THE TRAGEDY of MACBETH -- by William Shakespeare Dramatis
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Macbeth Silly Shakespeare Sample
ISBN: 978-1-948492-74-4 Copyright 2020 by Paul Murray All rights reserved. Our authors, editors, and designers work hard to develop original, high-quality content. Please respect their efforts and their rights under copyright law. Do not copy, photocopy, or reproduce this book or any part of this book for use inside or outside the classroom, in commercial or non-commercial settings. It is also forbidden to copy, adapt, or reuse this book or any part of this book for use on websites, blogs, or third-party lesson-sharing websites. For permission requests or discounts on class sets and bulk orders contact us at: Alphabet Publishing 1204 Main Street #172 Branford, CT 06405 USA [email protected] www.alphabetpublishingbooks.com For performance rights, please contact Paul Murray at [email protected] Interior Formatting and Cover Design by Melissa Williams Design Summary acbeth (or The Tragedy of Macbeth to give it its full Mtitle), believed to be first performed in 1606, is one of Shakespeare’s most famous and widely performed plays. Some say that the play is cursed because of the way in which it portrays the witches and so tradition has it that the name of the play should not be spoken in theatre; instead it is referred to simply as ‘the Scottish play’. *** The Scottish play begins with the brief appearance of a trio of witches who act as the narrators for this version of the play, appearing between each scene. It then moves to a military camp, where the Scottish King Duncan hears the news that his generals, Macbeth, and Banquo, have defeated two separate invading armies—one from Ireland and one from Norway. -
Affect, Embodiment, and Ethics in Narratives of Sexual Abuse
Affect, Embodiment, and Ethics in Narratives of Sexual Abuse Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lindsay A. Martin, M.A. Graduate Program in English The Ohio State University 2016 Dissertation Committee: James Phelan, Advisor Robyn Warhol, Co-Advisor Brian McHale Copyright by Lindsay A. Martin 2016 Abstract In the field of rhetorical narrative theory, the study of affect has been oft- acknowledged but remains undervalued. Even as affect studies has burgeoned in other fields, affect in narrative theory continues to be discussed either as a product of ethical judgments or as a purely physical response that scientific studies can measure. Affect, Embodiment, and Ethics in Narratives of Sexual Abuse expands the vocabulary for affect in narrative theory, in particular focusing on expanding our awareness of the varying potential relationships between ethical judgments and affective dynamics. Turning to narratives that represent sexual abuse and taboo violation in late-twentieth-century American literature—Vladimir Nabokov’s Lolita, Kathryn Harrison’s memoir The Kiss, and Alexander Chee’s Edinburgh—I demonstrate that affective dynamics have a variety of possible relationships with the negative ethical judgments encouraged against the abuser figures and/or taboo violators. Specifically, I argue that in order to attend to affect as it appears in narratives of sexual abuse, we must attend to “embodiment”: the character’s shifting experiences of how closely tied he or she feels mind and body to be. I call this experiential embodiment and chart it by examining representation of characters’ emotions, trauma, and bodily experience. -
The Dramatis Personae in Disney's Beauty and The
THE DRAMATIS PERSONAE IN DISNEY’S BEAUTY AND THE BEAST FAIRY TALE BASED ON VLADIMIR PROPP’S THEORY A Thesis In Partial Fulfilment of the Requirements For The Sarjana Degree Majoring American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by: MARWA WULANSARI NIM: 13020114120004 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2018 PRONOUNCEMENT The writer honestly confirms that she compiles the thesis by herself and without taking any results form other researchers in S-1, S-2, S-3 and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, 30 May 2018 Marwa Wulansari MOTTO AND DEDICATION Whatever you love most in life is your Master as simple as that. Yasmin Mogahed This paper is dedicated to my beloved family, everyone who helped me accompanished this paper and the readers who are interested in children literature especially fairy tales. APPROVAL THE DRAMATIS PERSONAE IN DISNEY’S BEAUTY AND THE BEAST FAIRY TALE BASED ON VLADIMIR PROPP’S THEORY Written by Marwa Wulansari NIM: 13020114120004 Is approved by the thesis advisor On 30 May 2018 Thesis Advisor Retno Wulandari, S.S., MA NIP. 197505252005012002 The Head of the English Department Dr. Agus Subiyanto, M.A NIP. 196408141990011001 VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On 25 June 2018 Chair Person First Member Arido Laksono, S.S, M.Hum Rifka Pratama, S. Hum., M.A NIP. 197507111999031002 NIP. 199004280115111092 Second Member Third Member Prof. -
