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The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Mary Murillo
Mary Murillo Also Known As: Mary O’Connor, Mary Velle Lived: January 22, 1888 - February 4, 1944 Worked as: adapter, film company managing director, scenario writer, screenwriter, theatre actress Worked In: France, United Kingdom: England, United States by Christina Petersen In March 1918, Moving Picture World heralded British screenwriter Mary Murillo as a “remarkable example” of “the meteoric flights to fame and fortune which have marked the careers of many present day leaders in the motion picture profession” (1525). This was more than just promotional hyperbole, since, in just four years, Murillo had penned over thirty features, including a highly successful adaptation of East Lynne (1916) starring Theda Bara and the original story for Cheating the Public (1918), “which proved a sensation” at its New York debut according to Moving Picture World (1525). Murillo wrote or adapted over fifty films from 1913 to 1934 in the United States, England, and France, including slapstick comedies, melodramas, fairy tale adaptations, and vehicles for female stars such as Bara, Ethel Barrymore, Clara Kimball Young, Olga Petrova, and Norma Talmadge. As a scenarist, her range included several films focused on contemporary issues—gender equality, women’s suffrage, economic progressivism, and labor reform—while others, such as the child-oriented adaptation of Jack and the Beanstalk (1917), seem to have been meant to appeal as pure escapism. In the latter half of her career, Murillo left the United States for England where she joined several ventures, but never equaled her American output. Born in January 1888 and educated at the Sacred Heart Convent in Roehampton, England, Murillo immigrated to the United States in 1908 at the age of nineteen (“Mary Murillo, Script Writer” 1525; McKernan 2015, 80). -
Mr. and Mrs. Raymond E. Robinson Collection of Film Stills and Photographs MS117
http://oac.cdlib.org/findaid/ark:/13030/c8j1059x No online items Mr. and Mrs. Raymond E. Robinson Collection of Film Stills and Photographs MS117 Finding aid prepared by ShinEui Park Clay Stalls Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University 1 LMU Drive Los Angeles, CA, 90045-2659 (310) 338-5710 [email protected] 2014 Mr. and Mrs. Raymond E. MS117 1 Robinson Collection of Film Stills and Photographs MS117 Title: Mr. and Mrs. Raymond E. Robinson Collection of Film Stills and Photographs Identifier/Call Number: MS117 Contributing Institution: Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University Language of Material: English Physical Description: 1.0 Box Date (inclusive): 1920-1933 Abstract: This small collection consists of film stills, publicity portrait photographs of film actors and actresses, and personal photographs that Mr. and Mrs. Raymond E. Robinson donated to Loyola Marymount University. Conditions Governing Access Note Collection is open to research under the terms of use of the Department of Archives and Special Collections. Acquistion Information Gift of Mr. and Mrs. Raymond E. Robinson, 8/6/1973. Arrangement The collection was arranged in the order in which the photographs were found in the envelope originally storing them. Box and folder entries were based on captions from the photographs or deduced by using clues provided by the photographs themselves. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. -
The Silent Film Project
e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
The History of Film
NO. 45 -ii u rm j A . FOR IMMEDIATE RELEASE The Museum of Modern Art 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart THE HISTORY OF FILM The fourth in The Museum of Modern Art's cycles presenting "The History of Film" will begin on Sunday June 6 at 5:00 with a series of short films by Edison, Lumiere, Melies, and others representing the birth of the cinema. The three year cycle, presented ewery Sunday evening at 5:00 through April 29, 1979, will trace the evolution of film from these early works through such masters as Griffith, Chaplin, von Stroheim, and King Vidor and concluding with the recent works "Death in Venice" by Luchino Visconti and Robert Altman's "McCabe and Mrs. Miller." This major series, consisting of 148 weekly programs, was organized by Jon Gartenberg, Curatorial Assistant in the Department of Film and is designed to show that film history is "a network of interrelationships and influences between one work and another over the past eighty years." Thus, though a great many classic films are not included, many lesser-known but historically important films will be shown and such phenomena as the beginnings of the motion picture, early experiments with sound, and the development of such genres as Westerns, the historical drama, and movie serials will be examined. While examples of foreign films, shorts, avant- garde, and animated films are included, the primary emphasis of the cycle is to show the development of the American feature film from its roots through 1971. -
R,Fay 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012
