DOCSLIB.ORG

Here, Effect SIMCA Challenges the Copyright Board Right Constitution

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Here, Effect SIMCA Challenges the Copyright Board Right Constitution INTERVIEW F George Brooks SOUND Sajid-Wajid REGULARS F Offbeat: Strum the Junk! Venue Watch: BOXFebruary 2011 I Volume 1 I Issue 7 I ` 150 Bflat, Bengaluru Watch Tower: Bengaluru ww Right E Clause and Here, Effect SIMCA challenges the Copyright Board Right constitution Now E Sing Along! Are we about to witness the boom of karaoke in the country? E E E Rajya Sabha MP, script writer, lyricist and now, crusader for the creative fraternity. Saptak, Javed Akhtar on why he is convinced the Baajaa Gaajaa Indian Copyright Act should be amended 2011 kicks off with interesting music fests across the country I Publisher’s Note SOUND Final Act? BOX n a few days’ time, on February 21, both Houses of the Indian parliament February 2011 I Volume 1 I Issue 7 Iwill reconvene for the Budget session. MASTHEAD It remains to be seen whether parliamentary business will be struck by the same state of paralysis that characterized the Winter session a few months back. However, indications are that the government has been goaded into a PUBLISHER Nitin Tej Ahuja more flexible and accommodative stance on the opposition’s main demand of [email protected] a JPC investigation into the telecom spectrum auction controversy. Therefore, EDITOR it is possible that we may have a normal parliamentary session. Of course, Aparna Joshi the word ‘normal’ is used here rather generously given our parliamentarians’ [email protected] propensity for drama and shenanigans. CREATIVE DIRECTOR Sajid Moinuddin www.hbdesign.in From the music industry’s perspective, the million dollar question undoubtedly is whether this session will see the coming into law of the very CORRESPONDENTS Anita Iyer contentious amendments to the Copyright Act. The proposed amendments [email protected] have led to a state of virtual civil war within the music and film industries, Chiraag Sutar as Sound Box and our sister publication, Box Office India, have reported and [email protected] analysed right from the time they were announced in the form of a brief press Hari Adivarekar note in late 2009. [email protected] CONTRIBUTORS In this issue, we bring you an in-depth and exclusive interview with Mr Aiyushman Dutta Frederick Noronha Javed Akhtar who has come to be seen as the voice and face of the composers Nikhil Raghavan and lyricists’ campaign for changes to the copyright laws to address their Smriti George Harpreet Khokhar concerns and demands. Mr Akhtar, of course, needs no introduction to any Aditya Mehta group of people in our country – let alone the readership of a publication AD SALES & SUBSCRIPTIONS catering to the music industry. Amey Salvi [email protected] Mob: 91-9930908083 Co-writer of some of the most iconic scripts in Hindi cinema and one of our Anand Murugkar foremost lyricists, Javed saab straddles the film and music worlds like few [email protected] others do. In his exhaustive interview, he shares with us the genesis of his Mob: 91-9773133383 involvement in the battle over royalties and the journey that has brought the CIRCULATION proposed amendments to the brink of fruition. Vaibhav Adivarekar [email protected] Mob: 91-9769396866 One hopes that, if and when passed, the Bill will lead to a sense of closure REG: MAHENG12416/13/1/2010-TC and the reuniting of all the stakeholders in leaving aside all animosity and bitterness to do what they do best – make music. Printed and Published by Nitin Tej Ahuja on behalf of Select Publishing Company and Printed at Parksons Graphics, Off New Link Road, Andheri West, Mumbai 53 and Published at 402-403, Morya Estate, New Link Road, Andheri West, Mumbai 53. Editor: Aparna Joshi Nitin Tej Ahuja Disclaimer: Information/Figures/Charts contained in the magazine are compiled from a number of sources, including our own research. While every effort is made to ensure completeness and authenticity of data/fig- ures/information, Sound Box makes no Repre- sentation about the accuracy and reliability of the data. Sound Box, Select Publishing Com- pany, Select Media Holdings Private Limited or their affiliates shall not be liable for any damages whatsoever arising from use of the information contained in the magazine. All Rights Reserved. Reproduction of any matter published in this magazine, in part or whole, in any language or format, without the express written permission of the Publisher is strictly prohibited and will be liable for legal action. COVER PICTURE: CHIRAAG SUTAR SOUND March 2011 I Volume 1 I Issue 8 BOX contents F BUZZ 8 Indie News 9 Label News 10 Digital News 11 Film News 12 Regional News 14 Radio News 15 International News 16 Gadget News 17 