Music & Memorabilia Auction May 2019
Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1). -
Macbeth Character Card Sort
Macbeth Character Card Sort SORT OUT THE CARDS INTO TWO PILES AND USE THE DESCRIPTIONS TO MATCH UP THE CHARACTER AND THE CORRECT NAME THE THREE WITCHES MACBETH LADY MACBETH BANQUO DONALBAIN MALCOLM LENNOX THE PORTER ROSS LADY MACDUFF MACDUFF DUNCAN FLEANCE © 2003 www.teachit.co.uk m237char Page 1 of 5 Macbeth Character Card Sort These characters add an element of Thane of Glamis and Cawdor, a general supernatural and prophecy to the play. in the King's army and husband he is a They each have a familiar, such as basically good man who is troubled by Graymalkin and Paddock, and are his conscience and loyalty though at the commanded by Hecate, a Greek goddess same time ambitious and murderous. He of the moon and witchcraft. They can is led to evil initially by the witches' use sieves as boats, and they can predictions and then by his wife's become an animal. They are described goading, which he gives into because he as having beards but looking human. loves her so. This woman is a good wife who loves her Thane of Lochaber, a general in the husband. She is also ambitious but lacks King's army. This man is the opposite the morals of her husband. To achieve of Macbeth, showing an alternate her ambition, she rids of herself of any reaction to prophecy. He keeps his kindness that might stand in the way. morals and allegiances, but ends up However, she runs out of energy to dying. He is brave and ambitious, but suppress her conscience and kills this is tempered by intelligence. -
The Earldom of Ross, 1215-1517
Cochran-Yu, David Kyle (2016) A keystone of contention: the Earldom of Ross, 1215-1517. PhD thesis. http://theses.gla.ac.uk/7242/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] A Keystone of Contention: the Earldom of Ross, 1215-1517 David Kyle Cochran-Yu B.S M.Litt Submitted in fulfilment of the requirements for the Degree of Ph.D. School of Humanities College of Arts University of Glasgow September 2015 © David Kyle Cochran-Yu September 2015 2 Abstract The earldom of Ross was a dominant force in medieval Scotland. This was primarily due to its strategic importance as the northern gateway into the Hebrides to the west, and Caithness and Sutherland to the north. The power derived from the earldom’s strategic situation was enhanced by the status of its earls. From 1215 to 1372 the earldom was ruled by an uninterrupted MacTaggart comital dynasty which was able to capitalise on this longevity to establish itself as an indispensable authority in Scotland north of the Forth. -
Dramatis Pupae: the Special Agency of Puppet Performances
University of New Mexico UNM Digital Repository Theatre & Dance ETDs Electronic Theses and Dissertations 7-8-2009 Dramatis Pupae: The pS ecial Agency of Puppet Performances Casey Mráz Follow this and additional works at: https://digitalrepository.unm.edu/thea_etds Recommended Citation Mráz, Casey. "Dramatis Pupae: The peS cial Agency of Puppet Performances." (2009). https://digitalrepository.unm.edu/thea_etds/ 35 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Theatre & Dance ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. DRAMATIS PUPAE: THE SPECIAL AGENCY OF PUPPET PERFORMANCES BY CASEY MRÁZ B.U.S., University Studies, University of New Mexico, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Dramatic Writing The University of New Mexico Albuquerque, New Mexico April 2009 DRAMATIS PUPAE: THE SPECIAL AGENCY OF PUPPET PERFORMANCES BY CASEY MRÁZ ABSTRACT OF DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Dramatic Writing The University of New Mexico Albuquerque, New Mexico April 2009 Dramatis Pupae: The Special Agency of Puppet Performances By Casey Mráz B.U.S., University Studies, University of New Mexico, 2004 M.F.A., Dramatic Writing, University of New Mexico, 2009 ABSTRACT Puppets have been used in performance by many cultures for thousands of years. Their roles in performance are constantly changing and evolving. Throughout the twentieth century there has been much contention between performance theorists over what defines a puppet. -
