Petro Jacyk Program for the Study of Ukraine
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The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts
The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts Edited by Vivian Liska Editorial Board Robert Alter, Steven E. Aschheim, Richard I. Cohen, Mark H. Gelber, Moshe Halbertal, Geoffrey Hartman, Moshe Idel, Samuel Moyn, Ada Rapoport-Albert, Alvin Rosenfeld, David Ruderman, Bernd Witte Volume 3 The German-Jewish Experience Revisited Edited by Steven E. Aschheim Vivian Liska In cooperation with the Leo Baeck Institute Jerusalem In cooperation with the Leo Baeck Institute Jerusalem. An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-037293-9 e-ISBN (PDF) 978-3-11-036719-5 e-ISBN (EPUB) 978-3-11-039332-3 ISSN 2199-6962 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2015 Walter de Gruyter GmbH, Berlin/Boston Cover image: bpk / Staatsbibliothek zu Berlin Typesetting: PTP-Berlin, Protago-TEX-Production GmbH, Berlin Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Preface The essays in this volume derive partially from the Robert Liberles International Summer Research Workshop of the Leo Baeck Institute Jerusalem, 11–25 July 2013. -
Jews and Cosmopolitanism: an Arc of European Thought
HISTORICKÁ SOCIOLOGIE 2/2015 Jews and Cosmopolitanism: An Arc of European Thought MARCI SHORE* Židé a kosmopolitanismus: Oblouk evropského myšlení Abstract: Isaac Deutscher, raised in his youth to be a Talmudic scholar, instead became a com- munist. In 1958, he addressed the World Jewish Congress on the topic of “The Non-Jewish Jew.” There was a Jewish tradition – Deutscher began, citing Spinoza and Marx, Freud and Luxemburg and Trotsky – of breaking with Jewish tradition. Jews had always been restless and rootless, always lived on the borders of various heritages, languages, and cultures, at once in and apart from soci- ety. Victimized by religious intolerance and nationalist sentiments, Jews longed for a universalist Weltanschauung. It is true that “non-Jewish Jews” played a disproportionate role in the history of European Marxism. Yet Jews’ contributions to Marxism might be understood in a larger context: namely, that “non-Jewish Jews” have played a disproportionate role in the intellectual history of modern Europe much more broadly. This essay is an attempt to place the relationship between Jews and Marxism in a larger context – less the larger sociological context than the larger intellec- tual context of European modernity. Keywords: Jews; cosmopolitanism; Marxism; phenomenology; post-structuralism; psychoanaly- sis; Critical Theory; avant-garde DOI: 10.14712/23363525.2015.12 On 21 November 2013 Ukrainian president Viktor Yanukovych unexpectedly refused to sign an association agreement with the European Union. Around 8 pm that evening a thirty-two year-old Afghan-Ukrainian journalist named Mustafa Nayem posted a note on his Facebook page: “Come on guys, let’s be serious. -
Of Analogue: Access to Cbc/Radio-Canada Television Programming in an Era of Digital Delivery
THE END(S) OF ANALOGUE: ACCESS TO CBC/RADIO-CANADA TELEVISION PROGRAMMING IN AN ERA OF DIGITAL DELIVERY by Steven James May Master of Arts, Ryerson University, Toronto, Ontario, Canada, 2008 Bachelor of Applied Arts (Honours), Ryerson University, Toronto, Ontario, Canada, 1999 Bachelor of Administrative Studies (Honours), Trent University, Peterborough, Ontario, Canada, 1997 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2017 © Steven James May, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The End(s) of Analogue: Access to CBC/Radio-Canada Television Programming in an Era of Digital Delivery Steven James May Doctor of Philosophy in the Program of Communication and Culture Ryerson University and York University, 2017 This dissertation -
Centre for Art Tapes Fonds (MS-3-46)
