Radio 3 Listings for 15 – 21 August 2009 Page 1
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Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen, -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie -
The Longman Anthology of World Literature SECOND EDITION
DAMR.6069.Vol.II-bkfm.i-xxiv:VOL.II 7/14/08 5:57 PM Page i Instructor’s Manual to accompany The Longman Anthology of World Literature SECOND EDITION VOLUME II VOLUME D: THE SEVENTEENTH AND EIGHTEENTH CENTURIES VOLUME E: THE NINETEENTH CENTURY VOLUME F: THE TWENTIETH CENTURY David Damrosch David L. Pike General Editors April Alliston Marshall Brown Page duBois Sabry Hafez Ursula K. Heise Djelal Kadir Sheldon Pollock Bruce Robbins Haruo Shirane Jane Tylus Pauline Yu Longman New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal DAMR.6069.Vol.II-bkfm.i-xxiv:VOL.II 7/14/08 5:57 PM Page ii Vice President and Editor-in-Chief: Joseph Terry Senior Supplements Editor: Donna Campion Text Design, Project Manager, and Electronic Page Makeup: Grapevine Publishing Services, Inc. Instructor’s Manual to accompany The Longman Anthology of World Literature, Second Edition, Volume II, by David Damrosch et al. Copyright © 2009 Pearson Education, Inc. All rights reserved. Printed in the United States of America. Instructors may reproduce portions of this book for classroom use only. All other reproductions are strictly prohibited without prior permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. 1 2 3 4 5 6 7 8 9 10—OPM —11 10 09 08 Longman is an imprint of ISBN 10: 0-205-64606-9 www.pearsonhighered.com ISBN 13: 978-0-205-64606-7 DAMR.6069.Vol.II-bkfm.i-xxiv:VOL.II 7/14/08 5:57 PM Page iii CONTENTS General Editors’ Preface ix -
WNET Licensing (A's)
The “A’s” (Source: NET microfiche, unless listed) Aaron Copland Meets the Soviet Composers (1959) Initial Broadcast: N/A Number of programs: 1 Origin Format: Undetermined Running time: 30 minutes AARON COPLAND MEETS THE SOVIET COMPOSERS is a half-hour studio production kinescope of an interview between Copland and six Soviet musicians, musicologists and/or composers who were travelling in the US. My impression is that this was a visit in return for one made to the USSR by an American group earlier that included Menned (?), Sessions, Harris and Kay (?). The setting for the interview is a recreated concert hall stage with the guests sitting in players’ chairs and Copland and his translator located where a solo instrumentalist would be seated. The questions appear to have been scripted in advance – and scripts placed on the music stands. The responses from the Soviets appear to have been ad lib. Copland’s questions were translated into Russian by an American (?) of Russian origins, Nicholas Slonimsky, himself a musician. The Soviets spoke in Russian and were heard through simultaneous translation. The translator was unseen and uncredited. The Soviet guests include (in order of answering questions): Dmitri Kabalevsky, Boris Yarustovsky, Tikhon Khrennikov, Dmitri Shostakovich, Konstantin Dankevich and Fikret Amirov. Kabalevsky was asked about the knowledge of American music in the USSR; Yarustovsky on the influence of American music on Russian music; Khrennikov on the reactions of Soviet musicians to the visit of four American musicians earlier (in the exchange program?); Shostakovich on American jaZZ and its influence; Dankevich on younger Soviet composers and Amirov on the adaption of native musical types to series music. -
2019-2023 Elected AGMA Officers
AGMAzineSUMMER 2019 VOL. 73. 1 ©Paul Kolnik ©Paul Raymond Menard John Coleman Elizabeth Sciblo Teresa Reichlen President 1st Vice President 2nd Vice President 3rd Vice President Jane Shaulis Samuel Schultz Louis Perry J Austin Bitner 4th President 5th Vice President Recording Secretary Treasurer 2019-2023 Elected AGMA Officers Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America Affiliated with the AFL-CIO 151964 2019 Summer issue.indd 1 7/8/19 1:19 PM By Tim Smith Treasurer J Austin Bitner talks about MMRC Chair, AGMA’s participation in Arts Advocacy AGMA Governor, Day, as well as telling us how we can all Chorister help. The Area News section is very well represented with news updates and SUMMER, 2019 many photographs from the various The American Guild of Musical Artists areas. 