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'The Soundtrack of Call for Fun Exudes Youthful Energy'
*BTM51017/ /05/K/1*/05/Y/1*/05/M/1*/05/C/1* THURSDAY 5 OCTOBER 2017 ENTERTAINMENT/VARIETY BOMBAY TIMES, THE TIMES OF INDIA 5 he season of love and ding an unforgettable experi- weddings is upon us. As ence. With performances at ‘The soundtrack of Call For T you plan your important over 350 weddings across 15 Adding a special events like the afterparty, countries for a culturally sangeet or mehendi for your diverse clientele, and with some wedding, make sure you don’t of the biggest global names as Fun exudes youthful energy’ miss out on planning the actual his clients, Ameya has become musical touch wedding ceremony rituals. Plan a renowned names in weddings Tejas Kudtarkar the music for your wedding ceremonies globally! Ameya pheras with The Signature renders sufi, ghazals and even Wedding Chants with The Bollywood songs to add a spe- to wedding Blissful Entertainer- Ameya cial touch to your celebrations. Dabli. His music is blissful, Call: +91 99203 27826. divine and yet entertaining E-mail: [email protected] enough to enthral your family YouTube: Ameya Dabli Ameya and friends to make your wed- www.ameyadabli.com ceremonies Dabli Lalit Pandit CONTINUED FROM PAGE 1 Salman (Khan) ko maine O O Jaane Jaana, mein dia- logues bulwaye thay and Shah Rukh Khan ko bhi Phir Bhi Dil Hai Hindustani mein dialogues bulwaye thay. Rani and Saif contributed in the track Ladki Kyun Najane Kyun from Hum Tum. Earlier, Amitabh Bachchan had sung in some movies, but we restarted the trend in the newer generation. -
Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟. -
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The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
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Decks Cleared for Merger of RTC with Government
Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From OPINION 6 CELEB TALKS 10 SPORTS 12 VIJAYAWADA DELHI LUCKNOW BHOPAL MANAGE RANVEER SINGH RELEASES SONG BUMRAH RISES TO 3rd RAIPUR CHANDIGARH BHUBANESWAR PLASTIC WASTE DEDICATED TO GANPATIBAPPA IN TEST RANKING RANCHI DEHRADUN HYDERABAD *Late City Vol. 1 Issue 309 VIJAYAWADA, WEDNESDAY SEPTEMBER 4, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable VENKY MAMA RELEASE DELAYED AFTER ACTOR TWISTS ANKLE { Page 11 } www.dailypioneer.com Heavy rain to PANEL SUBMITS REPORT TO THE GOVT CM's ‘Praja Darbar' Body of continue for Khammam 3 more days Decks cleared for merger from tomorrow student missing VIJAYAWADA: Scattered PNS n VIJAYAWADA in London found moderate to heavy rainfall PNS n HYDERABAD will continue over north Chief Minister YS Coastal Andhra for another Jaganmohan Reddy's pro- The body of a 23-year-old three days. Weather experts of of RTC with government posed 'Praja Darbar' pro- student from Telangana, who Andhra Pradesh Weather gramme to interact with peo- was missing since August 22 Forecasting and Early PNS n VIJAYAWADA ple and address their problems in London, was found at a Warning Research Centre personally will be launched beach in Britain. (AWARE), a division of Real The Anjaneya Reddy from September 5. Inspired by According to information Time Governance Society Committee on Tuesday sub- his late father, erstwhile Chief reaching Ujwal Sriharsha's (RTGS), predicted that mon- mitted its report to Chief Minister Dr YS Rajasekhara family in Khammam district soon low influence on Coastal Minister YS Jaganmohan Reddy, the YSRCP will organ- on Tuesday, his body was Andhra will remain for a few Reddy clearing the decks for ise the 'Rajanna Praja Darbar' identified by his father Uday more days. -
Massive Blaze Sweeps Through Delhi Building, Leaves 43 Dead
Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From NATION 5 MONEY 8 SPORTS 12 VIJAYAWADA DELHI LUCKNOW BHOPAL GOVT TO LAUNCH PMKVY-III INDIA IN GROWTH RECESSION; SHIVAM TAKES INDIA RAIPUR CHANDIGARH BHUBANESWAR NEXT FINANCIAL YEAR PMO EXTREME POWER CENTRE TO 170/7 RANCHI DEHRADUN HYDERABAD *Late City Vol. 2 Issue 38 VIJAYAWADA, MONDAY DECEMBER 9, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable BOBBY TAKES THE ‘EMOTION- AL' ROUTE { Page 11 } www.dailypioneer.com INDIAN-AMERICAN LAWMAKER ‘BILL WILL REDUCE INDIA TO NHRC TAKES STATEMENTS FROM EFFECTIVE POLICING WILL MAKE INTRODUCES RESOLUTION ON ‘K’ HINDUTVA VERSION OF PAKISTAN’ INJURED COPS, DISHA'S FAMILY WOMEN FEEL SAFE, SECURE: MODI Washington: Indian-American Congresswoman Pramila Jayapal has NEW DELHI: The passage of the Citizenship (Amendment) Bill in HYDERABAD: The seven-member National Human Rights Commission NEW DELHI: Prime Minister Narendra Modi on Sunday stressed on the introduced a Congressional resolution urging India to lift Parliament will mark the definitive victory of Mohammed Ali Jinnah's (NHRC) team on Sunday recorded the statements of role of effective policing in ensuring that women feel safe and secure. the restrictions on communications in Jammu and thinking over that of Mahatma Gandhi's, senior Congress leader Shashi Disha's family members and of S-I Venkateswarlu of His remarks came against the backdrop of recent cases of crimes Kashmir as swiftly as possible and preserve religious Tharoor said on Sunday, asserting that the exercise of Nandigama police and constable Arvind Goud, who against women which has triggered a public outcry. -
Content Analysis of Item Songs: Reflections of a Toxic Socio-Cultural Milieu
Turkish Journal of Computer and Mathematics Education Vol.12 No.10 (2021), 3856-3861 Research Article Content Analysis of Item Songs: Reflections of A Toxic Socio-Cultural Milieu Dr. Shivali Sharma1, and Dr. Anu Dandona2 a,b Assistant Professor, AIBAS, Amity University, Lucknow, Uttar Pradesh, India. [email protected] Article History: Received: 10 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 28 April 2021 Abstract: The present paper is based on the premise that the item songs in bollywood movies are the worst reflections of the identity of women. Movies are a popular form of mass media and they play a key role in moulding opinions, constructing images and reinforcing dominant cultural values. The structure of the "lyrics and the dance moves" in the item songs objectify the females in the most degrading ways. In the present paper content analysis was conducted on 15 Item Numbers over the span of 23 years. Considering the over popularity of the item songs, and its corresponding impact on culture; it is crucial to analyze and interpret the lyrics and dance moves portrayed in the Item Songs. The primary themes of the Top Item Songs were analyzed and they include: the glorification of criminal activities , self objectification, dismemberment, Materialism, high libidinal drive in women, the sexual objectification of women etc. 1. Introduction Sexual objectification is the treatment of an individual similarly as a body, an encounter of being treated as a body which is dominatingly introduced as an article for the joy of men or prevalently for the consumption of male look (Fredrickson, &Roberts, 1997). -
From Mujras to Item Songs: Tracing the Journey of Courtesan Songs in Popular Hindi Movies and Inclusion in Popular Culture
Volume III, Issue V, July 2015 – ISSN 2321-7065 From Mujras to Item Songs: Tracing the Journey of Courtesan Songs in Popular Hindi movies and inclusion in Popular Culture. Cheena Chawla Assistant Professor( Department of English) Patel Memorial National College Rajpura, Punjab. Abstract: The present paper attempts to analyze the incorporation of courtesan songs as mujras in Popular Hindi movies and their inclusion in Popular culture. These mujras held a prominent position in Bollywood and contributed a great deal to the success of the movies they were a part of. Due to globalization and changing trends and consumer demands, the mujras in Indian cinema slowly and gradually transformed and paved way for the bolder and more provocative item numbers and the courtesan stood reincarnated as the item girl. Research Paper: Courtesan songs originated in temples through devadasis and gradually reached Kothas and concert halls. With the degeneration of courtesan tradition, their private performances and private salons dwindled considerably. But their art was not completely lost. With the proliferation of Bollywood, their music started incorporating itself into popular Hindi movies, though in a somewhat changed manner, which catered to the interest of the masses i.e. it became part of the popular culture. Popular culture has been the subject of a heated critical debate. The proponents of elitist culture, critics such as Max Horkheimer and T. W. Adorno, Dwight Macdonald are of the view that "Masscult ... doesn't even have the possibility of being good," because it "offers its customers neither an emotional catharsis nor an aesthetic experience" (Macdonald 4). Whereas the proponents of popular culture, critics such as Richard Slotkin, Refereed (Peer Reviewed) Journal www.ijellh.com 416 Volume III, Issue V, July 2015 – ISSN 2321-7065 Leslie Fiedler argue that culture does not merely include elite and high works of art, instead „culture is ordinary‟(Williams 92) as Raymond Williams points out. -
