codart Courant 3/December 2001

codartCourant contents Published by Stichting codart P.O. Box 76709 2 A word from the director 11 Calls for papers nl-1070 ak Amsterdam 2 Committees 11 Symposium on The Brueghel enterprise The Netherlands 2 Program Committee 11 codart activities in spring 2002 3 Reports from the regional committees 11 Study trip to Moscow, 2-6 March 2002 Editors: Gary Schwartz 3 German-speaking countries, 13 codart vijf: Early Netherlandish Wietske Donkersloot Scandinavia and Baltic States art and its dispersal, 10-13 March 2002 t +31 (0)20 3054 515 3 Austria 17 [Historians of Netherlandish Art f +31 (0)20 3054 500 4 Estonia congress, 14-17 March 2002] e [email protected] 5 Germany 17 Study trip to Scotland, 6 Latvia 13-18 June 2002 codart board: 7 Central and Eastern Europe 18 codart in the United States Henk van der Walle, chairman 7 Hungary 18 Website news Wim Jacobs, operations manager of the 8 Poland 19 Membership directory Netherlands Institute of Cultural 28 codart dates Heritage (Instituut Collectie Nederland), secretary-treasurer Rudi Ekkart, director of the Netherlands Institute for Art History (Rijksbureau voor Kunsthistorische Documentatie) Jan Houwert, director of the Wegener publishing company Paul Huvenne, director of the Koninklijk Museum voor Schone Kunsten, Antwerp Jeltje van Nieuwenhoven, Speaker of the House of the Netherlands Parliament codartis an international council for curators of Dutch and Flemisch art. It supports inter-museum cooperation in the study and display of art from the Low Countries through a variety of means, including congresses, study trips, pub- lications and a website (www.codart.nl). The organization was founded and is aided by the Netherlands Institute for Cultural Heritage (Instituut Collectie Nederland). It enjoys the generous support of the Netherlands Ministry of Education, Culture and Science and the Ministry of Welfare, Health and Culture of the Flemish Community. codartcourantappears twice a year. Contributions are welcome. codartcourantis designed by Typography & Other Serious Matters, Rotterdam issn1388 9559 codart Courant 3/December 2001 2

A word from the may be affected in a serious and long-lasting Committees way. The insurance industry is in a quandary director about the threat of continued terrorism. In Program committee their efforts to protect themselves, insurance The program committee meets with the There is only one subject to write about, the companies are talking about removing director and his associate to evaluate the subject that was thrust violently on the world coverage for terrorist attacks altogether from activities of codartand to discuss themes on September 11th. Over the months that have their policies. Even if the insurers do not go for future congresses and destinations for since passed, each of us has had time to form that far, for the coming time we can be sure study trips. Suggestions from codart our own thoughts about what happened, why that coverage for the transportation of members on the yearly questionnaires are it happened, what consequences it has entailed expensive objects will not be available at the reviewed, and a list of desirable themes and and what is in store for us now and in the long rather low rate museums have been used to destinations is drawn up. The committee goes run. Many of these thoughts evoke the paying. According to a well-informed article in over the plans for coming events in detail. unbearable memory of the events themselves. The Art Newspaper of October 2001, the Since its inception at codart driein All of us have relived in our minds the terrible conditions for courier service are also likely to Antwerp, the committee has met regularly. final minutes and seconds of those on board be affected. The stricter security measures at All but two of the meetings took place in the the four hijacked planes and of the victims in airports and on board airplanes will make it Rijksbureau voor Kunsthistorische Documen- the World Trade Center and the Pentagon. The more difficult to accompany art shipments tatie. On the agenda at the current meetings images of the planes crashing into the Twin and to protect them en route. are the congress and study trip themes for Towers and their collapse have been seared These developments, even if they are codart vijf, zesand the more distant into our memories. We try helplessly to temporary, as we all hope, will demand future, as well as additional study trips. In 2002 imagine what it means to be a refugee among flexibility and creativity from curators and additional study trips have been planned to hundreds of thousands of others in one of directors. They will also increase the need for Moscow in March and to Scotland in June. poorest regions in the world. mutual help and accommodation between Outstanding programs for these trips have In the efforts to pick ourselves up again, institutions and curators. In that regard, it is been worked out by Lia Gorter, the codart many heartening things were said. The work fortunate that codartis already in place. consultant on all matters pertaining to Russia, of artists and art historians and museums was Look over the membership directory in the and Julia Lloyd Williams, respectively. Guus said to have special meaning for humanity at a back of this issue of the Courant and think of all van den Hout brought in essential elements of time like this. I wonder. For some individuals the possibilities it offers for new and renewed the Moscow project. this in undoubtedly true and important. But partnerships. Following codart vijf(Early Nether- the public at large did not respond this way. After a shock or tragedy, people have the landish art and its dispersal), the themes Instead, visits to museum in America dropped tendency to withdraw into themselves. That is highest on our list of priorities are Dutch and off sharply. On the whole, I think it better to a normal reaction, but not a constructive one. Flemish art in (in alphabetical order): avoid exalted assertions about the healing This is a time when we need each other more France power of art or scholarship. than ever. We hope that you will take The Netherlands Speaking for myself, my motivation to advantage of the opportunity offered by Poland work and my interest in daily affairs suffered codartto ask each other for cooperation and The United States badly on September 11th and in the weeks to extend it. Activities concerning Dutch and Flemish art in afterwards. The news was a constant Gary Schwartz these countries are being reviewed as possible distraction, and I seemed to have less energy reasons for planning a congress in a particular and attention. However, among the doubts year. that entered my mind unasked, never did I The program committee also discusses doubt the value of my work. Not for new proposals for membership of codart, on the reasons, but for the same reasons that brought basis of the guidelines laid down in the me to it in the first place, codartstill directors’ letter to the membership of 2 August seemed to me as worthwhile an endeavor as 2001. Meetings of the program committee, any to which a person might devote himself. finally, provide an opportunity for the director As I begin to recover, I am grateful that the to consult a group of members on other issues work is here, and that it still provides such as well. satisfaction. As before September 11th, a great deal of that satisfaction derives from the fact The members of the program committee are: that codartconsists of a network of people I Peter van den Brink Bonnefantenmuseum, Maastricht know and like, and from my feeling that I have Charles Dumas rkd, The Hague, secretary something substantial to offer them. Stephen Hartog icn, Rijswijk, chairman Another reason for gratitude is that none of Liesbeth Helmus Centraal Museum, Utrecht our members or colleagues was physically hurt Guus van den Hout Catharijneconvent, Utrecht in the attacks. Many art objects were Julia Lloyd Williams National Gallery of Scotland, Edinburgh destroyed, but none seem to have belonged to Peter Schoon Dordrechts Museum, Dordrecht museum collections. Thea Vignau-Wilberg Staatliche Graphische Sammlungen, Nonetheless, the functioning of museums Photo Bert Nienhuis, Amsterdam. Munich 3 codart Courant 3/December 2001

Reports from the regional committees Vienna, Albertina Vienna, Gemäldegalerie der Akademie der The new Albertina (from http://www. bildenden Künste german-speaking countries, albertina.at/e/albertina/index.html, with The Gemäldegalerie der Akademie recently scandinavia and baltic states permission) refurbished the long Hansen Gallery, fea- ‘The most extensive reconstruction and expan- turing Dutch and Flemish painting. It now austria sion works in the history of the Albertina forms, together with the rooms for Hierony- Innsbruck, Tiroler Landesmuseum started in spring 1999: “Between the Burg- mus Bosch, early Italian painting and the Ferdinandeum garten front of the palace and the Palm House, classicistic room, a continuous modernized Exhibitions and exhibition catalogues a new four-floor structure of a total cubage of gallery space. The smaller Loggia, parallel to Rembrandt, Brueghel & Co. Die Niederländer- 26,000 m3, housing high-security storage the Hansen Gallery, is still being worked on sammlung im Tiroler Landesmuseum facilities, a study building and a hall for and is to be opened to the public at the end of Ferdinandeum. In 1997 the Tiroler Landes- temporary exhibitions, is being erected after November 2001. Here, further works of Dutch, museum Ferdinandeum drew the attention of plans by the architects’ duo Steinmayer & Flemish and French painters will be displayed. the public to its Dutch and Flemish holdings Mascher. The structure is being built into the With these measures the Gemäldegalerie der with this exhibition of paintings that entered old city bastion so that it won’t interfere with Akademie has reopened its complete exhibi- the museum mainly through the Tschager the original townscape. The patio of the state- tion space for the public. and von Wieser bequests. A booklet published of-the-art study building will allow working for the exhibition illustrated the highlights in daylight on all four floors. The under- Acquisitions and announced the expected publication of a ground storage facilities will ensure safe Leonaert Bramer, The Raising of the Cross fully researched catalogue by Dr. Eleonore storage of the holdings. A fully automatic The Gemäldegalerie der Akademie successfully Gürtler, which has yet to appear. elevated shelf structure, the most modern one raised the money for Bramer’s Raising of the of its kind in the world, will provide room for Cross (oil on wood, 79 x 59 cm.) from a series of Vienna 10,000 boxes holding the works of the collec- the Passion of Christ comprising 13 panels. The newly constituted MuseumsQuartier in tion. A computer-controlled system will allow This painting was particularly important for Vienna (mqWien) is nearing completion. This access to them within a period of 60 seconds. the collection because Dutch religious history ‘urban biotope for the arts,’ as it calls itself, “In the context of the reconstruction works, painting had been seriously underrepresented. stretches east from the Hofburg to the seventh a unique project funded by the Federal (See illustration). Bezirk. ‘The MuseumsQuartier Wien,’ to quote Ministry of Education and Cultural Affairs was from the website www.mqw.at, ‘is one of the launched in February 1999, with all drawings Exhibitions and exhibition catalogues ten largest cultural complexes in the world. and watercolors being recorded digitally Rubens and his time But above all, it is a forward-looking, inner- within a data base. Work on the underground The Rubens paintings in the Gemäldegalerie city cultural district that will have an enorm- storage, study building, and exhibition hall der Akademie der bildenden Künste in Vienna ous impact on future trends. The Museums- will be completed by fall 2002. In the course of have been fully restored in Japan and in Vienna Quartier unites baroque buildings, new the rebuilding of the palace, the Albertina’s in connection with the exhibition Rubens and architecture, cultural institutions of all sizes, original main entrance located on the front of his time in Tokyo (15 April-2 July 2000), Nagoya various disciplines of art, and recreational the bastion towards the State Opera will be facilities in a single spectacular location.’ reopened, thus offering new possibilities for In September 2001 the last new museum in the use of the bastion at this vital point in this extensive plan was opened for the public, Vienna’s city center. The palace itself is being the Leopold Museum. Here the famous collec- reorganized according to a completely novel tion of Rudolph and Elisabeth Leopold is on and more generous spatial concept. After the display, featuring not only masterpieces by restoration is completed, the Albertina will Klimt and Schiele, but also a wide panorama dispose of far more space for exhibitions than of Austrian painting from the 19th century, ever, 650 m2 of which will be located in the Austrian expressionism, art between the wars, historical palace. In addition, the new hall for and the 1960s. temporary exhibitions, covering an area of Opposite the Leopold Museum, next to the 800 m2 , will be available for high capacities of Kunsthalle exhibition building, the Museum visitors, leaving the building substance of the of Modern Art (mumok) was also opened to old palace completely untouched. The state the public in September. Among the existing rooms on the Burggarten front are going to be museums that are included in the Museums- restored; they will be open to visitors and be Quartier are the Kunsthistorisches Museum, the site of various events. the Naturhistorisches Museum, the Ethno- ‘Together with the underground storage, graphic Museum, the Ephesos Archaeological the study building, the exhibition hall and an Museum, the Gemäldegalerie der Akademie entirely new exhibition concept, the Albertina der bildenden Künste (Academy Gallery) and will again hold an eminent place in the scenery Leonaert Bramer, The raising of the cross. Oil on wood, the Hofburg. of Austrian and international museums.’ 79 x 59 cm. Gemäldegalerie der Akademie der bildenden Künste, Vienna, inv. nr. tr10. Photo Studio Otto, Vienna. codart Courant 3/December 2001 4

