Race, Culture & Identity (DSS 6 RCI)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
Issue 205 Autumn 2020
CAMBERWELLCAMBERWELL QUARTERLYQUARTERLY The magazine of the Camberwell Society The magazine of The Camberwell Society NoNo 202 205 Winter Autumn 2019 2020 £1.50 £1.50 (free (free to to members)members) www.camberwellsociety.org.ukwww.camberwellsociety.org.uk Green light for new station entrance – p4 Camberwell’s black music hall stars – p5 Is Covid making GPs remote and anonymous? – p7 Burgess Business Park Development stopped by resi- dents – p9 St Giles’ Churchyard and its haunted passage – p12 New walk: through Camberwell’s black history – p6 More a gent than an agent Colin Lowman obituary – p15 Remembering Conrad and Marilyn Dehn – p14 Camberwell’s food bank – p18 Gazette LOCAL SOCIETIES, VENUES AND EVENTS Contents We recommend checking details Report from the Chair ......................3 Open Gardens ...................................3 Denmark Hill Station – green Brunswick Park Neighbourhood Peckham Society light for second entrance ..................4 Tenants and Residents Association Peter Frost Steppin’ out with black music Patricia Ladly 020 8613 6757 hall stars ...........................................5 020 7703 7491 www.peckhamsociety.org.uk [email protected] Black history walk ...........................6 Ruskin Park, Friends of COVID is making GPs remote Brixton Society Doug Gillies and anonymous .................................. 7 www.brixtonsociety.org.uk 020 7703 5018 Victory for Burgess Park Burgess Park, Friends of SE5 Forum campaigners ......................................9 www.friendsofburgesspark.org.uk -
Full List of Publications for Sale
Publications for Sale At Southwark Local History Library and Archive The Neighbourhood Histories series: Illustrated A5-size histories of the communities within the London Borough of Southwark: The Story of the Borough by Mary Boast £1.95 Covers Borough High Street, and the parishes of St George the Martyr and Holy Trinity The Story of Walworth by Mary Boast £4.00 Covers the parish of St Mary Newington, the Elephant and Castle and the Old Kent Road The Story of Rotherhithe by Stephen Humphrey £3.50 Covers the parish of St Mary Rotherhithe, Surrey Docks, Southwark Park The Story of Camberwell by Mary Boast £3.50 Covers the Parish of St Giles Camberwell, Burgess Park, Denmark Hill The Story of Dulwich by Mary Boast £2.00 Covers the old village and Dulwich Picture Gallery The Story of Peckham and Nunhead by John Beasley £4.00 Covers Rye Lane, houses, Peckham Health Centre, World War I and II and people @swkheritage Southwark Local History Library and Archive 211 Borough High Street, London SE1 1JA southwark.gov.uk/heritage Tel: 020 7525 0232 [email protected] Southwark: an Illustrated History by Leonard Reilly £6.95 An overview of Southwark’s History, lavishly illustrated with over 100 views, many in colour Southwark at War, ed. By Rib Davis and Pam Schweitzer £2.50 A collection of reminiscences from the Second World War which tells the Story of ordinary lives during this traumatic period. Below Southwark by Carrie Cowan £4.95 A 46-page booklet showing the story of Southwark, revealed by excavations over the last thirty years. -
Journal of British Studies
Journal of British Studies 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show --Manuscript Draft-- Manuscript Number: 4811R2 Full Title: 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show Article Type: Original Manuscript Corresponding Author: Christine Grandy, Ph.D. University of Lincoln Lincoln, Lincolnshire UNITED KINGDOM Corresponding Author Secondary Information: Corresponding Author's Institution: University of Lincoln Corresponding Author's Secondary Institution: First Author: Christine Grandy, Ph.D. First Author Secondary Information: Order of Authors: Christine Grandy, Ph.D. Order of Authors Secondary Information: Abstract: In 1967, when the BBC was faced with a petition by the Campaign Against Racial Discrimination (CARD) requesting an end to the televised variety programme, The Black and White Minstrel Show (1958-1978), producers at the BBC, the press, and audience members collectively argued that the historic presence of minstrelsy in Britain rendered the practice of blacking up harmless. This article uses Critical Race Theory as a useful framework for unpacking defences that hinged both on the colour-blindness of white British audiences, and the simultaneous existence of wider customs of blacking up within British television and film. I examine a range of 'screen culture' from the 1920s to the 1970s, including feature films, home movies, newsreels, and television, that provide evidence of the existence of blackface as a type of racialised custom in British entertainment throughout this period. Efforts by organisations such as CARD, black-press publications like Flamingo, and audiences of colour, to name blacking up and minstrelsy as racist in the late 1960s were met by fierce resistance from majority white audiences and producers, who denied their authority to do so. -
