The Journal of Media and Diversity Issue 01 Winter 2020
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Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Wales Published 3 August 2017 Wales Millennium Centre Wales Millennium Centre
Communications Market Report Wales Published 3 August 2017 Wales Millennium Centre Wales Millennium Centre Communications Market Report Main Contents Introduction 1 Setting the scene 2 1 Wales’ communications market 4 2 Television and audiovisual content 14 3 Radio and audio content 41 4 Telecoms and networks 54 5 Internet and online content 72 6 Post 79 Introduction Communications Market Report 2017 - Wales Introduction The report gives an overview of While there is no difference by Welcome to the nation’s communications location in 2017 for take-up of Ofcom’s annual markets, examining availability, Freeview in Wales, take-up of take-up and consumption of satellite TV in Wales is higher in Communications telecommunications, broadcasting, rural areas (59% compared with Market Report internet and postal services, and 43% in urban areas) and take-up comparing the findings with the of cable services is higher in urban for Wales. other nations and the UK as a whole. areas (12% compared to 0% in rural). Compared to the UK overall, The availability of faster internet penetration of satellite TV is higher connectivity continues to grow, in Wales, although households in primarily as a result of the Welsh Wales are less likely than in the UK Government’s Superfast Cymru overall to have cable TV (10% in programme which is being Wales compared to 15% in the UK). implemented by BT. To date, more than 647,487 homes and Fifty-eight per cent of adults businesses in Wales that would not in Wales own a DAB radio set, otherwise have been covered by more than in either Scotland or commercially-driven roll-outs, now Northern Ireland. -
Local TV Summary of Responses to the Local Media Action Plan
Local TV Summary of responses to the Local Media Action Plan June 2011 1 Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries. 2 Local TV Introduction 1. In January 2011, DCMS published a Local Media Action Plan1 setting out options for the creation of a new network of local television services. This plan followed the Shott Review published in December 20102 which looked at the conditions necessary for commercially viable local TV to emerge in the UK. 2. The Local Media Action Plan invited expressions of interest from groups and organisations that had an interest in providing a network channel that would carry and support local services. In addition, DCMS invited comments and views on a range of other questions around provision of local TV. 3. In total, DCMS received 140 responses to the action plan. This was made up of 21 expressions of interest in operating some form of network channel (ranging from centralised models to not-for-profit models to locally owned models); 43 expressions of interest in providing a range of local services; 5 expressions of interest in providing nations-based (i.e. Scotland, Wales, Northern Ireland specific) services; and 71 responses offering comments on the local TV policy proposition more generally. 4. A summary of the responses are set out at Annex A. A list of those who responded is set out at Annex B. Key considerations in determining the Local TV model 5. The Secretary of State’s objectives for local TV are a key part of the Government’s localism agenda. -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
Introduction: the New Journalist
Intoduction.qxd 4/23/2007 12:27 PM Page 1 INTRODUCTION: THE NEW JOURNALIST Journalism is changing – and so are journalists. As someone considering enter- ing the trade, or just taking your first steps in it, you are in an enviable posi- tion. Enviable, certainly, to those who have spent some time in the job and are struggling to keep up with the speed at which things are now moving. Enviable because you will take for granted the new realities of journalism. Realities such as that, where once journalists tended to consider themselves as newspaper journalists, or magazine journalists, or broadcasters, the new journalist is likely to work in several media instead of just one. What has brought about this change? In a word, or rather two: the internet. Because of the internet, the way news is obtained is undergoing a transfor- mation which is nothing short of revolutionary. Increasingly, the internet is the news medium of choice for many people – particularly young people. Don’t give up. I didn’t even get an interview at the BBC after university. MARTHA KEARNEY, POLITICAL EDITOR BBC2 NEWSNIGHT AND PRESENTS RADIO 4 WOMAN’S HOUR Almost all publishers of newspapers and magazines, and broadcasters of radio and television programmes, now have a web version of their product. And those websites, increasingly, use elements from all the traditional media in order to tell their stories: text and still pictures from the newspapers and magazines, audio and moving images from broadcasting. So, whereas the old journalist only learned the specific skills required to tell a story in one medium, the new journalist is likely to learn techniques from various media. -