Newsmakers F FEATURES 18 Cover Story – Kumar Taurani, Apurv Nagpal, Rajat Kakar and Hassan Kamal on proposed changes to the copyright laws 23 India brings home the 11 Grammy Katrina 30 Focus - Studio business lends her maintains low volume 34 Trends - India ready for vocals for Karaoke boom? Yash Raj 36 Watchtower – Ahmedabad 38 Net gain – the world of Films’ next music bloggers Mere Brother 42 Label Watch – NA Classical 43 Campaign Trail - Mufti Ki Dulhan clothes SQS 44 Festival Watch – Monte Music festival, Goa 45 Venue Watch – York Wineries, Nashik 62 Offbeat 43 F CAMPAIGN TRAIL INTERVIEWS Times Music has hooked up with clothing brand Mufti to promote its 24 Zakir Hussain latest band Supastars 29 My FM CEO Harrish Bhatia 40 NEZCC director Som Kamei F COLUMNS 28 Mandar Thakur 33 Tech Talk - Aditya Mehta F GUIDE 47 Events 51 Reviews 55 Charts 61 Calendar WATCHTOWER Ahmedabad shows 36 a taste for classical music INTERVIEW “There is much in terms of Indian folk art still to be discovered” 24 Ustad Zakir Hussain 38 NET GAIN Music blogging in India comes of age THE GRAMMY COMES TO INDIAN SHORES RAMAYANA REVISITED Dhruba Ghosh has won recognition for A Delhi economics professor has turned the story of Ram and Sita into a rock opera his work on Miho: Journey to the Mountain 23 62 BUZZNews I Labels I Digital I TV I Films I Radio I Regional I International I Gadgets Bowled Over India ! The Bryan hile Bryan Adams was only scheduled to do a five city tour in India (with FM network Radio One as official partner), it seems that cricket Adams tour Wlovers will also get a taste of his music as he performs for the open- ing ceremony for the 2011 ICC Cricket World Cup to be held in Dhaka, Bangla- schedule desh. • Friday, 11 February 2011 The Canadian rockstar chose to extend his tour since Canada is also one of - Magarpatta, Pune 14 qualifying country’s taking part in the World Cup. Adams will remain one • Saturday, 12 February more day in Dhaka for a special acoustic 2011 - MMRDA Grounds, concert featuring songs from his current Bandra Kurla Complex, CD Bare Bones, before finishing up this leg Mumbai of the tour in Kathmandu, Nepal. Bryan Adams' opening performance • Sunday, 13 February for the 2011 Cricket World Cup will be 2011 - Palace Grounds, broadcast by ESPN to a TV audience of Bengaluru over 200 million people. Earlier, Adams was only scheduled to tour major metros • Tuesday, 15 February like Pune, Mumbai, Bengaluru, New Delhi 2011 - NSIC, New Delhi and Hyderabad starting February 11, 2011. Well, what can we say, this is called • Wednesday, 16 February making the most of the tour! 2011 - HITEX Exhibition Center, Hyderabad FEBRUARY 2011 I SOUND BOX I 07 BUZZ I Indie News umbai-born and US-based musician But it was only after he moved to New York Ameet Kamath recently released his after some years that he began to immerse BRIDGING Mdebut album, Greasy Rails, in New York, himself in jazz and began performing the breaking new grounds in bridging the popular American songbook whenever and wherever divide of the music of the East and the West. he could — at weddings, street corners, parks, THE EAST- Says Ameet, “Greasy Rails is about coming cafes, and bars. His persistence paid off with a to terms with what matters in life. It’s about jazz-pop residency at the notorious Marion’s WEST refusing to take anything less than what you’ve Continental on Bowery, where the patrons been seeking.” He adds, “In it, I’m telling stories and fans encouraged him to set his own story AVAL AVAL H so that the listeners can understand life as I do – to song. Needing to find inspiration for his DIVIDE constantly negotiating spaces as an immigrant original material, he set off on a creative quest in the 21st century.” The language he chooses across the country that landed him in San to narrate his stories in, however, is pure global Francisco. It was there that he conceived Greasy rock. Rails; the ensuing material was written and PHOTO: NIKHILESH Ameet went to the US as a techie in 1995. composed over the next two years. Sanjeev T, Baiju Dharmajan join hands on Ente Sambath anjeev Thomas, the lead guitar- it embraces this ist in A R Rahman’s troupe, has beautiful tradi- Scollaborated with guitarist Baiju tion of love and Dharmajan (ex-Motherjane, now Wrenz) on forgiveness.” Ente Sambath (My wealth) - one of the first Ente Sambath EMI gets Chintoo Singh original Malayalam compositions. This is was originally the third song from Thomas’ solo album written by Saadhu for Urban Grooves Free Will. Kochukunju Up- Project - Punjab Thomas recalls, “This used to be a adesi back in the 19th century. song familiar to me since childhood - I “Baiju is a good friend and a wonderful MI’s series The Urban Grooves Project, which has earlier used to sing it at prayer meetings.