Aunt Esther's Story
Since 1618 HAMMERSMITH UNITED CHARITIES Aunt Esther’s Story with Stephen Bourne Ethnic Communities Oral History Project Supporting the community since 1618 Aunt Esther’s Story Compiled by Stephen Bourne & Sav Kyriacou © Ethnic Communities Oral History Project 1991 1 INTRODUCTION by Stephen Bourne Black women have been living and working in Britain since at least the early 16th century. The court of King James IV of Scotland included two African maidservants to the Queen. From the seventeenth century black women found employment as domestic servants, seamstresses, laundry maids, children’s nurses, cooks and street and fairground performers. However, many were forced to become prostitutes. It is a little known fact that four hundred years ago, in 1595, a tall, statuesque African called Luce Morgan, also known as Lucy Negro, ran a brothel in Clerkenwell. A beautiful and famous courtesan, some historians believe that Shakespeare fell in love with her, and they have identified her as his Dark Lady of the Sonnets. Luce Morgan may have inspired Shakespeare, but in those days women had very little access to education, and left no written records. Poet Phillis Wheatley became the first black woman to have her writing published in Britain. Bought in a slave-market in 1761 when she was just seven- years-old, Wheatley grew up in America and came to London in 1773. Under the patronage of the Countess of Huntingdon, Wheatley’s poems were published here to great acclaim, and subsequently she was befriended and entertained by members of the English aristocracy. She died in 1784. Another slave, Mary Prince, was born in Bermuda in 1788 but, unlike Wheatley, she suffered barbaric treatment from her owners. -
Rights Catalogue Spring 2016 Jacaranda Books Art Music Ltd Is a Fresh and Exciting New Independent Publishing House Based in London
Rights catalogue Spring 2016 Jacaranda Books Art Music Ltd is a fresh and exciting new independent publishing house based in London. We publish adult fiction and non- fiction, including illustrated books, across linguistic, racial, gender and cultural boundaries – books in many ways as cosmopolitan as our city. Through our publishing, we directly address the ongoing lack of diversity in the industry today, and seek to enrich the landscape from boardroom to bookshelf. We aim to bring authors and books that represent the cultural, heritage and ethnic variety that can be found in London, with a particular interest in works related to Africa, the Caribbean, and African America. At the heart of our publishing strategy is one core element: a love of outstanding, thought-provoking work. We believe that a wealth of unheard, under-represented voices exist globally and are ready to be discovered. It is our mission to create the space for those voices to be seen and heard by new readers. Valerie Brandes Founder and Publisher Jacaranda 2 RADIO SUNRISE ANIETIE ISONG JANUARY 2017 Literary fiction, Satire Binding: B-format paperback Extent: 160 pp Price: £7.99 Rights: World ‘Never cover an assignment without collecting a brown ANIETIE ISONG started his career as a journalist envelope,’ Boniface had said. ‘It is a real life saver for all with Radio Nigeria, in Lagos. His short stories have journalists in this country.’ been published in journals and broadcast on the BBC and Radio Nigeria. He won several awards, Ifiok, a young journalist working for the government including the Commonwealth Short Story Award in radio station in Lagos, aspires to always do the right 2000 and the Remember Oluwale Writing Prize in thing but the odds seem to be stacked against him. -
Black British Film and Television
source guides black british film and television National Library black british film and television 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARK FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv GENERAL REFERENCES . .1 FILM REFERENCES . .2 TELEVISION REFERENCES . .6 WOMEN’S PERSPCTIVES . .11 PERSONALITIES NORMAN BEATON . .12 LENNY HENRY . .13 CASE STUDY: PRESSURE . .15 DVD AVAILABILIY . .16 Compiled by: Nicola Clarke Andrea King Matt Ker Design/Layout: Ian O’Sullivan Project Manager: David Sharp © 2000 BFI National Library, 21 Stephen Street, London W1T 1LN 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i BFI National Library All the materials referred to in this guide are available for consultation at the BFI National Library. If you wish to visit the reading room of the library and do not already hold membership, you will need to take out a one-day, five-day or annual pass. Full details of access to the library and charges can be found at: www.bfi.org.uk/filmtvinfo/library BFI National Library Reading Room Opening Hours: Monday 10.30am - 5.30pm Tuesday 10.30am - 8.00pm Wednesday 1.00pm - 8.00pm Thursday 10.30am - 8.00pm Friday 10.30am - 5.30pm If you are visiting the library from a distance or are planning to visit as a group, it is advisable to contact the Reading Room librarian in advance (tel. -