00002-2006 ( .Pdf )
Feb2006.qxd 2/6/06 9:07 AM Page 1 PRESORTED FEBRUARY 2006 STANDARD ® U.S. POSTAGE PAID MIAMI, FL PERMIT NO. 7315 Tel: (305) 238-2868 1-800-605-7516 [email protected] We cover your world Vol. 17 No. 3 [email protected] Glenmore Hinds, assistant commissioner of police in Jamaica, who oversees Operation Kingfish, a sweep- ing measure established to disrupt organized crime on the island, visited Florida recently to talk about just how tough his job is, page 2. Not since 1988, when Evander Holyfield did it, had a boxer been acclaimed undisputed cruiserweight champion of the world. But last month Caribbean-born O’Neil Bell rose to the occasion at Madison Square Garden and crowned himself king in the ring, page 7. ~ Coretta Scott King died last month, but Buju, Beenie, her contribution to Bounty. For the struggle for civil years the reg- gae/dancehall rights in America had music charts a lasting effect on have been dominated people from the by virtually the same names. Now Bobby Caribbean as well, Clarke, a radio station exec in page 15. New York, is launching a con- test to find fresh new talent to challenge the old guard, page 17. INSIDE News . .2 Valentine’s Feature . .11 Black History Month Feature . .15 Health . .21 Feature . .7 Food . .12 Arts/Entertainment . .17 Sport . .22 Viewpoint . .9 Tourism/Travel . .13 Business . .19 Politics/Region . .23 Feb2006.qxd 2/6/06 9:07 AM Page 2 2 CARIBBEAN TODAY February 2006 www.caribbeantoday.com NEWS Operation Kingfish aims to net organized crime in Jamaica amaica rounded out 2005 Kingfish, a sweeping measure the dubious distinction of rate. -
2020 Social Purpose Impact Report
1 6.4 million 217 million extra Contents people talking portions of veg Britain Get Talking, page 9 Eat Them to Defeat Them, page 12 Welcome 3 ITV’s Social Purpose 5 70,605 more 29 million people kids exercising saw the campaign Better Health 7 The Daily Mile, page 14 Black Voices, page 26 Diversity & Inclusion 21 Climate Action 37 Giving Back 49 Awards 57 What’s coming up in 2021 59 Colleague 26.6% emissions The Data 60 engagement doubled reduction Network Groups, page 34 Climate Action, page 37 5,000 £9.3m raised Watch our Video colleagues trained for Soccer Aid of the Year Climate Action, page 37 Soccer Aid, page 51 2 Welcome We spoke to Carolyn McCall, ITV’s CEO, on the extraordinary year that was 2020, and how ITV’s Social Purpose activity has been having an impact. 2020 has been a year like no other. What has been the biggest changes in society? All of us will remember 2020 as the year our lives were turned upside down by Covid-19. It’s hard to overestimate the impact that had on not just our physical health and our daily lives, but also on our mental health, with rates of depression doubling during the first six months of lockdown. The Black Lives Matter movement also stands out, shining a light on the systemic issues facing Black people and people of colour around the world. And of course, climate change is ever-present. 2020 showed that we can all mobilise to change. What impact have these issues had on ITV and its Social Purpose? I think it shows that purpose-driven business is more important than ever before. -
2020 Summer/Fall Supplement for Merges & Duffy: Patent Law And
Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. 2020 Summer/Fall Supplement for Merges & Duffy: Patent Law and Policy (7th ed. 2017) Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. Copyright © 2020 Carolina Academic Press, LLC All Rights Reserved Carolina Academic Press 700 Kent Street Durham, North Carolina 27701 Telephone (919) 489-7486 Fax (919) 493-5668 E-mail: [email protected] www.cap-press.com Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. Table of Contents Chapter 1: Introduction ................................................................................................................. 1 A. Historical Overview of Patent Law ...................................................................................... 