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It's only rock & roll | Pep Saña | Actualitzat el 05/07/2017 a les 00:01 The Dead Daisies Originalment la banda va ser creada al 2012 a Sydney pel seu guitarrista, David Lowy, magnat dels centres comercials Westfield i membre d'una de les 5 famílies més riques d'Austràlia, a més de pilot d'avions i músic professional, i pel cantant i compositor neozelandès Jon Stevens (INXS). Tot sorgeix quan Jon Stevens entra en contacte amb el guitarrista David Lowy amb la intenció de fer alguna cosa nova, així que es reuneixen amb un parell de guitarres i deixant-se portar per la inspiració i influències de bandes amb les quals han crescut, sis hores més tard ja tenien escrites dotze cançons. Influenciat pel rock dels 70 i principis dels 80, el so de The Dead Daisies és un hard rock barreja de Bad Company, Aerosmith, The Faces, Free o Humble Pie, de veu poderosa, riffs de hard rock i blues, grans cors i melodies potents. Amb la trajectòria dels seus membres, estrelles del rock reconegudes i els seus incendiaris directes, els fans de tot el món estan descobrint la banda que està retornant el hard rock al lloc que li correspon. https://www.naciodigital.cat/bergueda/noticia/10242/dead-daisies Pagina 1 de 9 The Dead Daisies, amb seu a Austràlia, neix com un col?lectiu musical, creat originalment com una formació de rotació amb noms que han deixat la seva empremta al planeta rock. Els noms de músics il?lustres que han format part d'aquest projecte de Lowy son tan importants com, Jon Stevens (INXS), Richard Fortus (Guns N 'Roses), Dizzy Reed (Guns N' Roses), Frank Ferrer (Guns N 'Roses), Darryl Jones (The Rolling Stones), Bernard Fowler (The Rolling Stones), Damon Johnson (Alice Cooper), Tommy Clufetos (Alice Cooper, Black Sabbath), Charley Drayton (The Cult, The X-pensive Winos), John Tempesta (The Cult) o Jackie Barnes (Jimmy Barnes) entre d'altres. El concepte de The Dead Daisies és reproduir música nova pels fans de rock clàssic, la característica és la de tenir alguns dels millors rockers del planeta a les seves files, tots amb un currículum espectacular, això ha fet que se'ls obrint les portes per allà on passin gairebé abans de trucar. La banda actual esta formada pel carismàtic cantant John Corabi (Mötley Crüe), un dels millors guitarres solistes del moment, Doug Aldrich (Whitesnake, Dio), l'extraordinari baixista Marco Mendoza (Whitesnake, Thin Lizzy), la màquina de tambors Brian Tichy (Ozzy Osbourne, Whitesnake) i el guitarra rítmica i fundador David Lowy (Red Phoenix, Mink). Des de la seva aparició al 2012, en uns temps difícils per la musica rock i en els què s'ha anunciat la seva mort per enèsima vegada, The Dead Daisies han sorprès al món amb tres àlbums d'estudi i un en directe, girant amb els grans noms del rock com ZZ Top, Aerosmith, Lynyrd Skynyrd, Bad Company, Judas Priest, Kiss, Whitesnake, Def Leppard o Hollywood Vampires. The Dead Daisies (2013) https://www.naciodigital.cat/bergueda/noticia/10242/dead-daisies Pagina 2 de 9 L'àlbum debut i homònim de The Dead Daisies és una perla, destacat per la crítica musical que va elogiar el fet que sonessin com si haguessin estat de gira junts durant tota la seva vida. En aquest disc, la banda va rescatar el so del rock clàssic amb tocs surenys, blues i soul. S'han tret de la màniga un pack complet de melodies que enganxen, cors harmònics i potents i addictius riffs. El mateix Lowy el defineix com la nova música dels 70 i Richard Fortus com una d'aquelles velles bandes en les que mentre toquen estan seguint la música i escoltant-se els uns als altres, com una conversa entre ells. Al llarg de tot l'àlbum predominen les tornades i melodies enganxoses. Aquesta meravella de debut gravat a Los Angeles s'obre amb la fantastica It's Gonna Take Time, inclou temes com el primer single del disc, Lock ?N' Load, co-escrita i interpretada per Slash, que només començar amb un deliciós riff, ja reconeixes aquest so tan característic que surt de la seva Gibson Les Paul, és Slash, no cal dir res mes. Un altre dels temes destacats és el segon single, Washington, que t'entra a la primera, Can't Fight This Feeling i Yesterday donen el toc lent a l'àlbum, dues meravelloses balades. Una mostra de l'enorme qualitat que poden arribar a tenir uns quants músics que s'ajunten en el que se sol anomenar súper grup, i quan la química i el feeling sorgeix entre ells, el resultat acostuma a ser un súper disc, com és aquest. Si se'n ha parlat tant i tant be, cal parar-hi l'atenció que mereixen. La