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Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
The Expanded 'Verse
The Expanded 'Verse: Serialized Transmediality in Firefly/Serenity ............ by Frederick Blichert, BA (Hons.) A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Submitted August 2014 © 2014, Frederick Blichert ii We know now that a text is not a line of words releasing a single "theological" meaning (the "message" of the Author- God) but a multi-dimensional space in which a variety of writings, none of them original, blend and clash. Roland Barthes1 iii ABSTRACT Popular narratives often extend textual content across multiple media platforms, creating transmedia stories. Recent scholarship has stressed the permeability of "the text," suggesting that the framework of a text, made up of paratexts including trailers and DVD extras, must be included in textual analysis. Here, I propose that this notion may be productively coupled with a theory of seriality––we may frame this phenomenon in the filmic terms of a narrative being comprised of transmedia sequels and/or prequels, or in the televisual language of episodes in a series. Through a textual analysis of the multifaceted transmedia narrative Firefly (2002-2003), I argue for a theoretical framework that further destabilizes the traditional text by considering such paratextual works as comic books, web videos, and the feature film Serenity (Joss Whedon, 2005) as narrative continuations within a single metatext that eschews the centrality of any one text over the others in favour of seriality. iv ACKNOWLEDGEMENTS I wish to thank Erika Balsom, Malini Guha, André Loiselle, and Charles O'Brien for their notes on various versions, drafts, and proposals of this material, along with Sylvie Jasen and Murray Leeder, who encouraged me to workshop some of these ideas as guest lecturer in their undergraduate courses. -
Petition for Cancelation
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA743501 Filing date: 04/30/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party requests to cancel indicated registration. Petitioner Information Name Organization for Transformative Works, Inc. Entity Corporation Citizenship Delaware Address 2576 Broadway #119 New York City, NY 10025 UNITED STATES Correspondence Heidi Tandy information Legal Committee Member Organization for Transformative Works, Inc. 1691 Michigan Ave Suite 360 Miami Beach, FL 33139 UNITED STATES [email protected] Phone:3059262227 Registration Subject to Cancellation Registration No 4863676 Registration date 12/01/2015 Registrant Power I Productions LLC 163 West 18th Street #1B New York, NY 10011 UNITED STATES Goods/Services Subject to Cancellation Class 041. First Use: 2013/12/01 First Use In Commerce: 2015/08/01 All goods and services in the class are cancelled, namely: Entertainment services, namely, an ongo- ing series featuring documentary films featuring modern cultural phenomena provided through the in- ternet and movie theaters; Entertainment services, namely, displaying a series of films; Entertain- mentservices, namely, providing a web site featuring photographic and prose presentations featuring modern cultural phenomena; Entertainment services, namely, storytelling Grounds for Cancellation The mark is merely descriptive Trademark Act Sections 14(1) and 2(e)(1) The mark is or has become generic Trademark Act Section 14(3), or Section 23 if on Supplemental Register Attachments Fandom_Generic_Petition.pdf(2202166 bytes ) Fandom Appendix pt 1.pdf(4769247 bytes ) Fandom Appendix pt 2.pdf(4885778 bytes ) Fandom Appendix pt 3.pdf(3243682 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date. -
Back to the Future Howard Shore:The Cell
Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away. -
A Guide on How to Organize a Can't Stop the Serenity Event
A G UIDE ON HOW TO ORGANIZE A CAN ’T STOP THE SERENITY EVENT 2009 TABLE OF CONTENTS Chapter Page 1. Introduction 3 1.1 Welcome 3 1.2 Background 3 1.3 What is Serenity? 3 1.4 Who or what are Equality Now and why are we supporting them? 4 1.5 What do Joss and Equality Now think of this event? 5 1.6 What’s happening in 2009? 5 2. How to Plan a CSTS Screening/Event 6 2.1 Checking if your city is already holding a screening 6 2.2 Selecting a date 6 2.3 Selecting a team 6 2.4 Finding a venue 6 2.5 Finding attendees 8 2.6 Budgeting and financing your event 8 2.7 Organizing licensing 9 2.8 Confirming CSTS status 9 2.9 Affiliate Cities 9 3. Making Your Event a Success 11 3.1 Sorting out advertising and handling the media 11 3.2 Participating on the global CSTS forums 13 3.3 Organizing merchandise and fundraising 13 3.4 Setting up a website 13 3.5 Seeking sponsorship 14 3.6 Organizing ticketing 15 3.7 Keeping records and handling money 16 3.8 Planning a schedule for your event 16 3.9 Decorating your venue 17 3.10 Finding time for yourself 17 4. Post Event Obligations 19 4.1 Tallying everything up 19 4.2 Catching up on sleep 19 4.3 Thanking your sponsors 19 4.4 Sending the donation to Equality Now 19 4.5 Wrapping up 20 5. -
