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Teil 1 – Beispiele Bis 1945

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Teil 1 – Beispiele Bis 1945 Diagramme in der Kunst / Praktiken des Diagrammatischen in der Kunst Anmerkung: Für die ‚Diagrammatik der Kunst‘, scheint es mir (aufgrund der zu verstreuten Materiallage) noch zu früh zu sein. Anlaß Jahresthema 2013 – Im Vorfeld zur ‚Diagrammatik der Typographie‘ [email protected] Version 5.0 10.3.2013 Teil 1 – Beispiele bis 1945 Dank an: Dietmar Offenhuber, Astrit Schmidt-Burkhardt, Boris Nieslony, Dieter Mersch, Sybille Krämer, Nikolaus Gansterer, Paolo Bianchi, Gert Hasenhütl, Wolfgang Pircher, Thomas Thiel, Ruth Schnell, Renate Herter, das LBI, ars electronica team, Peter Weibel, OK team, Udo Wid, Rainer Zendron, Walter Pamminger, Kirsten Wagner, Karin Bruns, Thomas Goldstrasz, Monika Fleischmann, Philippe Rekacewicz, Lev Manovich, Karin Bruns, Sabine Zimmermann, Katja Mayer, Tim Otto Roth, Franz Reitinger, CONT3XT.NET, TransPublic Linz, servus Linz, Gitti Vasicek, Fadi Dorninger, Margit Rosen, Herbert W. Franke, Georg Ritter, Norbert Artner, Annamária Szöke, Laszlo Beke, Charles Kaltenbacher, Michael Rottmann, Josef Ramaseder Kontext: Tagung – Schaubilder – Bilder als Wissensmodelle http://www.bielefelder-kunstverein.de/veranstaltungen/schaubilder-bilder-als-wissensmodelle.html Vergleich dazu: Vortrag von Susanne Leeb (Merz Akademie Stuttgart): Die Diagrammatik der Kunst „Susanne Leeb stellte Theorien und Praktiken des Diagrammatischen in der Kunst vor, die zum Teil zum Zweck der Bildung von Gegeninformationen eingesetzt werden. Ausgehend von philosophischen Reflexionen über das Diagramm bei Gilles Deleuze und Felix Guattari sowie Beispielen diagrammatischer Verfahren in der bildenden Kunst unter anderem von Mark Lombardi, Amy Sillman und Eva Hesse argumentierte Leeb für die Andersheit künstlerischer Wissensformen hinsichtlich der ästhetischen Darstellungsweisen, der Verkörperung des Wissens sowie der offenen und asignifizierenden Semiotiken in der Kunst.“ http://www.merz-akademie.de/en/lectures/die-diagrammatik-der-kunst Siehe auch Diagrammatik der Architektur http://gerhard_dirmoser.public1.linz.at/FU/ARCH_DIAGR_Zugaenge.pdf Siehe auch: Medienfassaden - Dietmar Offenhuber, Oliver Schürer, Gernot Tscherteu, u.a. Siehe auch Interfacegestaltung In Arbeit 12/2013 Siehe auch Diagrammatik der Typographie In Arbeit 06/2013 Siehe auch Diagrammatik zeitbasierter Medien In Arbeit 12/2013 Diagrammatik des Entwurfs: Entwurf / Gestaltung / Design / technische Zeichnung Anmerkung: Typographie und Buchgestaltung wird in einer eigenen Studie behandelt Siehe: Gert Hasenhütl, UNI Weimar, Exzellenz Cluster Bild Wissen Gestaltung Der Dombau von St. Stephan – Die Originalpläne aus dem Mittelalter (2011) Wien Museum Design als Wissenskultur – Interferenzen zwischen Design- und Wissensdiskursen seit 1960 (2011) Claudia Mareis Zeichnerisches Wissen (2009) Gert Hasenhütl (in: Interferenzen zwischen Design- und Wissensdiskursen seit 1960) Werkzeug / Denkzeug – Manuelle Intelligenz und Transmedialität kreativer Prozesse (2012) Hg. Thomas H. Schmitz, Hannah Groninger Siehe auch: Diagrammatik der Architektur Entwurfszeichnungen in der Bildenden Kunst PANAMARENKO the