John Andrew Berton Jr

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JOHN ANDREW BERTON JR. Visual Effects Supervisor www.jabertonjr.com FILM DIRECTOR STUDIO PRODUCERS “CELESTINA ” Jose Rivera Esperanza Productions Walter Salles Visual Effects Consultant Camillia Sanes “KING OF THE ELVES” Aaron Blaise Walt Disney Animation Chuck Williams 10 Mos Development- Postponed Robert Walker “BEDTIME STORIES” Adam Shankman Walt Disney Pictures Jack Giarraputo Andrew Gunn Adam Sandler “UNTITLED DAVID GOYER” David Goyer Walt Disney Pictures David Heyman R&D - 16 weeks + 3-D Stereo test Heydey Films/Phantom 4 “CHARLOTTE’S WEB” Gary Winick Paramount Pictures Jordan Kerner Nominated for 3 VES Awards: Walden Media/Nickelodeon Julia Pistor Best Effects Driven Picture (2) Outstanding Animated Characters “I, ROBOT” Alex Proyas Twentieth Century Fox John Davis (Digital Effects Supervisor) Topher Dow “MEN IN BLACK II” - (ILM ) Barry Sonnenfeld Columbia Pictures Laurie MacDonald Academy Awards Bakeoff Walter F. Parkes Nominated: VES Award “THE MUMMY RETURNS” - (ILM ) Stephen Sommers Alphavi lle Films Sean Daniel James Jacks “THE MUMMY” – (ILM ) Stephen Sommers Alphaville Films Sean Daniel Academy Awards Bakeoff Universal Pictures James Jacks Nomination: BAFTA Award “DEEP RISING” – (ILM ) Stephen Sommers Hollywood Pictures Jo hn Baldecchi Laurence Mark “MEN IN BLACK” – (ILM ) Barry Sonnenfeld Columbia Pictures Laurie MacDonald (Digital Effects Supervisor) Walter F. Parkes “STAR WARS: SPECIAL EDITION” George Lucas Lucasfilm Gary Kurtz (CG Supervisor) – (ILM) Rick McCallum “CASPER” – (ILM ) Brad Silberling Universal Pictures Colin Wilson (Supervising Digital Effects Artist) “THE MASK” – (ILM ) Chuck Russell New Line Cinema Bob Engelman (Department Operations Manager) John Andrew Berton Jr. -2- “THE FLINTSTONES ” – (ILM) Brian Levant Universal Pictures Bruce Cohen (Department Operations Manager) “BABY’S DAY OUT” – (ILM ) Patrick Read Johnson Twentieth Century Fox John Hughes (Department Operations Manager) Richard Vane “JURASSIC PARK” – (ILM ) Steven Spielberg Universal Pictures Kathleen Kennedy (Department Operations Manager) Gerald R. Molen “DEATH BECOMES HER” – (ILM ) Robert Zemeckis Universal Pictures Steve Starkey (Department Operations Manager) Robert Zemeckis “STAR TREK VI - (ILM ) Nicholas Meyer Paramount Pictures Steven -Charles Jaffe (CG Animator) Ralph Winter “HOOK” – (ILM ) Steven Spielberg Amblin Entertainment Kathleen Kennedy (CG Animator) Frank Marshall “TERMINATOR 2: JUDGMENT DAY” James Cameron Lightstorm Entertainment James Cameron (CG Animator) – (ILM) Other Notable experience: 1987/88 – Technical Director/CG Animator – Mental Images, Berlin Germany: BMW, ARD, Radio Bremen commercials. 1983 -1987 - Technical Director/Computer Graphics Animator: commercial and broadcast animations for ABC, NBC, CBS, HBO, Cinemax. Monitor Award for 1984 Super Bowl spot Education: M.A. Art Education and Digital Cinema – Ohio State , B.A. Communications & Film – Denison University Locations: Australia, New Zealand, Vancouver, Toronto, England, Morocco, Jordan, New York, Chicago Member: Academy of Motion Picture Arts and Sciences, BAFTA, VES Society .

