Thalapathy Vijay and MS Dhoni Bump Into Each Other in Chennai
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Puli [2015 – FLAC] – Keyscity.Net
Puli [2015 – FLAC] – Keyscity.net Puli [2015 – FLAC] – Keyscity.net 1 / 4 2 / 4 November 18, 2019 Adobe Acrobat 2015 and Adobe Reader 2015 End of Support. ... CC 2018 (19.0.0). ae178093b8 Net Tools 5.0 full version Puran . ... QuarkXPress v10.5 Multilingual Incl Keygen - (X Force) | Keyscity. ... [FLAC] CRACK Splash Pro EX 1.13.0 Portable [NepsterJay] FSX - DX10 Scenery Fixer v2 .... Mano, M M Monissha - Puli... [04:38] 6. M L R Karthikeyan - Naruda Naruda... [03:47] 7. Devi Sri Prasad - Puli Promo... [02:04] Playing Time.........: 28:56 Total .... Puli [2014 - FLAC] ... Parugu [2008 - FLAC] Love Is Free, Various Artists, Itunes, Songs ... Lie flac songs, ,Lie itunes, ,Lie itunes rips, ,Lie lossless flac ,Lie keyscity, ,Lie mp3, ,Lie ... Express Raja [2015 - FLAC] - A2ZCity.net Download Lagu Dj, Dj ... Puli (2015)-Tamil-DIGITALRip-FLAC ... Album – Puli (Tamil) ... Year – 2015 ... 05 – Puli – Priyadarshini, Devi Sri Prasad, Mano ... To Welcome Our Visitors To Share Your Cd's Or Your Lossless Collections To Our HifiFlac.Net. LAS GUERRERAS CONQUISTAN EL TIE y A LOS ALICANTINOS Words of Farewell - Discography (2012-2014) FLAC ... {blaze69 KMSAuto Net 2015 v1.4.2 Portable Departures(Subs-Dutch- French)(Audio ... PhotoZoom Pro 7.0.2 Incl Serial Keys City Life Deluxe.7z Recuva 1.52.1086 Professional + ... TamilMV.eu - Manyam Puli (2016) Telugu (Original) WEB-HD - 720p - AVC - AAC .... 24 bit PuIi tamil FLAC. Hi-Res [24 Bit] Tamil Flac and WAV Lossless Songs in HD Audio Quality, Music composed by Devi Sri Prasad, ... Puli (2015) [24 bit] .... Puli (2015)-Tamil-DIGITALRip-FLAC. -| Album INFO |- Album – Puli (Tamil) Cast – Hansika Motwani, Shruti Haasan, Sridevi, Vijay, Kichcha Sudeepa Year .. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Frankenstein's Avatars: Posthuman Monstrosity in Enthiran/Robot
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935), Vol. 10, No. 2, 2018 [Indexed by Web of Science, Scopus & approved by UGC] DOI: https://dx.doi.org/10.21659/rupkatha.v10n2.23 Full Text: http://rupkatha.com/V10/n2/v10n223.pdf Frankenstein’s Avatars: Posthuman Monstrosity in Enthiran/Robot Abhishek V. Lakkad Doctoral Research Candidate, Centre for Studies in Science, Technology and Innovation Policy (CSSTIP), School of Social Sciences, Central University of Gujarat, Gujarat. ORCID ID: 0000-0002-0330-0661. Email: [email protected] Received January 31, 2018; Revised April 22, 2018; Accepted May 19, 2018; Published May 26, 2018. Abstract This paper engages with ‘Frankenstein’ as a narrative structure in Indian popular cinema, in the context of posthumanism. Scholarship pertaining to monsters/monstrosity in Indian films has generally been addressed within the horror genre. However, the present paper aspires to understand monstrosity/monsters as a repercussion of science and technology (S&T) through the cinematic depiction of Frankenstein-like characters, thus shifting the locus of examining monstrosity from the usual confines of horror to the domain of science fiction. The paper contends Enthiran/Robot (Shankar 2010 Tamil/Hindi) as an emblematic instance of posthuman monstrosity that employs a Frankenstein narrative. The paper hopes to bring out the significance of cinematic imagination concerning posthuman monstrosity, to engage with collective social fears and anxieties about various cutting-edge technologies as well as other socio-cultural concerns and desires at the interface of S&T, embodiment and the society/nation. Keywords: Posthumanism, Monstrosity, Frankenstein, Indian popular cinema, Science Fiction, Enthiran/Robot The Frankenstein narrative and Posthuman Monstrosity It has been argued that in contemporary techno-culture Science Fiction (hereafter SF) performs the role of “modern myth(s)” (Klein, 2010, p.137). -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