(15 July-20 August) and Kyoto (29 August-22 Vienna, Kunsthistorisches Museum Piazzetta. To name just one rarity from the October). In the exhibition the works by The khmis collaborating with the Kultur- German collection, there is Benjamin Block’s Rubens were supplemented by a selection of stiftung Ruhr Essen (Villa Hügel) on two Portrait of a 13-year-old-boy of 1663. The main other Flemish and Dutch paintings. comprehensive exhibitions devoted to Flemish research for the permanent exhibition of old Rubens und die flämische Barockmalerei (Peter still-life painting and landscape painting. The master paintings was carried out by Mai Levin. Paul Rubens and Flemish Masters in the still-life exhibition comes first, running in Some 28 Dutch and Flemish paintings, Academy Gallery) Vienna from April to July 2002 and going to about two-thirds of the total, are on display. When it returned to Vienna from 22 November Essen from August to November 2002. Die Probably the best of the 16th-century works is to 30 June 2001, the Japanese show was flämische Landschaft will be shown in Villa the monumental Wedding at Cana (1597, oil on mounted in modified and reduced form in the Hügel in September-December 2003, going on canvas, 180 x 232 cm.) from the workshop of newly refurbished Hansen Gallery in the to Vienna from January to April 2004 and Marten de Vos, a variant of the well-known Gemäldegalerie der Akademie itself. The focus ending in the Prado in Madrid from May to panel in Antwerp Cathedral. Jan Brueghel’s of this show was on the results of the July 2004. tradition is evident in Noah’s ark of about 1640 restoration campaign. The most interesting Renate Trnek and in landscapes by Theobald Michau from feature was the rediscovery of the original Gemäldegalerie der Akademie der bildenden the 18th century. The expulsion from the Temple concept of the bacchic scene of the Dreaming Künste, Wien and two small panels from a Peasant wedding Silenus. This large canvas by Rubens and series (ca. 1600), have been lent to the Bosch assistants had never been on show before due estonia exhibition in Rotterdam. to heavy overpainting and a generally Tallinn The arrest of Christ by Leonaert Bramer unattractive surface. A different catalogue was Among the more important Netherlandish art (nr. 126a in Wichmann’s catalogue) is in the published for the home venue than for the works in Tallinn not in museums are the tomb process of conservation. This is a difficult touring Japanese exhibition. The author is monument of Governor Pontus de la Gardie in operation because the varnish is very thick and Renate Trnek, with contributions by Claudia the Cathedral (1595), by Arent Passer, as well as the paint layer very thin. The slate panel broke Koch. 167 pp., with 39 illustrations in full color. seven tapestries in the City Museum made in in two parts years ago. Enghien in 1547. Flemish artists in the collection include Other publications Adriaen Brouwer, Hans van Essen, Clara Highlights cat. The Academy Gallery: an overview Art Museum of Estonia Peeters and Frans Ykens. Dutch artists from of its collection. In December 2001 the English The church of St. Nicholas houses a branch of the schools of Amsterdam (Bartholomeus van edition will appear of the sumptuous volume the Art Museum of Estonia. It also is used for der Helst), Delft (Leonaert Bramer), Haarlem on the collection first published in German in concerts. Among the displays of old art in the (Pieter de Grebber, Adriaen van Ostade), The 1997 by Böhlau. 296 pp., with 241 color church are two triptychs from Brugge and a Hague (Dirk Wijntrack), Leiden (Dominicus illustrations. The book includes a polyptych from Brussels. From Brugge are an van Tol) and Dordrecht (Jacob Gerritsz. Cuyp) representative selection of the Dutch and altar of the Virgin made in the 1490s by the Flemish holdings. Master of the Legend of St. Lucy and an altar with scenes from the Passion of Christ from Other news the circle of Adriaen Isenbrant. The Holy Claudia Koch is leading a research campaign Kinship altarpiece from Brussels has a carved on the early German and Netherlandish central panel by an unknown master and four paintings (excluding Hieronymus Bosch) in painted wings with late Gothic paintings. The the Gemäldegalerie der Akademie, under the altar has many Baroque additions and was title Die Frühe Tafelmalerei nördlich der Alpen in renovated crudely in the beginning of the der Gemäldegalerie der Akademie der bildenden twentieth century. It cannot be said to be in Künste. The results will be published as the good condition. third volume of the Wissenschaftlichen Kataloge On 15 November 2001, a permanent display der Gemäldegalerie der Akademie... The first of old silver was installed in the sacristy of the volume, by Renate Trnek, covered the Dutch church of St. Nicholas. 17th century school. The second volume, on the Italian, Spanish and French schools, is Kadriorg Art Museum being written by Martina Fleischer and will On 22 July 2000 the Dutch and Flemish as well be coming out in fall 2002. as Italian, German, Austrian and Russian The fundamental revision of Bosch’s paintings and applied art from the 16th to the chronology proposed by the Rotterdam Bosch 20th century from the Art Museum of Estonia exhibition prompted the Gemäldegalerie der were put on permanent display in the branch Akademie to examine the dendrochronology of of the museum in Kadriorg Palace. The its Last Judgment Triptych by Bosch. This will be building is a nice example of Italian Baroque undertaken by Renate Trnek in 2002 with architecture in northern Europe, designed by Netherlandish master (Albert Cornelis or Adriaen funding from the Fonds zur Förderung Niccoló Michetti. Among the few Italian Isenbrandt) or Michael Sittow?, Altar of St. Anthony, early wissenschaftlicher Forschung Österreich. paintings are works by Tommaso Salini, 16th century. Art Museum of Estonia, Church of St. Bernardo Strozzi and Giovanni Battista Nicholas, Tallinn. Photo Stanislav Stepas˘ ko. 5 codart Courant 3/December 2001 are represented in the state collection, which summer, she informed us about a painting include reproductions of his eight firmly was mainly formed in the 20th century and is related to a work in our permanent display. established works, including details and currently being researched. The contact we established with her through comparisons. codartwas therefore of great importance to Exhibitions and exhibition catalogues us. On 9-10 November 2001 the Estonian Academy Michael Sittow, 17 January 2001 – November As the organizer of the Sittow exhibition, of Arts held a conference entitled ‘The problem 2001. I asked Dr. Anu Mänd of the Art Museum of of the classical ideal in the art and architecture This winter 475 years have passed since the Estonia to investigate the documents of the countries around the Baltic Sea.’ Two death of Michael Sittow. The well-known concerning the painter, which had not been participants came from Utrecht. Dr. Badeloch painter was born in Reval (Tallinn) in 1469 and studied since the publications of Paul Noldus spoke on the cultural agents who died here in 1525. The Art Museum of Estonia Johansen in 1940. This turned out to be quite worked for the Swedish crown and aristocray devoted several events to introduce the artist useful. Among other new discoveries, Dr. in the Netherlands and Italy in the 17th to our Estonian and Russian public. For the Mänd was able to establish that Michael century. Dr. Koen Ottenheym analyzed the benefit of Estonian schoolchildren, I put Sittow was born in 1469 and died in 1525. route taken by classical forms from Rome and together an exhibition of photographs on the A paintings restorer, Alar Nurkse, spoke Venice via The Hague and Amsterdam to artist and his relation to Hans Memling, about the difficulties in applying Stockholm, Riga, Tallinn and Narva. Albrecht Dürer, Juan de Flandes and Jan contemporary techniques for the study of our Provoost. The reproductions were installed by Holy Kindred altarpiece, of which one wing has Publications the artist Liina Siib. The opening took place on now been examined. In 2000, the papers of an earlier international 17 January 2001 in the church of St. Nicholas. I My own talk dealt with the works in conference were published in the Estonian and delivered a lecture about the Sittows in Tallinn attributed to Clawes van der Sittow German languages: Die Kunstbeziehungen Estonian, which I summarized in Russian for and his son Michael Sittow. Closer scrutiny Estlands mit den Niederlanden in den 15.–17. Russian pupils. reveals that there are no good grounds for Jahrhunderten. Konferenz am 25–26. September On Sittow Day, 20 January 2001, a full singling out these unsigned paintings, 1995, Estnisches Kunstmuseum, Tallinn 2000 afternoon of lectures was held for school carvings and a tombstone from other (isbn9985–78–058–2). teachers by researchers from the Art Museum, contemporary work. None of these works, In summer 2001 a guidebook in Estonian the Academy of Music, the Catholic Church including those heretofore attributed to the and in English was published, introducing to and Tartu University. The topics covered the Sittows, can be connected with any of the large visitors our Italian, German, Russian, as well as art and history as well as religious life, music number of artisans’ names that have been Dutch and Flemish holdings: Kadriorg Art and literature in Sittow’s time. published by Mai Lumiste and Rasmus Museum. Kadriorg Palace, The Art Museum of The exhibition of reproductions then Kangropool. The discussion on the Sittows Estonia 2001 (isbn5–89920–279–3). travelled to Keila, Rakvere, Tartu, Kuressaare that was begun at the symposium is still on the island of Saaremaa and to Narva on the continuing. We obviously need a book on Tartu Russian border. Sittow in Estonian as well as English. It should Tartu University, in the south of the country, has a valuable print collection, which has been Dutch and Flemish art, 2004 the subject of several catalogues by Tiina A large exhibition and complete catalgue of Nurk. The University also owns paintings Dutch and Flemish paintings and prints, collected by German and Baltic German along with our single drawing, carvings and professors, including Dutch and Flemish applied art is planned for 2004. We cannot yet works. These were however evacuated to say whether it will include loans from abroad Voronezh in Russia during the First World or if the show will be limited to exhibits from War and have not yet been returned. Tallinn and Tartu, our second-largest town. I would like to express our gratitude to the colleagues from codartwho have sent us Congresses important literature. Michael Sittow, 9 April 2001 Helena Risthein On 9 April 2001 an international Michael Art Museum of Estonia, Tallinn Sittow symposium was held in the Kadriorg Art Museum for an audience mainly of local germany art historians, guides and journalists. Dr. Braunschweig, Herzog Anton Ulrich-Museum, Matthias Weniger of Berlin gave a lecture on Kunstmuseum des Landes Niedersachsen the oeuvre of Michael Sittow in the light of his In 2004 the museum will be celebrating its own new research, soon to be published in a 250th anniversary. To mark this notable anni- monograph. Dr. Lola B. Gellman of New York versary the State of Lower Saxony initiated spoke about the Flemish portrait tradition and plans for substantial refurbishment and showed how Sittow followed the principles of Dr. Lola B. Gellman of New York spoke on the Flemish extension. By 2004 the museum will get an Jan van Eyck. Dr. Gellman travelled to Tallinn portrait tradition at the international Michael Sittow annex building with approximately 2,700 at her own expense. She has also benefited our symposium in Tallinn on 9 April 2001. square meters for ateliers, store rooms, the museum by donating important books. This print room, the library and the administra- codart Courant 3/December 2001 6 tion. Subsequently the main building, erected The catalogue contains an essay and an the museum’s publications of its old master in 1884-87, will be entirely renovated. After illustrated list of all Dutch prints in the collec- paintings. completion in 2007 the museum will have at tion having to do with the circumcision of its disposal 800 square meters more exhibition Christ. The artistic material is supplemented Lemgo, Weserrenaissance-Museum Schloss space than at present, with new facilities for by further materials dealing with the art- Brake special exhibitions. The museum will be able historical, theological, philosophical and Exhibitions and exhibition catalogues to display as many as 380 of its 1,200 old master cultural aspects of the theme. The museum Hans Vredeman de Vries, 2 June – 1 September paintings, among them 600 from Flanders and wishes in this way to draw attention to its 2002, going on to Antwerp (Koninklijk Holland. function as a pictorial archive for other fields Museum voor Schone Kunsten) 15 September – than art history. Following the close of the 8 December 2002. Exhibitions and exhibition catalogues exhibition, a small colloquium is being held Banquets, Markets, Festivities in Dutch and on 12 January 2002 entitled The circumcision of Schleissheim, Neues Schloss Flemish art of the 16th and 17th centuries , 4 Christ and its meaning in Christian art. On 4 July 2001 the Baroque gallery of the Neues September – 1 December 2002, curated by Thanks to a subvention from the Verein der Schloss of Schleissheim was reopened. The Silke Gatenbröcker. Freunde des Kupferstich-Kabinett, the Schloss belongs to the Bayerische Staats- catalogue can be sold for only 10 dm. To obtain gemäldesammlungen. The most important Dresden, Staatliche Kunstsammlungen Dresden a copy, mail an order to the Kupferstich- paintings are hung on walls of crimson silk Exhibitions and exhibition catalogues Kabinett at Güntzstrasse 34, d-01307 Dresden, damask newly woven in Lyon according to old Im Zeichen des Bundes: Graphische Meisterblätter or send a fax to +49 351 491 42 22. patterns. Italian paintings are confronted with von Dürer bis Rembrandt (In the sign of the Flemish masterpieces such as Rubens’ Sts. Peter covenant: master prints and drawings from Dürer to Düsseldorf, Kunstmuseum and Paul and The capture of Samson. Rembrandt), 25 October 2001 – 11 January 2002. The Kunstmuseum in Düsseldorf, having been Jochen Luckhardt Curator and author of the catalogue: Thomas integrated into the overall complex of the Herzog Anton Ulrich-Museum, Braunschweig Ketelsen. Museum Kunst Palast, is preparing a new and (for the remarks on Dresden) Thomas Ketelsen, The Kupferstich-Kabinett marked the permanent exhibition. The plan has become Staatliche Kunstsammlungen Dresden ceremonial opening of the rebuilt synagogue the subject of public controversy. in Dresden on 9 November 2001 with an ex- Responsibility for this lies not with the latvia hibition on one of the central institutions of museum curators but with two artists who are Museum of Foreign Art, Riga Jewish life, the rite of circumcision. It was against the didactical art-historical The museum is located in Riga Castle, sharing through circumcision that the bond was presentation. Although the project was this building with the office of the president of established between Yahweh and Abraham. criticized by the art and art history section of Latvia and the Latvian History Museum. The The exhibition is not about the cultural his- the Deutscher Museumsbund, it was defended total floor space measures 2,400 square meters, tory of circumcision or its religious meaning both by the director of the Kunstmuseum and of which the exhibition space covers 450 square within Judaism. Rather, reflecting on the Nazi the media. meters. As the castle will undergo major ban on Jewish pictures, the Kupferstich-Kabi- repairs in the following years, the museum nett seizes on the reopening of the Dresden Hamburg, Hamburger Kunsthalle synagogue in order to concentrate on the Exhibitions and exhibition catalogues ambivalent function of prints and drawings. Jacob van Ruisdael, 18 January – 1 April 2002, The visual power of the images themselves has going on to Haarlem (Frans Halsmuseum) 27 had a decisive effect on historical develop- April – 29 July 2002, curated by Pieter Biesboer ments. and Martina Sitt. More than thirty paintings From the fifteenth century on, the Jewish by Jacob van Ruisdael and a large number of ritual found its way into Christian icono- paintings by his contemporaries, shows the graphy in representations of the circumcision key role played by Jacob van Ruisdael in the of Christ. In this way, a Jewish usage was development of Dutch landscape art around mediated by and subordinated to Christian 1650. belief. The exhibition traces the subtle strategies Hannover, Niedersächsisches Landesmuseum by which circumcision was interpreted in the Publications graphic arts, often in combination with other Cat. Die holländischen und flämischen Gemälde des iconographies, such as the Presentation in the 17. Jahrhunderts (Dutch and Flemish paintings of Temple. Most of the 50 woodcuts and the 17th century), 2000, 416 pp., 207 b/w. ill., 49 engravings from the 15th to the early 18th color plates. A critical catalogue, fully century are by Dutch artists. Highlights are illustrated, by Ulrike Wegener. The book deals the mid-15th-century representation of the with 206 paintings, with exhaustive entries. theme by the Master of the Playing Cards, The introduction surveys the history of the Ulrike Wegener, Die holländischen und flämischen Gemälde Albrecht Dürer’s woodcut of the early 16th collection of Dutch and Flemish paintings, des 17. Jahrhunderts. Kritischer Katalog mit Abbildungen aller century, Hendrik Goltzius’s engraving of 1594 most of which were acquired in the mid-19th Werke, Hannover (Niedersächsisches Landesmuseum – and Rembrandt’s etching of 1654. century. This catalogue is the fourth and last of Landesgalerie) 2000. In German. 7 codart Courant 3/December 2001 will be moved to new rooms and split in two September 2002 – 27 October 2002 in the result of many years of work, with the parts. The galleries (1,700 square meters) will Akureyri Art Museum, Iceland. From the invaluable help of the Rijksbureau voor be located in the center of old Riga; the storage holdings of the Museum of Foreign Art in Kunsthistorische Documentatie. It covers all rooms and restoration workshops, the plaster Riga. the paintings in the collection, some of which cast collection and the library will be installed Daiga Upeniece are given new attributions. It is distributed by in a separate building of 2,200 square meters. Museum of Foreign Art, Riga Erasmus. Between 2003 and 2005 we shall live as a The museum will continue its ‘travelling museum’ with no local exhibitions. The members of the regional committee for German- collaboration with the rkdin the preparation The main holdings of the museum consist speaking countries, Scandinavia and Baltic states are: of forthcoming volumes of the catalogue of about Görel Cavalli-Björkman Nationalmuseum, Stockholm raisonnée. – 1,000 western European paintings of the Jochen Luckhardt Herzog Anton Ulrich-Museum, 16th-20th centuries, including 180 Dutch and Braunschweig Other news Flemish paintings of the 17th century Renate Trnek Gemäldegalerie der Akademie der bildenden Two curators of the Szépmüvészeti Múzeum, – 250 Dutch and Flemish prints of the Kunste, Vienna Zsuzsa Urbach and Ildikó Ember, participated 17th century Helena Risthein Art Museum of Estonia, Tallinn in codart vierin March, where they – 10,000 western European and Asiatic prints Daiga Upeniece Museum of Foreign Art, Riga presented the Netherlandish volume of the and drawings of the 16th-19th centuries summary catalogue (see Publications). – 7,400 pieces of western European and Asiatic central and eastern europe In the framework of the Belgian- decorative arts of the 17th-19th centuries, Hungarian cultural agreement the predominantly porcelain. hungary Szépmüvészeti Múzeum received director Paul Furthermore there are smaller collections Budapest, Szépmüvészeti Múzeum Huvenne and restorer Liset Klaassen from the of western European sculpture, ancient Dutch and Flemish paintings were loaned to Koninklijk Museum voor Schone Kunsten, Egyptian and ancient Greek art. several major international exhibitions: Antwerp, for general consultation. Vermeer and the Delft school (New York – Two paintings from the Dutch collection, Exhibitions and exhibition catalogues London), Gärten und Höfe der Rubenszeit (Hamm Portrait of a man from 1601 and View of Haarlem The collection of Friedrich Wilhelm Brederlo, – Mainz), Heroes and gods (Athens – Dordrecht), attributed to Balthasar van der Veen, were 7 June - 31 December 2001. Hieronymus Bosch (Rotterdam), Aelbert Cuyp restored with the generous help of the Curated by Daiga Upeniece. Riga: Neputns, (Washington) and Rembrandt (Kassel). Netherlands Embassy in Budapest. The 2001. 250 pp. (in Latvian and German). An restoration of Jan Steen’s Brothel scene was extensive study of the 201 paintings in the Other publications sponsored by the Friends of the Museum. (See collection of the Riga German merchant and Cat. Early Netherlandish, Dutch and Flemish illustration.) art collector Friedrich Wilhelm Brederlo (1779- paintings, 2000, 236 pp., about 850 paintings, Ildikó Ember 1862). The catalogue includes a history of the completely illustrated in b/w. Vol. 2 of the Szépmüvészeti Múzeum, Budapest collection and a complete catalogue of the 201 summary catalogue of the Old Masters paintings in it, with information about those Gallery, by Ildikó Ember, Zsuzsa Urbach and which were lost in the Second World War. Annamária Gosztola. The catalogue is the Nearly half of the paintings originated in 17th- century Holland and Flanders. All 190 paintings from the collection still in the museum were shown in the exhibition.

Belgian painting of the early 20th century, 7 August 2001 – 5 September 2001. 55 paintings from the museum collection.

The prints of Adriaen van Ostade, 15 April 2002 – 26 May 2002. From the museum’s holdings, which include a complete collection of Ostade’s etchings.

A barnyard scene by Egbert Lievensz. van der Poel from the Brederlo collection was lent to the Metropolitan Museum of Art in New York in 2001 for Vermeer and the school of Delft, 8 March-27 May 2001. Daiga Upeniece, Fri-.driha Vilhelma Brederlo Kolekcija Jan Steen, Brothel Scene. Szépmüvészeti Múzeum, Outside Latvia (Sammlung Friedrich Wilhelm Brederlo), Riga (Museum of Budapest, inv. nr. 4300. Recently restored with help of Exhibitions and exhibition catalogues Foreign Art) 2001. In Latvian, with essay by Daiga the Friends of the Museum. Dutch prints and drawings of the 17th century, 14 Upeniece in German as well. codart Courant 3/December 2001 8

poland Genewa,: sztuka Gdan´ska jako miasta podzielonego Archdiocesan Museum in Kraków, May- wyznaniowo (Between Rome, Wittenberg and September 2000, 304 pp. General publications Geneva: the art of Gdan´sk as a city with vol. 3: Illustrations, 557 pp. Maciej Bóbr, Mistrzowie grafiki europejskiej od xv religious divisions), Wrocl-aw 2000, 486 pp., A Polish version was also published. do xviiiwieku (Masters of the European print, with English summary. 15th-18th centuries), Warszawa 2000, 317 pp., Mit Odysa w Gdan´sku: Antykizacja w sztuce Kraków, Muzeum Narodowe (National 416 ill.; illustrated mostly with examples from polskiej (The myth of Ulysses in Gdan´sk: Museum), Arsenal Polish collections. antique motifs in Polish art), ed. Teresa Exhibitions and exhibition catalogues Waldemar Deluga, “A Matham ‘Virgin’ in Grzybkowska, Gdan´sk 2000. A volume of Splendor Antwerpii (The glamour of Antwerp), Kiev,” Print Quarterly 17 (2000), nr. 3, pp. 284-87. studies. Kraków (Muzeum Narodowe, Arsenal-) 21 April Andrzej Koziel-, Rysunki Michaela Willmanna 21- 27 May 2001; Warszawa (Zamek Królewski) , (1630-1706), Wrocl-aw 2000 (Acta Universitatis Gdan´sk, Biblioteka Gdan´ska Polskiej Akademii June 9-July 22, 2001. Curated by Anna Wratislaviensis, nr. 2212, Historia sztuki; 14). Nauk (Gdan´sk Library of the Polish Academy of Saratowicz and Alicja Kilianska, catalogue by Monograph on the drawings of Michael Science) Sabine Denissen and Leo De Ren. Antwerp Willmann, an important Silesian painter who Publications jewelry, gold and silver from the 16th to the worked under the influence of Rubens, Exhib. cat. Nie tylko o mapach – Holandia w 20th centuries from the collections of the Rembrandt and other Netherlandish masters. zbiorach Biblioteki Gdan´skiej Polskiej Akademii Provincial Museum Sterckhof - Zilvercentrum, Netherlandish influences in Polish art, volume Nauk (Not only about maps: Holland in the Antwerp, and the Diamantenmuseum, of studies, ed. Lia Gorter and Bernard Vermet collection of the Gdan´sk Library of the Polish Antwerp. The catalogue was published in (in preparation). Academy of Science), curator and author of Polish and in English. The exhibition was Jacek Tylicki, Bartl-omiej Strobel malarz epoki catalogue Anna Wytyk, Gdan´sk (Fundacja accompanied by a series of lectures by Belgian wojny trzydziestoletniej (Bartl-omiej Strobel, a Biblioteki Gdan´skiej pan) October 2000, 40 pp., and Polish specialists. painter of the Thirty Years War), Torun´ 2000 with the text in English as well as Polish. (published in 2001, 2 vols.). Monograph on an Kraków, Uniwersytet Jagiellon´ski important representative of international Kraków Publications Mannerism, with Rudolfinian connections, Exhibitions and exhibition catalogues Treasures of the Jagiellonian University, working in Silesia and Poland. Multi-site Uniwersytet Jagiellon´ski, Kraków 2000 , 180 pp. . Zdzisl-aw Zygulski, jun., “Further battles Wawel 1000-2000, jubilee exhibition, held in Also published in a Polish version. for the ‘Lisowczyk’ (Polish Rider) by Zamek Królewski na Wawelu (Royal Wawel Rembrandt,”Artibus et Historiae 41 (2000), pp. Castle) and the Archdiocesan Museum Kraków, Zamek Królewski na Wawelu (Royal 197-205. vol. 1: Artistic culture of the royal court and Wawel Castle) cathedral, Wawel Royal Castle, May-July 2000. Publications Gdan´sk The treasures of the archdiocese of Cracow, Coll. cat. Gobeliny xv-xixwieku w Zamku Publications Archdiocesan Museum in Kraków, May- Królewskim na Wawelu (Tapestries of the 15th – Katarzyna Cies´lak, Mie,dzy Rzymem, Wittenberga, September 2000, 372 pp. 19th centuries in the Royal Wawel Castle vol. 2: The treasures of the Archdiocese of Cracow, [Kraków]), by Maria Hennel-Bernasikowa, Kraków 2000 (Katalog Zbiorów, Zamek Królewski na Wawelu, 2000; 6), 358 pp. Wawel Castle houses one of the largest and most beautiful collections of Flemish 16th-century tapestries in the world.

Legnica, Muzeum Miedzi Exhibitions and exhibition catalogues Exhib. cat. Op Nederlandse manier: inspiracje niderlandzkie w sztuce s´ la,skiej xv-xviiiw. (Op Nederlandse manier: Netherlandish inspirations in Silesian art of the 15th – 18th century), curators and authors of the catalogue Mateusz Kapustka, Andrzej Koziel- and Piotr Oszczanowski, May – July 2001.