Representation of Female Characters Through Item Songs in Selected Hindi Movies
International Journal of Social Sciences and Humanities Available online at http://sciencescholar.us/journal/index.php/ijssh Vol. 2 No. 1, April 2018, pages: 1~9 e-ISSN: 2550-7001, p-ISSN: 2550-701X http://dx.doi.org/10.29332/ijssh.v2n1.70 Representation of Female Characters through Item Songs in Selected Hindi Movies Kajal Kapoor a Article history: Received 10 June 2017, Accepted in revised form 5 January 2018, Approved 20 January 2018, Available online 25 January 2018 Correspondence Author a Abstract The research aims to show how Item songs in Hindi Cinema have degraded its language and how they project women as mere objects. These Item Songs are not directly related to the story but to fetch audience and crores at Box-Office, several filmmakers place item numbers in the movies. Item songs present women in filthy clothes, vulgar lyrics, and their body parts are presented inappropriately. Dance moves and the way of presentation of these songs make it more obscene. Initially, actresses who played vamps on screen or appear for guest appearances in movies used to feature in such songs. But nowadays leading actresses also get featured in such songs as it gives rise to their career. Therefore this research focuses on the point that item songs are meant for entertainment, not for the objectification of Keywords women, and hence presentation and projection of women in Hindi movies should be Degraded language; changed more positively. Item songs; Lyrics; Objectification; e-ISSN : 2550-7001, p-ISSN : 2550-701X ©Copyright 2018. The Author. Women; Published by ScienceScholar in Universidad Técnica de Manabí. -
Actes Des Congrès De La Société Française Shakespeare
Actes des congrès de la Société française Shakespeare 33 | 2015 Shakespeare 450 Fun, Frolic and Shakespeare: Kalyani Ishtyle Sarbani Chaudhury Electronic version URL: http://journals.openedition.org/shakespeare/3417 DOI: 10.4000/shakespeare.3417 ISSN: 2271-6424 Publisher Société Française Shakespeare Electronic reference Sarbani Chaudhury, « Fun, Frolic and Shakespeare: Kalyani Ishtyle », Actes des congrès de la Société française Shakespeare [Online], 33 | 2015, Online since 10 October 2015, connection on 08 June 2020. URL : http://journals.openedition.org/shakespeare/3417 ; DOI : https://doi.org/10.4000/shakespeare. 3417 This text was automatically generated on 8 June 2020. © SFS Fun, Frolic and Shakespeare: Kalyani Ishtyle 1 Fun, Frolic and Shakespeare: Kalyani Ishtyle Sarbani Chaudhury 1 For the metropolitan English students and academics of India, Shakespeare has long been a curious blend of the venerable and the malleable but “the Bard” – as he is deferentially referred to in many Indian classrooms even today – still means serious business in the suburbia with only occasional exceptions to the rule.1 One such exception has been in place since 2008 during Radix, the annual reunion (first held in 1964) of the Department of English, University of Kalyani (established in 1960), a small- town university in the state of West Bengal, India. On such occasions, the insidious seepage of high voltage Indi-pop,2 Bolly/Holly 3 dance numbers into the culturally admissible recitals of classical dance, music, and Tagore songs and poems is reflected in the highpoint of the day’s festivities – the performance of a raunchy, risqué and impudently abridged version of any one Renaissance drama including those written by Shakespeare.4 This article proposes to convey an idea of the tenor and direction of such translations and performances by focusing on the most audacious production so far – Macbeth: A Comedy5 – performed on 10 March 2012 under the able tutelage of a young faculty, Sandip Mandal. -
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