Sun TV Network Ltd
Sun TV Network Ltd. BUY Target Price `625 CMP `410 FY15 PE 15.1x Index Details We initiate coverage on Sun TV Network Ltd (Sun TV) as a BUY Sensex 19,242 with a price Objective of `625 representing a potential upside of Nifty 5,848 ~52.4% over a period of 24 months. At a CMP of `410, the stock is BSE 100 5,908 trading at 22.2x and 18.1x its estimated earnings for FY13 and Industry Media FY14 respectively. With ~2 mn households in Chennai (1.3-1.5 mn cable subscribers and 0.5 mn DTH subscribers) and ~11 mn Scrip Details subscribers in five cities of Phase II (Bangalore, Hyderabad, Mysore, Coimbatore and Vishakhapatnam), Sun TV is expected to Mkt Cap (` cr) 16,138 be one of the biggest beneficiaries of impending digitisation in BVPS ( ) 63.7 ` these geographies. Sun TV’s revenues are expected to grow at a O/s Shares (Cr) 39.4 CAGR of 14.6% to `2,778.0 crore with cable subscription revenues Av Vol (Lacs) 2.1 growing at a CAGR of 30.2% while DTH is expected to grow at a 52 Week H/L 431/177 CAGR of 21.6% by FY15. In line with revenues, PAT is expected to Div Yield (%) 2.3 grow at a 15.6% CAGR from `692.9 crore in FY12 to `1,070.6 crore FVPS (`) 5.0 by FY15. Shareholding Pattern Digitisation to provide fillip to Sun TV’s subscription revenues Shareholders % Near term triggers from the implementation of digitisation in Phase I (Chennai) and Promoters 77.0 Phase II cities should help boost Sun TV’s subscription revenues. -
A Study Onbrand Equity of Sun Tv Network with Special
PROJECT REPORT “A STUDY ONBRAND EQUITY OF SUN T.V NETWORK WITH SPECIAL REFERENCE TO ITS CHANNELS, BANGALORE” SUBMITTED BY Mr.S.DILIP KUMAR 15P35G0103 UNDER THE GUIDANCE OF Ms.SREEJA.K NEW HORIZON COLLEGE MASTERS OF BUSINESS ADMINISTRATION BHARATHIAR UNIVERSITY COLLEGE CODE: KA 11 B 131 2016-2017 GUIDE CERTIFICATE This is to certify that the project report entitled“A STUDY ON BRAND EQUITY OF SUN NETWORK” submitted by DILIP KUMAR S bearing registration number 15P35G0103 to Bharathiar University for the partial fulfillment of master degree in business management is an outcome of genuine research work carried under my guidance and it has been submitted for the award of any degree, diploma or prize. DATE Ms. SREEJA K Bangalore ASSISTANT PROFESSOR PRINCIPAL’S CERTIFICATE This is to certify that DILIP KUMAR S bearing registration no 15P35G0103 is a bonafide student of this college. The project entitled “A STUDY ON BRAND EQUITY OF SUN NETWORK” is a work carried out by him in partial fulfillment of the requirements for master degree in Business management of Bharathiar University along the year 2016-17 DATE Dr. R BODHISATVAN Bangalore HOD CERTIFICATE This is to certify that DILIP KUMAR S bearing registration number 15P35G0103 is a bonafide student of this college. The project work entitled “A STUDY ON BRAND EQUITY OF SUN NETWORK” is a work carried out by him for partial fulfillment of the requirements for Master Degree in Business management of Bharathiar University during the year 2016-17. It is certified that all the corrections/suggestions have been incorporated in the project report and a copy is deposited in the department library. -
The Sun Never Sets in the South !
