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The Meanings of the Term Mudra and a Historical Outline of "Hand
The Meanings of the term Mudra T h e M and a Historical Outline of ae n ni "Hand gestures" g s o f ht e Dale Todaro t re m M u d 梗 概 ar a この 拙 論 は2部 に分 か れ る。 n d 第1部 は"mudra"と い う語 の最 も一 般 的 な 定 義 を 扱 う。仏 教 ・ヒ ン ドゥー 教 a H を 研 究 して い る学 者 や東 洋 の 図像 学 の専 門 家 は、 大 抵、"皿udra"の さ ま ざ まな 意 i torical Outline味 を 知 って い る。 しか し、特 に タ ン トラ にお い て 使 用 され た"mudr翫"の す べ て の 定 義 が、 どん な 参考 文 献 に も見 つ か るわ け で は な い。 従 って、 第1部 は これ ら 種 々の、 一 般 的 な"mudra"の 語 法 を集 め る よ う試 み た。 又、 イ ン ドの舞 踏 や 劇 につ いて 書 いた 人 が、"hasta"と い う語 を 使 用 す べ きで あ るの に、 専 門的 に言 え ば 誤 って"mudra"を 用 いて い る。 それ に つ いて も説 明 を試 み た。 fo " 第1部 よ りも長 い 第2部 で は、"印 契(手 印)"と い う意 味 で使 用 され た"mu- H a dra"の 歴 史 の あ らま しを、 系 統 的 に述 べ た。 印契 の歴 史 上 異 な った 使 用 と意 味 n d g は、 次 の4に お い て 顕著 にみ られ る。 即 ち、1)ヴ ェー ダ の儀 礼、2)規 格 化 され た se ut イ ン ドの舞 踏、3)イ ン ドの彫 刻(仏 教、 ヒ ン ド ゥー 教、 ジ ャイ ナ教)、4)タ ン ト r s"e ラの 成 就 法、 で あ る。 これ ら4の 分 野 は す べ て、 共 通 して、 イ ン ドで 使 用 され た 印 契 の 伝統 か ら由 来 して い る。 そ しで、 い くつか の事 例 に お いて、 イ ン ドか ら 日 本 密 教 の 伝 統 まで に わ た って、 特 定 の"mudra"が 驚 くほ ど継 続 して 使 用 され て い るこ とが、 証 明 で き る。 Introduction The goal of this short essay is twofold. -
This List of Gestures Represents Broad Categories of Emotion: Openness
This list of gestures represents broad categories of emotion: openness, defensiveness, expectancy, suspicion, readiness, cooperation, frustration, confidence, nervousness, boredom, and acceptance. By visualizing the movement of these gestures, you can raise your awareness of the many emotions the body expresses without words. Openness Aggressiveness Smiling Hand on hips Open hands Sitting on edge of chair Unbuttoning coats Moving in closer Defensiveness Cooperation Arms crossed on chest Sitting on edge of chair Locked ankles & clenched fists Hand on the face gestures Chair back as a shield Unbuttoned coat Crossing legs Head titled Expectancy Frustration Hand rubbing Short breaths Crossed fingers “Tsk!” Tightly clenched hands Evaluation Wringing hands Hand to cheek gestures Fist like gestures Head tilted Pointing index finger Stroking chins Palm to back of neck Gestures with glasses Kicking at ground or an imaginary object Pacing Confidence Suspicion & Secretiveness Steepling Sideways glance Hands joined at back Feet or body pointing towards the door Feet on desk Rubbing nose Elevating oneself Rubbing the eye “Cluck” sound Leaning back with hands supporting head Nervousness Clearing throat Boredom “Whew” sound Drumming on table Whistling Head in hand Fidget in chair Blank stare Tugging at ear Hands over mouth while speaking Acceptance Tugging at pants while sitting Hand to chest Jingling money in pocket Touching Moving in closer Dangerous Body Language Abroad by Matthew Link Posted Jul 26th 2010 01:00 PMUpdated Aug 10th 2010 01:17 PM at http://news.travel.aol.com/2010/07/26/dangerous-body-language-abroad/?ncid=AOLCOMMtravsharartl0001&sms_ss=digg You are in a foreign country, and don't speak the language. -
Hand Gestures
