16 Gestures by 16 Months
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The Meanings of the Term Mudra and a Historical Outline of "Hand
The Meanings of the term Mudra T h e M and a Historical Outline of ae n ni "Hand gestures" g s o f ht e Dale Todaro t re m M u d 梗 概 ar a この 拙 論 は2部 に分 か れ る。 n d 第1部 は"mudra"と い う語 の最 も一 般 的 な 定 義 を 扱 う。仏 教 ・ヒ ン ドゥー 教 a H を 研 究 して い る学 者 や東 洋 の 図像 学 の専 門 家 は、 大 抵、"皿udra"の さ ま ざ まな 意 i torical Outline味 を 知 って い る。 しか し、特 に タ ン トラ にお い て 使 用 され た"mudr翫"の す べ て の 定 義 が、 どん な 参考 文 献 に も見 つ か るわ け で は な い。 従 って、 第1部 は これ ら 種 々の、 一 般 的 な"mudra"の 語 法 を集 め る よ う試 み た。 又、 イ ン ドの舞 踏 や 劇 につ いて 書 いた 人 が、"hasta"と い う語 を 使 用 す べ きで あ るの に、 専 門的 に言 え ば 誤 って"mudra"を 用 いて い る。 それ に つ いて も説 明 を試 み た。 fo " 第1部 よ りも長 い 第2部 で は、"印 契(手 印)"と い う意 味 で使 用 され た"mu- H a dra"の 歴 史 の あ らま しを、 系 統 的 に述 べ た。 印契 の歴 史 上 異 な った 使 用 と意 味 n d g は、 次 の4に お い て 顕著 にみ られ る。 即 ち、1)ヴ ェー ダ の儀 礼、2)規 格 化 され た se ut イ ン ドの舞 踏、3)イ ン ドの彫 刻(仏 教、 ヒ ン ド ゥー 教、 ジ ャイ ナ教)、4)タ ン ト r s"e ラの 成 就 法、 で あ る。 これ ら4の 分 野 は す べ て、 共 通 して、 イ ン ドで 使 用 され た 印 契 の 伝統 か ら由 来 して い る。 そ しで、 い くつか の事 例 に お いて、 イ ン ドか ら 日 本 密 教 の 伝 統 まで に わ た って、 特 定 の"mudra"が 驚 くほ ど継 続 して 使 用 され て い るこ とが、 証 明 で き る。 Introduction The goal of this short essay is twofold. -
This List of Gestures Represents Broad Categories of Emotion: Openness
This list of gestures represents broad categories of emotion: openness, defensiveness, expectancy, suspicion, readiness, cooperation, frustration, confidence, nervousness, boredom, and acceptance. By visualizing the movement of these gestures, you can raise your awareness of the many emotions the body expresses without words. Openness Aggressiveness Smiling Hand on hips Open hands Sitting on edge of chair Unbuttoning coats Moving in closer Defensiveness Cooperation Arms crossed on chest Sitting on edge of chair Locked ankles & clenched fists Hand on the face gestures Chair back as a shield Unbuttoned coat Crossing legs Head titled Expectancy Frustration Hand rubbing Short breaths Crossed fingers “Tsk!” Tightly clenched hands Evaluation Wringing hands Hand to cheek gestures Fist like gestures Head tilted Pointing index finger Stroking chins Palm to back of neck Gestures with glasses Kicking at ground or an imaginary object Pacing Confidence Suspicion & Secretiveness Steepling Sideways glance Hands joined at back Feet or body pointing towards the door Feet on desk Rubbing nose Elevating oneself Rubbing the eye “Cluck” sound Leaning back with hands supporting head Nervousness Clearing throat Boredom “Whew” sound Drumming on table Whistling Head in hand Fidget in chair Blank stare Tugging at ear Hands over mouth while speaking Acceptance Tugging at pants while sitting Hand to chest Jingling money in pocket Touching Moving in closer Dangerous Body Language Abroad by Matthew Link Posted Jul 26th 2010 01:00 PMUpdated Aug 10th 2010 01:17 PM at http://news.travel.aol.com/2010/07/26/dangerous-body-language-abroad/?ncid=AOLCOMMtravsharartl0001&sms_ss=digg You are in a foreign country, and don't speak the language. -
Hand Gestures
L2/16-308 More hand gestures To: UTC From: Peter Edberg, Emoji Subcommittee Date: 2016-10-31 Proposed characters Tier 1: Two often-requested signs (ILY, Shaka, ILY), and three to complete the finger-counting sets for 1-3 (North American and European system). None of these are known to have offensive connotations. HAND SIGN SHAKA ● Shaka sign ● ASL sign for letter ‘Y’ ● Can signify “Aloha spirit”, surfing, “hang loose” ● On Emojipedia top requests list, but requests have dropped off ● 90°-rotated version of CALL ME HAND, but EmojiXpress has received requests for SHAKA specifically, noting that CALL ME HAND does not fulfill need HAND SIGN ILY ● ASL sign for “I love you” (combines signs for I, L, Y), has moved into mainstream use ● On Emojipedia top requests list HAND WITH THUMB AND INDEX FINGER EXTENDED ● Finger-counting 2, European style ● ASL sign for letter ‘L’ ● Sign for “loser” ● In Montenegro, sign for the Liberal party ● In Philippines, sign used by supporters of Corazon Aquino ● See Wikipedia entry HAND WITH THUMB AND FIRST TWO FINGERS EXTENDED ● Finger-counting 3, European style ● UAE: Win, victory, love = work ethic, success, love of nation (see separate proposal L2/16-071, which is the source of the information below about this gesture, and also the source of the images at left) ● Representation for Ctrl-Alt-Del on Windows systems ● Serbian “три прста” (tri prsta), symbol of Serbian identity ● Germanic “Schwurhand”, sign for swearing an oath ● Indication in sports of successful 3-point shot (basketball), 3 successive goals (soccer), etc. HAND WITH FIRST THREE FINGERS EXTENDED ● Finger-counting 3, North American style ● ASL sign for letter ‘W’ ● Scout sign (Boy/Girl Scouts) is similar, has fingers together Tier 2: Complete the finger-counting sets for 4-5, plus some less-requested hand signs. -