The Sun never sets in the South ! FEBRUARY 16, 2016 1 Some of the statements made in this presentation are forward-looking statements and are based on the current beliefs, assumptions, expectations, estimates, objectives and projections of the Directors and Management of Sun TV Network Ltd. (STNL) about its business and the industry and markets in which it operates. These forward-looking statements include, without limitation, statements relating to revenues and earnings. The words “believe”, “anticipate”, “expect”, “intend”, “estimate”, “project” and similar expressions are also intended to identify forward-looking statements. These statements are not guarantees of future performance and are subject to risks, uncertainties and other factors, some of which are beyond the control of STNL and are difficult to predict. Consequently, actual results could differ materially from those expressed or forecast in the forward-looking statements as a result of, among other factors, changes in economic and market conditions, changes in the regulatory environment and other business and operational risk. STNL does not undertake to update these forward-looking statements to reflect events or circumstances that may arise after publication. 2 ¡ Television Broadcasting ¡ FM Radio Broadcasting ¡ Movie Distribution/Production ¡ SunRisers – Hyderabad – IPL Franchise 3 Sun TV Network Ltd (Broadcasting , Production, Entertainment) 97.78 % 59.44 % subsidiary subsidiary Kal Radio Ltd (Radio) South Asia FM Ltd (Radio) 18 FM Radio licenses 23 FM Radio licenses Focused -
Gabbar Is Back Verdict
Gabbar Is Back Verdict Aversive and portly Joachim releasees, but Davey domineeringly outstays her oath. Ugly Yancey transferentialsometimes hedging Ximenes any dehydrogenating employs berthes indescribably. fetchingly. Gregorian Jack dib some Beowulf after The story line and is gabbar You can give rise to gender roles, verdict is alive duration, she never intended to contest from forgettable flop starer phantom was ok. Baby had hit the screens and emerged as a success. The family of the OS. The film has made a box office collections nearing Rs. If Gabbar Singh Is Immortal, So Will Be Kalia Of Sholay! He makes for a good villain. The verdict is gabbar is famous for gabbar is back verdict is set out! Is The Highest Grossing Marathi Film Ever, But Have You Heard About It Yet? Aarav is a relic of Bollywood stalker love stories. It is good news for all movie lovers and more so for exhibitors as makers of few upcoming biggies have announced their new release dates. Gabbar is Back Latest Breaking News, Pictures, Videos, and Special Reports from The Economic Times. How Can India Avoid Jobless Growth? Tollywood films which featured by actor Mahesh Babu and. Ila Arun, Shubha Mudgal, Kavita Seth etc. He then decides to use the power of young, idealistic, honest youth and trains students at National College to join his cause. Read the exclusive movie review here. So audience finds difficulty to watch his movies or not. Her disgust for him is so obvious that you almost feel bad for the guy. These songs have included several hits that have taken audiences on both sides of the border by storm. -
Corporate Information
CORPORATE INFORMATION BOARD OF DIRECTORS Mr. Kalanithi Maran Executive Chairman Mr. K. Vijaykumar Managing Director & Chief Executive Officer Mr. S. Selvam Director Mrs. Kavery Kalanithi Executive Director Mr. J. Ravindran Independent Director Mr. M.K. Harinarayanan Independent Director Mr. Nicholas Martin Paul Independent Director Mr. R. Ravivenkatesh Independent Director COMPANY SECRETARY & Mr. R. Ravi COMPLIANCE OFFICER BANKERS City Union Bank Limited, Mandaveli, Chennai - 28 Royal Bank of Scotland, N.V., Chennai - 31 Kotak Mahindra Bank Limited, Annasalai, Teynampet, Chennai - 18 Standard Chartered Bank, Haddows Road, Chennai - 6 The Karur Vysya Bank Limited, Anna Salai, Teynampet, Chennai - 18 ICICI Bank Limited, Cenotaph Road, Teynampet, Chennai - 18 HDFC Bank Limited, ITC Centre, Chennai - 2 Axis Bank Limited, Mylapore, Chennai - 4 Corporation Bank, Mylapore, Chennai - 4 Indian Bank, Kodambakkam, Chennai - 24 AUDITORS M/s S.R. Batliboi & Associates Chartered Accountants, 6th & 7th Floor - 'A' Block (Module 601,701,702) Tidel Park, No. 4, Rajiv Gandhi Salai, Taramani, Chennai - 113 REGISTERED OFFICE Murasoli Maran Towers, 73, MRC Nagar Main Road, MRC Nagar, Chennai - 28 REGISTRAR AND SHARE TRANSFER AGENT M/s Karvy Computershare Private Limited, Plot Nos.17 to 24, Vittal Rao Nagar, Madhapur, Hyderabad - 500 081 01 Annual Report 2011-2012 Sun TV Network Limited AUDIT COMMITTEE Mr. J. Ravindran Chairman Mr. M.K. Harinarayanan Mr. Nicholas Martin Paul Mr. R. Ravivenkatesh REMUNERATION COMMITTEE Mr. J. Ravindran Chairman Mr. M.K. Harinarayanan Mr. Nicholas Martin Paul Mr. R. Ravivenkatesh INVESTOR / SHAREHOLDER'S GRIEVANCE COMMITTEE Mr. M.K. Harinarayanan Chairman Mr. J. Ravindran Mr. Nicholas Martin Paul Mr. R. Ravivenkatesh SHARE TRANSFER AND TRANSMISSION COMMITTEE Mr. -