Load more

Recommended publications
  • Economic Impact of the Recorded Music Industry in India September 2019
    Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a.
    [Show full text]
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • And Joydeep Ghosh (Sarod)
    The Asian Indian Classical Music Society 51491 Norwich Drive Granger, IN 46530 Concert Announcement Vidushi Mita Nag (sitar) Pandit Joydeep Ghosh (sarod) with Pandit Subhen Chatterjee (Tabla) April 26, 2016, Tuesday, 7.00PM At: the Andrews Auditorium, Geddes Hall University of Notre Dame Cosponsored with the Liu Institute of Asia and Asian Studies Tickets available at gate. General Admission: $10, AICMS Members and ND/SMC faculty: $5, Students: FREE Mita Nag, daughter of the veteran sitarist, Pandit Manilal Nag and granddaughter of Sangeet Acharya Gokul Nag, belongs to the Vishnupur Gharana of Bengal, a school of music that is nearly 300 years old and which is known for its dhrupad style of playing. She was initiated into music at the age of four, and studied with her mother, grandfather and father. She appeared for her debut performance at the age of ten, when she also won the Government of India’s Junior National Talent Search Award. She has given many concert performances, both alone and with her father, in cities in the US, Canada, Japan and Europe as well as in India. Joydeep Ghosh is hailed as one of India’s leading sarod, surshringar and Mohanveena artists. He started his sarod training at the age of five, and has studied with the great masters the late Sangeetacharya Anil Roychoudhury , late Sangeetacharya Radhika Mohan Moitra and Padmabhusan Acharya Buddhadev Dasgupta all of the Shahajahanpur Gharana. He has won numerous awards and fellowships, including those from the Government of India, the title of “Suramani” from the Sur Singar Samsad (Mumbai) and “Swarshree” from Swarankur (Mumbai).
    [Show full text]
  • Fusion Without Confusion Raga Basics Indian
    Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap".
    [Show full text]
  • MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances Du Marché Mondial Du fi Lm
    MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances du marché mondial du fi lm FOCUS-COVER-FINAL.indd 1 13/04/11 19:30 focus 2011 World Film Market Trends Tendances du marché mondial du film focus_2011.indd 1 26/04/11 19:11 Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. focus_2011.indd 2 26/04/11 19:11 Editorial We now find ourselves in an era where all chan- À l’heure où toute la filière cinématographique nels of cinematography are undergoing a transfor- poursuit sa mutation, où la VoD se positionne mation: VoD has become a realistic medium, the comme un écran crédible, où le passage au tout switch to all-digital is simply a matter of time and numérique n’est plus qu’une question de calen- 3D is becoming more and more ubiquitous. As drier, où la 3D commence à se banaliser, il est such, it is more crucial than ever for us, as profes- plus que jamais nécessaire, pour les profession- sionals, to identify major industry tendencies. nels que nous sommes, d’appréhender les grands I hope that Focus, now in its 14th year, will indicateurs du secteur. serve as an indispensable tool for you in analyzing Je souhaite que Focus, qui fête son 14e anni- and anticipating the challenges of tomorrow. versaire, vous apporte les clefs indispensables pour analyser et anticiper les enjeux de demain.
