The Longman Anthology of World Literature SECOND EDITION
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"Prisoners of the Caucasus: Literary Myths and Media Representations of the Chechen Conflict" by H
University of California, Berkeley Prisoners of the Caucasus: Literary Myths and Media Representations of the Chechen Conflict Harsha Ram Berkeley Program in Soviet and Post-Soviet Studies Working Paper Series This PDF document preserves the page numbering of the printed version for accuracy of citation. When viewed with Acrobat Reader, the printed page numbers will not correspond with the electronic numbering. The Berkeley Program in Soviet and Post-Soviet Studies (BPS) is a leading center for graduate training on the Soviet Union and its successor states in the United States. Founded in 1983 as part of a nationwide effort to reinvigorate the field, BPSs mission has been to train a new cohort of scholars and professionals in both cross-disciplinary social science methodology and theory as well as the history, languages, and cultures of the former Soviet Union; to carry out an innovative program of scholarly research and publication on the Soviet Union and its successor states; and to undertake an active public outreach program for the local community, other national and international academic centers, and the U.S. and other governments. Berkeley Program in Soviet and Post-Soviet Studies University of California, Berkeley Institute of Slavic, East European, and Eurasian Studies 260 Stephens Hall #2304 Berkeley, California 94720-2304 Tel: (510) 643-6737 [email protected] http://socrates.berkeley.edu/~bsp/ Prisoners of the Caucasus: Literary Myths and Media Representations of the Chechen Conflict Harsha Ram Summer 1999 Harsha Ram is an assistant professor in the Department of Slavic Languages and Literatures at UC Berkeley Edited by Anna Wertz BPS gratefully acknowledges support from the National Security Education Program for providing funding for the publication of this Working Paper . -
Radio 3 Listings for 15 – 21 August 2009 Page 1
Radio 3 Listings for 15 – 21 August 2009 Page 1 of 21 SATURDAY 15 AUGUST 2009 Hartmann, Johan Peter Emilius (1805-1900): 6 Andrew Parrott Characteerstykker med indledende Smaavers af HC Andersen, ARCHIV 437 073-2 Track 3 SAT 01:00 Through the Night (b00m38p9) Op 50 1.00am Nina Gade (piano) 7:47am Schumann, Robert (1810-1856): Kreisleriana, Op 16 CHOPIN 1.33am 5.18am Etude in A flat major Op 25 no 1 Auerbach, Lera (b.1973): 24 Preludes, Op 41 (excerpts) Riisager, Knudage (1897-1974): Little Overture Aeolian 1.40am CBC Vancouver Orchestra Vladimir Horowitz (piano) Brahms, Johannes (1833-1897): Seven Fantasies for piano, Op Mario Bernardi (conductor) SONY 518801 2 Track 19 116 2.04am 5.24am 7.55am Chopin, Fryderyk (1810-1849): Etude No 1 in C for piano, Op Frumerie, Gunnar de (1908-1987): Pastoral Suite for flute, harp PARRY 10 and strings, Op 13b (originally for flute and piano) Poet's Song 2.06am Kathleen Rudolph (flute) Stephen Varcoe (baritone) Ravel, Maurice (1875-1937): Pavane pour une infante defunte CBC Vancouver Orchestra Clifford Benson (piano) Anna Vinnitskaya (piano) Mario Bernardi (conductor) HYPERION CDA 67044 Track 1 2.13am 5.37am 8:03am Glazunov, Alexander Konstantinovich (1865-1936): Concerto Frumerie, Gunnar de (1908-1987), text Lagerkvist: The Lament STRAVINSKY in E flat for saxophone and orchestra, Op 109 Christina Billing, Carina Morling, Aslog Rosen (soprano Pulcinella - Overture Virgo Veldi (saxophone) soloists) Northern Sinfonia/Rattle Tallinn Chamber Orchestra Swedish Radio Choir HMV 5 73551 2 Track 1 Tarmo Leinatamm -
“Drammaticità Di Leopardi” (1938): a Stage on Alberto Savinio's Route To
ITALIAN MODERN ART | ISSUE 2: “Drammaticità di Leopardi” ISSN 2640-8511 A Stage on Alberto Savinio’s Route to a More “Romantic” Italy "DRAMMATICITÀ DI LEOPARDI" (1938): A STAGE ON ALBERTO SAVINIO'S ROUTE TO A MORE "ROMANTIC" ITALY italianmodernart.org/journal/articles/drammaticita-di-leopardi-1938-a-stage-on-alberto- 0 savinios-route-to-a-more-romantic-italy Martin Weidlich Alberto Savinio, Issue 2, July 2019 ----------https://www.italianmodernart.org/journal/issues/alberto-savinio/· -- Abstract This paper deals with Alberto Savinio’s 1938 conference “Drammaticità di Leopardi,” presupposing the nineteenth-century poet as one of his most important sources. Tracking a hidden self-portrait in Savinio’s homage to Giacomo Leopardi, we encounter the problem