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UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Chapter 11 Voluntary Petition for Maines Paper & Food
Case 20-11502 Doc 1 Filed 06/10/20 Page 1 of 17 Docket #1 Official Form 201 Voluntary Petition for Non-Individuals Filing for Bankruptcy o4~20 If more space is needed, attach a separate sheet to this form. On the top of any additional pages, write the debtor's name and the case number (if known). For more information, a separate document, Instructions for Bankruptcy Forms for Non-Individuals, is available. 1. Debtor's name Maines Paper &Food Service, Inc. 2. All other names debtor DBA MainSource used in the last 8 years DBA MainSource Food &Party Warehouse Include any assumed DBA Produce Express names, trade names and DBA Maines Food &Party Warehouse doing business as names 3. Debtor's federal Employer Identification 15-0617759 Number (EIN) 4. Debtor's address Principal place of business Mailing address, if different from principal place of business 101 Broome Corporate Parkway P.O. Box 450 Conklin, NY 13748 __ Number, Street, City, State &ZIP Code P.O. Box, Number, Street, City, State &ZIP Code Broome Location of principal assets, if different from principal __ __ __ County place of business __ Number, Street, City, State &ZIP Code Official Form 201 Voluntary Petition for Non-Individuals Filing for Bankruptcy page 1 Case 20-11502 Doc 1 Filed 06/10/20 Page 2 of 17 Debtor Case Maines Paper &Food _Service, _ Inc. number (if known) Name - -- -- -- - 7. Describe debtor's business A. Check one: ❑ Health Care Business (as defined in 11 U.S.C. § 101(27A)) ❑ Single Asset Real Estate (as defined in 11 U.S.C. -
Girl With!A Camera
GIRL WITH!A CAMERA 1 GIRL WITH!A CAMERA GIRL WITH!A CAMERA Margret Bourke-White: America’s Groundbreaking Photojournalist AN IMPRINT OF HIGHLIGHTS Honesdale, Pennsylvania Margaret Bourke-White perches with her camera on a Chrysler Building gargoyle 4sixty-one floors above the streets of New York City Text copyright © 2017 by Carolyn Meyer Cover illustration copyright © 2017 by TK For Vered and Giovanny All rights reserved. For information about permission to reproduce selections from this book, contact [email protected]. Although this work is based on the life of Margaret Bourke-White, it is a work of fiction. However, some names, characters, and incidents are products of the authors’ imagination and are used to enhance the story. Calkins Creek An Imprint of Highlights 815 Church Street Honesdale, Pennsylvania 18431 Printed in the United States of America ISBN: 978-1-62979-584-3 (HC) ISBN: 978-1-62979-800-4 (e-book) Library of Congress Control Number: TK First edition The text of this book is set in xxxx. Design by Anahid Hamparian Production by Sue Cole 10 9 8 7 6 5 4 3 2 1 Prologue Sometime a!er midnight, a thump—loud and jarring. A torpedo slams into the side of our ship, flinging me out of my bunk. The ship is transporting thousands of troops and hundreds of nurses. It is December 1942, and our country is at war. I am Margaret Bourke-White, the only woman photographer covering this war. The U.S. Army Air Forces has handed me a plum assignment: photographing an Allied a"ack on German troops in North Africa. -
Pacad286-All Access#7
Charley Drayton: Playing Both Sides of the Rhythm Section Most drummers can talk at length about the art of working within a spectrum, but it really suits my playing. I like to get a snap out of rhythm section. But few do so as authoritatively as Charley Drayton, the drums, as opposed to pounding, and those lighter mahogany- who boasts extensive credits as both a drummer and a bassist. and-birch drums help me do that. With these drums, producing “With these drums, producing Drayton’s long and eclectic list of credits includes such names as the colors I want is effortless. I trust them completely. Herbie Hancock, Keith Richards, Johnny Cash, Chaka Khan, Do you use any other kits? the colors I want is effortless. Mariah Carey, Michelle Branch, Seal, Iggy Pop, Neil Young, Janet Jackson, Courtney Love, and many others. I also have a ten-year-old Yamaha Maple Custom kit, but I’ve I trust them completely.” always been a little reluctant to take it out, because it’s so beauti - Drayton was born to a musical family in Brooklyn, New York. His ful! It’s pink flake—my custom color. But I’ve decided I’m finally bassist grandfather, Charlie Drayton, played with jazz greats Billie going to start breaking them in and taking them to the studio. Holiday, Lena Horne, Ben Webster, and Louis Jordan. And Charley’s I want to match them up against my Stage Customs. father, Bernard, is a successful jingle and record producer. Charley spent much of his childhood hanging out at his dad’s sessions, You’re known as a feel player, but like most session musi - witnessing New York’s top session cats practicing their craft. -
Let's Get Active!