Shakespeare's Macbeth Act 1, Scene 4 at a Camp Near the Battlefield, Malcom Tells Duncan That the Old Thane of Cawdor Confessed and Repented Before Being Executed
Shakespeare's Macbeth Act 1, scene 4 At a camp near the battlefield, Malcom tells Duncan that the old Thane of Cawdor confessed and repented before being executed. Duncan notes that you can't always trust a man by his outward show. Macbeth, Banquo, Ross, and Angus enter. Duncan says that even the gift of Cawdor is not as much as Macbeth deserves. Macbeth responds: "The service and loyalty I owe, in doing it, pays itself" (line 22). Duncan is pleased. He says: "I have begun to pant three, and will labour to make thee full of growing" (lines 2829). Next, he announces that Maclcom will be heir to the Scottish throne. (Kingship was not hereditary in Scotland at that time.) Duncan then adjourns the meeting and decides to spend the night at Macbeth's castle. Macbeth goes ahead to prepare for the King's visit, but notes that Malcom now stands between him and the throne. He begs the stars to "hide your fires, let not light see my black and deep desires" (line 51). In the 11th century, the Scots followed a special system for naming their kings. The king in power would choose the next ruler. (Male family members were usually chosen.) This person would then be known as the Prince of Cumberland until he was crowned. In this way, the Scots would always have a leader ready to carry on after the current king. However, this system could lead to violence. Often a man next in line to the throne was tempted to speed things up by murdering the king. -
THE BOOK of the THANES of CAWDOR by Cosmos Innes and John Frederick Vaughn Campbell, First Earl of Cawdor, 1859 (Excerpts Showing Relationships and Events)
THE BOOK OF THE THANES OF CAWDOR By Cosmos Innes and John Frederick Vaughn Campbell, First Earl of Cawdor, 1859 (Excerpts showing relationships and events) 1540, 15th October: At Elgin: Marriage contract of Katherine, daughter of John Campbell of Calder to Alexander Dolles, son and heir of William Dolles de Budgett. (She later married ____Lindsay, Earl of Crawford. Contract signed by Archibald Campbell, heir apparent, to Sir John Campbell of Cawdor, and Alexander Dolles of Galcantrae. Seisin take 21st October, 1540 for Katherine Campbell. 1543, 20th September: Deed by Sir John Campbell and his Lady Muriel settling on son, Alexander (second son) the Easter half of the lands of Rait. Archibald, heir and eldest son signed consent. To their third son, Donald, Sir John granted the fivepenny lands of Classscharrag with the office of baillie deputy of whole lordship of Muckarne. Charter dated at Stirling, 8th June, 1544. 1545–25th June: Sir John obtained a grant from the Bishop of Moray (Stewart), and settled on Alexander church lands of Flenesmore in Barony of Ardclaugh and Regalite of Spynie–grant signed at the Cathedral of Moray. 1545, 16th August: Crown Charter passed the half lands of Rait (Wester half), the lands of Both and the two Banquars resigned by Sir John and Dame Muriel (Campbell) in favor of their son and apparent heir, Archibald and Isabel (sometime called Elisabeth) Grant his spouse, daughter of James Grant of Freuchy in conjunct fee by a transaction with the last Calders.. (In the Spring of 1546 Sir John Campbell of Cawdor died. He was also Sheriff of Nairn when he died.) 1546/7 (actually 1547), 1st March: Fealty Service of Archibald Campbell as heir to Sir John Campbell of Cawdor, at Inverness before George, Earl of Huntly. -
Jonathan Lasker's Dramatis Personae