Dalhousie University Archives Finding Aid - Centre for Art Tapes fonds (MS-3-46) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/centre-for-art-tapes-1 Centre for Art Tapes fonds Table of contents Summary information ...................................................................................................................................... 5 Administrative history / Biographical sketch .................................................................................................. 5 Scope and content ........................................................................................................................................... 6 Notes ................................................................................................................................................................ 6 Access points ................................................................................................................................................... 7 Collection holdings .......................................................................................................................................... 7 Organization ................................................................................................................................................. -
MAKING SENSE of CZESLAW MILOSZ: a POET's FORMATIVE DIALOGUE with HIS TRANSNATIONAL AUDIENCES by Joanna Mazurska
MAKING SENSE OF CZESLAW MILOSZ: A POET’S FORMATIVE DIALOGUE WITH HIS TRANSNATIONAL AUDIENCES By Joanna Mazurska Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History August, 2013 Nashville, Tennessee Approved: Professor Michael Bess Professor Marci Shore Professor Helmut W. Smith Professor Frank Wcislo Professor Meike Werner To my parents, Grazyna and Piotr Mazurscy II ACKNOWLEDGEMENTS I would like to express my gratitude to the members of my Dissertation Committee: Michael Bess, Marci Shore, Helmut Smith, Frank Wcislo, and Meike Werner. Each of them has contributed enormously to my project through providing professional guidance and encouragement. It is with immense gratitude that I acknowledge the support of my mentor Professor Michael Bess, who has been for me a constant source of intellectual inspiration, and whose generosity and sense of humor has brightened my academic path from the very first day in graduate school. My thesis would have remained a dream had it not been for the institutional and financial support of my academic home - the Vanderbilt Department of History. I am grateful for the support from the Vanderbilt Graduate School Summer Research Fund, the George J. Graham Jr. Fellowship at the Robert Penn Warren Center for the Humanities, the Max Kade Center Graduate Student Research Grant, the National Program for the Development of the Humanities Grant from the Polish Ministry of Science and Higher Education, and the New York University Remarque Institute Visiting Fellowship. I wish to thank to my friends at the Vanderbilt Department of History who have kept me company on this journey with Milosz. -
The Cas Newsletter
CAS NEWSLETTER NO. 114 FALL-SPRING 2016-2017 VOL. LIX 1 THE CAS NEWSLETTER CANADIAN ASSOCIATION OF SLAVISTS • ASSOCIATION CANADIENNE DES SLAVISTES ISSN 0381-6133 NO. 114 FALL-SPRING 2016-2017 VOL. LIX Address by Dr. Alison Rowley, President of the Canadian Association of Slavists Dear Colleagues, Members and Friends of the Canadian Association of Slavists, In early June 1997, I attended my first CAS conference at Memorial University in Newfoundland. The young woman I was then could never have envisioned that one day I would be asked to write the opening piece for the CAS newsletter, and to give the President’s speech at our organization’s AGM. She was just happy to make a few new friends and to try out her ideas about how Kandinsky’s colour theory may have influenced Soviet writer Yuri Olesha as he wrote his important novel, Envy. But that moment in Newfoundland was a pivotal one in my career as a scholar and I think the stories I shall briefly mention below are indicative of the ways in which CAS has influenced the lives of many of us. For example, at the Memorial conference, I met Dr. Gust Olson, a long-standing book review editor for Canadian Slavonic Papers/Revue canadienne des slavistes, at a panel on Russian women writers and he asked if I would be interested in reviewing a translation of Evdokia Nagrodskaia’s Wrath of Dionysus for the journal. That review was my very first publication. I have gone on to write many more reviews for our journal and even to serve as a book review editor for a number of years under the direction of CSP’s current outstanding editor- in-chief Dr. -
Grants Listing 2015-2016