L2/16-308 More hand gestures To: UTC From: Peter Edberg, Emoji Subcommittee Date: 2016-10-31 Proposed characters Tier 1: Two often-requested signs (ILY, Shaka, ILY), and three to complete the finger-counting sets for 1-3 (North American and European system). None of these are known to have offensive connotations. HAND SIGN SHAKA ● Shaka sign ● ASL sign for letter ‘Y’ ● Can signify “Aloha spirit”, surfing, “hang loose” ● On Emojipedia top requests list, but requests have dropped off ● 90°-rotated version of CALL ME HAND, but EmojiXpress has received requests for SHAKA specifically, noting that CALL ME HAND does not fulfill need HAND SIGN ILY ● ASL sign for “I love you” (combines signs for I, L, Y), has moved into mainstream use ● On Emojipedia top requests list HAND WITH THUMB AND INDEX FINGER EXTENDED ● Finger-counting 2, European style ● ASL sign for letter ‘L’ ● Sign for “loser” ● In Montenegro, sign for the Liberal party ● In Philippines, sign used by supporters of Corazon Aquino ● See Wikipedia entry HAND WITH THUMB AND FIRST TWO FINGERS EXTENDED ● Finger-counting 3, European style ● UAE: Win, victory, love = work ethic, success, love of nation (see separate proposal L2/16-071, which is the source of the information below about this gesture, and also the source of the images at left) ● Representation for Ctrl-Alt-Del on Windows systems ● Serbian “три прста” (tri prsta), symbol of Serbian identity ● Germanic “Schwurhand”, sign for swearing an oath ● Indication in sports of successful 3-point shot (basketball), 3 successive goals (soccer), etc. HAND WITH FIRST THREE FINGERS EXTENDED ● Finger-counting 3, North American style ● ASL sign for letter ‘W’ ● Scout sign (Boy/Girl Scouts) is similar, has fingers together Tier 2: Complete the finger-counting sets for 4-5, plus some less-requested hand signs. -
Pointing Gesture in Young Children Hand Preference and Language Development
Pointing gesture in young children Hand preference and language development Hélène Cochet and Jacques Vauclair Aix-Marseille University This paper provides an overview of recent studies that have investigated the development of pointing behaviors in infants and toddlers. First, we focus on deictic gestures and their role in language development, taking into account the different hand shapes and the different functions of pointing, and examining the cognitive abilities that may or may not be associated with the production of pointing gestures. Second, we try to demonstrate that when a distinction is made between pointing gestures and manipulative activities, the study of children’s hand preference can help to highlight the development of speech-gesture links. Keywords: toddlers, gestural communication, pointing, handedness, speech- gesture system Emergence of communicative gestures: Focus on pointing gestures Pointing is a specialized gesture for indicating an object, event or location. Chil- dren start using pointing gestures at around 11 months of age (Butterworth & Morissette, 1996; Camaioni, Perucchini, Bellagamba, & Colonnesi, 2004), and this behavior opens the door to the development of intentional communication. One of the prerequisites for the production of pointing gestures is a shared experi- ence between the signaler and the recipient of the gesture, that is, a simultaneous engagement with the same external referent, usually referred to as joint attention (e.g., Carpenter, Nagell, & Tomasello, 1998). While pointing is sometimes regard- ed as a “private gesture” (Delgado, Gómez, & Sarriá, 2009), whose main role is to regulate the infant’s attention rather than to enable the latter to communicate with a recipient, a growing body of research suggests that the onset of pointing gestures reflects a newly acquired ability to actively direct the adult’s attention to outside entities in triadic interactions (e.g., Liszkowski, 2005; Tomasello, Carpenter, & Liszkowski, 2007). -
Hand-To-Hand Combat, Or Mouth-To-Mouth Resuscitation?