    [Show full text]
  • GURUJI Padmashree Pt. Ajoy Chakrabarty: As I Have Seen Him
    GURUJI Padmashree Pt. Ajoy Chakrabarty: As I have seen Him Author- KAUSTUV KANTI GANGULI Department of Electrical Engineering, IIT Bombay & ITC Sangeet Research Academy, Kolkata [email protected]/[email protected]/[email protected] Phone- +919769753366 / +919830899474 An Article for- Samakalika Sangeetham: A ‘Sangeet Natak Academy’ Journal, October 2012 Issue GURUJI Padmashree Pt. Ajoy Chakrabarty: As I have seen Him Brief Bio-data of the Author KAUSTUV KANTI GANGULI, born on 8th June, 1990 in a musical family, had his initial lessons in vocal music at the age of 4 from his grandfather, Late Phanindra Mohan Ganguli & was encouraged by his father Shri Partha Sarathi Ganguli who learnt Sitar and mother Smt. Subhra Ganguli, vocal music. At the age of 7, Kaustuv became a student of SHRUTINANDAN from the year of its inception that is 1997. Since 2009, he is a Scholar at the ITC Sangeet Research Academy, Kolkata under the tutelage of GURUJI PANDIT AJOY CHAKRABARTY. Having done his schooling in ‘Ramakrishna Mission, Rahara’ & ‘St. Lawrence High School’, Kaustuv has done his B.Tech. in Electronics & Instrumentation Engineering under West Bengal University of Technology. He has also publications of papers in the proceedings of The National Conference, COIN-2011, The International Symposium FRSM-2012 and The West Bengal Science and Technology Congress 2012. He is now studying under the Department of Electrical Engineering, IIT Bombay as a Research Associate under the guidance of Prof. Preeti Rao. In music, Kaustuv got the first place in ‘Khayal’ both in Ravi Kichlu Foundation Talent Search 2003 and The Dover Lane Music Conference (Young Talent Search) 2008-09.
    [Show full text]
  • Promising Signs Ahead Media & Entertainment in South India
    Promising signs ahead Media & Entertainment in South India Media & Entertainment Business Conclave – Chennai October 2012 Contents Message from FICCI ............................................................................................................................................................... 3 Message from Deloitte Touche Tohmatsu India Pvt. Ltd. (Deloitte) ......................................................................................... 4 Message from Deloitte Touche Tohmatsu India Pvt Ltd (Deloitte)........................................................................................... 5 1. Introduction .................................................................................................................................................................... 6 2. Film .............................................................................................................................................................................. 11 3. Television .................................................................................................................................................................... 30 4. Print ............................................................................................................................................................................. 51 5. Radio ........................................................................................................................................................................... 64 6. Direct tax -
    [Show full text]
  • Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
    Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name
    [Show full text]
  • Ek Paheli 1971 Mp3 Songs Free Download Ek Nai Paheli
    ek paheli 1971 mp3 songs free download Ek Nai Paheli. Ek Nai Paheli is a Hindi album released on 10 Feb 2009. This album is composed by Laxmikant - Pyarelal. Ek Nai Paheli Album has 8 songs sung by Anuradha Paudwal, Lata Mangeshkar, K J Yesudas. Listen to all songs in high quality & download Ek Nai Paheli songs on Gaana.com. Related Tags - Ek Nai Paheli, Ek Nai Paheli Songs, Ek Nai Paheli Songs Download, Download Ek Nai Paheli Songs, Listen Ek Nai Paheli Songs, Ek Nai Paheli MP3 Songs, Anuradha Paudwal, Lata Mangeshkar, K J Yesudas Songs. Ek paheli 1971 mp3 songs free download. "Sunny Leones Ek Paheli Leela Makes Over Rs 15 Cr in Opening Weekend - NDTV Movies. The Indian box office is still reeling from Furious 7's blockbuster earnings of over Rs 80 . Jay Bhanushali: Really happy that people are enjoying 'Ek Paheli Leela' It's Sunny side up: Ek Paheli Leela touches Rs 10.5 crore in two days. More news for Ek Paheli Leela Full Movie Ek Paheli Leela - Wikipedia, the free encyclopedia. Ek Paheli Leela is a 2015 Bollywood musical-thriller film, written and directed by Bobby Khan and . The full audio album was released on 10 March 2015. Ek Paheli Leela Online 2015 Official Full Movie | NOORD . 1 day ago - Ek Paheli Leela Online 2015 Official Full Movie; Ek Paheli Leela; 2015 film; 4.8/10·IMDb; Ek Paheli Leela is a 2015 Bollywood musical-thriller . Ek Paheli Leela Full Movie Online Watch Bollywood Full . onlinemoviesgold.com/ek-paheli-leela-full-movie-online-watch- bollywo.