1 Update on Supreme Court Patent Cases .............................................................................. 1 D. Overview of Patent Rights and Patent Process ................................................................... 3 Revised Figure on the Legal Process of the U.S. Patent System ......................................... 3 3. Post-Issuance Administrative Processes .......................................................................... 4 Note on the Constitutionality of Post-Issuance Administrative Processes .......................... 4 Chapter 2: Patentable Subject Matter .......................................................................................... 5 B. Natural Law and Natural Principles ................................................................................... -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Lord Gus Macdonald
GCU GCU London Cowcaddens Road, 40 Fashion Street, Glasgow G4 0BA, London E1 6PX, Scotland, United Kingdom United Kingdom T: +44 (0)141 331 3000 T: +44 (0)203 369 3000 Lord Gus Macdonald F: +44 (0)141 331 3005 of Tradeston www.gcu.ac.uk www.gculondon.ac.uk University Chancellor 2007 - 2012 Glasgow Caledonian University is a registered Scottish charity, number SC021474. Designed and printed by Print Design Services, Glasgow Caledonian University. © Glasgow Caledonian University 2012. Introduction from the Principal and Vice-Chancellor For over six hundred years Chancellors of 25,000 students he graduated during his time Scottish universities have nourished and as Chancellor and in recognising the support of nurtured our universities, protected their their families. autonomy and intellectual integrity and conferred degrees on students. Whilst primarily ceremonial Lord Macdonald is a keen and steadfast in present times, the Chancellor’s role is an supporter of our Caledonian Club which is extremely important one. designed to raise the aspirations of pupils aged three to 18 years. During his tenure, the Throughout his time as Chancellor, Lord Caledonian Club has worked with over 5,300 Macdonald of Tradeston has proven an children and 2,000 families in Glasgow and is outstanding ambassador for the University, with now also serving the local community of Tower his wife, Lady Macdonald. He has been truly Hamlets in London where our new postgraduate supportive of the University’s social mission and campus was officially launched by HRH The our commitment to providing opportunities in Princess Royal in November 2011. higher education for all, and most especially for those from challenging or difficult backgrounds. -
Social Justice Practices for Educational Theatre
VOLUME 7 ISSUE 2b | 2020 SOCIAL JUSTICE PRACTICES FOR EDUCATIONAL THEATRE ARTSPRAXIS Emphasizing critical analysis of the arts in society. ISSN: 1552-5236 EDITOR Jonathan P. Jones, New York University, USA EDITORIAL BOARD Selina Busby, The Royal Central School of Speech and Drama, UK Amy Cordileone, New York University, USA Ashley Hamilton, University of Denver, USA Norifumi Hida, Toho Gakuen College of Drama and Music, Japan Kelly Freebody, The University of Sydney, Australia Byoung-joo Kim, Seoul National University of Education, South Korea David Montgomery, New York University, USA Ross Prior, University of Wolverhampton, UK Daphnie Sicre, Loyola Marymount University, USA James Webb, Bronx Community College, USA Gustave Weltsek, Indiana University Bloomington, USA Tammie Swopes, New York University, USA ArtsPraxis Volume 7, Issue 2b looked to engage members of the global Educational Theatre community in dialogue around current research and practice. This call for papers was released in concert with the publication of ArtsPraxis Volume 7, Issue 1 and upon the launch of the new ArtsPraxis homepage. The submission deadline for Volume 7, Issue 2b was July 15, 2020. Submissions fell under the category of Social Justice Practices for Educational Theatre. Social Justice Practices for Educational Theatre As of early June, 2020, we found ourselves about ten days into international protests following the murder of George Floyd by police in Minneapolis, Minnesota. Protesters the world over made specific calls to action: acknowledge that black lives matter, educate yourself about social and racial injustice, and change the legal system that allows these heinous acts to go unpunished. In thinking through how we in the field of educational theatre could proactively address these needs, I reminded myself that there were many artists and educators who were already deeply engaged in this work.