DECEMBER 08 Doing Business Globally Requires More Than Compliance with Legal Mandates
ows When stepping into a foreign country, be sure to start on the right foot. DECEMBER 08 Doing business globally requires more than compliance with legal mandates. Knowledge of local customs is also critical, especially when making a first impression. A monthly best practices alert for multinationals confronting the As 2008 draws to a close (none too soon), and we all look forward to greeting the New challenges of the global workplace Year, we offer some tips on how to say hello in countries around the world. This Month’s With best wishes from the International Labor Group. Challenge When doing business abroad, Hugs and Business Gestures/ not knowing the local customs Country Handshake Eye Contact Other Kisses Cards Physical Space can lead to serious embarrassment. EUROPE UK A handshake Generally Customs Avoid Direct eye Pants actually Best Practice is the most no kissing similar to excessive hand contact is means appropriate or hugging. U.S. gestures and common and underwear, not Tip of the Month greeting. displays of acceptable, but trousers. emotion. don’t be too A little preparation can prevent intense. a lot of trouble. Get to know France A handshake In social Cards The U.S. sign Direct eye Always apologize the local customs before is the most settings, should be for ok means contact is if you do not embarking for an international appropriate friends do printed in zero in France. common and speak French business meeting. greeting and les bises English acceptable, and or if you need to farewell. (touching on one sometimes conduct business However, cheeks and side and intense. -
Body of Tradition: Becoming a Woman Dalang in Bali
Body of Tradition: Becoming a Woman Dalang in Bali A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jennifer L. Goodlander August 2010 © 2010 Jennifer L. Goodlander. All Rights Reserved. 2 This dissertation titled Body of Tradition: Becoming a Woman Dalang in Bali by JENNIFER L. GOODLANDER has been approved for the Interdisciplinary Arts and the College of Fine Arts by William F. Condee Professor of Theater Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GOODLANDER, JENNIFER L., Ph.D., August 2010, Interdisciplinary Arts Body of Tradition: Becoming a Woman Dalang in Bali (248 pp.) Director of Dissertation: William F. Condee The role of women in Bali must be understood in relationship to tradition, because “tradition” is an important concept for analyzing Balinese culture, social hierarchy, religious expression, and politics. Wayang kulit, or shadow puppetry, is considered an important Balinese tradition because it connects a mythic past to a political present through public, and often religiously significant ritual performance. The dalang, or puppeteer, is the central figure in this performance genre and is revered in Balinese society as a teacher and priest. Until recently, the dalang has always been male, but now women are studying and performing as dalangs. In order to determine what women in these “non-traditional” roles means for gender hierarchy and the status of these arts as “traditional,” I argue that “tradition” must be understood in relation to three different, yet overlapping, fields: the construction of Bali as a “traditional” society, the role of women in Bali as being governed by “tradition,” and the performing arts as both “traditional” and as a conduit for “tradition.” This dissertation is divided into three sections, beginning in chapters two and three, with a general focus on the “tradition” of wayang kulit through an analysis of the objects and practices of performance. -
When to Shake Hands, Hug Or Kiss by ANDREW JACOBS OCT