“Jonathan Lasker’s Dramatis Personae.” In Jonathan Lasker: Paintings, Drawings, Studies. Madrid: Museo Nacional Centro de Arte Reina Sofía in co-production with K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2003; pp. 110-119. Text © Robert Hobbs Robert Hobbs Jonathan Laskers Dramatis Personae After attending Queens College for less than a year in the artists as Allan Kaprow, Nam June Paik., John Baldessari, late 1960s, Jonathan Lasker quit school to play bass guitar Michael Asher, and Douglas Huebler. The school was also and blues harmonica with rock bands. At age twenty-two heir to a relatively recent California Neo-Dadaist tradi this quest took him to Europe for four years, first to Eng tion that curator Walter Hopps inaugurated in 1963 when 110 land, where he worked with a couple of short-lived he staged a full-scale, highly celebrated Marcel Duchamp groups, and then to Germany, where he was employed retrospective at the Pasadena Museum of Art. The pri intermittently as a longshoreman and a house painter. He mary conduits between this particular exhibition and the then came to grips with what he calls his "lack of success Institute's pedagogy were the Californians Baldessari and as a musician" and decided to maximize his strengths, Asher. Lasker called the latter "the Grand Inquisitor which included a long-term fascination with art, coupled against painting," since he assumed personal responsibi with "excellent eye-hand coordination," by becoming a lity for eradicating the last vestiges of modernist senti painter. 1 He returned to New York, where he became an ments in students' works. -
Clan Campbell Enewsletter August 2012
Clan Campbell eNewsletter August 2012 THIS CASTLE HATH A PLEASANT SEAT” Led by our guide, David McNicoll, and our personal piper supplied by the Dowager Countess Cawdor, a raingear-toting, bedraggled gaggle of Campbells walked under the stately trees up the avenue to Cawdor Castle, a 14th century Campbell stronghold in Nairnshire in the northeast of Scotland. The weather was cool during our trip, and although it often rained, we saw everything. And whenever the sun came out, it was glorious. Good kilt weather! The Scottish title of the Earl Cawdor of Castlemartin in the Co. of Pembroke (Wales) is “thane,” an ancient equivalent of feudal baron. (The word derives from thegn, which is a Norse title meaning a trusted servant of the king. In ancient Scotland there were 63 thanedoms.) In old Scotland a thane was often the head of a clan as well as a district administrator with power of life and death, and answerable only to God and the King. Colin Vaughan Campbell, the present 7th Earl Cawdor is the 25th Thane of Cawdor. Lord Cawdor is an architect by profession and manages the Cawdor Estates; his stepmother the Dowager Countess happened to be on hand at the time of our visit and several members of the Campbell group had a chance to meet her. She is normally in residence at Cawdor from October to May when the castle is closed to visitors. A best-selling but largely unflattering book A CHARMED LIFE: GROWING UP IN MACBETH’S CASTLE by Liza Campbell (Lady Elizabeth Campbell, older sister of the earl) tells the story of the Cawdor family in recent years. -
The Divine Right of Kings
Context: Machiavellian Politics & Principles The Divine Right of Kings BANQUO In reality, Banquo was Niccolò Machiavelli (3 May 1469 – 21 June 1527) was ‘The state of monarchy is the supremest thing Thou hast it now: king, Cawdor, Glamis, all, upon earth, for kings are not only God's As the weird women promised, and I fear involved in the an Italian diplomat, politician, historian, philosopher, lieutenants upon earth and sit upon God's Thou played’st most foully for ’t. Yet it was said killing of King writer, playwright and poet of throne, but even by God himself they are called Duncan; the Renaissance period. It should not stand in thy posterity, gods’ however, as But that myself should be the root and father James is a While a political advisor and theorist, Machiavelli is This is the belief that kings are God's deputies on Of many kings. If there come truth from them— Earth. By going against a king, from a verbal As upon thee, Macbeth, their speeches shine— descendent of most widely known for his work of The Prince, a point to a plot to assassinate a king, you are Why, by the verities on thee made good, Banquo, it mirror for princes work which dictates to the reader actually going against God. This is not only would not be a how a leader should lead, from attaining power to treason, but it is sacrilegious (going against a May they not be my oracles as well, sacred belief) (A3, S1) good idea to holding their office against the threat of usurpation.