Torun´, University of Torun´ Congresses Ildikó Ember and Zsuzsa Urbach, Early Netherlandish, Mateusz Kapustka, Andrzej Koziel and Piotr Symposium ‘Spór o genez – martwej natury’ (A Dutch and Flemish paintings, vol. 2 of the summary catalogue Oszczanowski, Op Nederlandse manier: Netherlandish dispute on the genesis of still life), University of the Old Masters Gallery, Budapest (Szépmüvészeti inspirations in Silesian art of the 15th-18th century, Legnica of Torun´, October 25-26, 2001, with a large Múzeum) 2000. In English. (Muzeum Miedzi) 2001. In Polish. section devoted to Dutch and Flemish still life in Polish collections. Organized by Prof. 9 codart Courant 3/December 2001

Zygmunt Waz´bin´ski (University of Torun´). Publications published several times in the museum’s The participants were: Zygmunt Waz´bin´ski, Bulletin du Musée National de Varsovie 39 (1998, catalogues. (See also W. Tomkiewicz, Catalogue . Tadeusz Zukowski (Torun´-Poznan´), Katarzyna published 2001), nr. 1-4, a special issue devoted of paintings removed from Poland by the German Bal-us (Kraków), Sergiusz Michalski to the memory of Professor J. Bial-ostocki; see occupation authorities during the years 1939-1945, (Tübingen), Hanna Benesz (Warsaw), Boz.ena especially the article by Hanna Benesz. vol. 1 [Foreign paintings], Warsaw 1950, cat. nr. Steinborn (Warsaw), Anna Sobecka (Torun´), 111 masterpieces of the National Museum in 198, p. 72, pl. 188.) An American diplomat who Maciej Monkiewicz (Warsaw), Danuta Zasl- Warsaw, Warsaw 2000, 255 pp. Also published in purchased it in the 1990s, after he realized it awska (Gdan´sk), Marcin Kalecin´ski (Gdan´sk), a Polish version. was looted property, decided to give it back to Marco Chiarini (Florence), Lanfranco Ravelli Muzealnictwo w Polsce i w Holandii: warsztaty the museum via the Polish Foreign Secretary, (Bergamo), Helena Kowalska (Gdan´sk), Beata polsko - holenderskie w Nieborowie (Museum Prof. Wl-adysl-aw Bartoszewski. The official Purc-Stempniak (Gdan´sk), Dariusz Kacprzak management in Poland and the Netherlands: a ceremony took place on Sunday, 8 April 2001. (L-ódz´). Talks on Dutch and Flemish still life Polish - Netherlandish workshop in Unfortunately, it emerged that large sections were given by K. Bal-us, S. Michalski, B. Nieborów), Muzeum Narodowe, Warszawa of the painting have been ruined by a Steinborn, A. Sobecka, M. Monkiewicz, M. 2000, 80 pp. commercial restorer. Chiarini, L. Ravelli and B. Purc-Stempniak. National Museum in Warsaw: guide: galleries On 16-22 April 2001 a group of researchers and study collections, ed. Dorota Folga- from the University of Groningen (Prof. Molly Warsaw, Biblioteka Narodowa (National Januszewska, Katarzyna Murawska- Faries, Micha Leeflang, Linda Jansen, Daantje Library) Muthesius, Muzeum Narodowe, Warsaw 2001, Meuwissen) and the Bonnefantenmuseum in Publications 506 pp. A Polish edition was published in 1998. Maastricht (Peter van den Brink) visited the Spis rycin przedstawiaja,cych portrety przewaz.nie National Museum in Warsaw: summary Muzeum Narodowe in Warsaw in order to osobistos´ ci polskich w zbiorze Emeryka hrabiego catalogue of Early Netherlandish, Flemish and examine paintings that fit into their project Hutten - Czapskiego w Krakowie (List of portrait Dutch paintings, by Hana Benesz and Maria ‘Antwerp painting before iconoclasm,1480- prints, mostly of Polish personalities, in the Kluk (in preperation). 1566.’ They produced infrared reflectographs of collection of Emeryk, Count Hutten-Czapski), the St. Reinhold Altarpiece by Joos van Cleve (van Warszawa 2001, facs., 382 coll. + 16 pp. Other news der Becke), inv. nr. M.Ob. 2190 (old nr. 185007); A Bouquet of flowers by Jacob van Walscapelle the Crucifixion by Pieter Coecke van Aelst, the Warsaw, Muzeum Narodowe (National (1644-1727) (oil on canvas, 76 x 61,5 cm.) that so-called Stillwell Crucifixion (Marlier 1966, p. Museum) was removed from the Muzeum Narodowe in 133), inv. nr. M.Ob. 590 (old nr. 232680); Pieter During summer 2001 the gallery of early Warsaw by Nazi authorities during the Second Coecke’s Adoration of the shepherds, inv. nr. Netherlandish, early German, Dutch and World War recently found its way back to the 184809; a copy after Jan Gossaert, Madonna with Flemish painting in the Muzeum Narodowe museum. The painting was bought in April the veil, inv. nr. M.Ob. 63 (old nr. 105); and a in Warsaw was closed to the public due to 1935 by the government of the city of Warsaw copy after Joos van Cleve, Madonna with cherries, renovation. It was reopened on 15 October for the museum, which at that time was the inv. nr. Wil. 1591, a long-term loan from the 2001. Municipal Museum of Warsaw. It was Wilanów Museum, Warsaw. The results of

The gallery of early Netherlandish, Flemish and German The masterpiece of Peter Paul Rubens, The descent from the cross paintings in the National Museum in Warsaw, re-opened from the collection of the State Hermitage in St. Petersburg and after partial renovation in October 2001. From the tradition of Passion representations in Northern Photo Maciej Monkiewicz. European painting and graphic art in the 16th and 17th centuries, Warsaw (Muzeum Narodowe) 2000. In Polish. codart Courant 3/December 2001 10 their research will be available on cd-rom. includes works by Gerard Dou, Anthonie van 12 September-24 November 2002; Museum of As a substitute forworks loaned to Leonardo Dyck, Johannes Lingelbach, Michiel van Fine Arts, Houston, 8 December 2002- da Vinci and the splendor of Poland (see below, Mierevelt, Pieter Paul Rubens, Jacob van 16 February 2003; Fine Arts Museum of San under Outside Poland), the National Museum Ruisdael, Jan Siberechts, Bartholomeus Francisco, 7 March-20 May 2003; Curator: in Warsaw will receive 12 paintings from the Spranger, Jan Steen, David Teniers the Younger Laurie Winters of the Milwaukee Art Museum museums in San Francisco, Houston and and Philips Wouwerman from the Hapsburg [and collaborators]; among the artists Milwaukee. Among them are a Portrait of a lady courts in Prague, Brussels, Vienna, and represented are Caspar Netscher, Dirk Bouts, by van Dyck from the Fine Arts Museums of Madrid. A fully illustrated scholarly catalogue Albert Bouts, The Master of the Half-Lengths, San Francisco and pendant Portraits of a married will accompany this exhibition. Anthonie Palamedes, Herman Saftleven, couple by Jan Victors, a Portrait of an oriental by Ferdinand Bol, Jan van Goyen, Abraham Ferdinand Bol, and Mars by Honthorst from Wrocl-aw, Muzeum Narodowe we Wrocl-awiu Hondius, Daniel Seghers, David Teniers the the Milwaukee Art Museum. Together with (National Museum in Wrocl-aw) Younger, Matthias Stom and Josse de Momper early modern paintings (many of them Dutch Exhibitions and exhibition catalogues ii; with a fully illustrated scholarly catalogue. and Flemish) mostly from our collection, they Zl-ote Niderlandy: obrazy holenderskie i will form a special 47-picture display, named flamandzkie XVII wieku ze zbiorów Muzeum Thesauri Poloniae (Kunsttresoren Polens). Konfrontacje – Inspiracje – Spotkania Narodowego we Wrocl-awiu (The Golden Kunstschätze Polens. Sammelnlust und (Confrontations – Inspirations – Meetings), Netherlands: 17th-century Dutch and Flemish Sammlerschaft der Kunstwerke im alten Polen vom curated by Maria Kluk. painting in the collection of the National Spätmittelalter bis zur Aufklärungsepoche, Museum in Wrocl-aw), curator and author of Kunsthistorisches Museum, Vienna, October – Warsaw, Zamek Królewski (Royal Castle) the catalogue Beata Lejman, May-July 2001. December 2002; sections: Exhibitions and exhibition catalogues 1. Die Stadt, 15.-17. Jh. Danzig u. Krakau als Splendor Antwerpii (The glamour of Antwerp), Wrocl-aw, Zaklad Narodowy im. Ossolin´skich – Schwerpunkte. Kraków (Muzeum Narodowe, Arsenal-) 21 April Muzeum Ksia,z.a,t Lubomirskich (The National 2. Kirche als Kunstschatzkammer, 14.-18. -27 May 2001; Warszawa (Zamek Królewski) , Ossolin´ski Institute – Museum of the Princes Jh. Vom Reliquientresor zum Raum für 9 June-22 July 2001. See under Kraków. Lubomirski) Kunst. Exhibitions and exhibition catalogues 3. Hof der polnischen Könige, 16.-18. Jh. Skarby Habsburgów (Treasures of the Inventor et sculptor: grafika niderlandzka xvi- 4-5. Pracht und Tracht des Hochadels / Hapsburgs), 25 January-7 April 2002; organized xviiwieku w zbiorach Ossolineum (Dutch prints Splendor des Hochadels. in collaboration with the Kunsthistorisches of the 16th and 17th century in the collection 6. Von der Bildergalerie bis zum Museum, Vienna, in celebration of the Polish of the Ossolineum), Arkadiusz Dobrzyniecki Geschichtsmuseum, um 1770 – 1800. Year in Austria. An exhibition of ca. 170 works and Stanisl-aw Kozak, curators and authors of An exhibition of works of art from Polish and from the Kunsthistorisches Museum and the catalogue, Wrocl-aw (Zakl-ad Narodowy im. foreign collections, organized by Zamek private collections in Austria. The section Ossolin´skich – Muzeum Ksia,z.a,t Lubomirskich Królewski, Warsaw, and Muzeum Narodowe, devoted to Flemish and Dutch painting (The National Ossolin´ski Institute – Museum Warsaw, in collaboration with the of the Princes Lubomirski), May-June 2001, 211 Kunsthistorisches Museum, Vienna, in pp., 140 prints, completely illustrated. celebration of the Polish Year in Austria. Outside Poland Includes works by Hans Memling, Joos van Exhibitions Cleve, Jan Brueghel the Elder, Willem van Leonardo da Vinci and the splendor of Poland, Haecht, David Vinckboons, Pieter Paul exhibition:Milwaukee Art Museum, Rubens, Ludolf Backhuyzen, Gerard Metsu., Jan Steen, Gerard Dou, Rembrandt, Ferdinand Bol (?), and Flemish tapestries of the Polish king Sigismund August (16th c.), along with Anton Möller, Bartholomäus Strobel, Daniel Schultz and Andreas Stech, painters who worked under strong Dutch and Flemish influence; authors: Andrzej Rottermund, Dorota Folga-Januszewska, Antoni Ziemba; the exhibition will be accompanied by a fully illustrated scholarly catalogue. Maciej Monkiewicz Muzeum Narodowe, Warsaw

The members of the regional committee for Central and Eastern Europe are: Dorota Folga-Januszewska and Katarzyna Murawska- Rembrandt and the masters of 15th-17th century Netherlandish Ildikó Ember Szépmüveszeti Múzeum, Budapest Muthesius,Galleries and study collections: guide, Warsaw drawing, Warsaw (The Ossolin´ ski National Institute – Thomas DaCosta Kaufmann Princeton University (Muzeum Narodowe) 2001. Museum of the Princes Lubomirski) 1998. In Polish and Sanda Marta Brukenthal Museum, Sibiu English. Maciej Monkiewicz National Museum in Warsaw 11 codart Courant 3/December 2001

Calls for papers Véronique Bücken codartactivities in Musées Royaux des Beaux-Arts de Belgique Symposium on The Brueghel Enterprise Museumstraat 9 spring 2002 Musées Royaux des Beaux-Arts de Belgique, b-1000 Brussels Brussels, 20-21 June 2002 Belgium (circumstances permitting) In cooperation with the Bonnefantenmuseum t +32 2 508 3211 in Maastricht, the Musées Royaux des Beaux- f +32 2 508 3232 Study trip to Moscow, 2-6 March (a codart Arts de Belgique is organizing a symposium e [email protected] tweeproject, in cooperation with the that will take place on 20-21 June 2002 in Foundation for Cultural Inventory). N.B. The Brussels. The symposium deals with the or trip is one day shorter than announced in the theme of the exhibition The Brueghel enterprise, director’s letter of October 2001. which is being shown in the Bonnefanten- Peter van den Brink museum from 13 October 2001 until 17 Bonnefantenmuseum Maastricht Saturday, 2 March February 2002 and in the Musées Royaux des Avenue Ceramique 250 9:40-15:00 klmflight from Schiphol to Beaux-Arts de Belgique from 21 March until P.O. Box 1735 Moscow 23 June 2002. 6201 bsMaastricht 15:00-16:30 Transfer from airport to hotel The symposium will concentrate on three t + 31 43 329 0190 20:00 Dinner (not included) topics: f + 31 43 329 0199 1. Copying practice in general, with a focus on e [email protected] Sunday, 3 March the Brueghel workshop. Morning Visit to fortified convent of 2. The Brueghel family as painters. With a The deadline for receipt of abstracts is 1 March Novodevichy (New Convent of the Virgin) and strong focus on scientific examination, 2002. Detailed information on the symposium Cathedral of the Virgin of Smolensk (1524-25), painting technique, conservation and will follow in March 2002. For more the seat of the Metropolitan of Moscow. Our restoration. information, please contact Véronique Bücken visit will take place during services, so that we 3. Brueghel and the market. Socio-economic or Peter van den Brink. can hear the monks’ choir, said to be the best in topics regarding the marketability of Moscow. We will be introduced by Guus van paintings by Jan Brueghel the Elder and Pieter den Hout, director of the Catharijneconvent in Brueghel the Younger as well as the output of Utrecht, who is currently organizing an their studios and later followers. exhibition of the treasures of Novodevichy. The symposium fee will be= C 75, except for The complex was founded in 1524 by Tsar speakers. Papers in English, French and Dutch Vasily iiiin thanks for the Russian are invited for presentation. Please send a one- reannexation of Smolensk from the page abstract and c.v. to: Lithuanians. During the 17th century several other churches were built inside the walls, and

Beata Lejman,The Golden Netherlands: 17th-century Dutch Brugge. Photo Gary Schwartz. Brugge. Photo Gary Schwartz. and Flemish painting in the collection of the National Museum in Wrocl-aw, 2001. In Polish. codart Courant 3/December 2001 12 onion-domed towers were added to the Tuesday, 5 March codart vijf: Early Netherlandish art and cathedral. There is a small museum and a Morning Free. A visit to the Pushkin Museum its dispersal, 10-13 March 2002 famous cemetery, where Anton Chekhov and printroom to see sheets not in the exhibition Nikita Khrushshev are among the buried. For can always be arranged. Other museum visits Sunday, 10 March an English-language website on Novodevichy, will be suggested. 14:00-17:00 Maastricht, Bonnefantenmuseum: with amateur photos, see http://www.xeno Afternoon By bus to Archangelskoje Palace, Registration, tea, opening, visit to exhibition phongi.org/ruscity/moscow/novotbl.htm. 16 kilometers from Moscow. The museum of paintings from the Michaelis Collection, Afternoon Lunch in and visit to the galleries will still be closed for the winter, but Cape Town. The contacts for this exhibition Museum of Private Collections, an annex of the by special arrangement with the director, were made at codart twee, when Peter Pushkin Museum of Fine Arts. Large donations Vladimir V. Dlugach, codartwill be able to van den Brink met Hans Fransen. of private collectors, rather than being visit the reserves and see the paintings there. 17:00 Departure by bus for Brugge, 212 km. integrated seamlessly into the holdings of the The French gardens that are the glory of 19:30 Arrival, check in to hotel. Rooms have Pushkin Museum, are displayed here with full Archangelskoje will be bare but charming. For been reserved in the adjoining Ibis Hotel and credit to the donor. The museum is close to the a sketch of the “Museumsreservat Novotel, on the Katelijnestraat. Pushkin, and has a pleasant restaurant. ‘Archangelskoje’” see the website of the 20:00-21:30 Reception in the Memling Moskauer Deutsche Zeitung: http://www.mdz- Museum, hosted by Hilde Lobelle, chief Monday, 4 March info.de/Museen- und-Galerien Katalog? curator. From the Brugge city website: ‘The All day The Pushkin Museum. On the closed letter=M. Memling Museum is housed in one of the Monday the museum will be open exclusively oldest surviving medieval hospitals in Europe for codart. The main feature is the Wednesday, 6 March (12th-17th century). Everyday life at the exhibition of Dutch and Flemish drawings Morning Visit to two palaces in the Kremlin hospital is recalled in the atmospheric and curated by our member Vadim Sadkov. His that are otherwise closed to the public, Terem historic wards by a wide variety of objects that work is the last of three major exhibitions and Palace and the Palace of Façades. We will be have belonged to the building for centuries. catalogues of Dutch and Flemish art by which received by the director of the Kremlin palaces, These include paintings, sculpture, furniture the Pushkin Museum marked its 100th Elena Gagarina. and decorative art. The adjacent chapel is the anniversary. During the day of our visit we will Afternoon By bus to the Spaso-Andronikov undisputed treasure-house of the hospital, also benefit from the research conducted for Monastery and Rublev Icon Museum. The containing as it does several brilliant paintings the two preceding projects, Xenia Egorova’s monastery’s Cathedral of the Savior was built and the St Ursula Shrine, all executed by Hans exhibition and catalogue of the Flemish in 1427 and is now the oldest stone building in Memling in the 15th century. The 17th- paintings and those of Marina Senenko of the Moscow. It is adorned with frescoes painted by century pharmacy has been completely Dutch paintings. Xenia is no longer with us, the master icon-painter Andrei Rublev. See the preserved in the former monastery (14th but Marina will show us the extraordinarily website http://www. xenophongi.org/ruscity/ century) which opens onto the little street rich painting reserves that left such a deep moscow/andron. htm for information and leading to the hospital entrance.’ impression on participants in the codart images. 21:30 Dinner. tweestudy trip in March 1999. To save time, 21:20-22:50 klmflight from Moscow to we will eat lunch at the pizzeria across the Schiphol. street from the museum.