A Traveler’s Guide to Customs: When to Shake Hands, Hug or Kiss By ANDREW JACOBS OCT. 21, 2016 Adrian Samson/Self Publish, Be Happy You’ve just landed in Beijing, Rio de Janeiro or Christchurch, New Zealand, and you’re greeted at the airport by a clutch of adoring locals. What is the polite way to greet them? Do you bow, or proffer your hand, or prepare to envelop the assembled strangers in an American-style embrace? More important: To kiss or not to kiss? The world may be increasingly globalized, but when it comes to greeting practices, local customs still prevail — and things can get awkward when, say, a hug-loving American businessman meets his Japanese counterpart for the first time. (Best just to bow.) If you find yourself facing a group of native Maoris in New Zealand, you’ll want to steel yourself for a traditional nose greeting, which involves touching snouts to one another’s foreheads. In Rio, local convention dictates three cheek kisses. But a few hours’ drive to the south in São Paulo, the single peck prevails. In Beijing, the locals prefer a nod and a smile. New Zealand: touching snouts. Adrian Samson/Self Publish, Be Happy In the interests of international fellowship and peace, here is an incomplete guide to world greetings. Lips Together? In much of Latin America, Europe and the Middle East, air kissing between strangers is common, but each nation, and in some cases each region within a country, may have its own habits. Argentine men will cheek-kiss one another, but only if they are friends of friends. -
Pointing Gesture in Young Children Hand Preference and Language Development
Pointing gesture in young children Hand preference and language development Hélène Cochet and Jacques Vauclair Aix-Marseille University This paper provides an overview of recent studies that have investigated the development of pointing behaviors in infants and toddlers. First, we focus on deictic gestures and their role in language development, taking into account the different hand shapes and the different functions of pointing, and examining the cognitive abilities that may or may not be associated with the production of pointing gestures. Second, we try to demonstrate that when a distinction is made between pointing gestures and manipulative activities, the study of children’s hand preference can help to highlight the development of speech-gesture links. Keywords: toddlers, gestural communication, pointing, handedness, speech- gesture system Emergence of communicative gestures: Focus on pointing gestures Pointing is a specialized gesture for indicating an object, event or location. Chil- dren start using pointing gestures at around 11 months of age (Butterworth & Morissette, 1996; Camaioni, Perucchini, Bellagamba, & Colonnesi, 2004), and this behavior opens the door to the development of intentional communication. One of the prerequisites for the production of pointing gestures is a shared experi- ence between the signaler and the recipient of the gesture, that is, a simultaneous engagement with the same external referent, usually referred to as joint attention (e.g., Carpenter, Nagell, & Tomasello, 1998). While pointing is sometimes regard- ed as a “private gesture” (Delgado, Gómez, & Sarriá, 2009), whose main role is to regulate the infant’s attention rather than to enable the latter to communicate with a recipient, a growing body of research suggests that the onset of pointing gestures reflects a newly acquired ability to actively direct the adult’s attention to outside entities in triadic interactions (e.g., Liszkowski, 2005; Tomasello, Carpenter, & Liszkowski, 2007). -
Copyright by Jacqueline Kay Thomas 2007
Copyright by Jacqueline Kay Thomas 2007 The Dissertation Committee for Jacqueline Kay Thomas certifies that this is the approved version of the following dissertation: APHRODITE UNSHAMED: JAMES JOYCE’S ROMANTIC AESTHETICS OF FEMININE FLOW Committee: Charles Rossman, Co-Supervisor Lisa L. Moore, Co-Supervisor Samuel E. Baker Linda Ferreira-Buckley Brett Robbins APHRODITE UNSHAMED: JAMES JOYCE’S ROMANTIC AESTHETICS OF FEMININE FLOW by Jacqueline Kay Thomas, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2007 To my mother, Jaynee Bebout Thomas, and my father, Leonard Earl Thomas in appreciation of their love and support. Also to my brother, James Thomas, his wife, Jennifer Herriott, and my nieces, Luisa Rodriguez and Madeline Thomas for providing perspective and lots of fun. And to Chukie, who watched me write the whole thing. I, the woman who circles the land—tell me where is my house, Tell me where is the city in which I may live, Tell me where is the house in which I may rest at ease. —Author Unknown, Lament of Inanna on Tablet BM 96679 Acknowledgements I first want to acknowledge Charles Rossman for all of his support and guidance, and for all of his patient listening to ideas that were creative and incoherent for quite a while before they were focused and well-researched. Chuck I thank you for opening the doors of academia to me. You have been my champion all these years and you have provided a standard of elegant thinking and precise writing that I will always strive to match. -