December 2017 the WRITERS’ RETREAT INDU BALACHANDRAN
New Titles July - December 2017 THE WRITERS’ RETREAT INDU BALACHANDRAN ISBN: 978-1-909762-51-0 eISBN: 978-1-909762-52-7 JULY 2017 Romance Binding: B-format paperback Extent: 300 pp Price: £7.99 Rights: World, excl. Indian subcontinent Ideal for fans of Sophie Kinsella and Ayisha Malik. Together, they embark on an unforgettable adventure to finally discover their true selves and ‘A sparky, modern and glamorous romantic story!’ find love in impossibly romantic Santorini. Sareeta Domingo, author of The Nearness of You INDU BALACHANDRAN had a 30-year career in Young Amby Balan has had enough with the 9 to 5 advertising, growing from copy-trainee to Executive life at Citibank. Throwing caution to the wind, she Creative Director at J. Walter Thompson. She quits her job and becomes a Twitter-writer for Krish switched to travel writing, and has published Kumaar, the hunky new Kollywood superstar. articles in Travel Plus, The Lonely Planet, iDiva, The But despite her new exciting job (and having the Sunday Times and reviewed seventy eco-friendly opportunity to ogle her gorgeous boss all day long), destinations all over India for Travel To Care. Amby still craves finally being able to fulfil her dream of becoming a writer. Indu’s writings have featured in five anthologies of short stories. She lives in Chennai and writes humour She comes across an ad for a writers’ workshop in columns for the Sunday Hindu, and prize-winning Greece and cannot pack her bags soon enough. contest slogans for ecstatic relatives. She also On the way to Santorini, she meets Mini Cherian, a fantasizes about doing stand-up comedy at staid best-selling children’s books author who fantasises Tam Brahm weddings. -
A TRAVEL GUIDE to CAMBERWELL
A TRAVEL GUIDE to CAMBERWELL 2020 LIMITED EDITION 1 Welcome to the 2nd, limited edition INDEX Travel Guide to Camberwell – the CAMBERWELL HISTORIES essential companion for those in A Brief History 6 search of the real SE5. A Healthy History 8 An Artistic History 12 In this guide you’ll find beautiful parks, exotic meals, wonderful A Literary History 16 cakes, intoxicating drinks and A Musical History 20 excellent coffee, as well as an An Entertaining History 24 internationally renowned art Architectural Gems 28 college. There are galleries, ghosts, a From the Caribbean to Camberwell 34 graveyard, a Turkish spa, a Greek Fortean Camberwell 38 bakery and Britain’s first purpose built CONTEMPORARY CAMBERWELL mental health hospital. Camberwell’s Green 50 Robert Browning was born here, Phileas Dogg’s Guide to Camberwell 58 Michael Caine grew up here, Charlie Pub Crawl 62 Chaplin worked here, Dan Leno lived A Global Gourmet Guide 66 here and John Ruskin left in disgust Café Culture 72 when the railways ruined his view. 20 Things To Do In Camberwell 76 It’s an unlikely mixture, perhaps, A View from the Baby Buggy 80 WELCOME TO but it’s what we think of when we A Young Person’s Guide 84 CAMBERWELL think of Camberwell. We hope it Shopping in Camberwell 90 will inspire all our students to Where to Stay 94 explore the area further, whether Stories and Colours of Camberwell 96 you’re living locally or just visiting Local Resources 105 the Denmark Hill Campus. Camberwell Directory 108 Map 116 Transport Information 118 2 3 CAMBERWELL HISTORIES 4 5 Today, Camberwell is so much a part In 1862 a railway line was extended to A brief history of the city that it’s hard to believe the area Camberwell, followed by a station at once had its own mill and supported itself Denmark Hill, enabling less wealthy from the surrounding fields – or that it people to commute to London. -
A TRAVEL GUIDE to CAMBERWELL