Xenia Egorova, The Netherlands xv-xvicenturies, Flanders Marina Senenko, Holland xvii-xixcenturies: collection of The entrance of the Groeninge Museum in Brugge. xvii-xviiicenturies, Belgium xix-xxcenturies: collection of paintings, Moscow (Pushkin State Museum of Fine Arts) Photo Gary Schwartz. paintings, Moscow (Pushkin State Museum of Fine Arts) 2000. In Russian. 1998. In Russian. 13 codart Courant 3/December 2001

Although it requires no explanation that Sander Paarlberg, Dordrechts Museum, Musea, our member Manfred Sellink and his codartshould meet in Brugge, where it all Hunting trophies, letter racks, notice co-director Walter Rijcquart, and their staff. began, the decision to go there in 2002 was boards and printboards, chantournes The following comments are taken directly clinched by the Jan van Eyck exhibition and (cutouts) and illusionistic motifs are the from the Brugge city website, which contains the fact that the city is one of the European theme of an exhibition on trompe l’oeil in additional information as well as images. Cultural Capitals for the year of 2002. The town the 17th century planned for 2006-07. In (http://www.brugge.be/Musea/en/index.htm) is taking this distinction very seriously, and 2005 Boudin and Jongkind are on the The texts are also available in a brochure on the has invested heavily in restorations and events. program, and after 2007 it will be time for museums of Brugge, which will be distributed Participants in codart vijfwill receive Samuel van Hoogstraten. to participants. complete programs of Brugge 2002. In the Ivan Rusina, Slovak National Gallery, N.B. Each participant may choose one meantime, see http://www.brugge2002.be. Bratislava: Rembrandt and 17th-century Dutch section for each day. The visit to the Steinmetz- art in Slovak collections. A catalogue and kabinet and the restoration studios and Monday, 11 March exhibition for September-October 2003. storage spaces of the Memling- and Groening- 09:00-12:30 Memling Museum, attic. Congress Paul Vandenbroeck, Koninklijk Museum voor emuseum may be attended by all participants, session with two coffee breaks. Schone Kunsten, Antwerp: Exhibition in since they will be repeated, and the group will Welcome by Manfred Sellink. autumn 2003 or later: Between Bosch and be split into two each day. The other sections Congress chairman: Stephen Hartog. Brueghel: Jan & Frans Verbeeck. A previously will be filled on the basis of the order of receipt Members meeting. unknown set of paintings with a unique of registration forms. Report of the program committee: Charles iconography. Dumas. 12:30-14:00 Lunch in town. a. Brugge in historical perspective, guided by Presentations by members, mainly of future 14:00-18:00 Visits to museums, churches, Stéphane Vandenberghe, curator of the exhibitions for which they are seeking historical sites and cultural institutions in Gruuthuse Museum and of Brugge historic partners. Confirmed to date: Brugge. With the exceptional cooperation of heritage. t +32 50 448 706. Lia Gorter, Foundation for Cultural Inventory, the municipal museum administration, – The Gruuthuse Museum, reopened with a Amsterdam: Netherlandish elements in Polish which runs eight museums, we will be taken new presentation of the collection. ‘The art, a book in preparation, tied in to in groups, guided by our Brugge colleagues, to Gruuthuse Museum is located in the 15th- codart zes. the most interesting destinations in the city. century palace of the Lords of Gruuthuse and Thomas Ketelsen, Staatliche Kunstsammlung In the course of Monday and Tuesday after- contains what is easily the most varied Dresden: Landmarks in print collecting: the noon, each participant in the congress will be collection of applied or decorative art in Bruges Klebebändein the Kupferstich-Kabinett, able to visit a choice of the locations below, to (15th to 18th century). A large collection of Dresden. An investigation of the history and be worked out in a roster offering various sculpture, fine Bruges tapestries and furniture system of more than 100 albums with choices. For this opportunity and for the is accompanied by silverware, copper, tin, Dutch and Flemish prints. efforts they have exerted on our behalf, we are coins and medals, pottery and musical deeply grateful to the directors of the Brugse instruments. The armoury room contains the

The attic of the Memling Museum, where the congress The entrance of the Gruuthuse Museum in Brugge. sessions of codart vijf will take place. Photo Gary Photo Gary Schwartz. Schwartz. codart Courant 3/December 2001 14 famous 18th-century guillotine. The attractive the precious stained glass windows and the second half of the 16th century. The most interior has a very distinctive atmosphere – the mausoleums of the church founders representative room, the hall for meetings and large kitchen and original mediaeval chapel (Anselmus Adornes and his spouse).’ banquets, was donated to the guild a century (1472), in particular, transport visitors back to – The city archive, among the most important later by King Charles II of England. The St. the late Middle Ages.’ repositories of their kind in the Netherlands. Sebastiaansgilde has also retained its practice – The Renaissance Hall of the Brugse Vrije. The visit will concentrate on sources ranges, including a wooden gallery adorned ‘The former treasure-house of the palace of the concerning painters, and the collection of with stained-glass windows and old targets. In Brugse Vrije (‘Liberty of Bruges,’ an illuminated manuscripts. the banquet hall, called the Koningskamer, administrative entity comprising the – The Sint Anna-kerk. hang the group portraits of the guild and its surrounding area, but not the city itself) governors from the 17th century on. The guild contains a monumental 16th-century c. Popular culture. Guided by Willy P. furniture and silver has also been preserved in Renaissance chimney-breast installed in Dezutter, curator of the Museum voor the original building. honour of Emperor Charles. This complex and Volkskunde, and Sibylla Goegebuer, associate – The St. Jorisgilde Museum. Located in the refined ensemble of wood, marble and curator of the museum and Hoofdman of the former Jong Hof of the guild of St. George. It alabaster was designed by the Bruges artist guild. t (provisional): +32 50 330 044. was instituted after the disbanding of the Lanceloot Blondeel and was executed by a – Museum voor Volkskunde. ‘The restored and guild in 1876, with historic relics, art works variety of local joiners and sculptors. Guyot de picturesque 17th-century almshouses and weapons from both the Oud and the Jong Beaugrant made the royal sculptures and belonging to the Bruges cobblers’ coroporation Hof that constituted the guild. reliefs in alabaster.’ evoke the atmosphere of bygone days. Historic – Onze-Lieve-Vrouwekerk ‘Church of Our objects are used to reconstruct a classroom, a d. Behind the scenes of the Brugge museums. Lady (13th-15th century): this church, with a cobbler’s and a hatter’s workshop, a Flemish Guided by Willy Le Loup, curator of the 122 m high tower, contains an extremely rich living room, an old kitchen, a confectioner’s Groeningemuseum, Eva Tahon, head of the art collection. Top of the bill is of course the and an old chemist. The numerous folkloric conservation department of the Brugge white marble Madonna with Child by exhibits include a large collection of pipes, Museums, and their associates. N.B. This visit Michelangelo. In the choir gallery are the examples of old costume and items relating to will be made available to all participants. It mausoleums of Mary of Burgundy and Charles popular worship. Visitors can round off their will be held on Monday as well as Tuesday, for the Bold, as well as a number of remarkable tour in the museum inn, The Black Cat.” Three two groups of 20 each day. polychromed tombs (13th-14th century).” The new rooms reconstruct the cloth trade. A – Steinmetzkabinet. The printroom of the chapel of Lodewijk van Gruuthuse. complete glassblowing establishment and a Gemeentemusea Brugge is named for the historic bedchamber are incorporated into the ‘Brugse Brit’ John Steinmetz (1795-1883), who b. The hofjes and archive of Brugge. Guided by museum. donated his collection of 17,000 prints and Dr. Noël Geirnaert, archivist. t +32 50 448 264. – The St. Sebastiaansgilde Museum. As an drawings to the township in 1864. In 1954 the – The St. Anne quarter, with a visit to the institution, the guild of St. Sebastian, whose holdings of the former Oudheidkundig Jeruzalemkerk and its surrounding godshuizen. weapon was the crossbow, was probably Genootschap were added to the collection, ‘Jerusalem Church, Peperstraat: built in the founded in the 14th century. The picturesque which further consists of historic possessions 15th century according to the plans of the Holy brick building and tower, at the corner of the of Brugge and other legacies, donations and Sepulchre in Jerusalem. Worth seeing are a.o. Carmerstraat and the city wall, dates from the acquisitions. The best pieces, including

Brugge, town hall. Photo Gary Schwartz. Brugge, Belfort. Photo Gary Schwartz. 15 codart Courant 3/December 2001 drawings by Gotzius and de Gheyn and prints Jan van Eyck en de mediterrane wereld: een a. The earliest traces of Brugge. Guided by by Dürer and Callot, will be put on display for nieuwe kijk op de Vlaamse Primitieven (Jan van Eyck Hubert De Witte, archaeologist, and Bieke participants in codart vijf. and the Mediterranean world: a fresh view of the Hillewaert, scholarly associate of the Brugge – The restoration studios and reserves of the Flemish Primitives; Brugge, Groeningemuseum; Museums. t +342 50 448 705 and +32 50 448 709. Memling- and Groeningemuseum. 15 March-30 June), curated by Till-Holger – Beneath the Burg. The construction of a hotel Borchert. near the former residence of the Counts of 19:00-20:30 Reception in the town hall. ‘Bruges Heerlijke Primitieven. meestertekeningen van Flanders revealed major archaeological Town Hall, built between 1376 and 1420 is one Jan van Eyck tot Hiëronymus Bosch (Delightful remains of the rich past of Brugge. The of the oldest in the Low Countries. A primitives: master drawings from Jan van Eyck to Archaeological Service has identified traces of ceremonial staircase leads from the entrance Hieronymus Bosch; Antwerp, Rubenshuis, the church of St. Donatus, late medieval tombs hall to the first floor, where visitors can view 14 June-18 August), curated by Fritz Koreny and a well. the Gothic Chamber. This former council and Georg Zeman. – The workshop of the Archaeological Service, chamber continues to play an important part Meesterlijke middeleeuwen: miniaturen van with a display of choice items. in the life of the city. The wooden, polychrome Karel de Grote tot Karel de Stoute (800-1475) – The excavations and wall paintings in the ceiling is decorated with a profusion of late- (The masterly Middle Ages: miniatures from Onze-Lieve-Vrouwekerk. mediaeval carving. The murals illustrating Charlemagne to Charles the Bold (800-1475); Bruges’ glorious past were added during the Leuven, Stedelijk Museum Vander Kelen- b. Hidden treasures of Brugge. Guided by chamber’s restoration in the late 19th century. Mertens; 21 September-8 December), curated Brigitte Beernaert, scholarly associate of the The adjoining ‘historical chamber’ contains by Jan Van der Stock. Monument Service, t +32 50 472 382, Kurt several objects, documents and works of art We are fortunate in having been able to Priem, archivist of the Groot Seminarie, and with a bearing on the city’s past.’ bring the curators of these exhibitions to Mieke Parez, associate curator of Onze-Lieve- 20:30 Congress dinner. codart vijf. They will speak on their Vrouw ter Potterie. exhibitions, on the state of scholarship in the – City walk to lesser-known monuments: the Tuesday, 12 March respective fields of the exhibitions, and of Burg, with its mélange of Flemish architecture 09:00-12:30 Memling Museum, attic: Early course on the art itself. of all periods, the rococo façade of a bank with a Netherlandish art and its dispersal. Congress Till Borchert: The power of vision: early collection of 18th-century paintings, the new session with two coffee breaks. Chair: Stephen Netherlandish paintings and the south of town theater, the Hof van Bladelin. “Bladelin Hartog. Europe. Court: built ca 1440 by Pieter Bladelin, 2002 is not only the year of Brugge as Fritz Koreny: Early Netherlandish master treasurer of the Order of the Golden Fleece. European Cultural Capital, it also is the 100th drawings. The walls surrounding the charming inner anniversary of the great exhibition Les primitifs Jan Van der Stock: The masterly Middle Ages: garden show nice stone medallions flamands, one of the formative events in the miniatures from Charlemagne to Charles representing portraits of the former history of our field. To mark the anniversary, the Bold (800-1475). inhabitants.” The Bladelin Court can be called various exhibitions are taking place, including 12:30-14:00 Lunch in town the headquarters of the Medici in Brugge. a documentary exhibition in the Arentshuis. 14:00-17:00 Continuation of the visits to – The Groot Seminarie, which owns a major museums, churches, sites and institutions, collection of illuminated manuscripts and with the following choices: several early paintings as well. Later in the year it will host the exhibition Besloten wereld, open boeken (A cloistered world, an open book), in which medieval manuscripts will be shown alongside art by our own contemporaries. – Onze-Lieve-Vrouw ter Potterie. ‘Museum of our Lady of the Potterie. The museum is located in a historic hospital complex (14th- 17th century). Its numerous paintings and sculptures alone are worthy of a visit, but the museum also contains furniture from the Gothic to the Baroque era, Bruges tapestries and a major collection of silverware. The adjoining church has one of the city’s finest Baroque interiors and houses a further wealth of art treasures.’

c. Behind the scenes of the Brugge museums. Identical to visit d. on Monday.

17:00-21:00 In small groups, visit to Jan van Eyck, the Flemish primitives and the South (1430- Kasteel van Loppem. Photo Gary Schwartz. Chapel of Kasteel van Loppem. Photo museum. 1530), three days before opening. This codart Courant 3/December 2001 16 exhibition demonstrates the extent to which discussion: Jeroen Stumpel, professor of ifa, nyu: State of the art in seventeenth- the pioneering work of Flemish artists in the iconology, University of Utrecht . century Dutch and Flemish studies. 15th and 16th centuries was influenced by Museum speaker: Christopher Brown, director 11:30-13:30 Lunch. developments in other European countries. of the Ashmolean Museum, Oxford. 12:00-13:00 Lunchtime round table discussion. This influence came not only from artists but Academic speaker: Koen Ottenheym, professor Private collecting of Netherlandish art in also from the dynastic interests of rulers such of architectural history, University of the 21st century. as the House of Burgundy. Some sections of the Utrecht and director of the Onderzoeks- 13:30-15:30 Parallel sessions. exhibition are iconographic: the Passion of school Kunstgeschiedenis. The making of illuminated manuscripts in Christ, the Virgin in artistic imagery. Others Statements by panel members: . Flanders between 1420 and 1530. focus on more structural or general themes, John Hand, curator, National Gallery of Art, Antwerp artists and German patrons. such as the emergence of landscape, civic and Washington. 15:30-16:00 Tea break. personal identity, the imagery of the other. Lucco Mauro, professor of art history, 16:00-18:00 Seven simultaneous workshops. Monographic, topographic and chronological University of Bologna, Italy. The concept of ‘placement’ of art and artists. sections give the visitor a clear impression of Katlijne Van der Stighelen, professor of art Art and corporate identity: guild patronage in the impact of Italiy and southern Europe on history, Catholic University of Leuven. the early modern Netherlands. Flemish art. This approach leads to the Jacek Tylicki, professor of museology, Rubens’ allegorical inventions. reopening of some controversial attribution Copernicus University, Torun, Poland. Antwerp and Amsterdam: artistic exchange debates. The displays include iconic works of Martha Wolff, curator, Art Institute of and cross-fertilization c. 1580-1675. 15th-century art alongside new discoveries. Chicago. Observation and experience: art, science and The collections of Brugge itself provide the (Not all speakers have confirmed. Program the production of natural knowledge, 1580- perfect starting point for this fresh subject to change.) 1720. presentation of the Flemish primitives, with Tea break, audience submits written The colonial or global imaginary in the Dutch Jan van Eyck as the key figure. questions. Republic. Dinner alternating with visits. Discussion between speakers and panel The patronage of Flemish late baroque members. sculpture, c. 1640-1710: a tour of Antwerp Wednesday, 13 March Questions from audience. churches. Takes place in Antwerp churches; 11:00 Bus leaves for Kasteel van Loppem. Roundup by moderator. meeting point will be announced in the 11:15-12:15 Kasteel van Loppem, an Closing by Alison Kettering. final program. extraordinary recreation of a medieval palace. 19:30 Reception in town hall. 18:30-20:00 Koninklijk Museum voor Schone ‘Baron Charles van Caloen ordered the Kunsten will be open to conference architect Baron Jean Bethune to complete the participants. unfinished plans of the London architect By way of exception, a non-codartevent Edward Pugin and to build this neo-gothic Historians of Netherlandish Art Friday, 15 March château intended to reflect the mysticism and Our partner organization is holding its first 9:30-11:30 Seven simultaneous workshops. grandeur of bygone Flanders. It was here in congress in Europe immediately following Weighing relationships: from, content and 1918, at the end of the Great War, that King codart vijf. All codartmembers are function in paintings by Jan van Eyck. Albert signed the law granting the long sought eligible for membership and participation in Recent developments in the study of Flemish universal suffrage. The château contains a this interesting program. The provisional and Dutch tapestries. number of neo-gothic works, including program was mailed to codartmembers in Early collections and collecting activities paintings, porcelain, etc, from the 16th and October. A brief version follows. North of the Alps. 17th centuries. Also displayed is the Jean van Problems and practice in the printing and Caloen collection of religious sculptures Thursday, 14 March 2002 illustration of books in 16th- and 17th- dating between the thirteenth and sixteenth Congress Centre ’t Elzenveld. century Antwerp. Takes place at Museum centuries from Holland, France, Italy, Spain hnais grateful to the College van Burge- Plantin-Moretus. and Germany,’ (http://www.living-in- meester en Schepenen of Antwerp under Constructing political ideologies and national belgium.com/livin_art_info_0029.htm). whose auspices this conference is conducted. identities in Netherlandish art. The castle is ordinarily not open until April, There will be a book fair throughout the Architecture, architectural theory and but our member Véronique van Caloen will conference in the Lobby of the Congress architectural engravings in the Low open it for us and receive us in her family Centre. Countries 1565-1631: Hans Vredeman de castle. 8:30 Registration and breakfast. Vries, Hendrick de Keyser and their 12:15-13:30 Lunch in the cellar of the castle 9:20 Welcome and introduction. contemporaries. 13:45-14:45 Bus to Antwerp, Leopold de 9:30-11:30 Plenary session. Independence and adherence among the Waelplaats, 100 km. Martha Wolff, The Art Institute of Chicago: pupils and followers of Rembrandt. 15:00-18:00 kmska: Joint session with hna: State of the art in fifteenth-century northern Dulle Griet in the Museum Mayer van den Looking and learning. Netherlandish art in studies. Bergh. Takes place in the Museum Mayer museums and universities, 1902-2002-2102. Larry Silver, University of Pennsylvania: van den Bergh. Welcome by Paul Huvenne, director of kmska State of the art in sixteenth-century 11:30-13:30 Lunch. and Gary Schwartz, director of codart. Netherlandish studies. 13:30-15:30 Parallel sessions. Introduction by moderator of panel Eric Jan Sluijter, University of Amsterdam / Originals and derivatives in Flemish and 17 codart Courant 3/December 2001