BEHAVIORAL AND BRAIN SCIENCES (2003) 26, 199–260 Printed in the United States of America From mouth to hand: Gesture, speech, and the evolution of right-handedness Michael C. Corballis Department of Psychology, University of Auckland, Private Bag 92019, Auckland, New Zealand. [email protected] Abstract: The strong predominance of right-handedness appears to be a uniquely human characteristic, whereas the left-cerebral dom- inance for vocalization occurs in many species, including frogs, birds, and mammals. Right-handedness may have arisen because of an association between manual gestures and vocalization in the evolution of language. I argue that language evolved from manual gestures, gradually incorporating vocal elements. The transition may be traced through changes in the function of Broca’s area. Its homologue in monkeys has nothing to do with vocal control, but contains the so-called “mirror neurons,” the code for both the production of manual reaching movements and the perception of the same movements performed by others. This system is bilateral in monkeys, but pre- dominantly left-hemispheric in humans, and in humans is involved with vocalization as well as manual actions. There is evidence that Broca’s area is enlarged on the left side in Homo habilis, suggesting that a link between gesture and vocalization may go back at least two million years, although other evidence suggests that speech may not have become fully autonomous until Homo sapiens appeared some 170,000 years ago, or perhaps even later. The removal of manual gesture as a necessary component of language may explain the rapid advance of technology, allowing late migrations of Homo sapiens from Africa to replace all other hominids in other parts of the world, including the Neanderthals in Europe and Homo erectus in Asia. -
16 Gestures by 16 Months
16 Gestures by 16 Months Children Should Learn at Least 16 Gestures by 16 Months Good communication development starts in the first year of life and goes far beyond learning how to talk. Communication development has its roots in social interaction with parents and other caregivers during everyday activities. Your child’s growth in social communication is important because it helps your child connect with you, learn language and play concepts, and sets the stage for learning to read and future success in school. Good com- munication skills are the best tool to prevent behavior problems and make it easier to work through moments of frustration that all infants and toddlers face. Earlier is Better Catching communication and language difficulties By observing children’s early early can prevent potential problems later with gestures, you can obtain a critical behavior, learning, reading, and social interaction. snapshot of their communication Research on brain development reminds us that “earlier IS better” when teaching young children. development. Even small lags in The most critical period for learning is during the communication milestones can first three years of a child’s life. Pathways in the add up and impact a child’s rate brain develop as infants and young children learn of learning that is difficult to from exploring and interacting with people and objects in their environment. The brain’s architec- change later. Research with young ture is developing the most rapidly during this crit- children indicates that the development of gestures from 9 to 16 ical period and is the most sensitive to experiential months predicts language ability 2 years later, which is significant learning. -
Sample File Creator & Lead Developer Military Advisor Yaeger, Cole Busse, Garth Elliott, Andrew J
Sample file www.diasexmachina.com Sample file Creator & Lead Developer Military Advisor Yaeger, Cole Busse, Garth Elliott, Andrew J. Hayford, Chris Tavares Dias Geoffrey Lamb Michael Dake, Jonathon Dyer, James Rivera, Seth Hartley, David Harrison, James Sizemore, Baradaelin, Lead Writers Playtesters Robert Biskin, Patrick Malone, L Kevin Watson, Vahn Kergonan, John T Coleman, Jeremy Wildie, Mathew Chris Dias, Christopher Stilson, Conan Veitch Devon Apple, Jack Gulick, Brian Jones, David Breitenbach, Jose Luis Porfirio, James Gavin, John Jones, Cassandra de Kanter, Jason de Kanter, Rogers, Kean P Stuart, Antonio Martorell Ferriol, Bill Fate Edition Developer Megan Halko, Tyler Halko, Robert Hanz, Tyler "Gryffn88" Stilson, Peter Gates, Kristopher Stein, Christopher Peregrin