Cremona Sanja Bogojevic Andrew Lang Guido Comparato Mark Elliott Sarah Green Andrew Robertson Hayley J Hooper Mark Elliott Sarah J Summers Anna G Tevini Helen Carr Mark Fenwick Sarah Worthington Anselmo Reyes Helen Duffy Mark Lattimer Serge Gutwirth Anthony Gray Helene Andersson Marta Simoncini Shaheed Fatima QC Anthony Page Hélène Tyrrell Martin Belov Shona Wilson Stark Ardavan Arzandeh Helle Krunke Martin Dixon Simon Douglas Ariel Ezrachi Hugh Collins Matej Avbelj Simon Lester Arwel Davies Ian Havercroft Mathias Siems Siniša Rodin Asif H Qureshi Ian Hendry Mattias Derlén Siobhán Mullally Ben Wadham Inge Govaere Maureen Duffy Stanislaw Tosza Benedita Menezes Queiroz Ingo Venzke Mavluda Sattorova Stanislaw Tosza Bharat Malkani Irena Rosenthal Meghan Campbell Stefaan Voet Björg Thorarensen Iveta Alexovicová Michael A Wilkinson Stefan Wrbka Bojan Spaic J J Child Michael Potacs Stephen Sedley Brendan Edgeworth Jack Williams Michael W Dowdle Stephen Tierney Brice Dickson Jacob Rowbottom Miodrag Jovanovic Stephen Watterson Bronwen Manby James Goudkamp Musa Usman Abubakar Steven Haines Bryan Mercurio James Plunkett Niamh Moloney Steven Vaughan Carole McCartney Jan Wouters Niamh Moloney Steven Vaughan Caroline Hunter Jarleth Burke Nicholas J McBride Stuart Casey-Maslen Catherine Barnard Jason NE Varuhas Nicholas Papaspyrou Susan Dickson Cedric Ryngaert Jason NE Varuhas Nicole Moreham Tamara Perišin Charlie Potter Jens Hillebrand Pohl Nina Boeger Tarunabh Khaitan Charlotte Villiers Joana Mendes Oran Doyle Teemu Juutilainen Christoph Bezemek Jocelyn Stacey Paul De Hert Theresa Lynch Christoph Kletzer Johan Lindholm Paul F Scott Tim Lindsey Christopher Hodges Paul S Davies Tom Ruys Christopher Townley John Charney Paul Yowell Tuomas Tiittala Colin King John D Jackson Peter Devonshire Uladzislau Belavusau Cristina Godinho John Fanning Philippe Sands Vassilis Hatzopoulos Dave McRae Jotte Mulder Pier Giuseppe Monateri Veronica Ruiz Abou-Nigm David Cabrelli Julian Bailey R A Duff Veronika Fikfak David Lowe JW Carter Randall Stephenson Weixia Gu David Lynch Karen Lee Richard Macrory Wilfrid Prest Denise Prévost Kasey McCall-Smith Richard Moorhead Woo-jung Jon Duncan French Katalin Ligeti Richard Stewart Yong Qiang Han Eilís Ferran Katarzyna Granat Robert Schütze

14 Contact Us Contact Us

Hart Publishing Office

Hart Publishing, Kemp House, Chawley Park, Cumnor Hill, Oxford, OX2 9PH, UK T +44 (0)1865 598648 E [email protected]

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