Dutch art of the seventeenth century. Scotland: a reflection of taste, Edinburgh Academy building and creating an The relations between the arts in the Low (National Gallery of Scotland) 1992, provided underground link building between the Countries in the eighteenth century. unforgettable evidence of the high level of Academy and the National Gallery, which will 15:30-16:00 Tea break. collecting in that country. The museum add exhibition space, a café, shop and lecture 16:00-18:00 Parallel sessions. holdings in Edinburgh and Glasgow are well theater.” (http://www.heery.com/Projects/ Painters’ workshops in the sixteenth-century known and enjoy worldwide repute. Even Playfair.htm). The visit will be led by Michael Netherlands. more exciting is the prospect of seeing the Clarke, director of the museum and Playfair Early experiments in Renaissance architecture collections of private owners in their country Project head. The first stage of this building in the Low Countries houses. Out of respect for their wishes, the project will open in 2003.’ 19:00 Banquet at the Elzenveld. following program does not specify the Afternoon The Scottish National Portrait identity of the owners of the collections at Fife, Gallery, with works by Lievens, Verelst and van Saturday, 16 March Mount Stuart and Mertoun. They will be well Dyck. The director, James Holloway, will 9:30-11:30 Neil De Marchi and Hans Van known to many members of codart. welcome the group and discuss the influence Miegroet, Duke University. Special Needless to say, more information will be of Dutch and Flemish art on painters in Presentation of the Mapping Markets Project. made available to participants in the trip. Scotland in the 17th century. Almost all the Three simultaneous workshops: The exhibition program of Lloyd Williams’s earliest surviving portraits of Scottish sitters Diptychs, pairing and duality in museum has included some important are by artists from the Low Countries. Netherlandish art. contributions. She herself curated the University of Edinburgh: Torrie Collection. Scherpenheuvel: space, image and ritual. memorable exhibition Rembrandt’s women of A small but choice collection of mainly Dutch Hans Vredeman de Vries and Flemish garden summer 2001, which went on to the Royal paintings in a wonderful setting in the Old design. Takes place in the Rubenshuis. Academy in London. Our visit is timed to Court of the University. The curator, Dr 11:30-13:30 Lunch coincide with the opening of an exhibition on Duncan Macmillan, will talk about the 13:30-15:30 Parallel sessions. Rubens and Italian art, one of the great themes formation of the collection. We will be received Fifteenth-century Netherlandish art. in the study of the international relations of by Professor Richard Thomson, Head of the Seventeenth-century Dutch art. Netherlandish art. Fine Arts Department of Edinburgh 15:30-16:00 Closing remarks by Alison University and Director of the Visual Arts Kettering (hnapresident). Thursday, 13 June 2002 Research Centre being set up in Edinburgh. There will be a bus taking participants to Arrival in Edinburgh The Centre is a joint project with the National Bruges. 6-8 pm The National Gallery of Scotland’s Galleries of Scotland, National Museums of 19:00 Bruges, participants gather in the private view of the exhibition Rubens and Scotland, National Libraries of Scotland, Leerhuis (near Groeningemuseum). Italian art, curated by Jeremy Wood and University of Edinburgh and Edinburgh Art 19:30-21:00 Private viewing of the Van Eyck including paintings, drawings and prints. College. The aim of the Centre is to coordinate exhibition Invitations will be issued to all codart art-historical research and to sponsor a 21:15 Reception in the Leerhuis members on the trip. program of conferences and publications. Those who wish to stay in Bruges overnight Dinner in Edinburgh. at reduced hotel rates, please contact Mrs. Friday, 14 June Beatrijs Eemans at the Bruges Museums, Morning The National Gallery of Scotland Saturday, 15 June t +32 (0)50-44 87 23 collections, with special attention to Scottish Morning Hopetoun House. About 30 minutes links with Flanders and Holland, topped by west of Edinburgh by coach. Hopetoun House Sunday, 17 March The Trinity altarpiece by Hugo van der Goes. is supposedly based on the architecture of Huis 9:00 Van Eyck exhibition. A selection of the best prints and drawings ten Bosch in The Hague. In 1703 the Hopes 10:00 Other municipal museums of Antwerp. will be put out on special display in the commissioned an entire series of decorative printroom, including work by Goltzius, de paintings from Philips Tideman, who worked Program committee Gheyn, Rembrandt, Lievens, Rubens, van for Gerard de Lairesse. Most of them are still Marten Jan Bok, chair; Arnout Balis; Krista De Jonge; Dyck, Bloemaert, Saverij, Cuyp and Saenredam. there. Part of the family was settled in Molly Faries; Maximiliaan Martens The reserves will be made available as Amsterdam, where they were a major banking required. power. Conference administrators For those interested, a site visit can be paid Across the Forth bridge to Culross, a Kristin Belkin ([email protected]) to the Royal Scottish Academy, where the National Trust fishing village in Fife. Fiona Healy ([email protected]) Playfair Project is in progress. From the project Afternoon A private collection in Fife, not website: ‘One of the most prestigious open to the public, with fine Dutch and refurbishment plans in the ukarts world Flemish paintings. Other possible Study trip to Scotland, 13-18 June 2002 today, the Playfair Project involves the destinations in the afternoon. Although codarthas not yet devoted a renovation of two historical landmarks, the Kellie Castle, a 17th-century tower house. congress to Dutch and Flemish art in the Royal Scottish Academy of Art and the United Kingdom, the offer by our member National Gallery of Scotland. “This two- Sunday, 16 June Julia Lloyd Williams to put together an phased project, named for its original designer Mount Stuart, on the Isle of Bute, houses one of itinerary for a study trip was simply William Playfair (1790-1857), calls for the finest collections of Dutch and Flemish irresistible. Her exhibition Dutch art and extensively refurbishing the Royal Scottish paintings in private hands in Scotland. The codart Courant 3/December 2001 18 visit will include a talk on the history of the codartin the of the hundreds of thousands of characters on Bute collection. the approximately 200 pages of the site is Return by coach to Edinburgh. United States entered by hand. This is not only time- consuming, it is also a method that fosters Monday, 17 June It goes without saying that the United States is inconsistency. When a museum changes its Morning Holyrood Palace, Edinburgh. The a primary destination for codart. Think website address, the link has to be changed at architecture and decoration, with Delft tiles, only of these well-known sources: every place on the codartsite where the imitates Het Loo. The Dutch artist Jacob de Peter C. Sutton, A guide to Dutch art in museum is linked. Wet was responsible for the ceiling paintings America, Grand Rapids and Kampen 1986. From the start, it was the intention to and 111 portraits of (mainly mythical) kings of Ben Broos, Great Dutch paintings from convert our database from this flat form into Scotland. Not of top quality, but certainly of America, The Hague (Mauritshuis), the superior model of a relational database. In interest to codart. 28 September 1990-13 January 1991 and San this format, data of the same kind are entered Gosford House. About 30 minutes east from Francisco (The Fine Arts Museum of San into a table of their own, only once. From Edinburgh by coach, the private house of the Francisco), 16 February-5 May 1991. there, they are inserted automatically at every Earl of Wemyss and March. A number of fine Guy C. Bauman and Walter A. Liedtke, place in the website where they are required. Dutch paintings, including works by Ruisdael, Flemish paintings in America: a survey of early This will improve the quality of the de Braij and Cornelis van Haarlem. Netherlandish and Flemish paintings in the public information on the website. Another reason to Afternoon Mertoun, an exceptional private collections of North America, Antwerp 1992. rebuild the site was to increase its speed. collection not open to the public. Outstanding Within the next few years, probably in 2004, However, a conversion of this kind requires paintings by Jan Steen, Adriaen van Ostade, a codart congress will be devoted to Dutch a concentrated campaign of work that could Ludolf Bakhuysen, Aelbert Cuyp and many and Flemish art in North America. However, it not even be considered until May of this year, other Dutch and Flemish masters. is clear that as far as study trips are concerned, when the manpower of codartwas doubled Back to Edinburgh for dinner, probably at one will not be enough. We are therefore from one to two. At that point we drafted a the National Gallery of Scotland. considering the possibility of planning a sketch of our wishes, which we submitted to number of short trips, preceding or following three itcompanies with which codartor Tuesday, 18 June the annual meetings of the College Art the Netherlands Institute for Cultural Morning By coach to Glasgow. Association and the yearly meeting of Heritage has worked satisfactorily in the past. Hunterian Museum Glasgow. The deputy Historians of Netherlandish Art. Since our After conferring with the bidders and director, Mungo Campbell, will welcome us. program for 2002 is already full, the earliest comparing the quotes, we gave the order to the Among the Dutch paintings are Rembrandt’s occasion on which such a trip could take place small Amsterdam company Occhio Design. oil sketch for The entombment of Christ and a would be in February 2003, when caaand Occhio came to our attention through Wim landscape by Philips Koninck. The museum is hnaare meeting in New York. Since caa Jacobs, the secretary-treasurer of the codart planning on putting on a related display of meets in a different city every year, in the Foundation. Among his other duties, Jacobs is drawings for us. course of time we would cover a lot of the director of the foundation that organized the The Museum at Kelvingrove: Mark O’Neill, important centers in North America. We hope ambitious program on historical interiors in the director, may be able to welcome us and to exchange views on this possibility with the the Netherlands. It was Occhio who designed give access to the depot, as many of the best members at codart vijf. and maintained the website of that project, displays are currently not on view. Kelvingrove www.interieurmanifestatie.nl. recently was awarded a major grant from the Preparations for the renewed site are in full national lottery for a renovation of the Website news swing. All information that is now available on museum. the site will of course be maintained, but it will The Burrell Collection. Vivien Hamilton, The front cover of this issue of the Courant be more conveniently arranged and easier to curator and specialist in 19th-century art, will shows the familiar home page of the codart search through. Room will be made for several show us round. There is a large collection of website, as it has looked since it was launched new facilities, concerning which you will be Hague School paintings and a very fine on 24 September 1998. In the following issue hearing more in the coming time. The collection of Netherlandish decorative arts we will be illustrating the new home page on announcements will be made in the first place from the 14th to the 19th centuries. which we are currently working. The change is via codart-l, our Internet discussion list. If Late afternoon to airport and return flight. not only cosmetic. The entire website is being you have e-mail and are not yet registered for redesigned and restructured, along with its codart-l, please drop a mail to underlying database. [email protected]. Until now, the database has been fed from individual text fields. In other words, every one 19 codart Courant 3/December 2001

Membership directory Ba Be Bi Bo Dr. Arnout Balis Dr. Kristin Belkin Dr. Gottfried Biedermann Dr. J. Bolten Marina C.E. Aarts Drs. Joost Vander Auwera Nationaal Centrum voor (associate) Director of the Alte Galerie (associate) (associate) Attaché Plastische Kunsten van de 16de Officer Steiermärkisches Director emeritus Board member of the Koninklijke Musea voor en de 17de Eeuw Historians of Netherlandish Landesmuseum Joanneum Prentenkabinet Universiteit Foundation for Cultural Schone Kunsten van België Kolveniersstraat 20 Art Raubergasse 10 Leiden Inventory Museumstraat 9 b-2000 Antwerpen 23 South Adelaide Avenue a-8010 Graz Rhijngeeserstraatweg 16 Churchill-laan 308 ii b-1000 Brussel Belgium Highland Park nj08904 Austria nl-2342 amOegstgeest nl-1078 gcAmsterdam Belgium t +32 3 201 1577 usa t +43 316 8017 9771 The Netherlands The Netherlands t +32 2 508 3227 f +32 3 231 9387 t +1 732 937 8394 f +43 316 8017 9847 t +31 71 519 0027 t +31 20 575 52 83 f +32 2 508 3232 | 1 527 5143 f +1 732 937 8394 [email protected] [email protected] f +31 20 664 08 99 Vanderauwera@ Dr. Gerd Bartoschek e [email protected] fine-arts-museum.be Curator Dr. Pieter Biesboer Jetteke Bolten-Rempt Dr. Maryan W. Ainsworth Stiftung Preussische Schlösser Hanna Benesz Curator Director (associate) Dr. Reinier Baarsen und Gärten Berlin- Keeper of early Frans Halsmuseum Stedelijk Museum Senior research fellow Head of department of Brandenburg Netherlandish paintings Postbus 3365 De Lakenhal The Metropolitan Museum of sculpture and decorative Allee nach Sanssouci 5 Muzeum Narodowe nl-2001 djHaarlem Oude Singel 28-32 Art arts d-14471 Potsdam Aleje Jerozolimskie 3 The Netherlands Postbus 2044 1000 Fifth Avenue Rijksmuseum Germany pl-00-495 Warszawa t +31 23 511 5785 nl-2301 ca Leiden New York ny1028-0198 Postbus 74888 t +49 331 9694 145 Poland f +31 23 511 5776 The Netherlands usa nl-1070 dn Amsterdam f +49 331 9694 104 t +48 22 621 1031 [email protected] t +31 71 516 5360 t +1 212 879 3108 The Netherlands f +48 22 622 8559 f +31 71 513 4489 f +1 212 570 3879 t +31 20 674 70 00 Hela Baudis Dr. Marian Bisanz-Prakken P.O.Box@ f +31 20 674 70 01 Head of the printroom Dana Bercea Curator lakenhal.demon.nl Dott. Givigliamo Alloisi Staatliches Museum Schwerin Curator of prints and Albertina Director Dr. Natalia Babina Alter Garten 3 drawings Augustinerstrasse 1 Dr. Bob van den Boogert Galleria Corsini Curator of Flemish d-19055 Schwerin National Museum of Art of a-1010 Wien Curator Via della Lungara 10 painting of the 17th Germany Romania Austria Museum Het Rembrandthuis Roma century t +49 385 595 8170 Calea Victoriei 49-53 t +43 1 53483/0 Jodenbreestraat 4 Italy The State Hermitage Museum f +49 385 563 090 ro-70101 Bucharest f +43 1 533 7697 nl-1011 nkAmsterdam t +39 6 6880 2323 Dvortsovaja nab. 34 otto@ Romania [email protected] The Netherlands f +39 6 6813 3192 191186 St. Petersburg museum-schwerin.de t +40 1 315 5193 t +31 20 520 0400 Russia f +40 1 312 4327 Dr. Leslie Blacksberg f +31 20 520 0401 Dr. Irina Antonova t +7 812 110 9667 Dr. Frans Baudouin Curator Director f +7 812 312 1994 Chairman Drs. Mària van Berge- The Taft Museum Drs. Janrense Boonstra Pushkin State Museum of Fine Nationaal Centrum voor Gerbaud 316 Pike Street Director Arts Dr. Ronni Baer Plastische Kunsten van de 16de Director Cincinnati oh45202 Bijbels Museum 12 Volkhonka Street Curator of European en de 17de Eeuw Fondation Custodia usa P.O. Box 3606 121019 Moscow painting Kolveniersstraat 20 121 Rue de Lille nl-1001 akAmsterdam Russia Museum of Fine Arts b-2000 Antwerpen f-75007 Paris Dr. Albert Blankert The Netherlands t +7 095 203 6978 465 Huntington Avenue Belgium France (associate) t +31 20 535 6221 f +31 095 203 7943 Boston ma02115 t +32 3 201 1577 t +33 1 4705 7519 Independent curator f +31 20 624 8355 usa f +32 3 231 9387 f +33 1 4555 6535 Koningsplein 25 jrboonstra@ Rocio Arnaez t +1 404 257 3336 nl-2518 jeDen Haag bijbelsmuseum.nl (associate) f +1 404 303 0599 Dr. Katharina Bechler Dr. Kornelia von The Netherlands Curator [email protected] Kulturstiftung Dessau Wörlitz Berswordt-Wallrabe t +31 70 346 0824 Till-Holger Borchert Museo Nacional del Prado Schloss Gross Kühnau Director f +31 70 346 4766 (associate) Paseo del Prado, s/n. Diederik Bakhuÿs d-06846 Dessau Staatliches Museum Albert.Blankert@ Exhibition curator e-28014 Madrid Responsable du cabinet des Germany Schwerin inter.nl.net Stedelijke Musea Brugge Spain dessins t +49 340 646 1535 Alter Garten 3 Dijver 12 t +34 91 420 2836 Musée des Beaux-Arts f +49 340 646 1510 d-19055 Schwerin Dr. Marten Jan Bok b-8000 Brugge f +34 91 420 0794 1 Place Restout [email protected] Germany (associate) Belgium f-76000 Rouen t +49 385 595 8170 Chairman of Program t +32 50 448 721 Dr. Boris Asvariszh France Liesbeth De Belie f +49 385 563 090 committee f +32 50 448 778 Curator of 19th century t +33 2 3571 2840 Attaché of department of Historians of Netherlandish [email protected] northern school paintings f +33 2 3515 4323 Old Masters Dr. Holm Bevers Art The State Hermitage Museum Koninklijke Musea van Schone Curator Mauritsstraat 17 (h) Larisa Bordovskaya Dvortsovaja nab. 34 Dr. Boudewijn Bakker Kunsten van België Kupferstichkabinett nl-3583 hgUtrecht Chief curator 191065 St. Petersburg Chief curator Museumstraat 9 Matthäikirchplatz 4 The Netherlands The State Museum Russia Gemeentearchief b-1000 Brussel d-10785 Berlin t +31 30 251 21 57 Tsarskoje Selo t +7 812 110 9682 Postbus 51140 Belgium Germany f +31 30 254 27 54 7 Sadovaja St. nl-1007 ec Amsterdam t +32 3 508 3223 t +49 30 266 2025 [email protected] Tsarskoje Selo The Netherlands f +32 2 508 3232 f +49 30 266 2959 Russia e debelie@ t +7 812 465 2017 fine-arts-museum.be f +31 465 2196 codart Courant 3/December 2001 20

Bo Bu Ca Ch Da Do Emil Bosshard Drs. Hans Buijs Teresa Calero Patrick le Chanu Drs. Jan Daan van Dam Dr. Thomas Döring (associate) Curator Researcher (associate) Curator Curator Curator Fondation Custodia Museo Franz Mayer Centre de recherche des Musées Rijksmuseum Herzog Anton Ulrich-Museum Thyssen-Bornemisza 121 Rue de Lille Av. Vidalgo 45 de France Postbus 74888 Museumstrasse 1 Foundation f-75007 Paris Plaza de la Santa Veracruz 6 Rue des Pyramides nl-1070 dn Amsterdam d-38100 Braunschweig Marktgasse 7 France Centro Historico 06050 f-75001 Paris The Netherlands Germany ch-9220 Bischofszell t +33 1 4705 7519 Mexico D. F. France t +31 20 674 7223 t +49 531 1225 2409 Switzerland f +33 1 4555 6535 Mexico t +33 1 4020 5661 f +31 20 674 7001 f +49 531 1225 2408 t +41 71 422 1506 t +525 518 2266 f +331 4703 3246 info@museum- f +41 71 422 1561 Dr. James D. Burke f +525 321 2888 [email protected] Dorota Dec braunschweig.de (associate) Tcalero@ Curator of foreign painting Dr. Katharina Bott Director emeritus franzmayer.org.mx Dr. Alan Chong The Princes Czartoryski Mariana Dragu (associate) St. Louis Art Museum Curator Museum and National Curator Former curator of 159 N. Bemiston Ave. Véronique van Caloen Isabella Stewart Gardner Museum in Kraków National Museum of Art of Graf von Schönborn’sche St. Louis mo63105-3810 Curator Museum ul. Sw. Jana 19 Romania Kunstsammlung usa Kasteel van Loppem 2 Palace Road pl-31-017 Kraków Calea Victoriei 49-53 Obertschern 51 t +1 314 725 4917 Square Larousse 29 Boston ma02115 Poland ro-70101 Bucharest a-9546 Bad Kleinkirchheim Miyachan@ b-1190 Brussel usa t +48 12 422 5566 Romania Austria worldnet.att.net Belgium t +1 617 278 5113 f +48 12 422 6137 t +40 1 315 5193 | t +43 4240 8439 t +32 2 345 2138 f +1 617 278 5177 +40 1 313 3030 f +43 4240 8439 Willy Van den Bussche f +32 2 345 2138 [email protected] Drs. H.L.M.Defoer f +40 1 312 4327 [email protected] Chief curator (associate) pmmk- Museum voor Dr. Lorne Campbell Ingrid Ciulisová Director emeritus Museum Drs. Hendrik Driessen Drs. Peter van den Brink Moderne Kunst (associate) (associate) Catharijneconvent Chairman Chief curator Romestraat 11 Research curator Slovak Academy of Sciences: Rumkelaan 90 De Nederlandse Bonnefantenmuseum b-8400 Oostende National Gallery Institute of Art History nl-3571 xzUtrecht Museumvereniging Postbus 1735 Belgium Trafalgar Square Dubravska cesta 9 The Netherlands Postbus 74683 nl-6201 bs Maastricht t +32 59 508 118 London wc2n 5dn sk-81364 Bratislava t +31 30 231 38 35 nl-1070 br Amsterdam The Netherlands f +32 59 805625 England Slovak Republic f +31 30 231 78 96 The Netherlands t +31 43 329 01 90 t +44 20 7839 3321 t +4217 547 73 428 t +31 20 670 1100 f +31 43 329 01 99 Sophie Renouard de f +44 20 7753 8179 f +4217 547 73 428 Ian Dejardin f +31 20 670 1101 [email protected] Bussière lorne.campbell@ [email protected] Curator Chief curator ng-london.org.uk Dulwich Picture Gallery Drs. Charles Dumas Dr. B.P.J. Broos Musée du Petit Palais Dott.ssa Raffaella Colace Gallery Road, Dulwich Chief curator Curator 1 Avenue Dutuit Jillian Elizabeth Carman (associate) Village Rijksbureau voor Mauritshuis f-75008 Paris (associate) Art historian London se21 7ad Kunsthistorische Postbus 536 France Former curator at Via Donatello 3 England Documentatie nl-2501 cm Den Haag t +33 1 4265 1273 Johannesburg Art Gallery i-20131 Milano t +44 20 8693 5254 Postbus 90418 The Netherlands f +33 1 4265 2460 14 Lurgan Road Italy f +44 20 8299 8700 nl-2509 lk Den Haag t +31 70 302 34 20 Parkview Johannesburg t +39 2 294 04 761 i.dejardin@dulwich The Netherlands f +31 70 365 38 19 Dr. Nils Büttner 2193 f +39 2 294 12 037 picturegallery.org.uk t +31 70 333 97 77 (associate) South Africa raffaella colace@yahoo. it t +31 70 333 9705 Dr. Christopher Brown Exhibition curator t +27 11 646 5039 Carl Depauw f +31 70 333 97 89 Director Herzog Anton Ulrich-Museum f +27 11 710 6117 Remmelt Daalder Curator [email protected] Ashmolean Museum Museumstrasse 1 [email protected] Curator Rubenshuis Beaumont Street d-38100 Braunschweig Nederlands Wapper 9-11 Drs. F.J. Duparc Oxford ox1 2ph Germany Dr. Görel Cavalli-Björkman Scheepvaartmuseum b-2000 Antwerpen Director England t +49 531 484 1225 2413 Chief curator and director Kattenburgerplein 1 Belgium Mauritshuis t +44 1865 278000 f +49 531 484 1225 2408 of research nl-1018 kkAmsterdam t +32 3 201 1555 Postbus 536 f +44 1865 278018 [email protected] Nationalmuseum The Netherlands f +32 3 227 3692 nl-2501 cm Den Haag christopher.brown@ Box 16176 t +31 20 523 2228 carl.depauw@ The Netherlands ashmus.ox.ac.uk Dr. Quentin Buvelot s-10324 Stockholm f +31 20 523 2213 cs. antwerpen.be t +31 70 302 34 20 Curator Sweden rdaalder@ f +31 70 365 38 19 Julius Bryant Mauritshuis t +46 8 5195 4301 scheepvaartmuseum.nl Alexis Donetzkoff Director of museums and Postbus 536 f +46 8 5195 4456 Curator Dr. Albert J. Elen collections nl-2501 cm Den Haag [email protected] Dr. Susan Dackerman Palais des Beaux-Arts (associate) English Heritage The Netherlands Associate curator of prints 18 bis rue de Valmy Deputy chief inspector of 23 Savile Row t +31 70 302 34 67 and drawings f-59000 Lille cultural heritage London w1s 2et f +31 70 365 38 19 Baltimore Museum of Art France Ministerie van OCenW England Buvelot.Q@mauritshuis. nl Art Museum Drive t +33 3 2006 7800 Clara Visserplaats 12 t +44 20 7973 3535 Baltimore md21218-3898 f +33 3 2006 7815 nl-2331 bpLeiden f +44 20 7973 3209 usa The Netherlands julius.bryant@ t +1 410 396 6347 t +31 71 517 00 89 english-heritage.org.uk f +1 410 396 6562 [email protected] [email protected] 21 codart Courant 3/December 2001