1430 Broadway, 14th Floor New York, New York 10018-3308 The National Office is always willing (212) 265-3687; Fax: (212) 262-9088 AT LONG LAST—AND I know you’ve to help any AGMA member and direct www.MusicalArtists.org been waiting by your mailboxes—the them to the proper place for help, but Lawrence Tibbett, Founding President latest issue of AGMAzine is here! We if you ever feel uncomfortable contact- Jascha Heifetz, Founding Vice President took a different path with this issue by ing staff, please know that your elected Raymond Menard, President not having a theme and asking people leaders are also there for you. Never be John Coleman, 1st Vice President to write about things that were timely afraid to reach out and ask a question or Elizabeth Sciblo, 2nd Vice President Teresa Reichlen, 3rd Vice President or they found interesting. -
Spoleto Festival Usa Program History 2013–1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2013–1977 Spoleto Festival USA Program History Page 2 2013 Opera *Matsukaze, music by Toshio Hosokawa; libretto by Hannah Dübgen; conductor, John Kennedy; director, Chen Shi-Zheng; set designer, Chris Barreca; costume designer, Elizabeth Caitlin Ward; lighting designer, Scott Zielinski; video designer, Olivier Roset; Cast: Gary Simpson, Thomas Meglioranza, Pureum Jo, Jihee Kim; Dock Street Theatre Mese Mariano/Le Villi; Mese Mariano, music by Umberto Giordano; libretto by Salvatore Giacomo; Le Villi, music by Giacomo Puccini, libretto by Ferdinando Fontana; conductor, Maurizio Barbacini; director, Stefano Vizioli; set designer, Neil Patel; costume designer, Roberta Guidi di Bagno; lighting designer, Matt Frey; choreographer, Pierluigi Vanelli; Cast Mese Mariano: Linda Roark-Strummer, Ann McMahon Quintero, Jennifer Rowley, Yanzelmalee Rivera, Allison Faulkner, Nicole Fregala, Shari Perman, Anne Marie Stanley, Justin Su’esu’e; Cast Le Villi: Levi Hernandez, Jennifer Rowley, Dinyar Vania; Sottile Theatre Dance Jared Grimes; dancers, Jared Grimes, Robyn Baltzer, Dewitt Fleming Jr, Karida Griffith, Tony Mayes; Emmett Robinson Theatre Compagnie Käfig; artistic director and main choreographer, Mourad Merzouki; programs, Correria and Agwa; TD Arena Ballet Flamenco de Andalucía; artistic director and choreographer, Rubén Olmo; guest soloist, Pastora Galván; program, Noche Andaluza; TD Arena Lucky Plush Productions, creators/directors, Leslie Buxbaum Danzig and Julia Rhoads; original script, Leslie Buxbaum Danzig, -
Broadway Bound with Garrett Stack Free of Charge at Public Radio Exchange, > Prx.Org > Broadway Bound *Playlist Is Listed by Show (Disc), Not in Order of Play
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by show (disc), not in order of play. Show #: 259 Broadcast Date: Oct. 1, 2016 Time: 16:00 - 18:00 # Selections: 21 Musical Production Numbers: The Heart of Broadway Elements of a Production Number: often starts slow; voices added successively; involves the ensemble and leads; highly choregraphed; uptempo Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 3:20 [m]Harry Warren [l]Al Dubin Dames Lee Roy Reams & Ensemble 42nd Street - Original Broadway Cast RCA 1980 8/25/1980 - 1/8/1989. 3486 perf. 2 1981 Tony Awrds: musical; choreography CDS Fort 0:09 8 12/31/053/1/08 3/28/09 10/15/115/18/13 10/1/16 5:03 (m)M Hamlisch (l)E Kleban One (Reprise) - Finale Company A Chorus Line - Original Broadway Cast Columbia 1975 7/25/1975 - 4/28/1990. 6137 perf. 1984 "Special Award" Tony for longest running CDS Chor 0:21 11 Soundtrack 8/5/06 9/29/07 3/15/08 3/27/10 4/10/10 1/5/13 6/20/15 9/26/15 10/1/16 show ever [to that point]. 9 1976 Tony Awards: musical, book;score; actress [Donna 7:32 Menken|Ashman|Rice|Beguelin Friend Like Me James Monroe Iglehart & Company Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 10 2014 9/27/14 1/3/15 10/1/16 3:13 (m)John Kander (l)Fred Ebb All That Jazz Chita Rivera and Company Chicago: A Musical Vaudeville - Orig Broadway Arista 1975 6/3/1975 - 8/27/1977. -
Broadway Bound with Garrett Stack Originating on WMNR Fine Arts