of identity and the question of cultural belonging. This key issue seems to unite Savinio with Leopardi: both can be considered as outsiders within their culture, and this status appears to be globally connected with their modernity. Thus, dealing with Savinio and Leopardi promises to provide further understanding of “anti-modern” Italian culture from its margins. Introduction 1 Romantic feeling was once characterized by Alberto Savinio as an “invito a morire,” an “invitation to die.” Perhaps nowhere in Italian literature would Giorgio de Chirico’s younger brother have encountered as near perfect an example of this phenomenon as in Giacomo Leopardi’s “Cantico del Gallo Silvestre” (Song of the great wild rooster ).2 In this work of prose – which formed a part of the nineteenth-century poet’s collection Operette morali (The moral essays; the first group of texts was published in 1827) – a large rooster tells of how everything that exists more or less consciously desires not to be. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Staging Iranian Modernity: Authors in Search of New Forms
Copyright by Maryam Shariati 2016 The Dissertation Committee for Maryam Shariati certifies that this is the approved version of the following dissertation: Staging Iranian Modernity: Authors in Search of New Forms Committee: Elizabeth M. Richmond-Garza, Supervisor Mohammad R. Ghanoonparvar, Co-Supervisor Lynn R. Wilkinson Katherine M. Arens Sofian Merabet Staging Iranian Modernity: Authors in Search of New Forms by Maryam Shariati, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2016 Dedication For my soulmate, Ehsan. For everything. Acknowledgements I wish to gratefully acknowledge the guidance and support I have received, intellectual and otherwise, throughout the process of composing and revising this dissertation. My first debt of gratitude is to my dissertation committee members and in particular my indefatigable supervisor, Professor Elizabeth Richmond-Garza, for her unflinching encouragement and infinite forbearance throughout my studies at The University of Texas at Austin. She has been an erudite mentor, critical commentator, and encouraging guide and I thank her for sharing her wealth of knowledge, invaluable insight and expertise in this project. To my co-supervisor, Professor Mohammad R. Ghanoonparvar, I owe immeasurable debt of gratitude for his intellectual guidance and strong commitment to my research—from the start to finish. His boundless enthusiasm, great knowledge, and unfathomable erudition opened an avenue to many stimulating discussions and enabled me to have a clear direction of my project. Another substantial acknowledgement must go to Professor Lynn Wilkinson for her instrumental role at every stage of my research: conceptualizing, researching, and writing. -
Materials of the Riga 3Rd International Conference on Hellenic Studies
Materials of the Riga 3rd International Conference on Hellenic Studies Latvijas Universitāte Humanitāro zinātņu fakultāte Klasiskās filoloģijas katedra Hellēnistikas centrs HELLĒŅU DIMENSIJA Rīgas 3. starptautiskās hellēnistikas konferences materiāli Sastādītāji: Brigita Aleksejeva Ojārs Lāms Ilze Rūmniece Latvijas Universitāte University of Latvia Faculty of Humanities Chair of Classical Philology Centre for Hellenic Studies HELLENIC DIMENSION Materials of the Riga 3rd International Conference on Hellenic Studies Editors: Brigita Aleksejeva Ojārs Lāms Ilze Rūmniece University of Latvia UDK 930(063) He 396 The book is financially supported by the Hellenic Republic Ministry of Culture and Tourism and the University of Latvia Grāmata izdota ar Grieķijas Republikas Kultūras un tūrisma ministrijas un Latvijas Universitātes atbalstu Support for Conference Proceedings by ERAF Project Support for the international cooperation projects and other international cooperation activities in research and technology at the University of Latvia No. 2010/0202/2DP/2.1.1.2.0/10/APIA/VIAA/013 IEGULDĪJUMS TAVĀ NĀKOTNĒ Editorial board: Gunnar de Boel (Belgium) Igor Surikov (Russia) Thanassis Agathos (Greece) Kateřina Loudová (The Czech Republic) Valda Čakare (Latvia) Ojārs Lāms (Latvia) Ilze Rūmniece (Latvia) Nijolė Juchnevičienė (Lithuania) Tudor Dinu (Romania) Language editing Normunds Titāns Translating Rasma Mozere Cover design: Agris Dzilna Layout: Andra Liepiņa © Brigita Aleksejeva, Ojārs Lāms, Ilze Rūmniece, editors, 2012 © University of Latvia, 2012 ISBN 978-9984-45-469-6 CONTENTS / SATURS Introduction 8 Ievads 10 I ANCIENT TIMES SENLAIKI 11 Vassilis Patronis ECONOMIC IDEAS OF ANCIENT GREEK PHILOSOPHERS: ASSESSING THEIR IMPACT ON THE FORMATION OF THE WORLD ECONOMIC THOUGHT 12 Sengrieķu filozofu idejas par ekonomiku: izvērtējot ietekmi uz pasaules ekonomiskās domas veidošanos Nijolė Juchnevičienė HISTORIOGRAPHIC SCIENTIFIC DISCOURSE AND THE TRADITION OF GEOGRAPHY 22 Zinātniski historiogrāfiskais diskurss un ģeogrāfijas tradīcija Igor E. -