El Fi Ga Go Gr Ha Dr. Titus M. Eliëns Maria Rosa Figueiredo dk-1307 Copenhagen Drs. Eymert-Jan Goossens t +49 821 3295-0 t +31 70 307 38 41 Chief curator of applied arts Chief curator Denmark Curator f +49 821 3295-220 f +31 70 319 23 98 Gemeentemuseum Den Haag Museu Calouste Gulbenkian t +45 33 748 512 Koninklijk Paleis [email protected] Postbus 72 Av. de Berna 45-a f +45 33 748 404 Postbus 3708 Dr. Natalia Grizay nl-2501 cb Den Haag pt-1067-001 Lisboa [email protected] nl-1001 am Amsterdam Head of Old Masters Prof. Egbert Haverkamp- The Netherlands Portugal The Netherlands painting section and Begemann t +31 70 338 12 86 t +351 1 793 5131 Dr. Ivan Gaskell t +31 20 624 86 98 curator of Flemish Institute of Fine Arts f +31 70 338 11 12 f +351 1 795 5249 Curator f +31 20 623 38 19 paintings 1 East 78th Street [email protected] mfigueiredo@ Fogg Art Museum goossens@ The State Hermitage Museum New York ny10021-01778 gulbenkian.pt 32 Quincy Street kon paleis amsterdam.nl Dvortsovaja nab. 34 usa Drs. Elco Elzenga Cambridge ma02138 191065 St. Petersburg t +1 212 772 5800 Adjunct director chief Dr. J.P. Filedt Kok usa Lia Gorter Russia f +1 212 772 5807 curator Head of department of t +1 617 496 4252 Director t +7 812 110 9682 | 311 8796 | Paleis Het Loo Nationaal painting f +1 617 496 2359 Foundation for Cultural 312 9794 Karen Hearn Museum Rijksmuseum [email protected] Inventory f +7 812 312 1994 Curator of 16th and 17th Koninklijk Park 1 Postbus 74888 Sarphatistraat 84hs century arts nl-7315 ja Apeldoorn nl-1070 dn Amsterdam Dr. Terèz Gerszi nl-1018 gsAmsterdam Drs. J.M. de Groot Tate Gallery The Netherlands The Netherlands (associate) The Netherlands (associate) Millbank t +31 55 577 24 00 t +31 20 674 70 00 Chief advisor t +31 20 624 47 10 Director London sw1p 4rg f +31 55 521 99 83 f +31 20 674 70 01 Szépmüvészeti Múzeum f +31 20 624 47 10 Dordrechts Museum England j.filedt kok@ Dózsa György út 41 [email protected] Museumstraat 40 t +44 20 7887 8038 Dr. Ildikó Ember rijksmuseum.nl h-1396 Budapest xiv nl-3311 poDordrecht f +44 20 7887 8047 Head of department of Hungary Annamáriá Gosztola The Netherlands [email protected] painting Jacques M. Foucart t +36 1 469 7175 Curator of Flemish t +31 78 648 21 48 Szépmüvészeti Múzeum Curator of Northern t +36 1 469 7100 (secretary) painting f +31 78 614 17 66 Dr. Peter Hecht Dózsa György út 41 European painting f +36 1 469 7171 Szépmüvészeti Múzeum Director h-1396 Budapest xiv Musée du Louvre [email protected] Dózsa György út 41 Dr. Rainald Grosshans Onderzoekschool Hungary 34 Quai du Louvre h-1396 Budapest xiv Curator Kunstgeschiedenis t +36 1 343 9759 f-75041 Paris Dr. Jeroen Giltay Hungary Gemäldegalerie Kromme f +36 1 343 8298 France Chief curator of old master t +36 1 343 9759 Stauffenbergstrasse 40 Nieuwegracht 29 ember@szepmuveszeti. hu paintings f +36 1 343 8298 d-10785 Berlin nl-3512 hdUtrecht Dr. Hans Fransen Museum Boijmans Van gosztola@ Germany The Netherlands Dr. Mark Evans (associate) Beuningen szepmuveszeti.hu t +31 30 253 63 30 Curator of paintings Director emeritus Postbus 2277 John Oliver Hand f +31 30 253 61 67 Victoria and Albert Museum Michaelis Collection nl-3000 cg Rotterdam Dr. Gerhard Graulich Curator [email protected] Cromwell Road Greenmarket Square The Netherlands Chief curator of painting National Gallery of Art South Kensington Cape Town 8001 t +31 10 441 94 00 Staatliches Museum Schwerin Constitution Avenue N.W. Jo Hedley London sw7 2rl South Africa f +31 10 436 05 00 Alter Garten 3 Washington dc20565 Curator of pictures England t +27 21 424 6367 d-19055 Schwerin usa pre-1800 t +31 20 7942 2553 f +27 21 461 9592 Stephen Goddard Germany The Wallace Collection f +31 20 7942 2561 Curator of prints and t +49 385 595 8142 Dr. Jaap Harskamp Hertford House Manchester [email protected] Björn Fredlund drawings f +49 385 591 8466 British Library Square Director Spencer Museum of Art graulich@ 96 Easton Road London w1m 6bn Clario Di Fabio Göteborg Museum of Art The University of Kansas museum-schwerin.de London nw1 2db England Director Göteplatsen Lawrence ks66045 England t +44 20 7935 0687 (x47) Galeria di Palazzo Bianco s-41256 Göteborg usa Dr. Roman Grigoryev f +44 207 413 7578 f +44 20 7224 2155 Via Garibaldi 11 Sweden t +1 913 864 4710 Head of department of [email protected] i-16124 Genova f +1 913 864 3112 prints Drs. Ed de Heer Italy Dr. Eli ˘ska Fuc˘iková goddard@ The State Hermitage Museum Dr. Ursula Härting Director t +39 3355 699 132 Director falcon.cc.ukans.edu Dvortsovaja nab. 34 (associate) Museum Het Rembrandthuis f +39 10 247 5357 National Heritage 191065 St. Petersburg Exhibition curator Jodenbreestraat 4-6 Department Dr. Hilliard T. Goldfarb Russia Gustav-Lübcke-Museum nl-1011 nkAmsterdam Dr. Gail Feigenbaum Office of the President Associate chief curator t +7 812 110 9782 Neue Bahnhofstraße 9 The Netherlands Curator of painting cz-11908 Prague 1-Hrad The Montreal Museum of Fine t +7 812 294 1953 (home) d-59065 Hamm t +31 20 520 04 00 New Orleans Museum of Art Czech Republic Arts f +7 812 275 5139 Germany f +31 20 520 04 01 P.O. Box 19123 t +42 02 2437 2166 P.O. Box 3000 h [email protected] t +49 2381 175 701 New Orleans la70179 t +42 02 5753 3881 (home) Montreal h3g 2t9 f +49 2381 439 892 Dr. Jan Jaap Heij usa f +42 02 2437 2255 Canada Dr. Claus Grimm [email protected] Curator t +1 504 483 2754 [email protected] t +1 514 285 1600 117 (associate) Drents Museum f +1 504 483 6662 f +1 514 285 1980 Director Mr. Drs. Stephen Hartog Postbus 134 [email protected] Dr. Jan Garff [email protected] Haus der Bayerische Curator nl-9400 ac Assen Assistant keeper of prints Geschichte Instituut Collectie Nederland The Netherlands and drawings Postfach 101747 Postbus 1098 t +31 592 31 27 41 Statens Museum for Kunst d-86007 Augsburg nl-2280 cb Rijswijk f +31 592 31 71 19 Sølvgade 48-50 Germany The Netherlands [email protected] codart Courant 3/December 2001 22

He Hu Ja Ka Ki Ko Drs. Freek Heijbroek Wouter Hugenholtz jansen@ Dr. Thomas da Costa usa t +31 53 435 86 75 Curator (associate) boijmans.rotterdam.nl Kaufmann t +1 313 833 7900 f +31 53 435 90 02 Rijksmuseum printroom Executive director (associate) f +1 313 833 7881 pknolle@ Postbus 74888 Netherlands Institute for Dr. Paul Huys Janssen Professor rijksmuseum-twenthe.nl nl-1070 dn Amsterdam Advanced Study Curator of Old Masters Department of Art and Drs. Renée Kistemaker The Netherlands Meijboomlaan 1 Noordbrabants Museum Archaeology Princeton (associate) Yoriko Kobayashi-Sato t +31 20 674 70 00 nl-2242 prWassenaar Postbus 1004 University Advisor (associate) f +31 20 674 70 01 The Netherlands nl-5200 ba Den Bosch McCormick Hall Amsterdams Historisch Mejiro University t +31 70 512 27 00 The Netherlands Princeton nj08544-1018 Museum 1-1, f312 Ogura Drs. Liesbeth Helmus f +31 70 511 71 62 t +31 73 687 78 11 usa Nieuwezijds Voorburgwal Saiwai, Kawasaki, Curator of Old Masters Hugenholtz@ f +31 73 687 78 99 t +1 609 258 3781 359 Kanagawa Centraal Museum NIAS.KNAW.nl f +1 609 258 0103 nl-1012 rm Amsterdam Japan 212-0054 Postbus 2106 David Jaffé tkaufman@Princeton. EDU The Netherlands t +81 44 544 1915 nl-3500 gcUtrecht Drs. Jacobine Huisken Deputy director t +31 20 523 18 22 f +81 44 544 1925 The Netherlands Head of education service National Gallery Hans-Martin Kaulbach f +31 20 620 77 89 [email protected] | t +31 30 236 2362 Koninklijk Paleis Trafalgar Square Curator of German and [email protected] yorikoba@ f +31 30 233 2006 Postbus 3708 London wc2 n5dn Netherlandish prints and mb.infoweb.or.jp l.helmus@ nl-1001 am Amsterdam England drawings Maris Klaas centraal museum.nl The Netherlands t +44 20 7747 2885 Staatsgalerie Stuttgart Art Museum of Estonia Dr. Olaf Koester t +31 20 624 86 98 f +44 20 7747 2423 Konrad-Adenauer-Strasse Weitzenbergi 22 Curator of old master Dr. Lee Hendrix f +31 20 623 38 19 Dr. Catherine Johnston 30-32 ee-0001 Tallinn paintings and sculpture Curator of drawings Curator of European art d-70173 Stuttgart Estonia Statens Museum for Kunst The J. Paul Getty Museum Roselyne Huret National Gallery of Canada Germany t +37 22 601 3183 Sølvgade 48-50 1200 Getty Center Drive Curator P.O. Box 427 Station A t +49 711 212 4102 dk-1307 Copenhagen Suite 1000 Musée Carnavalet Ottawa Ontario k1n 9n4 f +49 711 212 4111 Dr. Christian Klemm Denmark Los Angeles ca90049-1687 29 rue de Sévigné Canada Curator t +45 33 748 494 usa f-75003 Paris t +1 613 990 0599 Dr. Jan Kelch Kunsthaus Zürich f +45 33 748 404 t +1 310 440 7062 France f +1 613 990 8689 Director Heimplatz 1 [email protected] f +1 310 440 7744 t +33 1 4272 2113 [email protected] Staatliche Museen Preussischer ch-8024 Zürich [email protected] f +33 1 4027 8559 Kulturbesitz Switzerland Akira Kofuku Drs. Michiel Jonker Matthäikirchplatz Chief curator Emerentia van Heuven Dr. Timothy Husband (associate) d-10785 Berlin Dr. Rüdiger Klessmann The National Museum of Curator Curator Director of Royal Germany (associate) Western Art Paleis Het Loo Nationaal The Cloisters Metropolitan Antiquarian Society t +49 30 266 2598 Curator emeritus 7-7 Ueno-koen Museum Museum of Art Van Breestraat 123 f +49 30 266 2103 Völkstrasse 25 Taito-ku110 – 000 7 Tokyo Koninklijk Park 1 Fort Tryon Park nl-1071 zkAmsterdam d-86150 Augsburg Japan nl-7315 jaApeldoorn New York ny10040 The Netherlands Drs. Michiel Kersten Germany t +81 3 3828 5185 The Netherlands usa t +31 20 679 4064 | Curator t +49 821 158 966 t +81 3 3828 5131 t +31 55 577 24 62 t +1 212 650 2284 +31 6 5499 5136 Frans Halsmuseum f +81 3 3828 5797 f +31 55 521 99 83 f +1 212 795 3640 [email protected] Postbus 3365 Drs. Wouter Kloek [email protected] [email protected] nl-2001 dj Haarlem Curator of special projects Drs. Koert van der Horst Christiaan Jörg The Netherlands Rijksmuseum Dr. Fritz Koreny Curator of manuscripts Dr. Chiyo Ishikawa Curator t +31 23 511 57 90 Postbus 74888 (associate) Universiteitsbibliotheek Curator of European Groninger Museum f +31 23 511 57 76 nl-1070 dn Amsterdam Curator Utrecht painting Postbus 90 The Netherlands Institut für Kunstgeschichte Postbus 16007 Seattle Art Museum nl-9700 me Groningen Dr. Thomas Ketelsen t +31 20 674 70 00 der Universität Wien nl-3500 da Utrecht P.O. Box 22000 The Netherlands Curator f +31 20 674 70 01 Spitalgasse 2 Hof 9 The Netherlands Seattle wa98122-9700 t +31 50 366 65 55 Kupferstich-Kabinett a-1090 Wien t +31 30 253 65 21 usa f +31 50 312 08 15 Staatliche Kunstsammlungen Dr. Maria Kluk Austria f +31 30 253 92 92 t +1 206 654 3179 Dresden Keeper of Dutch paintings t +43 1 4277 414 44 k.vanderhorst@ f +1 206 654 3135 Ronda Kasl Dresden Muzeum Narodowe f +43 1 4277 9414 library. uu.nl chiyo@ Associate curator of Güntzstrasse 34 Aleje Jerozolimskie 3 [email protected] seattleartmuseum.org painting and sculpture d-01307 Dresden pl-00-495 Warszawa Drs. Guus van den Hout before 1800 Germany Poland Dr. Anne S. Korteweg Director Drs. Guido Jansen Indianapolis Museum of Art t +49 351 491 4212 t +48 22 621 1031 (x 312) Keeper of manuscripts Museum Catharijneconvent Head of Collections 1200 West 38th Street f +49 351 491 4222 f +48 22 622 8559 Koninklijke Bibliotheek Postbus 8518 Museum Boijmans Van Indianapolis in46208-4196 [email protected] Postbus 90407 nl-3503 rm Utrecht Beuningen usa Dr. George S. Keyes nl-2509 lk Den Haag The Netherlands Postbus 2277 t +1 317 923 1331 Elizabeth & Allan Shelden Drs. Paul Knolle The Netherlands t +31 30 231 38 35 nl-3000 cg Rotterdam f +1 317 926 8931 curator of European Curator of Old Masters t +31 70 314 03 57 f +31 30 231 78 96 The Netherlands [email protected] paintings Rijksmuseum Twenthe f +31 70 314 06 55 G.vanden.Hout@ t +31 10 441 96 01 The Detroit Institute of Arts Lasondersingel 129-131 [email protected] cable.A2000.nl t +31 10 441 94 00 5200 Woodward Avenue nl-7514 bpEnschede f +31 10 436 0500 Detroit mi48202 The Netherlands 23 codart Courant 3/December 2001