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Attention Readers! the Plant Was Closed in \%2
Library Woodbridge/Woodbridgc Township • Edison/Metuchen • Perth Amboy • Carteret • South AmboylSaytevllto Afflboy, MJ. 08871 VOL 121, NO, 17 Friday, April 26( 2002 12002 Dtvir* Media EnttrprlMi, Inc 732.574-1200 • p.o. Box 3095, south Amboy, NJ 08879 Your Neighborhood In Print Since 1882 Perth Amboy Con Man Charged With Real Estate Fraud YOUR HOMETOWN NEWSPAPER PERTH AMBOY—Last week, List. Authorities believe that Orange, Essex County. The Divi- the Division of Criminal Justice Amendola may be armed and dan- sion of Criminal Justice allege announced the unsealing of an gerous. Anyone with information that the Vernon Avenue property indictment which charges a for- on the whereabouts of Yanko was initially acquired by a compa- mer Perth Amboy resident with Amendola is encouraged to con- ny controlled by Amendola. The masterminding and operating a tact State Investigator Raymond property was then sold twice to an wide-ranging and profitable real Gardner of the New Jersey Divi- impersonator using a stolen tden- estate fraud scheme in northern sion of Criminal Justice at (609) tity. Amendola arranged for two New Jersey that netted oVer 984-6500. mortgages to be obtained by the $500,000 in illegal gains. The indictment alleges that imposter excess of $100,000 as a Yanko Amendola According to Peter C. Harvey, Amendola, a former mortgage result of each transaction. First Assistant Attorney General broker who was previously indict- • 4 Greenwood Lake Street, Essex County. It is alleged that and Director of the Division of ed by the Division of Criminal Newark, Essex County. It is this property was sold twice to an Criminal Justice, the Financial Justice in 2001, orchestrated a alleged that this property was sold imposter who obtained two mort- Crimes and Anti-Trust Bureau of real estate fraud scheme designed by Amendola to an imposter who gages - $198,000 and $165,000 the Division of Criminal Justice to obtain funds from mortgage acquired an $88,000 mortgage, respectively.
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Aprirà la 62^ edizione del Taormina Film Fest che si terrà a Taormina dall’11 al 18 giugno Un film di Richard Linklater NELLE SALE DAL 16 GIUGNO 2016 Durata: 117 minuti Ufficio stampa film Ornato Comunicazione Via Flaminia, 954 00191 Roma Tel. + 39 06.3341017 + 39 06.33213374 [email protected] PARAMOUNT PICTURES e ANNAPURNA PICTURES presentano “TUTTI VOGLIONO QUALCOSA”, una produzione DETOUR FILMPRODUCTION. Produttori Esecutivi Sean Daniel, John Sloss e Stephen Feder. Prodotto da Megan Ellison, Ginger Sledge e Richard Linklater. Scritto e diretto da Richard Linklater. Sequel spirituale di “La vita è un sogno”, (Dazed and Confused), ambientato nel mondo universitario degli anni ’80, TUTTI VOGLIONO QUALCOSA è una commedia che racconta le vicende di un gruppo di amici nel momento di passaggio verso l’età adulta, in cui si avventurano tra le libertà e le responsabilità dell’essere grandi senza una guida. Preparatevi al weekend più divertente della vostra vita! SINOSSI: Nel 1981 Jake Bradford si trasferisce al college e prende possesso di un'abitazione insieme ai suoi compagni della squadra di baseball universitaria. Tra cameratismi e qualche conflitto interno al gruppo, tra notti folli alla perenne ricerca di conquiste femminili, Jake inizia un percorso di crescita che lo porterà anche a trovare l'amore. CAST TECNICO Regia Richard Linklater Scritto da Richard Linklater Produttori Megan Ellison Ginger Sledge Richard Linklater Produttori Esecutivi Sean Daniel John Sloss Stephen Feder Scenografie Bruce Curtis CAST ARTISTICO Nesbit Austin Amelio Tyrone Plummer Temple Baker Beuter Will Brittain Beverly Zoey Deutch Roper Ryan Guzman McReynolds Tyler Hoechlin Jake Bradford Blake Jenner Dale Douglas J.
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Open Tunney.Thesis.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES THE EVOLUTION OF UHURA: REPRESENTATIONS OF WOMEN IN TREK KRISTEN TUNNEY Fall 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Film-Video with honors in Media Studies Reviewed and approved* by the following: Jeanne Lynn Hall Associate Professor of Communications Thesis Supervisor Barbara Bird Associate Professor of Communications Honors Adviser Paula Droege Lecturer in Philosophy Third Reader * Signatures are on file in the Schreyer Honors College. i Abstract: The Evolution of Uhura: Representations of Women in Trek will be a primarily textual character analysis* of the ways in which the character of Uhura has evolved and transformed over the past forty years. In the paper, I claim that Trek films have always had both positive and negative representations of women, and that ―NuTrek‖ fails and succeeds in ways that are different from but comparable to those of ―classic‖ Trek. I will devote the first half of my paper to Uhura‘s portrayal in Star Treks I through VI. The second half of my research will focus on the newest film, Star Trek (2009). I will attempt to explain the character‘s evolution as well as to critique the ways in which NuTrek featuring the Original Series characters manages to simultaneously triumph and fail at representing the true diversity of women. * my interpretation of how different characters can be ―read‖ as either positive or negative representations of gender; my own interpretation will be compared and contrasted with that of other Trek scholars, and I will be citing sources both in feminist literature and media studies literature (and some combinations) to back up my own conclusions about the films.
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