Playlist* Originating on WMNR Fine Arts Radio Monroe, Connecticut Broadway Bound with Garrett Stack [email protected] *Playlist is is in order show/disc, not in order of play. Show #: 225 Broadcast Date: February 14, 2015 Time: 16:00 - 18:00 # Selections: 31 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 3:20 (m)Harvey Schmidt (l)Tom Jones Love, Don't Turn Away Audra McDonald, John 110 in the Shade - 2007 Broadway Revival PS Classics 2007 May 9, 2007 (Limited engagement) CDS One Hund 3 2007 2/14/15 2:38 Dolly Parton Let Love Grow AndyCullum Karl, Allison Janney 9 To 5 the Musical: Original Broadway Cast nine Dolly 2009 4/30/2009 - 9/6/09. 4 months. 148 Perf. CDS (9) Nine 0:12 16 2009 12/12/092/14/15 to five 3:45 (m)M Hamlisch (l)E Kleban What I Did For Love Priscilla Lopez and Company A Chorus Line - Original Broadway Cast Columbia 1975 7/25/1975 - 4/28/1990. 6137 perf. 1984 "Special Award" Tony for longest running CDS Chor 10 Soundtrack 2/11/06 1/20/07 7/25/09 1/17/15 2/14/15 show ever [to that point]. 9 1976 Tony Awards: musical, book;score; actress [Donna 3:29 [m] A L Weber[l]Black & Hart Love Changes Everything Michael Ball Aspects of Love Broadway Single Purchases Vol 2 iTunes 1990 From Aspects of Love. Six 1990 Tony nominations. No Tony Awards. CDSV BdwySin 5 3/1/08 11/26/115/18/13 2/14/15 4/8/90 - 3/2/1991 1:18 Barry Mann/Cynthia Weil He's Sure the Boy I Love Anika Larsen & Jarrod Beautiful: The Carole King Musical (Broadway Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 9 2014 5/24/14 2/14/15 Cast) 2:26 Gerry Goffin/Carole King Will You Love Me Tomorrow AshleySpector Blanchet, Alysha Beautiful - The Carole King Musical (Original Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 10 2014 2/14/15 Broadway Cast) 3:03 [m]Frank Wildhorn [l]Don Black You Love Who You Love LauraDeslorieux, Osnes Carly & Melissa Hughes van & Bonnie and Clyde - Original Broadway Cast Broadway Records 2012 Opened 12/1/2011. -
Spoleto Festival Usa Program History 2014–1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2014–1977 Spoleto Festival USA Program History Page 2 2014 Opera Kát’a Kabanová, music and libretto by Leoš Janáček; conductor, Anne Manson; director, Garry Hynes; set designer, Matt Saunders; costume designer, Terese Wadden; lighting designer, James F. Ingalls; Cast: Betsy Horne, Catherine Paige Kenley, Magan Marino, Jan Opalach, Dennis Petersen, Alex Richardson, Jennifer Roderer, Rolando Sanz, Jane Shaulis, Michael Spanziani; Sottile Theatre *Facing Goya, music by Michael Nyman; libretto by Victoria Hardie; conductor, John Kennedy; director, Ong Keng Sen; costume designer, Anita Yavich; lighting designer, Scott Zielinski; set designer, Riccardo Hernandez; Cast: Thomas Michael Allen, Anne-Carolyn Bird, Suzanna Guzmán, Museop Kim, Aundi Marie Moore; Dock Street Theatre El Niño, music by John Adams, libretto by John Adams and Peter Sellars; conductor, Joe Miller; director and set designer, John La Bourchardière; associate set designer, Ellan Parry; costume designer, Magali Gerberon; lighting designer, Marcus Doshi; puppetry director, Steve Tiplady; puppet designer, Sally Todd; Cast: Erica Brookhyser, Daniel Bubeck, Brian Cummings, Caitlin Lynch, Steven Rickards, Mark Walters; Memminger Auditorium Dance Hubbard Street Dance Chicago; artistic director, Glenn Edgerton; resident choreographer, Alejandro Cerrudo; programs, Gnawa (Nacho Duato), Quintett (William Forsythe), PACOPEPEPLUTO (Alejandro Cerrudo), Falling Angles (Jiří Kylián); TD Arena Keigwin + Company; artistic director and main choreographer, -
Roberto Devereux
Patrocinador HEZKUNTZA, HIZKUNTZA POLITIKA ETA KULTURA SAILA DEPARTAMENTO DE EDUCACIÓN, POLÍTICA LINGÜÍSTICA Y CULTURA LXIV 2 11 de noviembre de 2015 ROBERTO DevereUX en cartel El otoño de la reina virgen Tras el estreno veneciano de “Pia de’ Tolomei”, Gaetano Donizetti regresa en febrero del Teatro San Carlo solicita ciertos cambios a los autores En medio del dolor, de 1837 a su cátedra del Conservatorio de Nápoles. Es su período más negro: a la -la decapitación ya no se verá en escena-. La ópera Donizetti escribe a un pérdida de sus padres en 1836 se suma la de dos hijos fallecidos en tierna edad. se estrena el 29 de octubre de 1837 con Giuseppina amigo: “...para mí, esta Y en medio de una epidemia de cólera, el 30 de julio de 1837, un tercer parto se Ronzi de Begnis como Elisabetta -soprano que ya había será la ópera de mis lleva a su mujer Virginia y a la niña recién nacida. Debilitado físicamente y abatido estrenado los roles de Fausta, Sancia di Castiglia, Maria emociones...”