DEPARTMENT OF CITY PLANNING EXECUTIVE OFFICES OFFICE OF HISTORIC RESOURCES MICHAEL LOGRANDE 200 N. SPRING STREET. ROOM 620 CITY OF Los ANGELES los ANGELES,CA 90012·4801 DIRECTOR (213) 978 ·1200 CALIFORNIA (213) 978·1271 ALAN BELl, Arc? CULTURAL HERITAGE COMMISSION O,PUlY D1R'CTOR· (213) 978-1272 RICHARD BARRON PR,S!O~NT USA WEBBER, Ale!> ROELLA H. LOUIE DEPUTY DIRECTOR VlCE-PR,SIOENT (213) 978-1274 TARA}. HAMACHER GAlL KENNARD EVA YUAN-MCDANrEl OZSCOTT DEPUlY DIRECTOR ANTONIO R. VILLARAIGOSA (213) 978-1273 FElY C PINGOl MAYOR FAX: (213) 978-1275 COMMISSION iOXECUTIVE ASSISTANT (213) 978-1294 INFORMATION (213) 978·1270 wwwplanning.ladty.org Date: r,fAY 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012 Attention: Sharon Gin, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: CHCw2013w510wHCM GIBBONSwDEL RIO RESIDENCE 757 KINGMAN AVENUE At the Cultural Heritage Commission meeting of May 9, 2013, the Commission moved to include the above property in the list of Historic-Cultural Monument, subject to adoption by the City Council. As required under the provisions of Section 22.171.10 of the Los Angeles Administrative Code, the Commission has solicited opinions and information from the office of the Council District in which the site is located and from any Department or Bureau. of the city whose operations may be affected by the designation of such site as a Historic-Cultural Monument. Such designation in and of itself has no fiscal impact Future applications for permits may cause minimal administrative costs. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
History of STG Silent Movie Mondays (Pdf)
Seattle Theatre Group Silent Film History 1998-2020 1998 Film Title/Year Screen date Director Star Legends of Comedy The General, 1926 August 10,1998 Clyde Bruckman Buster Keaton & Buster Keaton The Pale Face, 1922 August 10, 1998 Edward F. Cline Buster Keaton & Buster Keaton The Gold Rush, 1925 August 17, 1998 Charlie Chaplin Charlie Chaplin Safety Last, 1923 August 24, 1998 Fred C. Newmeyer Harold Lloyd Two Tars, 1928 August 24, 1998 James Parrott Stan Laurel & Oliver Hardy 1999 Film Title/Year Screen date Director Star Funny Money Show People, 1928 June 7, 1999 King Vidor Marion Davis A Dog’s Life, 1918 June 14, 1999 Charlie Chaplin Charlie Chaplin The Pilgrim, 1916 June 14, 1999 Frank Borzage Frank Borzage Seven Changes, 1925 June 21, 1999 Buster Keaton Buster Keaton That Certain Thing, 1928 June 28, 1999 Frank Capra Viola Dana Heroes and Villains The Bat, 1926 July 5, 1999 Roland West George Beranger The Black Pirate, 1926 July 12,1999 Albert Parker Douglas Fairbanks Dr. Jekyll and Mr. Hyde, 1920 July, 19,1999 John S. Robertson John Barrymore Special Engagement Faust, 1926 October 31, 1999 F.W Murnau Emily Jannings Seattle Theatre Group Silent Film History 1998-2020 2000 Film Title/Year Screen date Director Star DW Griffith & MoMA Orphans of The Storm, 1921 July 3, 2000 DW Griffith Lillian and Dorothy Gish Way Down East, 1920 July 10, 2000 DW Griffith Lillian Gish Intolerance, 1916 July 17, 2000 DW Griffith Lillian Gish & Sci-Fi & Adventure The Lost World, 1925 October 2, 2000 Harry O. Hoyt Wallace Beery Aelita- Queen of Mars,1924 October 9, 2000 Yakov Protazanov Yuliya Solntseva Peter Pan, 1924 October 16, 2000 Herbert Brenon Betty Bronson Submarine, 1928 October 23, 2000 Frank Capra Jack Holt The Phantom of the Opera, 1929 October 20, 2000 Rupert Julian Lon Chaney 2001 Film Title/Year Screen date Director Star Women in Film La Boheme, 1926 July 9, 2001 King Vidor Lillian Gish My Best Girl, 1927 July 16, 2001 Sam Taylor Mary Pickford IT, 1927 July 23, 2001 Clarence G. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
"So Oft to the Movies They've Been": British Fan Writing and Female
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema Lisa Rose Stead University of Exeter, Exeter, Devon, United Kingdom [0.1] Abstract—This article aims to address the ways in which working-class and lower-middle-class British women used silent-era fan magazines as a space for articulating their role within the development of a female film culture. The article focuses on letter pages that formed a key site for female contribution to British fan magazines across the silent era. In contributing to these pages, women found a space to debate and discuss the appeal and significance of particular female representations within film culture. Using detailed archival research tracing the content of a specific magazine, Picturegoer, across a 15-year period (1913–28), the article will show the dominance of particular types of female representation in both fan and "official" magazine discourses, analyzing the ways in which British women used these images to work through national tensions regarding modern femininity and traditional ideas of female propriety and restraint. [0.2] Keywords—1910s–20s Britain; Fan culture; Fan magazine; Female stars; Nationality; Women's writing; Costume; Performance Stead, Lisa Rose. 2011. "'So oft to the movies they've been': British Fan Writing and Female Audiences in the Silent Era." Transformative Works and Cultures, no. 6. http://dx.doi.org/10.3983/twc.2011.0224. 1. Introduction [1.1] Women's fan writing about silent cinema as it appears in British fan magazines presents one of the most interesting generative aspects of film culture as female cultural practice.