retrospective! (2005) Frederik Leen, Francisca Vandepitte Die Rolle der Karten in der Literatur Literatur (Entwurf) und Literaturwissenschaft Siehe auch: Habil-Projekt (2010-2013) von Christine Putzo Diagrammatisches Erzählen – Erählen im Diagramm. Untersuchungen zur Organisation Komplexer Narration im deutschen Spätmittelalter Kurven, Karten, Stammbäume – Abstrakte Modelle für die Literaturgeschichte (2005/2009) Franco Moretti Graphs Maps Trees – Abstract models for literary history (2005) Franco Moretti Mapping Literature: Towards a Geography of Fiction (2009) Barbara Piatti, Hans Rudolf Bär, Anne-Kathrin Reuschel, Lorenz Hurni, William Cartwright (in: Cartography and Art) Die Geographie der Literatur – Schauplätze, Handlungsräume, Raumphantasien (2008) Barbara Piatti Creative Dynamics – Diagrammatic strategies in Narrative (2012) Christina Ljungberg Wunschel (Hrsg.): science & fiction - Über Gedankenexperimente in Wissenschaft, Philosophie und Literatur. Frankfurt a. M. 2004. Der literarische Einfall – Über das Entstehen von Texten (1998) Hg. B. Fritz, K. Kastberger Experiment Linie – Künste und ihre Wissenschaften um 1900 (2010) Sabine Mainberger Exe.cut[up]able statements – Poetische Kalküle und Phantasmen des selbstausführenden Texts (2011) Florian Cramer Die Kunst der Linie (in Diagrammatik und Graphematik) / Theorie der Zeichnung Siehe auch: Sybille Krämer / Siehe auch: Entwurf/Gestaltung / Siehe auch: ‚Spur‘-Begriff Lines – a brief history (2007) Tim Ingold Die Linientheorien von Paul Klee (2009) Régine Bonnefoit Experiment Linie – Künste und ihre Wissenschaften um 1900 (2010) Sabine Mainberger Öffnungen – Zur Theorie und Geschichte der Zeichnung (2009) Hg. Friedrich Teja Bach, Wolfram Pichler Drawing distinctions – the varieties of graphic expression (2005) Patrick Maynard Das bildnerische Denken – Band 1 & 2 (1981) Paul Klee Ästhetik des Fadens – Zur Medialisierung eines Materials in der Avantgardekunst (2007) Gunnar Schmidt LINEA – Vom Umriss zur Aktion – Die Kunst der Linie zwischen Antike und Gegenwart (2010) ON LINE – drawing through the twentieth century (2010) Cornelia H. Butler, C. de Zegher Randgänge der Zeichnung (2007) Hg. Werner Busch, Oliver Jehle, Carolin Meister Geschichte der Linie (1993/2003) Manlio Brusatin Diagrammatik der Kunsthistorik / Kunstgeschichte The Culture of Diagram (2010) John Bender, Michael Marrinan Notation – Kalkül und Form in den Künsten (2008) Hg. Hubertus von Amelunxen, u.a. Ortsbeschreibungen – Landschaftsmalerei und Kartographie (2006) Edward Casey Grammatik der Kunstgeschichte (2008) Hg. Hubert Locher, Peter J. Schneemann Mit beiträgen von: Bernd Nicolai, Julia Gelshorn, Tristan Wedding Netze. Ein Leitfaden zum Bestimmen (2008) Helene von Oldenburg Astrit Schmidt-Burkhardt Stammbäume der Kunst (2005) Astrit Schmidt-Burkhardt Die Kunst der Diagrammatik – Perspektiven eines neuen bildwissenschaftlichen Paradigmas (2012) Astrit Schmidt-Burkhardt Maciunas‘ Learning Machine – From Art History to a Chronology of Fluxus (2004) Astrit Schmidt-Burkhardt (Second Edition – 2011) International exhibition of modern art – featuring Alfred Barr’s Museum of Modern Art, NY (2003) Ed. Branislav Dimitrijevic, Dejan Sretenovic Annamária Szöke Annamária Szöke (1998) DIA-GRAM