. por una profunda melancolía, Donizetti decide superar el luto y cumplir con su Stuarda y Gemma di Vergy-. contrato para el Teatro San Carlo de Nápoles. En medio del dolor, escribe a un El 27 de diciembre de 1838, Donizetti la presenta en el Théâtre des Italiens de París. amigo: “... ...”. para mí, esta será la ópera de mis emociones Para esta ocasión, escribe una nueva obertura: en la misma, las maderas varían La figura de la reina Elizabeth I aparece bien tres veces en las óperas de Donizetti: el himno inglés “God save the King / Queen” -un anacronismo, ya que este himno en “Elisabetta al castello di Kenilworth” (1829), en “Maria Stuarda” (1834) y en data del siglo XVIII…- asociándolo al tema de la cabaletta de Roberto del Acto III: “Roberto Devereux”. -
View Program History Through 2021
SPOLETO FESTIVAL USA PROGRAM HISTORY 2021 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 1999 ...................................... 91 2021 ....................................... 3 1998 ...................................... 95 2020 – “Spoleto at Home” ...... 5 1997 ...................................... 99 2020 ....................................... 6 1996 .................................... 103 2019 ..................................... 10 1995 .................................... 106 2018 ..................................... 14 1994 .................................... 109 2017 ..................................... 18 1993 .................................... 113 2016 ..................................... 22 1992 .................................... 116 2015 ..................................... 27 1991 .................................... 119 2014 ..................................... 30 1990 .................................... 122 2013 ..................................... 34 1989 .................................... 126 2012 ..................................... 38 1988 .................................... 129 2011 ..................................... 42 1987 .................................... 132 2010 ..................................... 47 1986 .................................... 135 2009 ..................................... 51 1985 .................................... 138 2008 ..................................... 54 1984 .................................... 141 2007 .................................... -
Roberto Devereux
ROBERTO DEVEREUX La cantidad de grabaciones completas de Roberto En el listado siguiente ofrecemos las cerca trenta 1972 Devereux apenas supera el número de registros de grabaciones documentadas que están completas y cantadas Montserrat Caballé; Gianni Raimondi; Walter Alberti; la anterior ópera verdiana de esta temporada en sus en italiano, con los papeles principales presentados en este Beverly Wolff; Guido Fabbris; Carlo Micalucci; coro y versiones de cinco actos. La primera grabación conocida orden: Elisabetta (soprano); Roberto Devereux (tenor); Il orquesta del Teatro La Fenice; dir. Bruno Bartoletti. se registró en el lugar de su estreno absoluto, el Teatro di duca di Nottingham (barítono); Sara (mezzosoprano);Lord Great Opera Performances G.O.P. 764-2 (2 CD); Premiere Opera Ltd. CDNO 1173-2 (2 CDR) (2004); San Carlo de Nápoles, en 1964. El hecho de que existan Cecil (tenor); Sir Gualtiero Raleigh (bajo). Myto 2 MCD 053.312 (2 CD) (2005). Grabación en otras producciones de esta ópera grabadas en el mismo directo del 10, 17 o 19 de febrero. teatro, en 1987 y 1998, demuestra cierto apego por ▮Roberto Devereux en disco parte de sus responsables. Montserrat Caballé; Gianni Raimondi; Mario D’Anna; 1964 Laura Londi; Nereo Ceroni; Carlo Micalucci; coro y Entre los directores de orquesta que la han dirigido Leyla Gencer; Ruggero Bondino; Piero Cappuccilli; orquesta del Teatro La Fenice; dir. Bruno Bartoletti. en grabación destaca Julius Rudel, y con ello Anna Maria Rota; Gabriele De Julis; Silvano Pagliuca; Mondo Musica MFOH 10161 (2 CD) (1998). Grabación también la New York City Opera con la que estuvo coro y orquesta del Teatro San Carlo de Nápoles; dir.