formació de la banda per aquest primer àlbum seria, Jon Stevens - Veu (INXS), Charley Drayton - Bateria (The X-pensive Winos/The Cult), Richard Fortus - Guitarra (Guns N' Roses/Thin Lizzy), Darryl Jones - Baix (The Rolling Stones), David Lowy - Guitarra (Red Phoenix/Mink) i Dizzy Reed - Teclats (Guns N' Roses). The Dead Daisies - Lock 'N' Load Ft Slash V?deo: http://www.youtube.com/watch?v=_O4p92g-_4o The Dead Daisies - Washington V?deo: http://www.youtube.com/watch?v=_XntCdbZlmg The Dead Daisies - Yesterday V?deo: http://www.youtube.com/watch?v=Zrp6KQDbnbg The Dead Daisies - It's Gonna Take Time V?deo: http://www.youtube.com/watch?v=vYkxmTgkM0w Durant la gira per Australia i Nova Zelanda al 2013 en la que compartien cartell amb Aerosmith i per qui obrien els concerts, el cantant Jon Stevens es va veure obligat a actuar amb una cama i el braç embolicats degut a les lesions que va patir quan fugia de l'atac d'un cocodril un dia que havia sortit a pescar. A l'estiu de 2014, The Dead Daisies treu al mercat un EP titulat Face I Love amb quatre temes nous, Face I Love, Angel In Your Eyes , Your Karma i un cover dels Beatles, Helter Skelter. La formació de la banda en aquest EP era Jon Stevens - veu, Brian Tichy - bateria, Richard Fortus - guitarra, Marco Mendoza - baix, David Lowy - guitarra i Dizzy Reed - teclats. The Dead Daisies - Face I Love V?deo: http://www.youtube.com/watch?v=g5ZljQtahYs The Dead Daisies - Angel In Your Eyes V?deo: http://www.youtube.com/watch?v=V6ps_VqMN0U Al febrer de 2015 The Dead Daisies es convertia en la primera banda de rock occidental que tocava a Cuba desprès que l'administració Obama tornes a obrir relacions amb el govern Cubà. Els rockers van ser convidats per la Agencia Nacional del Rock i el Instituto Cubano de la Música del Ministerio de Cultura. Per aquesta visita, la banda es va mobilitzar amb Lowy, Fortus, https://www.naciodigital.cat/bergueda/noticia/10242/dead-daisies Pagina 3 de 9 Mendoza, i Reed, als que se'ls va unir el baixista Darryl Jones (Rolling Stones) i el nou bateria Brian Tichy , a més dels cantants John Corabi (que es convertiria en el nou vocalista de la banda) i Bernard Fowler (Rolling Stones) en el lloc de l'absent Stevens. Durant la seva estada a l'Illa, van gravar cançons pel seu proper àlbum amb la col?laboració de músics cubans, amb diversos tallers i visites programades a escoles de música, segons van informar en un comunicat de premsa. Posava punt i final a la visita el concert rock per la pau, un show ple d'energia al Maxim Rock Club de l'Havana davant de més de 6.000 fans. Va ser una setmana inoblidable en la que els membres de la banda es van submergir en la cultura cubana i de la que David Lowy la va anomenar com "una de les millors experiències musicals de la meva vida?. Durant la seva visita a Cuba, van gravar el videoclip del primer single pel que seria el nou àlbum titulat Revolución, titulat expressament així amb la intenció de recordar al mon el significat del rock clàssic, una música que simbolitza una revolució. El single promocional es titula Midnight Moses, és un cover del tema original dels Alex Harvey Band, i si l'original és un gran tema, aquest cover al meu parer el supera. The Dead Daisies - Midnight Moses V?deo: http://www.youtube.com/watch?v=DOD02aoqU08 Revolución (2015) Després del sorprenent primer àlbum, editen Revolución (amb accent en castellà). Probablement la https://www.naciodigital.cat/bergueda/noticia/10242/dead-daisies Pagina 4 de 9 majoria del personal els va descobrir (i veure) com una gratíssima sorpresa obrint per KISS en la seva gira mundial de celebració del 40 aniversari de la banda, això era el 21 de juny de 2015 al Palau Sant Jordi de Barcelona. Ja els coneixia del primer disc, però a més de tornar a veure KISS, poder veure en directe per primera vegada aquesta banda no es podia escapar i el cartell era de luxe. La veritat és que es van marcar un bolo espectacular, amb tots els inconvenients que suposa fer de teloner, 45 minuts de concert per presentar aquest Revolución i atacar amb tot el ferro, se'ns van fer molt curts, deixant a l'ambient ganes de tornar-los a veure en un concert sencer i com caps de cartell. The Dead Daisies s'han consolidat molt des d'aleshores i s'han convertit en una autèntica realitat en aquests temps en que es troben a faltar bandes de rock fresques, autentiques, solvents i amb entitat, te molt mèrit, perquè precisament no son pas uns xavalets jugant a ser roquers que somien arribar al que ja eren quan encara existia el casette.