Ko Le Lo Lu Ma Ma Dr. Olga Kotková Dr. Simon H. Levie Dr. Anne-Marie Logan Germany Catalina Macovei f +40 69 211545 Head of the collection of old (associate) (associate) t +49 926 3355 Head of department of [email protected] European masters Director emeritus of the Research curator f +49 926 6788 prints and drawings Národní Galerie v Praze Rijksmuseum The Metropolitan Museum Library of the Romanian Dr. Michael Matile P.O. Box 4 Minervalaan 70/ii of Art Drs. Ger Luijten Academy Curator cz-110 15 Prague nl-1077 pg Amsterdam 25 Reilly Road Head of department of Calea Victoriei 125 Graphische Sammlung der Czech Republic The Netherlands Easton ct06612 prints and drawings ro-71 102 Bucharest eth t +420 2 2051 5457 t +31 20 671 88 95 usa Rijksmuseum printroom Romania Raemistrasse 101, hge52 f +420 2 2051 3180 f +31 20 673 80 88 t +1 203 261 0354 Postbus 74888 t +40 1 650 3043, (x113) | ch-8092 Zürich [email protected] f +1 203 261 7246 nl-1070 dn Amsterdam +40 1 210 2921 Switzerland Dr. Mary L. Levkoff [email protected] The Netherlands f + 40 1 212 5856 t +41 1 632 7875 Dr. Zoltan Kovacs Curator of European t +31 20 674 70 00 catalinamacovei@ f +41 1 632 11 68 Deputy head of department painting and sculpture Drs. Daniëlle H.A.C. Lokin f +31 20 674 70 01 excite.com [email protected] for registration Los Angeles County Museum Director Szépmüvészeti Múzeum of Art Stedelijk Museum Het Dr. Christiane Lukatis Jan De Maere Dr. Annaliese Mayer- Dózsa György út 41 5905 Wilshire Boulevard Prinsenhof Curator (associate) Meintschel h-1146 Budapest xiv Los Angeles ca90036 St. Agathaplein 1 Staatliche Kunstsammlungen Director (associate) Hungary usa nl-2611 hrDelft Kassel Documentatiecentrum voor Director emeritus t +36 1 302 1785 t +1 323 857 6003 The Netherlands Postfach 410420 het Vlaamse Gemäldegalerie Alte Meister f +36 1 302 1785 f +1 323 857 6216 t +31 15 260 28 64 d-34066 Kassel Kunstpatrimonium Robert-Diez-Strasse 7 zkovacs@ [email protected] f +31 15 213 87 44 Germany 9 rue des Minimes d-01326 Dresden- szepmuveszeti.hu [email protected] t +49 562 9377-7 b-1000 Brussel Oberloschwitz Dr. Walter A. Liedtke f +49 562 9377-666 Belgium Germany Alastair Laing Curator of European Dr. Angelika Lorenz t +32 2 502 2400 t +49 351 264 0544 Adviser on pictures and paintings Referentin 16. und 17. Dr. Alexander C. Lungu f +32 2 502 0750 f +49 351 264 1199 sculpture The Metropolitan Museum Jahrhundert Director [email protected] The National Trust of Art Westfälisches Landesmuseum Muzeul Brukenthal Drs. Bram Meij 36 Queen Anne’s Gate 1000 Fifth Avenue für Kunst und Piat,a Mare nr. 3-5 Dr. Ekkehard Mai Chief curator of prints and London sw1h 9as New York ny 10028 Kulturgeschichte ro-2400 Sibiu Curator drawings England usa Domplatz 10 Romania Wallraf-Richartz-Museum Museum Boijmans Van t +44 20 7222 9251 t +1 212 570 3762 d-48143 Münster t +40 69 211 699 Bischofgartenstrasse 1 Beuningen t +44 20 7447 6536 / 7 (home) f +1 212 396 5052 Germany f +40 69 211 545 d-50667 Köln Postbus 2277 f +44 20 7447 6540 (home) t +49 251 5907 240 Germany nl-3000 cg Rotterdam Prof. Dr. Bernd Lindemann f +49 251 5907 210 Dr. Doron Lurie t +49 221 2212 3633 The Netherlands Dr. Friso Lammertse Curator of Old Masters Chief conservator and f +49 221 2212 2629 t +31 10 441 94 00 Curator Kunstmuseum Basel Katherine Crawford Luber curator of 16th-19th f +31 10 436 05 00 Museum Boijmans Van Postfach Assistant curator of the century art Synnöve Malmström Meij@ Beuningen ch-4010 Basel Johnson collection Tel Aviv Museum of Art Chief curator boijmans.rotterdam.nl Postbus 2277 Switzerland Philadelphia Museum of Art P.O. Box 33288 Finnish National Gallery nl-3000 cg Rotterdam t +41 61 206 6239 Box 7646 61332 Tel Aviv Sinebrychoff Art Museum Dr. Bert Meijer The Netherlands t +41 61 206 6262 Philadelphia pa19106 Israel Bulevardi 40 Director t +31 10 441 94 00 f +41 61 206 6253 usa t +972 3 695 7361 fin-00120 Helsinki Istituto Universitario f +31 10 436 05 00 [email protected] t +1 2165 684 7616 f +972 3 695 8099 Finland Olandese di Storia dell’Arte f +1 215 763 8955 t +358 9 171336 468 Viale Torricelli 5 Dr. Alexei Larionov Dr. Irina Linnik Kluber@philamuseum. org Drs. M.P. van Maarseveen f +358 9 173 36463 i-50125 Firenze Curator of Dutch and Curator of Dutch paintings Director synnove.malmstrom@ Italy Flemish drawings The State Hermitage Museum Dr. Jochen Luckhardt Haags Historisch Museum fng.fi t +39 55 221612 The State Hermitage Museum Dvortsovaja nab. 34 Director Korte Vijverberg 7 f +39 55 221106 Dvortsovaja nab. 34 191065 St. Petersburg Herzog Anton Ulrich- nl-2513 abDen Haag Jean-Patrice Marandel [email protected] 191065 St. Petersburg Russia Museum. Kunstmuseum des The Netherlands Chief curator Russia t +7 812 323 0835 Landes Niedersachsen t +31 70 364 69 40 Los Angeles County Museum of Dr. Mitchell Merling Museumstrasse 1 f +31 70 364 69 42 Art Curator of art before 1900 Prof. Ronald de Leeuw Julia Lloyd Williams d-38100 Braunschweig [email protected] 5905 Wilshire Boulevard Ringling Museum of Art Director general Chief curator Germany Los Angeles ca90036 5401 Bayshore Rd. Rijksmuseum National Gallery of Scotland t +49 531 1225-0 Catharine MacLeod usa Sarasota fl34243 Postbus 74888 The Mound f +49 531 1225-2408 Curator of 16th and 17th f +1 323 857 6216 usa nl-1070 dn Amsterdam Edinburgh eh2 2el jluckhardt@ century arts t +1 941 359 7778 The Netherlands Scotland museum-braunschweig.de National Portrait Gallery Sanda Marta f +1 941 359 5745 t +31 20 674 70 00 t +44 131 624 6510 St. Martin’s Place Curator mitchellmerling@ f +31 20 674 70 01 t +44 131 624 6200 Dr. Dietmar Lüdke London wc2h 0he Muzeul Brukenthal earthlink.net f +44 131 220 0917 Curator England Piat,a Mare nr. 3-5 julia.lloyd.williams@ Staatliche Kunsthalle t +44 20 7306 0055 x267 ro-2400 Sibiu Drs. Norbert E. Middelkoop natgalscot.ac.uk Postfach 6224 f +44 20 7306 0056 Romania Curator of paintings, prints d-76042 Karlsruhe t +40 69 217691 and drawings codart Courant 3/December 2001 24

Mi Mu Ni Or Pi Ra Amsterdams Historisch Karsten Müller Dr. Jan Nicolaisen Dr. Lynn Federle Orr Dr. Mikhail Piotrovsky Anna Radziun Museum Assistant curator Curator California Palace of the Legion Director Curator of Ruysch Postbus 3302 Hamburger Kunsthalle Museum der bildenden Künste of Honor The State Hermitage Museum collections nl-1001 acAmsterdam Glockengiesserwall Grimmaische Strasse 1-7 100 34th Street Lincoln Park Dvortsovaja nab. 34 Museum of Anthropology and The Netherlands d-20095 Hamburg d-04109 Leipzig San Francisco ca94121 191065 St. Petersburg Ethnography of Russian t +31 20 523 18 22 (secretary) Germany Germany usa Russia Academy of Sciences - f +31 20 620 77 89 t +49 40 42854 3211 t +49 341 216 9942 t +1 415 750 3618 t +7 812 311 9245 Kunstkamera norbertmiddelkoop@ f +49 40 42854 2482 f +49 341 960 9925 f +1 415 750 3656 f +7 812 311 9009 Universitetskaya Nab. 3 compuserve.com mueller@ [email protected] [email protected] 199034 St. Petersburg hamburger-kunsthalle.de Drs. Peter van der Ploeg Russia Drs. Ewoud Mijnlieff Hans Nieuwdorp Prof. Dr. H.W. van Os Curator t +7 812 328 0712 Curator Dr. Angel Navarro Chief curator (associate) Mauritshuis f +7 812 328 0811 Museum Het Catharina (associate) Museum Mayer van den Bergh Director emeritus of the Postbus 536 [email protected] Gasthuis Professor of art history Lange Gasthuisstraat 19 Rijksmuseum nl-2501 cm Den Haag Oosthaven 10 University of Buenos Aires b-2000 Antwerpen Koninginneweg 37 The Netherlands Rodolphe Rapetti nl-2801 pbGouda Avenida Quintana 16-6to. Belgium nl-1075 lgAmsterdam t +31 70 302 34 20 (associate) The Netherlands “M” t +32 3 232 4237 The Netherlands f0 +31 70 365 38 19 Conservateur en chef du t +31 182 58 84 40 1014 Buenos Aires f +32 3 231 7335 patrimoine f +31 182 58 86 71 Argentina hans.nieuwdorp@ Prof. Dr. Jan Ostrowski Drs. Michiel Plomp Chargé de mission auprès t +54 11 4812 6836 cs.antwerpen.be Director Associate curator of de la directrice des musées Sir Oliver Millar f +54 11 4814 5033 Zamek Krolewski na Wawelu drawings and prints de France (associate) (c/o Ms. Casal) Drs. Carl Nix Wawel 5 The Metropolitan Museum Direction des musées de France Surveyor emeritus of the [email protected] Curator pl-31-001 Kraków of Art 6, rue des Pyramides queen’s pictures Atlas Van Stolk Poland 1000 Fifth Avenue f-75001 Paris The Cottage Rays Lane Francine de Nave Korte Hoogstraat 31 t +48 12 422 1950 New York ny10028-0198 France Penn Buckinghamshire Museum Plantin Moretus nl-3011 gkRotterdam f +48 12 422 1950 usa hp10 8lh Vrijdagmarkt 22 The Netherlands [email protected] t +1 212 879 5500 Dr. Konrad Renger England b-2000 Antwerpen t +31 10 217 67 24 f +1 212 570 3921 Chief curator t +44 494 812 124 Belgium f +31 10 433 44 99 Piotr Oszczanowski Bayerische [email protected] (associate) Kadi Polli Staatsgemäldesammlungen Eric Moinet Dr. Uta Neidhardt Instytut Historii Sztuki | Director and curator of Barer Strasse 29 Conservateur en chef, Curator of Dutch and Dr. Nils Ohrt Uniwersytet Wroclaw paintings d-80799 München conseiller pour les musées Flemish paintings Director Szewska 49 Foreign Art Museum of the Art Germany Direction régionale des affaires Staatliche Kunstsammlungen Nivagaards Malerisamling pl-50-139 Wroclaw Museum of Estonia t +49 89 238050 112 culturelles Rhône-Alpes Dresden - Gemäldegalerie Alte Gl. Strandvej 2 Poland 37 Weizenbergi Street f +49 89 23805 221 6, quai Saint Vincent Meister dk-2990 Nivå t +48 871 375 2525 ee-10127 Tallinn f-69283 Lyon Cedex 01 Zwinger Theaterplatz 1 Denmark f +48 071 3402 510 Estonia Drs. Robert-Jan te Rijdt France d-01067 Dresden t +45 49 14 10 17 [email protected] t +372 6066 400 Curator of drawings t +33 4 7200 44 27 Germany f +45 49 14 10 57 f +372 6066 401 Rijksmuseum printroom f +33 4 7200 43 30 t +49 351 491 4658 [email protected] Drs. Sander Paarlberg kadi.polli@ Postbus 74888 eric.moinet@ t +49 351 491 4620 Curator of Old Masters kadriorg.ekm.ee nl-1070 dn Amsterdam culture.gouv.fr f +49 351 491 4694 Drs. Maria Ordeanu Dordrechts Museum The Netherlands Curator of prints and Postbus 1170 Nora De Poorter t +31 20 674 72 66 Maciej Monkiewicz István Németh drawings nl-3300 bdDordrecht Associate f +31 20 674 70 01 Curator Curator Muzeul Brukenthal The Netherlands Nationaal Centrum voor [email protected] Muzeum Narodowe Szépmüvészeti Múzeum Piat,a Mare 4-5 t +31 78 648 21 48 Plastische Kunsten van de 16de Al. Jerozolimskie 3 Dózsa György út 41 ro-2400 Sibiu f +31 78 614 17 66 en de 17de Eeuw Maria del Carmen Rippe pl-00-495 Warszawa h-1396 Budapest xiv Romania spaarlberg@ Kolveniersstraat 20 Moro Poland Hungary t +40 69 217 691 kun.dordrecht.nl b-2000 Antwerpen Curator t +48 22 621 1031 t +36 1 343 9759 f +40 69 211 545 Belgium Museo Nacional f +48 22 622 8559 f +36 1 343 8298 [email protected] Dr. Jet Pijzel-Dommisse t +32 3 201 1577 Trocadero e/Sulueta y maciej.mokiewicz@ inemeth@ Curator of decorative arts f +32 3 231 9387 Monserrate WP.PL szepmuveszeti.hu Dr. Nadine Orenstein Gemeentemuseum Den Haag Habana Vieja Associate curator of Postbus 72 Roger Quarm Cuba Andrew Moore Dr. Lawrence W. Nichols drawings and prints nl-2501 cb Den Haag Curator of pictures t +53 7 613 858 Curator Curator of European The Metropolitan Museum The Netherlands National Maritime Museum f +53 7 629 626 Castle Museum paintings and sculpture of Art t +31 70 338 11 11 Romney Road [email protected] Norwich before 1900 1000 Fifth Avenue f +31 70 355 73 60 Greenwich se10 9nf crespo@ Norfolk nr1 3ju The Toledo Museum of Art New York ny10028-0198 England mnba.cubarte.cult.cu England P.O. Box 1013 usa t +44 181 312 6717 t +44 1603 223 624 | Toledo oh43697 t +1 212 879 3502 f +44 181 312 6632 Helena Risthein 493 633 (x) usa f +1 212 570 3921 [email protected] Curator f +44 1603 765 651 | t +1 419 255 8000 Nadine.Orenstein@ Art Museum of Estonia 493 661 (x) f +1 419 244 2217 metmuseum.org Kadriog Art Museum 25 codart Courant 3/December 2001

Ro Ru Sa Sc Sc Sc Kiriku plats 1 Louisa Wood Ruby Dr. Jochen Sander Documentatie t +49 561 9377-7 t +31 346 56 27 78 ee-1o130 Tallinn Photoarchivist Head of department of Postbus 90418 f +49 561 937 7666 f +31 346 57 05 74 Estonia The Frick Collection paintings nl-2509 lk Den Haag Schnackenburg-Kassel@ t +372 644 9513 1 East 70th Street Städelsches Kunstinstitut The Netherlands t-online.de Dr. Dieter Schwarz t +372 644 1478 New York ny10021 Dürerstrasse 2 t +31 70 383 69 08 Director f +372 644 2094 usa d-60596 Frankfurt am Main t +31 70 333 97 77 Dr. Cynthia P. Schneider Kunstmuseum Winterthur [email protected] t +1 212 547 0652 | Germany f +31 70 333 97 89 (associate) Postfach 378 [email protected] +1 212 547 3020 t +49 69 605 098 Former ambassador of the ch-8402 Winterthur f +1 212 547 0680 f +49 69 610163 Drs. Marijn usin the Netherlands Switzerland Dr. Franklin W. Robinson [email protected] Sander-Frankfurt@ Schapelhouman 17201 Norwood Road t +41 52 267 5162 The Richard J. Schwartz t-online.de Curator of drawings Sandy Spring md20860 f +41 52 267 5317 director Axel C. Rüger Rijksmuseum printroom usa [email protected] Herbert F. Johnson Museum Curator of Dutch paintings Ana García Sanz Postbus 74888 t +1 301 570 4782 of Art The National Gallery Curator of the Descalzas nl-1070 dn Amsterdam f +1 301 570 9497 Prof. Gianni Carlo Sciolla Cornell University Trafalgar Square Reales The Netherlands cpschneider@ (associate) Ithaca ny14853 London wc2n 5dn Patrimonio Nacional t +31 20 674 7000 restructassoc.com Professor of art history usa England Palacio Real - Bailén s/n f +31 20 674 7001 Università degli Studi di t +1 607 255 6464 t +44 20 7747 2893 e-28071 Madrid Drs. Frits Scholten Torino f +1 607 255 9940 t +44 20 7747 2481 (secretary) Spain Drs. Peter Schatborn Director of exhibitions Via Tenivelli 11 director museum@ f +44 20 7753 8179 t +34 91 454 7513 (associate) Rijksmuseum i-10144 Torino cornell.edu axel.ruger@ t +34 91 454 8700 Head emeritus Postbus 74888 Italy ng-london.org.uk f +34 91 454 8721 Rijksmuseum printroom nl-1070 dn Amsterdam t +39 11 437 1766 Dr. William W. Robinson Prinsengracht 905 The Netherlands f +39 11 670 3513 Curator of drawings Dr. Ivan Rusina Dr. Wolfgang Savelsberg nl-1017 kdAmsterdam t +31 20 674 70 00 [email protected] Fogg Art Museum Curator Head of museums and The Netherlands f +31 20 674 70 01 32 Quincy Street Slovenská národná galéria collections [email protected] f.scholten@ David Scrase Cambridge ma02138 Riec˘ na 1 Kulturstiftung Dessau Wörlitz rijksmuseum.nl Fitzwilliam Museum usa sk-81513 Bratislava Schloss Gross Kühnau Dr. Albert A.J. Scheffers Trumpington Street t +1 617 495 2382 Slovak Republic d-06846 Dessau Curator Drs. Peter Schoon Cambridge cb2 1rb f +1 617 496 3800 t +421 7 5443 7062 Germany Het Nederlands Muntmuseum Director England [email protected] f +421 7 5443 3971 t +49 340 646 1535 P.O. Box 2407 Dordrechts Museum t +44 1223 332 900 t +49 340 646 150 nl-3531 bg Utrecht P.O. Box 1170 f +44 1223 332 923 Drs. Evert Rodrigo Dr. Samuel Sachs ii f +49 340 646 1510 The Netherlands nl-3300 bd Dordrecht Head of department of Director [email protected] t +31 30 291 0482 The Netherlands Dr. Hana Seifertová collections The Frick Collection f +31 30 291 0467 t +31 78 648 21 48 Curator Instituut Collectie Nederland 1 East 70th Street Scott Schaefer [email protected] f +31 78 614 17 66 Národní Galerie v Praze Postbus 1098 New York ny10021 Head of department of [email protected] P.O. Box 4 nl-2280 cb Rijswijk usa paintings Tamara Schestakowa cz-110 15 Prague The Netherlands t +1 212 288 0700 The J. Paul Getty Museum Director Dr. Karl Schütz Czech Republic t +31 70 307 38 00 f +1 212 861 7347 1200 Getty Center Drive Tambov Fine Arts Museum Director of department of t +420 2 2051 5457 f +31 70 319 23 98 [email protected] Suite 1000 97 Sovetskaya Street paintings f +420 2 2051 3180 Los Angeles ca90049-1687 392000 Tambov Kunsthistorisches Museum [email protected] Dott.ssa Francesca Rossi Prof. Dr. Vadim A. Sadkov usa Russia Burgring 5 Curator Head of department of t +1 310 440 7168 t +7 0752 724627 a-1010 Wien Dr. Manfred Sellink Museo di Castelvecchio European and American art f +1 310 440 7717 Austria Director Corso Castelvecchio 2 Pushkin State Museum of [email protected] Drs. Robert Schillemans t +43 1 5252 4305 Stedelijke Musea Brugge i-37121 Verona Fine Arts Curator f +43 1 5252 4309 Dijver 12 Italy 12 Volkhonka Street Drs. Jef Schaeps Museum Amstelkring Ons’ [email protected] b-8000 Brugge t +39 45 592 985 121019 Moscow Assistant curator Lieve Heer op Solder Belgium t +39 45 830 1920 (home) Russia Prentenkabinet Universiteit Oude Zijds Voorburgwal 40 Gary Schwartz t +32 50 448 711 f +39 45 801 0729 t +7 095 203 9587 Leiden nl-1012 ge Amsterdam Director f +32 50 448778 [email protected] f +7 095 203 4674 Rapenburg 65 The Netherlands codart manfred.sellink@ nl-2311 gjLeiden t +31 20 624 6604 Postbus 162 pandora.be Martin Royalton-Kisch Béatrice Salmon The Netherlands f +31 20 638 1822 nl-3600 ad Maarssen Assistant keeper Director t +31 71 527 27 88 r.schillemans@ The Netherlands Dr. Marina Senenko British Museum Department Musée des Beaux-Arts f +31 71 527 2786 museum amstelkring.nl t +31 346 58 05 53 Curator of European and of Prints and Drawings 3 place Stanislas J.M.P.Schaeps@ f +31 346 58 05 54 American art Great Russell Street f-54000 Nancy let.leidenuniv.nl Dr. Bernhard [email protected] Pushkin State Museum of Fine London wc1b 3dg France Schnackenburg Arts England t +33 38 385 3072 Drs. Karen Schaffers- Director Loekie Schwartz 12 Volkhonka Street t +44 20 7636 1555 f +33 38 385 3076 Bodenhausen Staatliche Museen Kassel (associate) 121019 Moscow f +44 20 7323 8999 Chief curator Schloss Wilhelmshöhe Postbus 162 Russia Mroyaltonkisch@ Rijksbureau voor d-34131 Kassel nl-3600 ad Maarssen t +7 095 203 5809 British-Museum.ac.uk Kunsthistorische Germany The Netherlands f +7 095 203 4674 codart Courant 3/December 2001 26