    [Show full text]
  • Indian Singers' Rights Association
    INDIANINDIAN SINGERS’SINGERS’ RIGHTSRIGHTS ASASSOCIASOCIATIONTION Annual Report 2017-18 BOARD OF ADVISORS LATA MANGESHKAR SURESH WADKAR TALAT AZIZ SONU NIGAM SANJAY TANDON BOARD OF DIRECTORS ANUP JALOTA A HARIHARAN KAVITA KRISHNAMURTI S P BALASUBRAHMANIYAM PANKAJ UDHAS SHANTANU MUKHERJEE SRINIVASAN ALKA YAGNIK JASBIR JASSI SHAILENDRA SINGH DORAISWAMY INDIAN SINGERS’ RIGHTS ASSOCIATION 2208, Lantana, Nahar Amrit Shakti, Chandivali, Andheri (E), Mumbai 400 072 NOTICE NOTICE is hereby given that the Meeting of the General Body of the Society will be held at “Eden Hall”, The Classique Club, Behind Infinity Mall, Link Road, Oshiwara, Andheri (W), Mumbai 400 053 on Thursday, 20th September, 2018 at 3pm to transact the following business: ORDINARY BUSINESS: 1. To receive, consider and adopt the Audited Balance Sheet as on 31st March 2018, Statement of Income and Expenditure for the year ended on that date, and the Auditors Report thereon, together with the Directors’ Report as approved by the Board of Directors for the period ending 31st March, 2018. 2. To ratify the appointment of M/s. Kothari Mehta & Associates as the Statutory Auditors of the Company for the financial year ending 31st March, 2019 by passing the following resolution :- “RESOLVED THAT pursuant to provisions of Section 139, 141, 142 and all other applicable provisions, if any, of the Companies Act, 2013 read with Rule 3 of the Companies (Audit and Auditors) Rules, 2014 and pursuant to the resolution passed at the Annual General Meeting of the Company held on September 29, 2014, the consent of the members of the Company be and is hereby accorded to ratify the appointment of M/s.
    [Show full text]
  • Anjaana Anjaani Movie Full Download for Free
    1 / 4 Anjaana Anjaani Movie Full Download For Free Watch Anjaana Anjaani full movie online in HD. Enjoy this Comedy,Romance film starring Vishal Malhotra:Gaurav,Pooja Kumar:Peshto,Priyanka Chopra:Kiara .... 5 Hours ago ~~~~ How to Watch Anjaana Anjaani Online Free? [opEnlOad]Anjaana Anjaani!(2010) Full Movie Watch online free HQ .... youtube, youtube to mp3, download youtube, mymp3song, hindi music lyrics ... waploft, videoking, free, download, video,Youtube video Download,New Video song,Top ... Anjaana Anjaani (2010) Full Hindi Movie | Ranbir Kapoor, Priyanka Chopra ... Anjaana Anjaani | Full Movie LIVE on Eros Now | Ranbir Kapoor, Priyanka .... Anjaana Anjaani 2010 Hindi HDRip 720p x264 AC3...Hon3y ... 2:16:48. ... Hon3y torrent or any other torrent from Video > HD - Movies Direct download .... 【720p高清】 ... c71e67ad50. choco cooky font apk free download. Download Anjaana Anjaani 720p for free movie with torrentDownload Anjaana Anjaani in HD Film Genre: Drama Melodrama Comedy Musical Budget: Country ... However, both land up on the same bridge at the same time. Anjaana Anjaani 2010 Full Movie Download in 480p, 720p & 1080p MKV: G-Drive [ .... Anjaana Anjaani - Find details of movie release date, film cast and crew of Anjaana Anjaani, news about Anjaana Anjaani full hd movie download, online mp3 .... Anjaana Anjaani Full Movie Free Download 720p BluRay. 1- LOKI- M2Tv Judwaa 2 Hindi 720p BluRay x264 AC3 5. ... Subtitle JudwaaHindi .... Anjaana Anjaani Full Movie Download in 720p bluray, directly Download Anjaana Anjaani 2010 Bollywood HD Movie free Video For mobile .... Download Anjaana Anjaani (2010) – Movie HD Posters 1, Images, Stills, Trailers, Review, Songs, News, Synopsis, Plot, Cast & Crew, Video Clips , User Review, ...
    [Show full text]
  • KPMG FICCI 2013, 2014 and 2015 – TV 16
    #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways.
    [Show full text]