You Can't Take the Sky from Me
“You Can’t Take the Sky from Me”: An Ethnographic Case Study in Community Construction A Senior Honor Thesis Presented in Partial Fulfillment of the Requirements for Graduation with Research Distinction in Comparative Studies in the Undergraduate Colleges of The Ohio State University by Michael Wiatrowski The Ohio State University May 2010 Project Advisors: Professor Dorothy Noyes, Departments of Anthropology, Comparative Studies & English Professor Amy Shuman, Departments of Anthropology, Comparative Studies, English & Women’s Studies. ii Take my love, Take my land, Take me where I cannot stand. I don’t care, I’m still free, You can’t take the sky from me. Take me out, To the Black, Tell ‘em I ain’t coming back. I don’t care, I’m still free, You can’t take the sky from me. There’s no place I can be Since I found Serenity. You can’t take the sky from me. ~ The Ballad of Serenity iii Table of Contents Introduction Contemporary Community Construction 01 Context Deconstructing Firefly 05 Creating Spaces 11 Cultural Constructs I: Form and Use Language 15 Narrative 18 Visual Art 21 Clothing 22 Music and Multimedia 25 Cultural Constructs II: Imagining, Creating and Maintaining Community Creating & Maintaining Community through Meaning 29 Imagining Community 33 Complicating the Matter The Dynamics of Cultural Consumers and Producers 35 Conclusion The Contemporary Community in Review 37 Appendices A Supplemental Catalog of Images 39 A Common Browncoat Lexicon 45 Browncoat Chinese with Translations 51 References and Resources 54 1 Contemporary Community Construction “Community” is one of those words – like folklore, myth, tradition or ritual – that is casually tossed about in everyday speech, a word which is apparently readily understood by both speaker and listener. -
Report Artist Release Tracktitle TV2 Flow Tv 2016 Bubber & Britt Larsen
Report Artist Release Tracktitle TV2 flow tv 2016 Bubber & Britt Larsen Endlose Liebe Endlose Liebe TV2 flow tv 2016 Deichkind Befehl von ganz unten Leider geil TV2 flow tv 2016 Lowrider Betty New Generation Crawling Back to Life TV2 flow tv 2016 Snatch Aka Podfu(C)K We're going to London SCENE We're going to London SCENE TV2 flow tv 2016 Sway & King Tech Wake up Show Freestyles, Vol. 3 Wake up Show Promo (feat. JAY-Z) TV2 flow tv 2016 Szhirley, Allan Simonsen, Niels Olsen Tam Tam revy 2014 Allan i verden TV2 flow tv 2016 Ultraviolet Sound Ultraviolet Sound Girl Talk Best Song Ever (Originally Performed By One TV2 on demand 2016 2 Go Karaoke Hits (Karaoke Version) Direction) TV2 on demand 2016 2 Unlimited No Limits Tribal Dance TV2 on demand 2016 7Horse Let the 7Horse Run Meth Lab Zoso Sticker TV2 on demand 2016 A. Peter Kingslow Come Back To Me Come Back To Me TV2 on demand 2016 Against Me! White Crosses / Black Crosses I Was A Teenage Anarchist TV2 on demand 2016 Alt Backline The Sound of Silence (Instrumental) - Single The Sound of Silence Instrumental TV2 on demand 2016 Ameritz Only By The Night Use Somebody Tell Me (David August Remix) [feat. Dennis TV2 on demand 2016 Andre Crom Tell Me - Single Degenhardt] TV2 on demand 2016 Andrew John Glen What's On - Film, TV & Radio Vol. 3 Doki and the food chain Andy Gonzales, Gary Joseph Romero, John TV2 on demand 2016 Carrasco Latin-Reggae-World Salsa Party TV2 on demand 2016 Annie Anniemal Chewing Gum Thanksgiving Fireside Collection: Family Favorites The Four Seasons, Concerto No. -
Toward a Rhetoric of Scholar-Fandom
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-2009 Toward a Rhetoric of Scholar-Fandom Tanya R. Cochran Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Cochran, Tanya R., "Toward a Rhetoric of Scholar-Fandom." Dissertation, Georgia State University, 2009. https://scholarworks.gsu.edu/english_diss/51 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TOWARD A RHETORIC OF SCHOLAR-FANDOM by TANYA R. COCHRAN Under the Direction of Lynée Lewis Gaillet ABSTRACT Individuals who consider themselves both scholars and fans represent not only a subculture of fandom but also a subculture of academia. These liminal figures seem suspicious to many of their colleagues, yet they are particularly positioned not only to be conduits to engaged learning for students but also to transform the academy by chipping away at the stereotypes that support the symbolic walls of the Ivory Tower. Because they are growing in number and gaining influence in academia, the scholar-fans of the television series Buffy the Vampire Slayer (Buffy) and other texts by creator Joss Whedon are one focus of this dissertation. Though Buffy academics or Whedon scholars are not the only ones of their kind (e.g., academic- fan communities have cropped up around The Simpsons, The Matrix Trilogy, and the Harry Potter franchise), they have produced more literature and are more organized than any other academic-fan community. -
Thank You WANT MORE NERDY BURLESQUE?