OAC 2015-2016 GRANTS LISTING LISTE DES SUBVENTIONS 2015-2016 DU CAO Visitors move through the Painters Eleven Corridor at The Robert McLaughlin Gallery in Oshawa and view Lindsay Lauckner Gundlock’s exhibition Familiarity in the Foreign. (Photo: Lucy Villeneuve) À la galerie Robert McLaughlin d’Oshawa, des visiteurs parcourent le couloir du Groupe des Onze pour voir l’exposition « Familiarity in the Foreign », de Lindsay Lauckner Gundlock. (Photo : Lucy Villeneuve) CONTENTS SOMMAIRE OAC Grants Listing Liste des subventions du CAO Aboriginal Arts 3 Arts autochtones 3 Access and Career Development 7 Accès et évolution professionnelle 7 Arts Education 9 Éducation artistique 9 Arts Service Organizations 15 Organismes de service aux arts 15 Community Arts Councils 19 Conseils des arts communautaires 19 Community-Engaged Arts 21 Arts axés sur la communauté 21 Compass 24 Compas 24 Dance 27 Danse 27 Deaf and Disability Arts 32 Pratiques des artistes sourds ou handicapés 32 Francophone Arts 34 Arts francophones 34 Literature 41 Littérature 41 Major Organizations 52 Organismes majeurs 52 Media Arts 54 Arts médiatiques 54 Multi and Inter-Arts 59 Multiarts et interarts 59 Music 62 Musique 62 Northern Arts 74 Arts du Nord 74 Theatre 77 Théâtre 77 Touring and Audience Development 85 Tournées et développement de l’auditoire 85 Visual Arts and Crafts 92 Arts visuels et métiers d’art 92 Awards and Chalmers Program 105 Prix et programme Chalmers 105 Ontario Arts Foundation 111 Fondation des arts de l’Ontario 111 Credits 120 Collaborateurs 120 Front Cover (from top): Première de couverture (de haut en bas) : Y Josephine (left) and Amai Kuda perform at Neruda Arts’ Kultrún Festival An outdoor screening of Hip-Hop Evolution, directed by Darby Wheeler, part at Victoria Park in Kitchener. -
John Weinzweig and the Canadian Mediascape, 1941-1948
John Weinzweig and the Canadian Mediascape, 1941-1948 by Erin Elizabeth Scheffer A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Erin Elizabeth Scheffer 2019 John Weinzweig and the Canadian Mediascape Erin Elizabeth Scheffer Doctor of Philosophy Graduate Department of Music University of Toronto 2019 Abstract This dissertation explores John Weinzweig’s incidental music for radio and film and its context in Canadian cultural life. Between 1941 and 1948, Weinzweig composed music for nearly one hundred CBC radio docudrama episodes and for four National Film Board documentaries. Weinzweig’s time at the CBC and NFB was his first large scale success as a working composer, following his graduate studies at the Eastman School of Music. Weinzweig’s incidental music was publicly broadcast across Canada, and can be interpreted in light of how it represents Canada during an anxious and difficult yet significant time in the nation’s history through the Second World War and the immediate post-war era. These works, featuring new music broadcast by organizations in their infancy, helped to shape audience perceptions of a rapidly changing country. I begin by situating Weinzweig’s documentary music both temporally and philosophically. The opening chapter explores his biography, the musical context of the 1940s in Canada, and the creation of the CBC and NFB, and it closes by discussing significant themes in the works: indigeneity, northernness, dominion over the landscape, and nation and national affect. The subsequent three chapters divide Weinzweig’s docudramas and documentaries by topic: World War Two propaganda and postwar reconstruction, Canada’s north, and finally a discussion of Weinzweig’s only radio drama The Great Flood , which premiered on CBC’s ii cultural program Wednesday Night in 1948. -
Film Studies Association of Canada
Annual Conference 2005 Held in conjunction with the Congress of the Humanities and Social Sciences London, May 29-31, 2005 University of Western Ontario, London, Ontario Congress Theme Paradoxes of Citizenship: Environments, Exclusions, Equity Version: March 17th 2005 Revision: March 24th 2005 Revision: April 11th 2005 Revision: April 25th, 2005 Revision: May 9th, 2005 2 Executive 2004-2005 President Brenda Austin-Smith University of Manitoba Vice-President Janina Falkowska University of Western Ontario Secretary Christina Stojanova Wilfred Laurier University Treasurer Jerry White University of Alberta Members-at-Large Zoe Druick Simon Fraser University Pierre Véronneau Universite de Montreal Chris Gittings University of Western Ontario Mike Zryd York University Grad Student Rep Michael Baker McGill University 3 CONFERENCE OVERVIEW Highlights and Special Events Saturday, May 28 5:00 pm-7:00 pm: Welcome by Executive and Informal Gathering (Grad Pub) 7:00 pm-10:00pm: Richard Fung presents “Fence, Flag, Blackboard: The Art of Christopher Crozier” (Room UC84) Sunday May 29 9:00am-10:30 am: Congress Theme Panel I: Paradoxes of Citizenship: Citizenship Papers (Room UC12) 3:15pm - 5:00pm: Joint FSAC/CCLA Panel: Film and National Identity (Room PAB215) 5:00pm-7:00pm: President’s Reception, The Great Hall (Room 3326, Somerville House) 8:00pm-11:00pm: Screening with Alanis Obomsawin – Incident at Restigouche (1994) & Our Nationhood (2003) (Room UC84) Monday, May 30 9:00 am-10:15 am: The Gerald Pratley Lecture 2005: Kristy Holmes, Queen’s University -