Sh Sm St Ta Tu Ve Dr. Desmond Shawe-Taylor Drs. Marie Christine van t +33 3 8074 5270 Drs. Janno van Tatenhove Drs. Carel van Tuyll van t +32 3 201 1577 Dulwich Picture Gallery der Sman f +33 3 8074 5344 Curator of drawings Serooskerken f +32 3 231 9387 Gallery Road, Dulwich Director Prentenkabinet Universiteit Chief curator Village Museum van het Boek Dr. Annemarie Stefes Leiden Teylers Museum Ernst Veen London se21 7ad Prinsessegracht 30 (associate) Rapenburg 65 Spaarne 16 (associate) England nl-2514 apDen Haag Project researcher nl-2311 gjLeiden nl-2011 ch Haarlem Director t +44 20 8299 8701 The Netherlands Hamburger Kunsthalle The Netherlands The Netherlands Nationale Stichting De t +44 20 8299 8702 (secretary) t +31 70 346 27 00 Kupferstichkabinett t +31 71 527 27 88 t +31 23 531 90 10 Nieuwe Kerk f +44 20 8299 8700 f +31 70 363 03 50 Glockengiesserwall f +31 71 527 27 98 f +31 23 534 20 04 Postbus 3438 d.shawe-taylor@dulwich d-20095 Hamburg [email protected] nl-1001 ae Amsterdam picturegallery.org.uk Dr. Irina Sokolova Germany Drs. Jan Teeuwisse The Netherlands Head of department of t +49 40 2854 2616 Chief curator Dr. Jacek Tylicki t +31 20 626 81 68 Drs. John Sillevis Dutch paintings f +49 40 2854 2482 Rijksbureau voor Kunst- (associate) f +31 20 622 66 49 Chief curator The State Hermitage Museum [email protected] historische Documentatie Assistant professor of [email protected] Gemeentemuseum Den Haag Dvortsovaja nab. 34 |Stefes@ Postbus 90418 museology Postbus 72 191065 St. Petersburg hamburger-kunsthalle.de nl-2509 lk Den Haag Uniwersytet M. Kopernika Dr. Carl Van de Velde nl-2501 cb Den Haag Russia The Netherlands Sienkiecza 30/32 Nationaal Centrum voor The Netherlands t +7 812 110 9794 | 110 9615 Sergei Stroganov t +31 70 333 97 77 pl-87 100 Torun Plastische Kunsten van de 16de t +31 70 338 12 15 f +7 812 311 9009 | 312 2262 Curator of Dutch paintings f +31 70 333 97 89 Poland en de 17de Eeuw t +31 70 338 11 11 (Rembrandt excluded) [email protected] t +48 56 651 1632 Kolveniersstraat 20 f +31 70 338 1112 Dr. Joaneath Spicer The State Hermitage Museum f +48 56 651 1632 b-2000 Antwerpen jsillevis@ The James A. Murnaghan Dvortsovaja nab. 34 Dr Herfried Thaler [email protected] Belgium gemeentemuseum.nl | curator of Renaissance and 191065 St. Petersburg Curator t +32 3 201 1577 [email protected] Baroque art Russia Nordico-Museum der Stadt Dr. Daiga Upeniece f +32 3 231 9387 Walters Art Gallery t +7 812 110 9682 Linz Director Dr. Pilar Silva 600 N. Charles St. Damitzstraße 23 Museum of Foreign Art Prof. Dr. Ilja M. Veldman Chief Curator Baltimore md21201 Drs. Ariane van Suchtelen a-4020 Linz Pils Laukums 3 (associate) Museo Nacional del Prado usa Curator of exhibitions Austria Riga lv-1050 Professor C. Ruiz de Alarcón 23 t +1 410 547 9258 Mauritshuis t +43 732 7070 1903 Latvia Vrije Universiteit Faculteit der e-28014 Madrid t +1 410 547 9000 f +1 410 752 Postbus 536 f +43 732 793 518 t +371 7 226 467 Letteren Spain 4797 nl-2501 cm Den Haag [email protected] f +371 7 228 776 De Boelelaan 1105 t +34 91 330 2809 [email protected] The Netherlands [email protected] nl-1081 hv Amsterdam f +34 91 330 2851 t +31 70 302 34 20 Joanna Tomicka The Netherlands [email protected] Ron Spronk f +31 70 365 38 19 Muzeum Narodowe Dr. Susan Urbach t +31 20 444 6366 Associate curator for Al. Jerozolimskie 3 Head of department of art f +31 20 444 6500 Dr. Martina Sitt research Dr. Kirby Talley pl-00-495 Warszawa history [email protected] Head of department of Straus Center for Conservation (associate) Poland Péter Pázmány Catholic paintings and Technical Studies Director t +48 22 621 1031 University Faculty of Annemarie Vels Heijn Hamburger Kunsthalle Harvard University Art St. Petersburg International f +48 22 622 8559 Humanities Director Glockengiesserwall Museums Center for Preservation Törökvész út 128 Netherlands Museum d-20095 Hamburg 32 Quincy Street 29 Tchaikovsky St. Dr. Renate Trnek h-1025 Budapest ii Association Germany Cambridge ma02138 191194 St. Petersburg Director Hungary Postbus 74683 t +49 40 4285 42603 usa Russia Gemäldegalerie der Akademie t +36 1 394 5129 nl-1070 br Amsterdam f +49 40 4285 42482 t +1 617 495 0987 t +7 812 327 1646 der bildenden Künste The Netherlands sitt@ f +1 617 495 0322 f +7 812 327 1645 1 Schillerplatz 3 Dr. Paul Vandenbroeck t +31 20 670 11 00 hamburger-kunsthalle.de [email protected] a-1010 Wien Research curator f +31 20 670 11 01 Angela Tamvaki Austria Koninklijk Museum voor avelsheijn@ Professor Seymour Slive Nina Stadnitchuk Curator of Western t +43 1 58816 Schone Kunsten museumvereniging.nl (associate) Curator of paintings European paintings f +43 1 586 3346 Plaatsnijdersstraat 2 Harvard University Museum Pavlovsk National Gallery and [email protected] b-2000 Antwerpen Dr. Alexander Vergara 32 Quincy Street Ulitsa Revolutsi 20 Alexandros Soutzos Museum Belgium Curator Cambridge ma02138 189623 Pavlovsk 50 Vassileos Constantinou Dr. Meinolf Trudzinski t +32 3 242 0430 Museo Nacional del Prado usa Russia St. Senior curator t +32 3 238 7809 Paseo del Prado t +7 812 460 6325 gr-11528 Athens Niedersächsisches f +32 3 248 0810 e-28014 Madrid Dr. Nicolette Sluijter- f +7 812 470 2155 Greece Landesmuseum Hannover [email protected] Spain Seijffert t +30 1 72 32 051 Willy-Brandt-Allee 5 t +34 91 330 2824 Director Emmanuel Starcky t +30 1 72 14 472 (home) d-30169 Hannover Marc Vandenven t +34 91 352 9229 (home) Museum Het Catharina Director f +30 1 72 14 472 (home) | Germany Associate f +34 91 330 2852 Gasthuis Musée Magnin and +30 1 72 2 4889 t +49 511 9807 624 Nationaal Centrum voor alejandro.vergara@ Oosthaven 10 Chief curator f +49 511 9807 640 Plastische Kunsten van de 16de prado.mcu.es nl-2801 pbGouda Musée des Beaux-Arts en de 17de Eeuw The Netherlands BP. 1510 Kolveniersstraat 20 Dr. Thea Vignau-Wilberg t +31 182 58 84 40 f-21033 Dijon b-2000 Antwerpen Curator f +31 182 58 86 71 France Belgium Staatliche Graphische 27 codart Courant 3/December 2001

Vi Vr We Wh Wi Wy Sammlung München The Netherlands Rivka Weiss-Blok Prof. Christopher White deWilde@ The Netherlands Meiserstrasse 10 t +31 20 305 45 18 Director (associate) fine.arts-museum.be t +31 30 231 38 35 d-80333 München f +31 20 305 45 00 Joods Historisch Museum Director emeritus f +31 30 231 78 96 Germany [email protected] Postbus 16737 Ashmolean Museum Gloria Williams [email protected] t +49 89 289 27650 nl-1001 re Amsterdam 34 Kelly Street Curator f +49 89 289 27653 Sandra de Vries The Netherlands London nw1 8ph Norton Simon Museum Elisabeth Wyckoff T.Vignau-Wilberg@ Director t +31 20 626 99 45 England 411 West Colorado New York Public Library zikg.lrz-muenchen.de Stedelijk Museum Alkmaar f +31 20 624 17 21 t +44 20 7485 9148 Boulevard Fifth Avenue and 42nd Canadaplein 1 [email protected] f +44 20 7428 9786 Pasadena ca91105-1825 Street Dr. George Vilinbakhov nl-1811 keAlkmaar [email protected] usa New York ny (associate) The Netherlands Dr. Dennis Weller t +1 626 449 216 usa Deputy director t +31 72 511 07 37 Associate curator of Dr. Christiane Wiebel t +1 626 449 6840 f +1 626 796 e [email protected] The State Hermitage Museum f +31 72 515 14 76 European art Curator of the printroom 4978 Dvortsovaja nab. 34 [email protected] North Carolina Museum of Art Kunstsammlungen der Veste gwilliams@ Dr. Irena Zdanowicz 191186 St. Petersburg 4630 Mail Service Center Coburg nortonsimon.org Senior curator of prints and Russia Danièle Wagener Raleigh nc27605-6494 Veste Coburg drawings t +7 812 312 2971 Curator usa d-96450 Coburg Dr. David de Witt National Gallery of Victoria f +7 812 311 9009 Villa Vauban t +1 919 839 6262 x2128 Germany Curator of European art P.O. Box 7259 14 rue du Saint-Esprit f +1 919 733 8034 t +49 9561 879-17 Agnes Etherington Art Centre Melbourne 3004 Mercedes Royo Villanova l-2090 Luxembourg dweller@ t +49 9561 879-0 Queen’s University Australia Trustee and research Luxembourg ncmamail.dcr.state.nc.us f +49 9561 87966 Kingston onk7l 3n6 t +61 3 9208 0232 curator t +352 4796 2766 Canada t +61 3 9208 0230 Museo Lázaro Galdiano f +352 471 707 Dr. James A. Welu Dr. Uwe Wieczorek t +1 613 533 6000 f +61 3 9208 0460 Serrano 122 [email protected] Director Director f +1 613 533 6891 irena.zdanowicz@ Madrid Worcester Art Museum Sammlungen des Fürsten von [email protected] ngv.vic.gov.au Spain Nicole Walch 55 Salisbury Street Liechtenstein t +34 91 759 2130 Koninklijke Bibliotheek Worcester ma01609-3196 Schloss Vaduz Barbara Wlodarska Olivier Zeder f +34 91 435 4049 Albert I usa fl-9490 Vaduz Head of silver and metal Curator Keizerslaan 4 t +1 508 799 4406 Liechtenstein department Musée Fabre Dr. Hans Vlieghe b-1000 Brussel f +1 508 799 5646 t +423 238 1200 Muzeum Narodowe 13 rue Montpellieret Nationaal Centrum voor Belgium f +423 238 1271 ul. Torúnska 1 f-34000 Montpellier Plastische Kunsten van de 16de Dr. Hiltrud Westermann- [email protected] pl-80 822 Gdánsk France en de 17de Eeuw Dr. John J. Walsh Angerhausen Poland t +33 4 6714 8301 Kolveniersstraat 20 (associate) Director Dr. Alexander Wied t +48 58 301 70 61 5 f +33 4 6766 0920 b-2000 Antwerpen Director emeritus Museum Schnütgen Curator f +48 58 301 11 25 Belgium The J. Paul Getty Museum Cäcilienstrasse 29 Kunsthistorisches Museum info@ Dr. Antoni Ziemba t +32 3 201 1577 1200 Getty Center Drive d-50667 Köln Burgring 5A muzeum.narodowe.gda.pl Chief curator of the foreign f +32 3 231 9387 Suite 300 Germany a-1010 Wien painting gallery Los Angeles ca90049-1680 t +49 221 2212 2310 Austria Drs. B. Woelderink Muzeum Narodowe Drs. Christiaan Vogelaar usa f +49 221 2212 8489 t +43 1 5253 4305 Director Aleje Jerozolimskie 3 Curator t +1 310 440 7114 [email protected] f +43 1 5252 4309 Koninklijk Huisarchief pl-00-495 Warszawa Stedelijk Museum De f +1 310 440 7717 [email protected] Postbus 30412 Poland Lakenhal [email protected] Dr. Arthur K. Wheelock Jr nl-2500 gk Den Haag t +48 22 621 1031 ext. 278 Postbus 2044 Curator of Northern Marjorie E. Wieseman The Netherlands f +48 22 622 8559 nl-2301 caLeiden Drs. Rik van Wegen baroque painting Curator of European t +31 70 362 47 01 e [email protected] The Netherlands Curator National Gallery of Art painting and sculpture f +31 70 365 93 48 t +31 71 516 53 60 Bonnefantenmuseum Constitution Avenue N.W. Cincinnati Art Museum b.woelderink@pne Grazyna Zinówko f +31 71 513 44 89 Postbus 1735 Washington dc20565 953 Eden Park Drive Curator of Old Master nl-6201 bs Maastricht usa Cincinnati oh45202 Martha Wolff drawings Drs. Edward van Voolen The Netherlands t +1 202 842 6147 usa Art Institute of Chicago Muzeum Narodowe Chief curator t +31 43 329 01 90 f +1 202 842 6933 | t +1 513 639 2915 111 South Michigan Avenue ul. Torúnska 1 Joods Historisch Museum f +31 43 329 01 99 +1 202 789 2681 f +1 513 639 2996 Chicago il60603-6110 pl-80-822 Gdánsk Postbus 16737 [email protected] [email protected] | usa Poland nl-1001 re Amsterdam Lucy Whitaker [email protected] t +1 312 443 3636 t +48 58 301 70 61 5 The Netherlands Dr. Peter Wegmann Assistant to the surveyor of f +1 312 443 0753 f +48 58 301 11 25 t +31 20 626 99 45 Curator the queen’s pictures Eliane De Wilde [email protected]. f +31 20 624 17 21 Museum Oskar Reinhart am Royal Collection Chief curator Helen Wüstefeld gda.pl [email protected] Stadtgarten and St. James’s Palace Koninklijke Musea van Schone Head of department of Museum Briner und Kern London sw1a 1jr Kunsten van België research and curator of Drs. Rik Vos Stadthausstrasse 6 England Museumstraat 9 manuscripts and early Director ch-8400 Winterthur t +44 20 7930 4832 (x4699) b-1000 Brussel books Instituut Collectie Nederland Switzerland f +44 20 7839 8168 Belgium Museum Catharijneconvent Postbus 76709 t +41 52 267 5172 Lwhitaker@ t +32 2 508 3211 Postbus 8518 nl-1070 ka Amsterdam f +41 52 267 6228 RoyalCollections.org.uk f +32 2 508 3232 nl-3503 rm Utrecht codart Courant 3/December 2001 28 codart dates

1998 2001 12 January Activities commenced at 1 January codartis granted a subsidy for codartbureau in the offices of the Institute Netherlands Institute for Cultural Heritage. 2001-2004 by the Netherlands Ministry of of Cultural Heritage in Amsterdam. 15 January Mailing of first invitations for Education, Culture and Science. 11-13 March codart viercongress, Dutch codart een. 1 January codartis granted a subsidy for and Flemish Art in Romania, Maastricht and 9-10 March codart een, The Collections of 2000 and 2001 by the Ministry of Welfare, Cologne. Frederik Hendrik and Amalia van Solms and their Health and Culture of the Flemish 13-18 March codart vierstudy trip to dispersal, The Hague. Community. Bucharest, Sinaia and Sibiu. 4 August Letter from hgis-Cultuur approving 19 February Appointment of Wietske June codartCourant 2 published. funding of codartthrough 2000. Donkersloot as an associate, working from the December codartCourant 3 published. 18 June codart registered as a non-profit foundation. 24 September Launching of website at http://www.codart.nl. 2002 codart l 2 November Initiation of - , Internet 15 January Deadline for applying for codart tweestudy trip to Moscow. discussion list for codart members and other specialists in Dutch and Flemish Art. 1 February Deadline for applying for codart vijf. 30 November-1 December 20-24 February hnaat College Art Association annual meeting in codart twee alpha. Meeting of planning committee in Amsterdam, Philadelphia. attended by curators from the Hermitage 2-6 March codart tweevisit to the exhibition of Dutch and Flemish and the Pushkin Museum. In collaboration with the Foundation for Cultural Inventory. drawings in the Pushkin Museum, Moscow. codart December Courant 1 published. 9-17 March Maastricht, The European Fine Arts Fair (tefaf; private view 1999 8 March). codart twee 15-16 March congress, 10-12 March codart vijfcongress, Early Netherlandish art, Maastricht, Dutch and Flemish Art in Russia, Amsterdam. 17-22 March codart tweestudy trip to Brugge and Antwerp. St. Petersburg and Moscow. 13 March Joint session with Historians of Netherlandish Art, Looking and 11-15 November codart een, Onder den Oranje Boom, study trip to Berlin, Dessau learning: Netherlandish art in museums and universities, 1902-2002-2102, and Schwerin. Koninklijk Museum voor Schone Kunsten, Antwerp. December codartapplies for a four-year grant to the Netherlands Ministry of 13-17 March Congress of Historians of Netherlandish Art, Antwerp. Education, Culture and Science. 22 March Deadline for applying for study trip to Scotland. 2000 13-18 June Study trip to Edinburgh, Glasgow and surroundings. 19-21 March codart driecongress, The Spanish Habsburgs and the Netherlands, 2003 Maastricht and Antwerp. February codartvisit to New York. 22-28 March codart driestudy trip to Andalusia and Madrid. 19-22 February hnaat College Art Association annual meeting in New 15 May The Culture Council judges the York. application of codartfor a government grant positively. 8-16 March Maastricht, The European Fine Arts Fair (tefaf; private view mid-December-mid February 2001 Marieke 7 March). Westerveld holds a secretarial position for codartat the office. 9-11 March codart zes. The proposed theme is Dutch and Flemish art in Poland.