A TRAVEL GUIDE to CAMBERWELL 2020 LIMITED EDITION 1 Thank you for supporting the INDEX Camberwell Banners project. CAMBERWELL HISTORIES As your reward, we're delighted to A Brief History 6 present you with the 2nd, limited A Healthy History 8 edition Travel Guide to Camberwell – the essential companion for An Artistic History 12 those in search of the real SE5. A Literary History 16 A Musical History 20 In this guide you’ll find beautiful An Entertaining History 24 parks, exotic meals, wonderful cakes, intoxicating drinks and Architectural Gems 28 excellent coffee, as well as an From the Caribbean to Camberwell 34 internationally renowned art Fortean Camberwell 38 college. There are galleries, ghosts, CONTEMPORARY CAMBERWELL a graveyard, a Turkish spa, a Greek bakery and Britain’s first purpose Camberwell’s Green 50 built mental health hospital. Phileas Dogg’s Guide to Camberwell 58 Pub Crawl 62 Robert Browning was born here, A Global Gourmet Guide 66 Michael Caine grew up here, Charlie Chaplin worked here, Dan Leno lived Café Culture 72 here and John Ruskin left in disgust 20 Things To Do In Camberwell 76 when the railways ruined his view. A View from the Baby Buggy 80 A Young Person’s Guide 84 WELCOME TO It’s an unlikely mixture, perhaps, CAMBERWELL but it’s what we think of when we Shopping in Camberwell 90 think of Camberwell. We hope it Where to Stay 94 will inspire you to explore the Stories and Colours of Camberwell 96 area further, whether you’re a Local Resources 105 local resident or visitor. -
A CULTURAL HISTORY of BLACK BRITAIN in 1970S FILM and TELEVISION
‘BUT WHERE ON EARTH IS HOME?’ A CULTURAL HISTORY OF BLACK BRITAIN IN 1970s FILM AND TELEVISION Sally Shaw This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth [Volume 1] September 2014 DECLARATION Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word Count: 89799 words ABSTRACT This thesis adopts an interdisciplinary approach in order to explore the social and cultural history of black Britain in 1970s fictional film and television. It draws on rigorous archival research, original interview testimony with practitioners and audience members, and close textual analysis of visual sources, in order to examine relations between black film and television texts and the social, political and institutional contexts of their authorship. The key focus of my study is therefore on black creative agency. Whilst prior studies have addressed black expression and representation in film and television, few have attempted to trace the process of creativity itself. My study uniquely traces the black creative voice in an historical period of emergence and conflict, and endeavours to ‘map’ it in terms of networks of (white and black) practitioners, the spaces of industrial production and the metaphorical, geographical and diasporic spaces of community and socio-political action. The thesis is structured in two parts. In Part 2, my ‘mapping’ encompasses a broad landscape – I ‘map the field’ socio-politically and then provide a survey of the significant range of feature films and television programmes concerned with black Britain in the 1970s. -
The Journal of Media and Diversity Issue 01 Winter 2020
The Journal of Media and Diversity Issue 01 Winter 2020 Sir Lenny Henry, Leah Cowan, David Olusoga, Marverine Duffy, Charlene White, Kimberly McIntosh, Professor Stuart Hall, Kesewa Hennessy, Will Norman, Emma Butt, Dr David Dunkley Gyimah, Dr Erica Gillingham, Dr Peter Block, Suchandrika Chakrabarti 1 REPREZENTOLOGY THE JOURNAL OF MEDIA AND DIVERSITY ISSUE 01 WINTER 2020 REPREZENTOLOGY CONTENTS EDITORIAL The Journal of Media and Diversity 04 Lessons from history In the wake of Black Lives Matter, many Sir Lenny Henry and David Olusoga people at the helm of the UK media industry Editorial Mission Statement interview. Transcript by Marcus Ryder have rightly been critical of its historic 10 IRL with Team Charlene: failings around diversity – both in its output Welcome to Reprezentology, a journal behind the cameras and in making sure its workforce mirrors the dedicated to research and best-practice Charlene White many shades of modern multicultural Britain. perspectives on how to make the media more representative of all sections of society. 12 Diversity in post-production sound But we must remember that this period of self-analysis roles in UK television production does not mark a moment – it heralds a movement. In A starting point for effective representation are the Emma Butt the pages of Reprezentology – the Journal for Media “protected characteristics” defined by the Equality Act and Diversity – we hope to build connections between 2010 including, but not limited to, race, gender, 22 The future of diversity regulation the academy, journalists and broadcasters. Rather than sexuality, and disability, as well as their intersections. in the UK broadcast industry seek piecemeal reform to address the We recognise that definitions of diversity and - models and ownership underrepresentation of marginalised voices, we wish to representation are dynamic and constantly evolving Dr Peter Block go further and help create a media that reflects the and our content will aim to reflect this.