The Eye in Lermontov's a Hero of Our Time
THE EYE IN LERMONTOV’S A HERO OF OUR TIME: PERCEPTION, VISUALITY, AND GENDER RELATIONS by IRYNA IEVGENIIVNA ZAGORUYKO A THESIS Presented to the Russian, East European, and Eurasian Studies Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2016 THESIS APPROVAL PAGE Student: Iryna Ievgeniivna Zagoruyko Title: The Eye in Lermontov’s A Hero of Our Time: Perception, Visuality, and Gender Relations This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Russian, East European, and Eurasian Studies Program by: Katya Hokanson Chairperson Jenifer Presto Member Yelaina Kripkov Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ! ii © 2016 Iryna Ievgeniivna Zagoruyko ! iii THESIS ABSTRACT Iryna Ievgeniivna Zagoruyko Master of Arts Russian, East European, and Eurasian Studies Program June 2016 Title: The Eye in Lermontov’s A Hero of Our Time: Perception, Visuality, and Gender Relations This thesis views Lermontov’s novel A Hero of Our Time as centered on images, glances and vision. In his text Lermontov conveys a persistent fascination with visual perception. The attentive reader can read this language of the eye—the eye can be seen as a mirror of the soul, a fetish, a means of control, and a metaphor for knowledge. The texts that form the novel are linked together by a shared preoccupation with the eye. At the same time, these texts explore the theme of visual perception from different angles, and even present us with different attitudes towards vision. -
The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution. -
Michael Craig Hillmann–Résumé Copy
Michael Craig Hillmann–Résumé, 1996-2017 3404 Perry Lane, Austin, Texas 78731, USA 512-451-4385 (home tel), 512-653-5152 (cell phone) UT Austin WMB 5.146 office: 512-475-6606 (tel) and 512-471-4197 (fax) [email protected] and [email protected] (e-mail addresses) Web sites: www.utexas.Academia.edu/MichaelHillmann, www.Issuu.com/MichaelHillmann Academic Training_____________________________________________________________________________________________ • Classics, College of the Holy Cross, Worcester (MA), 1958-59. • B.A., English literature, Loyola University Maryland, Baltimore, MD), 1962. • Postgraduate study, English literature, The Creighton University, Omaha (NB), 1962-64. • M.A., Near Eastern Languages and Civilizations, The University of Chicago, 1969. • Postgraduate study, Persian literature, University of Tehran, 1969-73. • Ph.D., Near Eastern Languages and Civilizations, The University of Chicago, 1974. • M.A., English Literature, Texas State University at San Marcos (1997). Professional Positions since 1996__________________________________________________________________________________ • Professor of Persian, The University of Texas at Austin, 1974- . • President, Persepolis Institute (non-academic Persian Language consultants), Austin, 1977- . Teaching since 1996____________________________________________________________________________________________ Language • Elementary Colloquial/Spoken and Bookish/Written Persian (First-year Persian 1 and 2) • Elementary Persian Reading for Iranian Heritage Speakers • Intermediate -
Giacomo Leopardi (1798-1837) Is Better Known As a Remarkable Poet and Writer Than a Philosophical Thinker
Vol. 5, no. 1 (2010) Category: Article Written by Geir Sigurðsson Giacomo Leopardi (1798-1837) is better known as a remarkable poet and writer than a philosophical thinker. However, he followed closely the philosophical developments of his time, was profoundly critical of it, and even formulated a rather complex, albeit unsystematic, philosophical response, mainly in his chronological diaries, the Zibaldone di pensieri, but also in many of his novels, dialogues and essays. The aim of this paper is to elucidate the core of Leopardi‘s existential critique of the philosophical views dominating the late eighteenth and the beginning of the nineteenth centuries, in particular those found in German Idealism and