Thank You The staff and volunteers of GeekGirlCon, the wonderfully talented Kelly Clark, EMP Museum, Erica McGillivray, Jennifer Stuller, Arwen Morton, Karma the Cat, Pidgeon Von Tramp, Patti West, Amanda Slepski, TOJ Board and Staff, Dane101, Balagan Theatre, Eugene Browncoats, Edward Ward, Lorien Gruchalla, Toby McKes, John Lynch, Paper Windows Bookseller, Foxy Veronica, Chris Blakeley, Polly Wood, Molly Boettcher, Stacey Bush, Stacy Coffey, Paul Phillion, Marian Call, Miss Indigo Blue, Elsa Von Schmaltz, Sophie Maltease, Mad Marquis de Maltease, Sailor St. Claire, Hottie McNaughty, OffBeat Empire and Ariel Meadow Stallings, Caitlin Daoust, Nathan Fillion, Performers’ Forge, Jose Amador, Jessica Price, Madeline Rider, Geoff Carter, Eric Maloney, and Joss Whedon WANT MORE NERDY BURLESQUE? Follow Jo Jo Stiletto Events and Whedonesque Burlesque on Twitter: @JoJoStiletto and @WhedonBurlesque Visit our nerdy burlesque friends: Tempting Tarts Burlesque of Seattle: www.temptingtarts.com Red Herring Burlesque in Toronto: www.aprofessionaldistraction.com Critical Hit Burlesque in Portland, OR: www.facebook.com/critical.hit.burlesque Foxy Veronica and Dane101 team up to bring productions like the original Whedonesque Burlesque in Madison, WI: dane101.com CAST A Note about Joss Joss Whedon’s Buffy the Vampire Slayer changed my life. I got the opportunity to tell him. Or rather, Host: Rebecca M. Davis I made the opportunity to tell him – at his breakfast table. Although, I’m not convinced it was as magical a moment for him as it was for me. By day five of Comic Con awkward declarations of Billy Corazon Miss Little Piza Paradise gratitude from normally professional and charming people reduced to nervous rambling trembles in Electric Fanny Paul Velasquez the face of the person whose work changed their life had most likely very much lost their charm for EmpeROAR Fabulous Rachel Jackson Our Mr. -
Southwestern Writers Collection Special Collections
SOUTHWESTERN WRITERS COLLECTION SPECIAL COLLECTIONS - ALBERT B. ALKEK LIBRARY TEXAS STATE UNIVERSITY - SAN MARCOS King of the Hill Archives, 1995 – 2006 Collection 089 118 boxes plus oversized posters, artifacts and framed items (75 linear feet) Acquisition: Donated by and through efforts of Jim Dauterive Access: Open for Research Processed by: Katie Salzmann, 2007 1 Production History In 1995, Mike Judge wrote a pilot episode for an animated series centered on Hank Hill, a common sense, all-American propane salesman in Arlen, Texas. Hank was loosely based on a neighbor character in Judge’s hit MTV series, Beavis and Butt-head. Fox Broadcasting Company brought in Simpsons writer Greg Daniels to collaborate with Judge on the pilot, and the series debuted January 2, 1997, with Judge and Daniels as co-creators. The show remains true to Judge’s original concept and depicts the suburban Hills and their neighbors on Rainey Lane. The patriarch of the Hill family is Hank, a salesman of propane and propane accessories with a narrow urethra and an obsession with his lawn and the Dallas Cowboys. Hank is married to Peggy, a substitute Spanish middle school teacher with an inflated sense of her own intelligence. She writes “musings” for the Arlen Spectator and is a champion Boggle player. Hank and Peggy’s only son is Bobby, an overweight, under-achieving eight-grader with the dream of becoming a prop comic. Many storylines deal with Hank’s concern for Bobby, and an early catch-phrase from the show is “the boy ain’t right.” Despite not understanding Bobby, Hank clearly loves his son and struggles to be a better father than his own, WWII veteran Cotton, who “killed fifty men” and lost both his shins in the war. -
Adorno and Horkheimer's 'Culture Industry'
Fast Capitalism ISSN 1930-014X Volume 2 • Issue 2 • 2007 doi:10.32855/fcapital.200701.007 Compliance Fiction: Adorno and Horkheimer’s ‘Culture Industry’ Thesis in a Multimedia Age Sam Caslin In today’s multimedia, virtual world, the notion of the culture industry is perhaps more pertinent than ever before. Mass entertainment now spans an increasingly diffuse yet seemingly interspersed array of media forms, including television, film, the Internet and the rise of the DVD box set (with the latter’s special features and writer/ producer/actor commentary all adding to the allure of the product). A key aspect of the power that each of these media possess is derived from their ability to immerse the viewer, reader or listener within not only a franchise, but a fantasy world that is, at least on the surface, very different to their own. Thus, we find a very powerful infrastructure that engenders, supports and maintains new types of fan culture, among the sci-fi community for example. Indeed, alongside the increasing organization of certain fan bases has come a plethora of new roles for fans and new ways of displaying loyalty to their chosen franchise. If fandom as a vocation is not new, the digital age has ensured that the charity and passion of fans has certainly reached higher levels of professionalism and technical proficiency than before. I want to use these developments in interactivity, television franchising and fan-organization in order to explore the limits of and possibilities for Adorno and Horkheimer’s ([1944] 1997) seminal work on the culture industry.