Stilson Powell, Christopher Ruthenbeck, Sarah Stilson Selenio, Oliver von Spreckelsen, Max Kaehn, Richard J Legg Jr, Peter Dean, Philip Walpole, Sebastian Dietz, Cover Design & Layout Kickstarter Backers Mark A. Siefert, Francois "Stereofm" M., Teppo Pen- nanen, Conan James, Josh Louie, Hamish Thomson, Joshua Raynack Bob Whitely, Courtney Raines, Elisabeth Espiritu, Brian Mead, Derek "Pineapple Steak" Swoyer, Stephen Michael "gleepism" McCormack, Jordan Lazzari, Sar- Abel, Daryl Pruett, Sterling Brucks, Chris Snyder, calistic, Jason LaDue, Matt Dowd, James VanderZan- Cover Illustration Clayton Guerry, Melody Haren Anderson, Louis- den, Ryder DeBruyn, Cassandra de Kanter, Ken Pawlik, Nick Greenwood Philippe Desroches, Tad Rudnicki, Lee McAndrew, Noah Hall, Charles Simpson, Andrew Krause, Evan Chase Davis, David Rosenberg, Lucas Maruk, Toast "Theta" Proctor Jacob P, Steven K. Watkins, Matthew Peters, Robert H. Mitchell Jr., Nathan Beal, Graham Cartography Stanton, Jhereth Jax, Caoimhe Ora Snow, Timothy Lewry, Maura Cowie, Nicholas Stroffolino, Kris Knives, Jeremy Simmons Baker, Steven Kimberley, Shawn Surber, Spazninmov, Peter Engebos, Koen Casier, Trevor Reid, Kary "Realm Peter Perkins, Tavern Keeper, Robert Rittenhouse, C. -
University of Groningen a Cultural History of Gesture Bremmer, JN
University of Groningen A Cultural History Of Gesture Bremmer, J.N.; Roodenburg, H. IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 1991 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N., & Roodenburg, H. (1991). A Cultural History Of Gesture. s.n. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 02-10-2021 The 'hand of friendship': shaking hands and other gestures in the Dutch Republic HERMAN ROODENBURG 'I think I can see the precise and distinguishing marks of national characters more in those nonsensical minutiae than in the most important matters of state'. -
IDEALS @ Illinois
ILLINOIS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. LIBRARY TRENDS SUMMER 1992 41(1)1-176 Libraries Serving an Underserved Population: Deaf and Hearing-Impaired Patrons Melanie J. Norton Gail L. Kovalik Issue Editors University of Illinois Graduate School of Library and Information Science This Page Intentionally Left Blank Libraries Serving an Underserved Population: Deaf and Hearing-Impaired Patrons CONTENTS Introduction Melanie J. Norton Gail L. Kovalik We Have Come a Long Way Alice Lougee Hagemeyer Overcoming Communication Barriers: Communicating with Deaf People Warren R. Goldmann James R. Mallory 21 Deafness-Related Materials: Collection Development and Information Retrieval Carolyn Jones 31 The Rustle of a Star: An Annotated Bibliography of Deaf Characters in Fiction Jonathan Miller 42 Sharing Traditional and Contemporary Literature with Deaf Children Carolyn Schuler Susan Meck 61 Standards for Library Media Centers in Schools for the Deaf: An Updated Perspective Jeanina Mecca Odien “Silent” Films Revisited: Captioned Films for the Deaf Gail L. Kovalik 100 Effective Bibliographic Instruction for Deaf and Hearing-Impaired College Students Melanie J. Norton 118 To Lighten Doubt and Drive Away Despair- Historic Sources and Current Resources at the New York State Library Audrey June Smith Paul Mercer 151 Guidelines for Libraries Serving Persons with a Hearing Impairment New York Library Association 164 Contributors 173 Introduction MELANIEJ. NORTONAND GAILL. KOVALIK WITH THE PASSAGE OF THE Americans with Disabilities Act (ADA), all businesses, including libraries, must be prepared to meet the needs of all disabled people. Compliance with ADA mandates the removal of architectural barriers, resulting in physically accessible and safe buildings. -
Sign Languages in Contact
INTRO_Sign_Pozos_Gaul_193027 7/30/07 11:19 AM Page 1 Editor’s Introduction: Outlining Considerations for the Study of Signed Language Contact David Quinto-Pozos To my knowledge, this volume represents the first book-length collec- tion of various accounts of contact between sign languages, and this brings with it excitement as well as the realization of challenges that lie ahead.1 As many researchers who are interested in language contact might suggest, it is exciting because these chapters contribute to our un- derstanding of the structural and social aspects of contact and how such contact affects language in the visual-gestural modality. They provide us with information about Deaf communities throughout the