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A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
4920 10 Cc D22-01 2Pac D43-01 50 Cent 4877 Abba 4574 Abba
ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA TRECHO DA MÚSICA 4920 10 CC I´M NOT IN LOVE I´m not in love so don´t forget it 19807 10000 MANIACS MORE THAN THIS I could feel at the time there was no way of D22-01 2PAC DEAR MAMA You are appreciated. When I was young 9033 3 DOORS DOWN HERE WITHOUT YOU A hundred days had made me older 2578 4 NON BLONDES SPACEMAN Starry night bring me down 9072 4 NON BLONDES WHAT´S UP Twenty-five years and my life is still D36-01 5 SECONDS OF SUMMER AMNESIA I drove by all the places we used to hang out D36-02 5 SECONDS OF SUMMER HEARTBREAK GIRL You called me up, it´s like a broken record D36-03 5 SECONDS OF SUMMER JET BLACK HEART Everybody´s got their demons even wide D36-04 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT Simmer down, simmer down, they say we D43-01 50 CENT IN DA CLUB Go, go, go, go, shawty, it´s your birthday D54-01 A FLOCK OF SEAGULLS I RAN I walk along the avenue, I never thought I´d D35-40 A TASTE OF HONEY BOOGIE OOGIE OOGIE If you´re thinkin´ you´re too cool to boogie D22-02 A TASTE OF HONEY SUKIYAKI It´s all because of you, I´m feeling 4970 A TEENS SUPER TROUPER Super trouper beams are gonna blind me 4877 ABBA CHIQUITITA Chiquitita tell me what´s wrong 4574 ABBA DANCING QUEEN Yeah! You can dance you can jive 19333 ABBA FERNANDO Can you hear the drums Fernando D17-01 ABBA GIMME GIMME GIMME Half past twelve and I´m watching the late show D17-02 ABBA HAPPY NEW YEAR No more champagne and the fireworks 9116 ABBA I HAVE A DREAM I have a dream a song to sing… -
North Carolina Folklore
VOLUME XII DECEMBER 1964 NUMBER 2 NORTH CAROLINA FOLKLORE ARTHUR PALMER HUDSON Editor ., a CONTENTS·- ... Page INSTRUMENTAL MUSIC OF THE SOUTHERN APPALACHIANS: TRADITIONAL FIDDLE TUNES, Joan Moser •••••••••• CRITERIA FOR THE MELODIC CLASSIFICATION OF FOLKSONGS, Patricia Mosely • • • • • • • •••• 9 POTATO LORE, Joseph T. McCullen •••••••••••••••• \ 14 UP IN OLD LORAY: FOLKWAYS OF VIOLENCE IN THE GASTONIA STRIKE, Charles W. Joyner • • • • • • • • • 20 THE OLD BLIND MULE, Mrs. John L. Johnson • • • • • ••• 25 NOTE ON "OLD VIRGINIA NEVER TIRE," Jay B. Hubbell 26 SANDLAPPERS AND CLAY EATERS, Francis W. Bradley • 27 "MY EYES ARE DIM -- I CANNOT SEE" ••••••• 29 FOLKLORE IN THE TRACK OF THE CAT, Jack B. Moore 30 BOOK NOTICES Baum: Anglo-Saxon Riddles of the Exeter Book, Archer Taylor • 35 Poe: My First 80 Years, A. P. Hudson • • • • • • • • • • • • • • • 37 Warner: Folk Songs and Ballads of the Eastern Seaboard, A. P. Hudson • 38 A Publication of THE NORTH CAROLINA FOLKLORE SOCIETY and THE UNIVERSITY OF NORTH CAROLINA FOLKLORE COUNCIL Chapel Hill NORTH CAROLINA FOLKLORE Every reader is invited to submit items or manuscriprs for publication, preferably of the length of those in this issue. Subscriptions, other business communications, and contributions should be sent to Arthur Palmer Hudson Editor of North Carolina Folklore The University of North Carolina 710 Greenwood Road Chapel Hill, North Carolina. Annual subscription, $2 for adults, $1 for students (including membership in The North Carolina Folklore Society). Price of this number, $1. THE NORTH CAROLINA FOLKLORE SOCIETY Holgec 0. Nygard, Durham, President Philip H. Kennedy, Chapel Hill, 1 Vice-President Joan Noser, Brevard, 2 Vice-President Mrs. S, R, Prince, Reidsville, 3 Vice-President A. -
ED362879.Pdf
DOCUMENT RESUME ED 362 879 CS 214 065 AUTHOR Webb, C. Anne, Ed.; And Others TITLE Your Reading: A Booklist for Junior High and Middle School. Ninth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-5942-7; ISSN-1051-4740 PUB DATE 93 NOTE 260p.; For the previous edition, see ED 337 804. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 59427-0015; $12.95 members, $16.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) Books (010) EDRS PRICE M001/PC11 Plus Postage. DESCRIPTORS *Adolescent Literature; Annotated Bibliographies; Childrens Literature; Elementary School Students; Intermediate Grades; Junior High Schools; Junior High School Students; Middle-Schools; *Reading Material Selection; *Recreational Reading IDENTIFIERS Aesthetic Reading; Middle School Students ABSTRACT Designed for use by students in grades 5 through 9, this annotated bibliography of nearly 600 titles of fiction and nonfiction also serves as a resource for teachers, librarians, and parents in search of titles that might catch the attention of junior high and middle school students. The book presents annotations of books published in 1991 or 1992, along with a few titles published too late for the eighth edition and a few early 1993 releases. Titles are grouped by subject matter under four main headings: Imagining, Learning, Exploring, and Understanding. The book includes a special index which lists 150 "classics" of young adult literature from 1940 to 1990. It also includes subject, title, and author indexes and a directory of publishers. (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made * from the original document. -
The Development of the British Conspiracy Thriller 1980-1990
The Development of the British Conspiracy Thriller 1980-1990 Paul S. Lynch This thesis is submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of Doctor of Philosophy. January 2017 Abstract This thesis adopts a cross-disciplinary approach to explore the development of the conspiracy thriller genre in British cinema during the 1980s. There is considerable academic interest in the Hollywood conspiracy cycle that emerged in America during the 1970s. Films such as The Parallax View (Pakula, 1975) and All the President’s Men (Pakula, 1976) are indicative of the genre, and sought to reflect public anxieties about perceived government misdeeds and misconduct within the security services. In Europe during the same period, directors Costa-Gavras and Francesco Rosi were exploring similar themes of state corruption and conspiracy in films such as State of Siege (1972) and Illustrious Corpses (1976). This thesis provides a comprehensive account of how a similar conspiracy cycle emerged in Britain in the following decade. We will examine the ways in which British film-makers used the conspiracy form to reflect public concerns about issues of defence and national security, and questioned the measures adopted by the British government and the intelligence community to combat Soviet subversion during the last decade of the Cold War. Unlike other research exploring espionage in British film and television, this research is concerned exclusively with the development of the conspiracy thriller genre in mainstream cinema. This has been achieved using three case studies: Defence of the Realm (Drury, 1986), The Whistle Blower (Langton, 1987) and The Fourth Protocol (MacKenzie, 1987). -
“Youve Got This”
TASMANIAN CANINE ASSOCIATION Katelyn Innes “Youve Got This” VIRTUAL BENEFIT SHOW 2021 On the 8th of May 2021 Katelyn’s world changed. Just 25 years old and 23 weeks pregnant with her second child Katelyn collapsed at a dog show suffering a life- threatening subarachnoid haemorrhage. Young, strong, healthy and vibrant, Katelyn was brought up in the dog world. Her mother Yanina and Grandmother Fran along with Katelyn breed British Bulldogs under the “Paseya” prefix, also having over a 20 year love interest in their other heart breed the Dalmatian, Katelyn and Yanina started their own kennel and now breed them in partnership under the “Ourdals” prefix. Progressing through the Junior Handlers ranks and representing the State on several occasions, Katelyn is very well known in the show scene, not only for handling her own dogs to many Best in Shows but campaigning others as well. Not one to say “NO”, she goes out of her way to help others whether it be handling, holding, or even saving that illustrious “Top Knot!” Katelyn ‘s involvement in Juniors has led her to be on the Junior Handlers Committee which she has served on for several years, she is also Secretary of an All Breeds Club and a committee member of her Breed club in Tasmania. Understandably, this medical condition has had a devastating impact on Katelyn’s life and her nearest and dearest, she was in ICU in a coma for nearly 3 weeks before being transferred to a ward where she has started a rehabilitation program. Katelyn’s condition has affected her movement and co-ordination (significantly more on her left side) and she is working hard on her motor development, in both gross and fine motor skills. -
May 1941) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1941 Volume 59, Number 05 (May 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 05 (May 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/250 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. M . N»J " '** fifty jM( * 'H it' » f A f ’\Jf ? I» ***v ASCAP STATES ITS POLICY OF CO-OPERATION WITH ALL MUSIC EDUCATORS, ASSOCIATIONS, AND RELATED GROUPS: music educators, teachers, _, HERE HAS BEEN some misunderstanding upon the part of institutions, and others, music of our members has been withdrawn by ASCAP from use by X to the effect that the copyrighted educational and civic programs. This is not the fact. broadcasters in non-commercial religious, stations (network controlled) will not permit The radio networks and most of the important to be per- by any member of ASCAP, regardless of the nature of the formed on their airwaves, any music composed and presented by a church, school, club, civic group, or music program, even if entirely non-commercial, students or classes. -
“God As We Understand Him”
The View Newsletter of the Ridgeview Alumni Association Volume XVIII Fall 2005 Smyrna, GA “God As We Understand Him” The Ridgeview Alumni Association 3995 South Cobb Drive – Smyrna, GA 30080 The View Ridgeview Alumni Association November 2005 Fall Focus: God As We Understand Him Upcoming Events Gratitude Dinner – November 20, 2005 Lighting of Serenity Garden – December 11, 2005 New Years Eve Dance – December 31, 2005 Spring Fling – Alumni Weekend – June 2006 AA and Alanon meeting Friday night Workshops on Saturday Picnic with alumni, families and staff on Sunday Hot dogs, hamburgers, music, activities for kids, swimming, crafts, etc. Poolside 12 Step meeting immediately following the activities. Other Events Monthly 1st Friday Speaker Meetings Dinner and a Movie Alumni Lake Retreat – June 2006 Alumni Fall Retreat – September 2006 Halloween Dance – October 2006 Contact any Alumni Steering Committee Member for more information or join us every Thursday at 5:45pm at Pro North on the Ridgeview Campus. This issue along with archival copies are available on our website at www.ridgeviewalumni.com. The Newsletter will be in an Adobe PDF format; our website will link to download the FREE Adobe reader, allowing you to read and print the Newsletter at your leisure. If you would like to be added to our E-mail notification list when a new Newsletter is placed on the site, E-mail us at [email protected] or contact us thru the Web site, please put "newsletter" in the subject line. Thank you to all those who submitted articles for this edition of the Newsletter; if we have learned anything in recovery it is that We cannot keep what we have if we do not give it away! EDITORS: Dawn B. -
Hey Bartender (Big Bug in My Beer)
www.newukes.com www.facebook.com/fortepianissimos and the P i an issim o s Songs PROPERTY OF and rté the Pianissim Fo os Unauthorized users may be subject to hours of laughter, fun, peace, and harmony! 500 Miles — The Proclaimers 10 (D)When I wake up, yeah, I know I'm gonna be, I'm gonna (G)be the man who (A)wakes up next to (D)you. (D)When I go out, yeah, I know I'm gonna be, I'm gonna (G)be the man who (A)goes along with (D)you. (D)If I get drunk, well I know I'm gonna be, I'm gonna (G)be the man who (A)gets drunk next to (D)you. (D)And if I haver, yeah, I know I'm gonna be, I'm gonna (G)be the man who’s (A) havering to (D)you. CHORUS (D)But I would walk 500 miles, and (G)I would walk (A)500 more, Just to (D)be the man who walked 1,000 (G)miles to fall down (A)at your door. (D)When I’m working, yeah, I know I'm gonna be, I'm gonna (G)be the man who’s (A)working hard for (D)you. (D)And when the money, comes in for the work I do I'll pass (G)almost every (A)penny on to (D)you. (D)When I come home, oh I know I'm gonna be, I'm gonna (G)be the man who (A)comes back home to (D)you. -
THE SONG of the BIRD Anthony De Mello S
THE SONG OF THE BIRD Anthony de Mello S. J. This book has been written for people of every persuasion religious and non religious, I cannot, however, hide from my readers the fact that I am a priest of the Catholic Church. I have wandered free-ly in mystical traditions that are not Christian and not religious and I have been profoundly influenced by them. It is to my Church, however, that I keep returning, for she is my spiritual home; and while I am acutely, sometimes embarrassingly, conscious of her limitations and narrowness, I also know that it is she who has formed me and made me what I am today. So it is to her that I gratefully dedicate this book. Everyone loves stories and you will find plenty of them in this book: Stories that are Buddhist, Christian, Zen, Hasidic, Russian, Chinese, Hindu, Sufi; stories ancient and contemporary. And they all have a special quality: if read in a cer-tain kind of way, they will produce spiritual growth. HOW TO READ THEM There are three ways: 1. Read a story once. Then move on to another. This manner of reading will give you entertainment. 2. Read a story twice. Reflect on it. Apply it to your life. That will give you a taste of theology. This sort of thing can be fruitfully done in a group where the members share their reflections on the story. You then have a theological circle. 3. Read the story again, after you have reflected on it. Create a silence within you and let the story reveal to you its inner depth and meaning: something beyond words and reflections. -
Djvu Editions
In Memoriam ALFRED,LORD TENNYSON 1850 DjVu Editions Copyright c 2001 by Global Language Resources, Inc. All rights reserved. Based on the 19th edition of Edward Moxon & Co., Dover Street, London 1862. Electronic text created by Helen Triggs, October 1999. Contents PROLOGUE ................................ vi DEDICATION . viii I....................................... 1 II. ..................................... 2 III...................................... 3 IV...................................... 4 V. ..................................... 5 VI...................................... 6 VII. .................................... 8 VIII. 9 IX...................................... 10 X. ..................................... 11 XI...................................... 12 XII. 13 XIII. 14 XIV..................................... 15 XV. .................................... 16 XVI. 17 XVII. 18 XVIII. 19 XIX. 20 XX. .................................... 21 XXI. 22 XXII. 23 XXIII. 24 XXIV. 25 XXV. ................................... 26 XXVI. 27 CONTENTS iii XXVII. 28 XXVIII. 29 XXIX. 30 XXX. 31 XXXI. 33 XXXII. 34 XXXIII. 35 XXXIV. 36 XXXV. 37 XXXVI. 38 XXXVII. 39 XXXVIII. 40 XXXIX. 41 XL. .................................... 43 XLI. 44 XLII. 45 XLIII. 46 XLIV. 47 XLV..................................... 48 XLVI. 49 XLVII. 50 XLVIII. 51 XLIX. 52 L. ..................................... 53 LI...................................... 54 LII. 55 LIII. 56 LIV. .................................... 57 LV...................................... 58 LVI....................................