Romanticism, and provide an introduction to the Leopardian ‘ultraphilosophy’, as he chose to call it himself, a kind of philosophy meant to overcome the ills of the ‘progressive’ philosophy of his day. I. Romanticism was largely a reaction to the rational and materialist pursuit of modern science and the secularism of the Enlightenment philosophy. In Germany, a number of Romantic poets rejected Immanuel Kant‘s vision of art as being governed by reason, and rather saw art as juxtaposed with nature as a second language communicated by God to the human being. In this way, however, they also joined forces with science and philosophy by attempting to comprehend being, albeit through different means. The ‘productive imagination’, a notion originally coined by Kant in his Kritik der Urteilskraft, was conceived as a basic power of all creative potencies. It was held to simultaneously beget and behold, and that its beheld ideas were no arbitrary occurrences within the subjective mind, but revelations of nature, of the first cause of existence, of the world-spirit, of God. -
Metaphor and Metaphysics: on E. Grassi
Differentia: Review of Italian Thought Number 8 Combined Issue 8-9 Spring/Autumn Article 22 1999 Metaphor and Metaphysics: on E. Grassi Barbara Godorecci Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Godorecci, Barbara (1999) "Metaphor and Metaphysics: on E. Grassi," Differentia: Review of Italian Thought: Vol. 8 , Article 22. Available at: https://commons.library.stonybrook.edu/differentia/vol8/iss1/22 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. REVIEW ARTICLES I Metaphor and Metaphysics Barbara Godorecci Review-essay of Ernesto Grassi, La metafora inaudita (Palermo: Aesthetica edizione 1990); La preminenza della parola metaforica. Heidegger, Meister Eckhart, Novalis (Modena: Mucchi Editore, 1987); Umanesimoe retorica.Il problemadella follia . (Modena: Mucchi Editore, 1988). What relationship exists between metaphor-the poetic word and truth? Wherein lies the significance of the metaphorical word [la parolametaforica] in philosophical discourse? These questions are of central concern in three recently published books by Ernesto Grassi: La preminenzadella parola metaforica. Heidegger, Meister Eckhart, Novalis, a collection of four lectures delivered by Grassi in Italy in 1985 and 1986; Umanesimoe retorica.Il problemadella follia, an Italian translation of the original English text written in col laboration with Maristella Lorch, entitled Folly and Insanity in RenaissanceLiterature (Binghamton, NY: Center for Medieval & Early Renaissance Studies, 1986); and La metafora inaudita, nine essays accompanied by an extensive bibliography of Grassi's work prepared by Emilio Hidalgo-Serna. -
Colonial Echo, 1937
The Colonial Echo 1937 • ROGER B. CHILD • EDITOR • • FRANCIS REN DEDICATION • This 1937 Colonial Echo is dedicated to J. Wilfred Lambert who, as Dean of Freshmen, has performed his office with pa- tience and understanding, and who offers to each entering student an intelligent guidance, a helpful friendliness and a vital idealism born of his own deep- rooted faith in the College of William and Mary. DEAN J. WILFRED LAMBERT Views of the College The Board of Visitors The Officers of Administration The Officers of Instruction DE COLLEGIO Haec libelli pars, quae ad res Collegii ipsius atque eius curatores praeceptores- que pertmet, summo konorum cursus aiscrimine servato, multo tamen plus quam seriem graauum munerumque acadenncorum indicat. Proponit enim eos qui res maximas gesserunt litterarias et qui nunciam luvenes mstituunt m d-octrmas plurimas, quarum quidem ratio deliberandi libera fecundaque non est ininiina. THE COLLEGE OF THE COLLEGE OF WILLIAM AND MARY It Is always difficult to obtain views of the college that are new and different from those that have been used before. But in this section of the book, an attempt has been made to choose the pictures in the interests of good scenic representation, and best possible compo- sition, though restricted to so few of the build- ings for subject matter. THE PRESIDENT'S HOUSE The President's house was built in 1732 and has been the home of the successive presidents of the college. This house is a fine example of eighteenth century Virginian Architecture, and was restored in 193! by John D. Rockefeller, Jr. THE WREN COURTYARD attrac- The Wren Courtyard is one of the most tive spots In the college, and gives a pronounced are Old World impression.