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    SUFFOCATION GLOOM ADRENALINE MOB BEASTMAKER ...OF THE DARK LIGHT SOLARIS WE THE PEOPLE INSIDE THE SKULL NUCLEAR BLAST E1 CENTURY MEDIA RISE ABOVE New York death metallers Suffocation return Combining death metal, black metal, doom Recorded once again at Sonic Stomp Studios “When I describe what we do to do people with ...Of the Dark Light. The disc was pro- metal, progressive metal, post-grunge, and oc- over a year-plus period, We the People sounds that don’t know about us I like to say if Danzig duced by Suffocation and tracked at Full casionally described as “blackened death huge. Each riff is massive, every drum hit a and Black Sabbath had a child of darkness it Force Studios with longtime engineer Joe Cin- groove,” Gloom earns a place in the pan- chest-thumping pound, and each line frontman would be Beastmaker,” says vocalist and cotta (Obituary). Mixing and mastering was theon of heavy music in closer proximity to Russell Allen vocalizes exudes unbelievable guitarist Trevor Church. “I’ve always wanted handled by world-renowned producer/engi- timeless giants than forgettable clones. power and heart. Life-changing events may to express my love for horror films through neer Chris “Zeuss” Harris (Hatebreed, Arsis, Gloom represents honesty in its glorious have halted Adrenaline Mob’s momentum music, so you could say it was planned, but it Suicide Silence). “Suffocation worked heaviness, philosophically and musically. The several times, but the group›s third full-length took some natural evolution to figure out what through the end of 2016 to hash out and lay fact that Musicians Institute graduate Dante is proof positive they›re stronger now than works.” From the old-school evangelism of down the tracks at Full Force Studios with Joe Dalton, the band’s guitarist, has worked on they›ve ever been.
  • “I Dig the Fact That Four Guys Can Grab the Same Fretless Bass and Sound

    “I Dig the Fact That Four Guys Can Grab the Same Fretless Bass and Sound

    Furthermore, says Marco, different gigs demand different atti - tudes: “When I go into a quartet setup, I know there’s going to be a certain amount of freedom in the bass chair. But if it’s a quintet with keyboard and two guitars, my job is more about ““II ddiigg tthhee ffaacctt tthhaatt ffoouurr locking in with the drums and keeping the bottom heavy, groovy, gguuyyss ccaann ggrraabb tthhee ssaammee and fat.” ffrreettlleessss bbaassss aanndd ssoouunndd Mendoza says his favorite playing style is fingerstyle fretless. “For my money, fretless can be a little more expressive than ttoottaallllyy ddiiffffeerreenntt..”” fretted bass. I dig the fact that four guys can grab the same fretless bass and sound totally different, more so than with frets. I understand that certain genres of music need a fretted sound, but I like to think I excel a little more on the fretless.” Yet some of Mendoza’s best-known work was performed with a pick on four-string fretted bass. “On rock sessions, I end up playing with a pick 90-percent of the time, mainly because that’s what the guitar players want. Most rock guitarists have either worked with bass players who used a pick, or they’ve recorded a lot of the bass tracks themselves using a pick. They appreciate the attack of a pick—the clarity, the ping—especial - ly live. Ted Nugent was that way. So was the Thin Lizzy project. Given the opportunity, I’d rather play with my fingers, but I’ve learned to do both and jump between them.” “I guess I’m a chameleon of sorts,” muses session bassist Marco Mendoza.
  • The Singing Guitar

    The Singing Guitar

    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.