University of Groningen a Cultural History of Gesture Bremmer, JN
University of Groningen A Cultural History Of Gesture Bremmer, J.N.; Roodenburg, H. IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 1991 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N., & Roodenburg, H. (1991). A Cultural History Of Gesture. s.n. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 02-10-2021 The 'hand of friendship': shaking hands and other gestures in the Dutch Republic HERMAN ROODENBURG 'I think I can see the precise and distinguishing marks of national characters more in those nonsensical minutiae than in the most important matters of state'. -
Abstract Hodnet, Andrew Arthur
ABSTRACT HODNET, ANDREW ARTHUR. The Othering of the Landsknechte. (Under the direction of Dr. Verena Kasper-Marienberg). This thesis offers a socio-cultural analysis of early modern German media to explore the public perception of the Landsknechte, mercenaries that were both valued and feared for their viciousness, and their indifference displayed towards the political motivations of their clients. Despite their ubiquity on European battlefields, and their role in repulsing the 1529 Ottoman invasion of Austria, by 1530 the Landsknechte and their families were perceived as thoroughly dishonorable by central Reformation society and were legally excluded from most urban centers. This study engages with a critical assessment of contemporary songs, religious pamphlets, broadsheets, political treatises, autobiographic sources, and belletristic representations of the Landsknechte to explore the paradoxical relationship that they maintained with the state actors that relied on their employment. Through engaging with the cultural genres present in these depictions, the othering of the Landsknechte stems from their origin as the militaristic arm of Emperor Maximilian I’s attempted centralization of the Holy Roman Empire, continuing with the economic challenge the mercenary lifestyle posed to traditional social structures, and ending with their inextricable association between with the increasingly destructive and intrusive military-fiscal state. © Copyright 2018 by Andrew Arthur Hodnet All Rights Reserved The Othering of the Landsknechte by Andrew Arthur Hodnet A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the degree of Master of Arts History Raleigh, North Carolina 2018 APPROVED BY: _______________________________ _______________________________ Dr. Verena Kasper-Marienberg Dr. -
Namaste - Wikipedia, the Free Encyclopedia
Namaste - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Namaste Namaste From Wikipedia, the free encyclopedia Namaste (/ˈnɑː məsteɪ/, Ⱦȱȸ -m əs-tay ; Sanskrit: नमते; Hindi: [n əməste ː]), sometimes expressed as Namaskar or Namaskaram , is a customary greeting when people meet or depart. [1][2] It is commonly found among Hindus of the Indian Subcontinent, in some Southeast Asian countries, and diaspora from these regions. [3][4] Namaste is spoken with a slight bow and hands pressed together, palms touching and fingers pointing upwards, thumbs close to the chest. This gesture is called Añjali Mudr ā or Pranamasana .[5] In Hinduism it means "I bow to the divine in you". [3][6] Namaste or namaskar is used as a respectful form of greeting, acknowledging and welcoming a relative, guest or stranger. It is used with goodbyes as well. It is typically spoken and simultaneously performed with the palms touching gesture, but it may also be spoken without acting it out or performed wordlessly; all three carry the same meaning. This cultural practice of salutation and valediction originated in the Indian A Mohiniattam dancer making a subcontinent.[7] Namaste gesture Contents 1 Etymology, meaning and origins 2 Uses 2.1 Regional variations 3 See also 4 References 5 External links Etymology, meaning and origins Namaste (Namas + te, Devanagari: नमः + ते = नमे) is derived from Sanskrit and is a combination of the word "Nama ḥa " and the enclitic 2nd person singular pronoun " te ".[8] The word " Nama ḥa " takes the Sandhi form "Namas " before the sound " t ".[9][10] Nama ḥa means 'bow', 'obeisance', 'reverential salutation' or 'adoration' [11] and te means 'to you' (dative case). -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies.