ROTHSCHILD, Richard-P

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RICHARD LUKE ROTHSCHILD PRODUCER/UPM TELEVISION: MYTHIC QUEST (Season 1) (UPM) Lionsgate TV/Apple Prod: Rob McElhenney, Nick Frenkel Dir: Various GOOD GIRLS (Season 1) (UPM) Universal TV/NBC Prod: Jenna Bans, Jeannine Renshaw Dir: Various SNOWFALL (Season 1) (UPM) FX Studios Prod: Thomas Schlamme, Dave Andron, Dir: Various John Singleton, Nicolas Stern MISTRESSES (Seasons 4) (UPM) ABC Studios/ABC Prod: Rina Mimoun, Josh Reims Dir: Various STITCHERS (Pilot & Seasons 1 & 2) (UPM) ABC/ABC Family Prod: Jeff Schechter, Jonathan Baruch, Dir: Various Rob Wolken, Lynn Raynor, David Roessell RESURRECTION (“The Returned”) (UPM) ABC Prod: Lynn Raynor, JoAnn Alfano Dir: Various MAGIC CITY (Season 2) (Producer) STARZ Entertainment Prod: Mitch Glazer, Fred Berner Dir: Various COMA (Mini-Series) (UPM) Sony Pictures TV/ A & E Prod: Ridley & Tony Scott, David Zucker Dir: Various PROJECT FIVE (MOW) (UPM) Sony Pictures TV/Lifetime Prod: Jennifer Aniston, Kevin Chinoy, Dir: Jennifer Aniston & Francesca Silvestri, Martha Kauffman Patti Jenkins BIRD DOG (Pilot) (UPM) Warner Horizon/TNT Prod: Mike Robe Dir: Mike Robe UNANSWERED PRAYERS (MOW) (UPM) Sony Pictures TV/Lifetime Prod: Andrea Baynes Dir: Steven Schachter FLIRTING WITH 40 (MOW) (Co-Producer/UPM) Sony Pictures TV/Lifetime Prod: Lynn Raynor Dir: Mikael Salomon BROTHERS AND SISTERS (Pilot) Touchstone TV/ABC Prod: Ken Olin, Robby Baitz Dir: Ken Olin (Co-Producer/UPM) THE PATH TO 911 (Miniseries) (Line Producer) ABC Prod: Penelope Foster Dir: David Cunningham FIRE AND RAIN (MOW) (Producer) U.S.A. Cable Network Prod: John McMahon, Mel Swope Dir: Jerry Jameson HITLER’S DAUGHTER (MOW) (Producer) U.S.A. Cable Network Prod: John McMahon, Mel Swope Dir: Jim Contner HAWAIIAN HONEYMOON (MOW) Walt Disney TV Prod: Charles Milhaupt Dir: Mollie Miller (Producer) THE HAUNTING OF SARAH HARDY (MOW) U.S.A. Cable Network Prod: Salli Newman Dir: Jerry London (Producer/Production Manager) FEATURES: GET LOW Sony Pictures Classics Prod: Dean Zanuck Dir: Aaron Schneider (Co-Producer) THE GAME PLAN Walt Disney Pictures Prod: Mark Ciardi, Gordon Gray Dir: Andy Fickman (Executive Producer) HIDALGO Touchstone Prod: Casey Silver Dir: Joe Johnston (Production Consultant) THE SCORPION KING Universal Pictures Prod: Sean Daniel, James Jacks, Kevin Misher, Dir: Chuck Russell (Co-Producer) Stephen Sommers URBAN LEGENDS: FINAL CUT Phoenix/Sony-Tristar Prod: Gina Matthews, Neal Moritz Dir: John Ottman (Producer) DOUBLE JEOPARDY Paramount Prod: Leonard Goldberg Dir: Bruce Beresford (Co-Producer) THE TRUMAN SHOW Paramount Prod: Edward Feldman, Andrew Niccol, Dir: Peter Weir (Co-Producer) Scott Rudin, Adam Schroeder ROMY & MICHELLE’S Touchstone Pictures Prod: Laurence Mark Dir: David Mirkin HIGH SCHOOL REUNION (Co-Producer/Production Manager) LAST DANCE Touchstone Pictures Prod: Steven Haft Dir: Bruce Beresford (Executive Producer/Production Manager) BRIDGES OF MADISON COUNTY Warner Bros./Amblin Prod: Clint Eastwood, Kathleen Kennedy Dir: Clint Eastwood (Executive Producer) (Prep Only) THE BIG PICTURE Columbia Pictures Prod: Michael Varhol Dir: Christopher Guest (Line Producer/Production Manager) CRIMES OF THE HEART Dino DeLaurentis Prods. Prod: Freddie Fields Dir: Bruce Beresford (Production Manager/Asst. Director) 1991-1994 EXECUTIVE - HOLLYWOOD PICTURES/WALT DISNEY LOCATIONS WORKED – Los Angeles / Georgia / Vancouver / Toronto / London / Boston / New Orleans / Hawaii / Florida / Arizona / Texas / Iowa / Tennessee / Kentucky / North Carolina / South Carolina / Oregon / Morocco / India / Virginia / Maryland ADDITIONAL CREDITS AVAILABLE UPON REQUEST 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Attention Readers! the Plant Was Closed in \%2
Library Woodbridge/Woodbridgc Township • Edison/Metuchen • Perth Amboy • Carteret • South AmboylSaytevllto Afflboy, MJ. 08871 VOL 121, NO, 17 Friday, April 26( 2002 12002 Dtvir* Media EnttrprlMi, Inc 732.574-1200 • p.o. Box 3095, south Amboy, NJ 08879 Your Neighborhood In Print Since 1882 Perth Amboy Con Man Charged With Real Estate Fraud YOUR HOMETOWN NEWSPAPER PERTH AMBOY—Last week, List. Authorities believe that Orange, Essex County. The Divi- the Division of Criminal Justice Amendola may be armed and dan- sion of Criminal Justice allege announced the unsealing of an gerous. Anyone with information that the Vernon Avenue property indictment which charges a for- on the whereabouts of Yanko was initially acquired by a compa- mer Perth Amboy resident with Amendola is encouraged to con- ny controlled by Amendola. The masterminding and operating a tact State Investigator Raymond property was then sold twice to an wide-ranging and profitable real Gardner of the New Jersey Divi- impersonator using a stolen tden- estate fraud scheme in northern sion of Criminal Justice at (609) tity. Amendola arranged for two New Jersey that netted oVer 984-6500. mortgages to be obtained by the $500,000 in illegal gains. The indictment alleges that imposter excess of $100,000 as a Yanko Amendola According to Peter C. Harvey, Amendola, a former mortgage result of each transaction. First Assistant Attorney General broker who was previously indict- • 4 Greenwood Lake Street, Essex County. It is alleged that and Director of the Division of ed by the Division of Criminal Newark, Essex County. It is this property was sold twice to an Criminal Justice, the Financial Justice in 2001, orchestrated a alleged that this property was sold imposter who obtained two mort- Crimes and Anti-Trust Bureau of real estate fraud scheme designed by Amendola to an imposter who gages - $198,000 and $165,000 the Division of Criminal Justice to obtain funds from mortgage acquired an $88,000 mortgage, respectively.
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ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
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Nick Gillott Producer / Line Producer
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AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors.
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WINNERS Children’S Programs Documentary Daytime Serials
MARCH 2011 MICK JACKSON MARTINMARTIN SCORSCORSSESEESE MICHAEL SPILLER Movies For Television Dramatic Series Comedy Series and Mini-Series TOM HOOPER Outstanding Directorial Achievement in Feature Film GLENN WEISS EYTAN KELLER STACYSTACY WALLWALL Musical Variety Reality Programs Commercials ERIC BROSS CHARLES FERGUSON LARRY CARPENTER WINNERS Children’s Programs Documentary Daytime Serials In this Issue: • DGA 75th Anniversary events featuring Martin Scorsese, Kathryn Bigelow, Francis Ford Coppola and the game-changing VFX of TRON and TRON: Legacy • March Screenings, Meetings and Events MARCH MONTHLY VOLUME 8, NUMBER 3 Contents 1 29 MARCH MARCH CALENDAR: MEETINGS LOS ANGELES & SAN FRANCISCO 4 DGA NEWS 30-34 MEMBERSHIP 6-8 SCREENINGS UPCOMING EVENTS 35 RECENT 9-27 EVENTS DGA AWARDS COVERAGE 36 28 MEMBERSHIP MARCH CALENDAR: REPORT NEW YORK, CHICAGO, WASHINGTON, DC DGA COMMUNICATIONS DEPARTMENT Morgan Rumpf Assistant Executive Director, Communications Sahar Moridani Director of Media Relations Darrell L. Hope Editor, DGA Monthly & dga.org James Greenberg Editor, DGA Quarterly Tricia Noble Graphic Designer Jackie Lam Publications Associate Carley Johnson Administrative Assistant CONTACT INFORMATION 7920 Sunset Boulevard Los Angeles, CA 90046-0907 www.dga.org (310) 289-2082 F: (310) 289-5384 E-mail: [email protected] PRINT PRODUCTION & ADVERTISING IngleDodd Publishing Dan Dodd - Advertising Director (310) 207-4410 ex. 236 E-mail: [email protected] DGA MONTHLY (USPS 24052) is published monthly by the Directors Guild of America, Inc., 7920 Sunset Boulevard, Los Angeles, CA 90046-0907. Periodicals Postage paid at Los Angeles, CA 90052. SUBSCRIPTIONS: $6.00 of each Directors Guild of America member’s annual dues is allocated for an annual subscription to DGA MONTHLY.
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ANDREW Macritchie Editor
ANDREW MacRITCHIE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS BOUNDLESS Simon West AMAZON Limited Series Heidi Jo Markel, Marc Bikindou Miguel Menendez de Zubillaga SEACOLE Charlie Stratton RACING GREEN PICTURES Feature Film Billy Peterson, Sam Williams LEGEND HUNTERS Simon West COURT FIVE / AMBER ENTERTAINMENT Feature Film Only Liu, Jib Polhemus Add’l Editor THE DARK CRYSTAL: Louis Leterrier THE JIM HENSON COMPANY / NETFLIX AGE OF RESISTANCE Ritamarie Peruggi, Lisa Henson Season 1 THE TERROR Various Directors SCOTT FREE / AMC Season 1 Soo Hugh, Dave Kajganich STRATTON Simon West GFM FILMS Feature Film Ileen Maisel, Matthew Jenkins HARLEY & THE DAVIDSONS Ciaran Donnelly RAW TELEVISION / DISCOVERY Miniseries Peter McAleese DA VINCI’S DEMONS Various Directors BBC WORLD / STARZ / Joshua Throne Season 3, 1 Eps STRIKE BACK Various Directors LEFT BANK PICTURES / CINEMAX Seasons 3 & 4, 4 Eps Michael Bassett, Chris Thompson UNLOCKED Michael Apted DI BONAVENTURA PICTURES Feature Film LIONSGATE / Lorenzo di Bonaventura Georgina Townsley THE GUNMAN Pierre Morel NOSTROMO PICTURES Feature Film SILVER PICTURES / STUDIO CANAL Add’l Editor Andrew Rona, Joel Silver ENDEAVOUR Various Directors MAMMOTH SCREEN / ITV Season 2, 1 Eps Camile Gatin THE MUSKETEERS Various Directors BBC AMERICA / Colin Wratten Season 1, 2 Eps IRON MAN 3: THE PROLOGUE Shane Black DMG Entertainment / MARVEL STUDIOS Feature Film DOOMSDAY Neil Marshall ROGUE PICTURES Feature Film Benedict Carver, Steven Paul LARA CROFT TOMB RAIDER: THE Jan de Bont PARAMOUNT PICTURES CRADLE OF LIFE Lawrence Gordon, Lloyd Levine Feature Film Add’l Editor DIE ANOTHER DAY Lee Tamahori MGM Feature Film Barbara Broccoli, Michael G. Wilson THE MUMMY RETURNS Stephen Sommers ALPHAVILLE FILMS / UNIVERSAL Feature Film Sean Daniel, James Jacks VFX Editor THE WORLD IS NOT ENOUGH Michael Apted MGM Feature Film Barbara Broccoli, Sharon Lark, Danjaq First Assistant Editor, VFX Editor INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
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Learning from SHOGUN
Learning from Shǀgun Japanese History and Western Fantasy Edited by Henry Smith Program in Asian Studies University of California, Santa Barbara Santa Barbara, California 93106 Contents Designed by Marc Treib Contributors vi Copyright © 1980 by Henry D. Smith II Maps viii for the authors Preface xi Distributed by the Japan Society, 333 East 47th Street, New York, Part I: The Fantasy N.Y. 10017 1 James Clavell and the Legend of the British Samurai 1 Henry Smith 2 Japan, Jawpen, and the Attractions of an Opposite 20 Illustrations of samurai armor are David Plath from Murai Masahiro, Tanki yǀryaku 3 Shǀgun as an Introduction to Cross-Cultural Learning 27 (A compendium for the mounted Elgin Heinz warrior), rev. ed., 1837, woodblock edition in the Metropolitan Museum Part II: The History of Art, New York 4 Blackthorne’s England 35 Sandra Piercy 5 Trade and Diplomacy in the Era of Shǀgun 43 Ronald Toby 6 The Struggle for the Shogunate 52 Henry Smith 7 Hosokawa Gracia: A Model for Mariko 62 Chieko Mulhern This publication has been supported by Part III: The Meeting of Cultures grants from: 8 Death and Karma in the World of Shǀgun 71 Consulate General of Japan, Los William LaFleur Angeles 9 Learning Japanese with Blackthorne 79 Japan-United States Susan Matisoff Friendship Commission 10 The Paradoxes of the Japanese Samurai 86 Northeast Asia Council, Henry Smith Association for Asian Studies 11 Consorts and Courtesans: The Women of Shǀgun 99 USC-UCLA Joint East Asia Henry Smith Studies Center 12 Raw Fish and a Hot Bath: Dilemmas of Daily Life 113 Southern California Conference on Henry Smith International Studies Who’s Who in Shǀgun 127 Glossary 135 For Further Reading 150 Postscript: The TV Transformation 161 vi Contributors vii Sandra Piercy is a graduate student in English history of the Tudor- Stuart period at the University of California, Santa Barbara.
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Awards / Nominations
BRIAN TYLER FEATURE FILMS REDEEMING LOVE Cindy Bond, Wayne Fitzjohn, Michael Scott, Simon Mission Pictures International Swart, David AR White, Brittany Yost, prod. D.J. Caruso, dir. ESCAPE ROOM 2 Neil H. Moritz, prod. Columbia Pictures Adam Robitel, dir. *Co-Score with John Carey CLOUDS Justin Baldoni, Casey La Scala, Andrew Lazar, prods. Warner Bros. Justin Baldoni, dir. THOSE WHO WISH ME DEAD Garrett Basch, Aaron L. Gilbert, Taylor Sheridan, New Line Cinema Kevin Turen, Steven Zaillian, prods. Taylor Sheridan dir. CHARLIE’S ANGELS Elizabeth Banks / Max Handelman, Elizabeth Sony Pictures Cantillon, Doug Belgrad, prods. Elizabeth Banks dir. RAMBO: LAST BLOOD Avi Lerner / Kevin King Templeton, prods. Millennium Films Adrien Grunberg, dir. READY OR NOT James Vanderbilt / Tripp Vinson, prods. Fox Searchlight Matthew Bettinelli-Olphin /Tyler Gillett, dirs. FIVE FEET APART Justin Baldoni / Cathy Schulman / Claire Wineland, CBS Films prods. *Co-Score with Breton Vivian Justin Baldoni, dir. WHAT MEN WANT Taraji P. Henson / Adam Shankman, prods. Paramount Pictures Adam Shankman, dir. ESCAPE ROOM Neal H. Moritz / Logan Miller, prods. Sony. Pictures Adam Robitel, dir. *Co-Score with John Carey CRAZY RICH ASIANS Nina Jacobson / John Penotti / Brad Simpson, prods. Warner Bros. Pictures Jon M. Chu, dir. THE DEVIL WE KNOW Joshua Kunau, prod. Teflon Film Stephanie Soechtig, dir. THE FATE OF THE FURIOUS Vin Diesel / Neal H. Moritz / Chris Morgan, prods. Universal Pictures F. Gary Gray, dir. THE MUMMY Bobby Cohen / Barbara Muschietti / Sarah Bradshaw / Universal Pictures Chris Morgan / Sean Daniel, prods. Alex Kurtzman, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 BRIAN TYLER XXX: THE RETURN OF XANDER Joe Roth /Vin Diesel / Samantha Vincent / Jeff CAGE Kirschenbaum, prods.
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TONY ADLER 1St ASSISTANT DIRECTOR DGA
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HP SA Presidential Election Ties; Runoff to Be Held
£LXJ H P WRESHER Volume 75, Number 21 Rice's lame-duck newspaper Friday, February 26,1988 SA Presidential election ties; runoff to be held by Samantha Hendren the original date of March 14 until be the University Council student With a one-vote margin and two- after the presidency is decided. representatives. vote discrepancy, this year's race for All of Tuesday's other elections The Honor Council referendum, Student Association president be- were decided as usual. Hanszen Col- which modified the Honor Council came the most closely contested elec- lege junior Alex Flenner won the Rice Constitution to exclude an unneces- tion in Rice history. Despite an elec- Program Council presidency with sary part of the appeals process, tion system specifically designed to 709 votes, compared to 522 votes for passed with an 88 percent approval by avoid the agonizing process of runoff Wiess sophomore Steamer LeCar- students. elections, the university's highest pentier. Lovett College senior Jamie The Student Association internal student office must remain vacant Daruwala won RPC internal vice- vice-president will be Baker sopho- until a runoff election Tuesday, president after a run-off with Will more Dennis Abbott, who ran March 15, between Will Rice College Rice junior Beth O'Donnell. The unopposed. The race for SA external junior Andy Karsner and Baker Col- RPC external vice-president will be vice-president was won by Hanszen lege junior Chip Lutton. Sid Richardson College sophomore sophomore Adam Carr with 788 The tallying of first-place votes Katherine Tasheff, who ran votes to 326 for Lloyd Bellah, also a yielded 623 for Karsner, 612 for Lut- unopposed.
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Industry Space and Structures of Power at the San Diego Comic-Con
Making Fandom Work: Industry Space and Structures of Power at the San Diego Comic-Con by Erin Melissa Hanna A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2014 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Associate Professor Dan Chilcote Herbert Associate Professor Aswin Punathambekar Associate Professor Yeidy M. Rivero Comic-Con Souvenir Book Cover, Dick Giordano, 1981 (Stadler, Mark, ed. 1981 San Diego Comic-Con Souvenir Book. San Diego: San Diego Comic-Con, Inc., 1981.) © Erin Hanna 2014 For Daddy I only have to close my eyes dear And suddenly I’m where you are ii ACKNOWLEDGEMENTS It seems strange, at the end of a process so dependent on intensive research and critical thought, to shift gears and channel something directly from my heart onto the page. Some people talk about their dissertation or book as a labour of love. But if I’m speaking from the heart here, I should confess that most of the time it just felt like a lot of really hard work; hard work that was fueled by the love and generosity of a lot of people, whom I’m incredibly lucky to have in my life. It’s really their love that made my labour possible. I was very fortunate to have an array of fabulous professors and mentors as I worked towards my Bachelors and Masters degrees at York University’s Department of Film. John McCullough and Suzie Young encouraged me to pursue graduate school and their instruction and mentorship spurred my intellectual growth and changed the way I thought about media.
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TAX PLAN KEY to MALL $70-Million Project Could Open in Late 1989
mxdmtn HfralJi Manchester — A City of Village Charm Saturday, Jan. 23, 1988 30 Cents TAX PLAN KEY TO MALL $70-million project could open in late 1989 By Nancy Concelman Manchester Herald The >70 million Mall at Buckland Hills — possibly larger than one originally proposed — could be completed by the fall of 1M9 if directors agree to a seven-year tax freese worth >9.5 million, the developer says. Joseph LeDuc, senior development director for the Homart Development Co. of Chicago, said during a news conference Friday that Homart will present a proposal next week to the Manchester Board of Directors to finance the road and utility improvements related to the mall, estimated now at $15 million, through a 7-year tax freeze on 100 acres of the 115-acre mall site. The tax freeze would allow Homart to recapture $9.5 million by freezing the real estate tax assessment at a lower percentage rate. Most directors interviewed Friday night were non-committal on the proposal. The mall is expected to employ between 1,500 and 2,000 full- and part-time employees, LeDuc said. Physical plans lor thA^mall will remain the same, but the size may increase, LeDuc said. The details of Homart’s ^ n s were disclosed just months after a slim^nnargin of voters defeated a Nov. 3 referendum^alling for $13 million in tax-increment bonds to p^t^rj^rroad and utility improvements. After that defeat. LeDuc had said Homart was considering scaling the project down or moving it to South Windsor. But he said Friday the mall would rennain at the proposed 785,000 squ are-f^ and may even get larger.
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