A Winning Script
CONTENT MULTIPLE CONTENT MONETISATION CHANNELS CINEMA HINDI AND REGIONAL PLAY EXPANDING REACH DIGITAL IN FOCUS TALENT RELATIONSHIPS LONG-STANDING TALENT RELATIONSHIPS EROS INTERNATIONAL MEDIA LIMITED PRESENTS A WINNING SCRIPT CARRYING THE HALLMARK OF CREDIBILITY, CONSISTENCY AND SUPERIOR CONTENT, EROS HAS CAPTURED THE WORLD’S IMAGINATION WITH POWERFUL FILMS. WE INSPIRE, ENGAGE AND DELIGHT GENERATIONS. WE JUST DON’T EMBRACE THE FUTURE, WE SCRIPT IT. ANNUAL REPORT 2014-15 WHAT’S INSIDE 02/27 CORPORATE OVERVIEW 02 EROS – A Preview 04 The FY2015 Big Picture 06 Consistently Delivering the Hits 08 Executive Vice Chairman & Managing Director’s Message 10 A Winning Script 22 Content Slate for FY2016 24 Eros PLC 26 Board of Directors 28/86 GOVERNANCE REPORTS 28 Directors’ Report 60 Management Discussion and Analysis 68 Corporate Governance 87/146 FINANCIAL STATEMENTS STANDALONE 87 Independent Auditor’s Report 90 Balance Sheet 91 6WDWHPHQWRI3URĆWDQG/RVV 92 Cash Flow Statement 94 Notes CONSOLIDATED 117 Independent Auditor’s Report 122 Balance Sheet 123 6WDWHPHQWRI3URĆWDQG/RVV 124 Cash Flow Statement 126 Notes 147 Notice Forward-looking Statement In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried, wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in our assumptions. -
Depicting Hero in Mainstream Tamil Cinema: the Mould That Changes
International Journal of Advanced Science and Technology Vol. 29, No. 12s, (2020), pp. 09-14 Depicting Hero In Mainstream Tamil Cinema: The Mould That Changes Prabakaran V* & Dr. G Balasubramaniaraja** *Ph.D. Scholar, Reg No: 17234011021141, ManonmaniamSundaranar University, Tirunelveli, Tamilnadu, India. Assistant Professor, Department of Visual Communication, FSH, SRM Institute of Science and Technology, Tamilnadu, India **Professor and Head, Department of Communication, ManonmaniamSundaranar University, Tirunelveli, Tamilnadu, India Abstract The Protagonist, a hero, generally is the central character of any film. The antagonist, a Villain, performs against the Hero and negative side of the story. However, at times hero characters come with a negative shade. The films come up with the reasonable (at least to them) flashback stories in antihero subjects. They justify their harmful protagonist activities. For example, all the don stories of Tamil cinema have a flashback explaining why he has become so. MGR used the medium to communicate the positive elements only to maintain his image among the audiences and to convey his ideologies. He even made sure that his film titles convey the positivity. In this paper, the researcher analyses the changing image of the hero characters in Tamil cinema Keywords: The Hero, Tamil Cinema, Image building, antihero, Characterization Introduction Hero characters in Tamil cinema are classified into these categories. Category One, the good guy, who does good to the society in a natural way whatever the situation he faces. Second one whatever the way maybe; doing good to the society is matters. The third one is not at all good, so do not expect good from him. -
Born Kamal Haasan 7 November 1954 (Age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film
Kamal Haasan From Wikipedia, the free encyclopedia Kamal Haasan Kamal Haasan Born 7 November 1954 (age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film actor, producer, director,screenwriter, songwriter,playback singer, lyricist Years active 1959–present Vani Ganapathy Spouse (1978-1988) Sarika Haasan (1988-2004) Partner Gouthami Tadimalla (2004-present) Shruti Haasan (born 1986) Children Akshara Haasan (born 1991) Kamal Haasan (Tamil: கமலஹாசன்; born 7 November 1954) is an Indian film actor,screenwriter, and director, considered to be one of the leading method actors of Indian cinema. [1] [2] He is widely acclaimed as an actor and is well known for his versatility in acting. [3] [4] [5] Kamal Haasan has won several Indian film awards, including four National Film Awards and numerous Southern Filmfare Awards, and he is known for having starred in the largest number of films submitted by India in contest for the Academy Award for Best Foreign Language Film.[6] In addition to acting and directing, he has also featured in films as ascreenwriter, songwriter, playback singer, choreographer and lyricist.[7] His film production company, Rajkamal International, has produced several of his films. In 2009, he became one of very few actors to have completed 50 years in Indian cinema.[8] After several projects as a child artist, Kamal Haasan's breakthrough into lead acting came with his role in the 1975 drama Apoorva Raagangal, in which he played a rebellious youth in love with an older woman. He secured his second Indian National Film Award for his portrayal of a guileless school teacher who tends a child-like amnesiac in 1982's Moondram Pirai.