Ousted: Lecanto drops district opener /B1 0% 0% TUESDAY TODAY CITRUS COUNTY Financing & next morning 11 To Choose From HIGH SEE PAGE C12 FOR DETAILS 84 Partly cloudy. VILLAGE LOW PAGE A4 VILLAGE TOYOT TOYOTAA 000EP36 57 www.chronicleonline.com APRIL 23, 2013 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 118 ISSUE 259 Inverness to address recycling concerns Elderly and disabled residents worry that new waste receptacles might be too hard to move NANCY KENNEDY “I’m handicapped and use a “My driveway is on a slant,” also have similar fears, espe- dents, including age, mobility Staff writer cane, and I know my capabili- she said. “Even with my smaller cially because this program and dexterity. ties, and I know it’s not going to garbage can, I have trouble doesn’t have an opt-out “The program is used in hun- INVERNESS — Recycling in work,” she said concerning the pushing or pulling it. When I provision. dreds or thousands of large and Inverness hasn’t even started 96- and 64-gallon containers that have something that’s heavy, like “What are we supposed to small communities across Amer- and the program has already Waste Management will be de- kitty litter, I put it in my car and do?” she asked. ica, so it’s not new,” DiGiovanni raised concerns from elderly livering to every Inverness city drive to the end of my driveway Inverness City Manager Frank said. “We also expected to hear residents. resident beginning next week. to set out the bag.” DiGiovanni said prior to imple- that people have concerns. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor. -
Keith Richards © Felix Aeppli 03-2020 / 08-2021
Not Guilty Keith Richards © Felix Aeppli 03-2020 / 08-2021 3001 December 18, 1943 Born in Dartford, Kent: Keith Richards. 3002 Early 60’s School gigs, Eltham, S.E. London, and Sidcup Art College, Kent: Country and western band (not recorded) KR, Michael Ross: vocals, guitar. 3003 Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone/iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8); BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, Johnson)], 6. I Ain’t Got You (Arnold), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Arnold), 11. -
Press Release- AWMA Announced
! WOMEN IN THE AUSTRALIAN MUSIC INDUSTRY UNITED ON RECOGNITION Some of the biggest names in the Australian Music Industry have joined forces to support the inaugural Australian Women in Music Awards (AWMA) to be staged in Brisbane from October 9-10, 2018. Tina Arena, Deborah Conway, Kate Ceberano, Debra Byrne, Katie Noonan, Christine Anu, Clare Bowditch, Isabella Manfredi, Jen Cloher, Sophie Koh, Kween G, Patricia ‘Little Pattie’ Amphlett, the late Chrissy Amphlett, the late Ruby Hunter and APRA Chair Jenny Morris are among the stellar list of artists backing the ground-breaking initiative. “As a fiercely proud Queensland artist, I am thrilled that my home state Government has shown the leadership to support this awesome initiative,” AWMA Advisor and Artistic Director of the Queensland Music Festival Katie Noonan said. With increasing focus on the underrepresentation of Australian women artists on the radio, in festival line-ups, as award recipients and in the boardrooms of the Australian music industry, founding Executive Director Vicki Gordon says there is no better time to shine a light on empowering and recognising the value, achievements and contributions of women. “History is finally on our side. We need to grab this moment with an open and united heart.” AWMA Founding Director Vicki Gordon said. For the first time in Australian music history AWMA will turn the spotlight on women, recognising and including first nations and multicultural performers, excellence in artistry, technical & production skills, cross-cultural development, song-writing, music education, music photography, management, humanitarian work and more. AWMA Patron, and Chair of APRA, Jenny Morris believes AWMA is long overdue. -
Word Against the Machine
Word Against the Machine Words Have Power __________ Jane 'SpokenWord' Grenier & Albey 'onBass' Balgochian Word Against the Machine Copyright © 2019 by Jane Grenier [email protected] Artwork by Albey Balgochian Cover Design & text by Jane Grenier An AlbeyJane production albeybalgochian.com janespokenword.com All rights reserved. No part of this publication may be reproduced, stored digitally, or transmitted in any form or by any means electronic, mechanical, photocopied, recorded or otherwise used or reproduced in any manner whatsoever without written permission except for brief quotes embodied in critiques, reviews and articles. ISBN: 978-1-5136-5199-6 F I R S T E D I T I O N Printed in the United States of America Library of Congress Cataloging-in-Publication Data applied for. Foreword Some lived through a high, Technicolor, groovy time. Some were younger brothers and sisters who lived that time vicariously through their elder siblings and their friends. Some were not born until later, but always appreciated that time and what it stood for. This is longing for the beats, the hippies, the hipsters, the rockers, the glitter-popsters, the punks, and the free- jazzbos. The work encompassed in the sprawling package of poetry and music that is Word Against the Machine is reminiscent of other times while occupying a space that is truly new. There is something here for everyone, no matter what generation. Jane "Spokenword" Grenier and her husband and partner- in-crime Albey "onBass" Balgochian--with contributions from generational guru John Sinclair, along with Art Collins and Michael "Warrior" Bonds--lay it down on all from above and from below. -