Ulrike Maria Bonhoff Das Diagramm – Kunsthistorische Betrachtung über seine vielfältige Anwendung von der Antike bis zur Neuzeit (1993/DISS) Ulrike Maria Bonhoff Susanne Leeb Materialität der Diagramme – Kunst und Theorie (2012) Hg. Susanne Leeb Eleanor Heartney Invisible Networks (2010) Eleanor Heartney (in: Art in America Nov. 2010) Helene Meisel (Plakate zur concept art) s.u. Wolfgang Kemp Diagrammatic Turn (ausgerufen von Steffen Bogen & Felix Thürlemann) Träumen und Erzählen – Selbstreflexion der Bildkunst vor 1300 (2001) Steffen Bogen Vom Bild zum Raum – Beiträge zu einer semiotischen Kunstwissenschaft (1990) Felix Thürlemann Das Bild im Plural (2010) Hg. David Ganz, Felix Thürlemann Georges Didi-Huberman ATLAS. How to Carry the World on One's Back? (2010) Georges Didi Huberman Das Nachleben der Bilder – Kunstgeschichte und Phantomzeit nach Aby Warburg (2010) Georges Didi-Huberman Horst Bredekamp Drawins Korallen – Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte (2005) Horst Bredekamp Christoph Wagner (Bildanalyse und ‚eye etracking‘) Alfred H. Barr Aby Warburg Maciunas Maciunas‘ Learning Machine – From Art History to a Chronology of Fluxus (2004) Astrit Schmidt-Burkhardt (Second Edition – 2011) Claudia Blümle (2011) Der Zeuge im Bild Vera Beyer (2008) Rahmenbestimmungen – Funktionen von Rahmen bei Goya, Velázquez, van Eyck und Degas Gabriele Werner (2002) Mathematik im Surrealismus Stil-Linien der Kunstgeschichtsschreibung http://www.kulturtechnik.hu-berlin.de/stillinien Medienkunst-Analysen: LBI, Lev Manovich, Dietmar Offenhuber, Gerhard Dirmoser Visualizing Change: Computer Graphics as a Research Method (2011) Lev Manovich, Jeremy Douglass (in: Imagery in the 21st Century (2011) Ed. O. Grau, T. Veigl) Siehe auch Architekturhistorik: Karsten Heck (zu Heinrich von Geymüller, Franz Mertens), Charles Jencks, Banister Fletcher Diagramme der Stilgeschichte – Elemente einer Stilgeschichte der Diagramme Operative Bildlichkeit in der kunsthistorischen Forschungspraxis (DISS) Karsten Heck http://www.kulturtechnik.hu-berlin.de/content/dissertation-karsten-heck Siehe auch: Synchronopsen In meiner Literatursammlung finden sich ca. 120 KunsthistorikerInnen bzw. KunstheoretikerInnen die sich mit Diagrammatik-Fragestellungen und technischen Bildern beschäftigt haben: http://gerhard_dirmoser.public1.linz.at/FU_Beitrag_Dirmoser_V8_FU.pdf Arnheim, Rudolf / Bach, Friedrich Teja / Bader, Barbara / Barck, Joanna / Barr, Alfred H. / Bauer, Michaela / Baumgartner, Michael / Beke, László / Belting, Hans / Bessler, Gabriele / Betz, Juliane / Beyer, Andreas / Beyer, Vera / Bianchi, Paolo / Blümle Claudia / Boehm, Gottfried / Bogen, Steffen / Bogner, Dieter / Bonhoff, Ulrike M. / Bonne, Jean-Claude / Bos, Caroline / Bredekamp, Horst / Brons, Franziska / Brusatin, Manlio / Bruyn, Eric de / Busch, Werner / Carroll, Khadija Z. / Casey, Edward / Damisch, Hubert / Dickel, Hans / Didi- Huberman, George / Disselkamp, Martin / Ditzen, Stefan / Dreher, Thomas / Duenkel, Vera / Elkins, James / Fiorani, Francesca / Fiorentini, Erna / Fischl, Angela / Flach, Sabine / Folie, Sabine / Frizot, Michel / Gamwell, Lynn / Ganz, David / Geimer, Peter / Gelshorn, Julia / Goericke, Jutta
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