world, as well as language data that speak to the ways in which contact is manifested in those communities. This global perspective allows us to examine con- tact situations in search of commonalties and recurring patterns. It also enables us to see how some outcomes of contact between sign languages might or might not fit the general patterns of contact that have been demonstrated for spoken languages. Perhaps as a way to balance the ex- citement about this topic, the sobering truth is that we know so little about contact between sign languages. As a result, we are faced with the task of documenting examples of such contact and the challenge of ex- amining the effects of visual meaning creation on linguistic structures that occur in these contact situations. By focusing on this area of inquiry, we stand to gain much knowledge about how language works. The study of language contact among signed languages forces us to carefully consider how the visual-gestural modality of human com- munication influences language birth, development, change, and de- cay or loss from disuse. -
Download the Devils Horn Free Ebook
THE DEVILS HORN DOWNLOAD FREE BOOK Michael Segell | 336 pages | 18 Sep 2006 | Picador USA | 9780312425579 | English | New York, NY, United States The Devil's Horn: The Story of the Saxophone, from Noisy Novelty to King of Cool Fall TV Frank Zappa can be seen jokingly making the gesture in the film Baby Snakes in response to the audience, commenting, "That's right, spindle twice. Many of its members in the lower ranks are simply not aware of the true purpose of the organization. Lovecraft Country: Season 1. Starting in earlyCoven concerts always began and ended with Dawson giving the sign on The Devils Horn. Add Article. The Devils Horn 14, Brian rated it it was amazing. It was a symbol that I thought was reflective of what that band was supposed to be all about. Larry Weinstein's tribute to the saxophone doesn't know when to stop wailing, but there's enough fascinating material here to appeal to the ordinary viewer, not just woodwind aficionados. August Learn how and when to remove this template message. For the most part I The Devils Horn that, so there's the good. Back to School Picks. And perhaps it is this split personality-- jazz and legit, brass and woodwind, sweet and devilish-- that appeals to me, a gemini in many senses, in The Devils Horn history of this magnificent instrument. Error rating book. Learn how and when to remove these template messages. Beginning The Devils Horn the early s, the horns were known as the "P-Funk sign" to fans of Parliament-Funkadelic. -
The Use of Gesture in Architecture
the use of gesture donald kunze • art3idea.psu.edu/boundaries/ In the design of architecture and landscape, the role of dynamics is evident not simply in accommodation of the (presumably) mobile behaviors of the occupants and their perceptions but as an indicator of a ‘signifier-ness’ (a sense of meaningfulness without any particular meaning attached). ‘Gesture’ stands for the ways in which mate- rial form can be imagined to express in ways analogous to human gesturing: pointing, opening, perching, facing, gazing, sneaking, waiting … in short, the full range of dramatic positions that an actor on the stage might take to indicate attitude, intention, emotion, or rôle. Gesture typically involves symmetrical signing. Thickening of one element is accompanied by the thinning of another. A opening directed skyward requires an opening (or closing) at a low point. These pairings can form an ‘idiotic symmetry’ (each element, though balanced by another, equally lacks an assigned function or meaning). Alternately, pairs can refer to a missing or silent third term that works to prevent or foreclose some spatial/temporal relationship. 1. gesture in general Gesture is the ‘language of the body’, a means of silent speech that can be read as intentional or unintentional. Gesture animates and re-configures the body, its parts, and their relationships. Gesture can create divisions, such as an audience and stage division. It can indicate impossibility (biting one’s elbow, an Italian gesture), difficulty (biting one’s hand), intelligence (pulling down the lower eye-lid), discovery (pointing to the head), idiocy (a screwing motion with the index finger to the cheek, an offensive gesture in Germany), and the countless obscene gestures in all cultures that are used for insult or mockery.