King's Research Portal
King’s Research Portal Document Version Early version, also known as pre-print Link to publication record in King's Research Portal Citation for published version (APA): Khromeychuk, O. (2016). ‘Negotiating Protest Spaces on the Maidan: A Gender Perspective’. Journal of Soviet and Post-Soviet Politics and Society, 2(1), 9-47. https://ueaeprints.uea.ac.uk/id/eprint/57757 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
2020 PARTNERSHIP Shevchenkofoundation.Com • STEWARDSHIP Leadership •Stewardship•Partnership • LEADERSHIP
Leadership •Stewardship•Partnership 202-952 Main Street Winnipeg, Manitoba R2W 3P4 2020 PARTNERSHIP shevchenkofoundation.com • STEWARDSHIP Leadership •Stewardship•Partnership • LEADERSHIP ШЕВЧЕНКІВСЬКА ФУНДАЦІЯ РІЧНИЙ ЗВІТ TM The new Kobzar Book Award statuette, “Kobzar” by Toronto sculptor Oleh Lesiuk SHEVCHENKO FOUNDATION ANNUAL REPORT НАША МІСІЯ РАДА ДИРЕКТОРІВ BOARD OF DIRECTORS Українська канадська Фундація ім. Т.Шевченка – це TABLE національна благодійна організація, що створена для збереження, підтримки та розвитку українсько- канадської OF CONTENTS культурної спадщини. Фундація сприяє вдосконаленню процвітання української громади для збагачення канадського суспільства шляхом лідерської позиції у створенні й Board of Directors and Committees ......1 підтримці постійного фонду пожертвувань. President’s Message ...................................2 OUR MISSION Андрій Борис Балан Скотт Армстронґ Ірка Мицак Гладишевський Q.C. Boris Balan Irka Mycak Investment Committee Report ................4 Scott Armstrong The Ukrainian Canadian Foundation of Taras Shevchenko is a Andrew VICE-PRESIDENT SECRETARY-TREASURER DIRECTOR, national, chartered philanthropic institution dedicated to the Hladyshevsky, Q.C. TORONTO, ON WINNIPEG, MB TORONTO, ON PRESIDENT Audit Committee, Governance Committee preservation, promotion and development of the Ukrainian Grants ..............................................................6 EDMONTON, AB Human Resources Committee Canadian cultural heritage and to the advancement of a flourishing Ukrainian community for -
Jewish Studies Program (JSP): Over $1,000,000 in Funding Has Been Raised for Jewish Studies (JS) Graduate Fellowships
T HE R OBERT A. AND S ANDRA S. BORNS J EWISH S TUDIES P ROGRAM e begin this year’s newsletter with an Wannouncement that has significant implications for the future of the Borns Jewish Studies Program (JSP): over $1,000,000 in funding has been raised for Jewish Studies (JS) graduate fellowships. In last year’s newsletter, the Borns JSP announced plans to develop its graduate offerings into one of the very best graduate programs in the country, and as part of that effort, the JSP undertook to raise funds for graduate fellowships that students need to support their studies at this level. In response, several donors, Annual Newsletter Volume 25 Fall 2006 2 Indiana University individuals of exceptional generosity and commitment, have stepped forward to I N T HIS I SSUE establish endowments that will fund between 6-8 JS graduate students per year. 3 Support Our Undergraduates These endowments include: 4 From the Director The Robert A. and Sandra S. Borns Fellowship 5 New Faculty The Dr. Alice Field Cohn Fellowship for Yiddish Graduate Studies 6 Programs The Glazer Family Fellowships 10 IU Press This is a truly exceptional level of graduate funding, and represents a major 11 Donor Honor Roll investment in the future of JS scholarship and teaching. The funding generated by 12 JSP Advisory Board these endowments, enhanced by a generous matching program from Indiana 12 Friends of JS University (IU) and a tuition remission from the College of Arts and Sciences, will be 13 JSP Endowments used to recruit the very best graduate students and to support them during their 14 Graduate Student News course work and dissertation research.