MARION SAMBOURNE's DIARY 1902 1 Notes on Front Pages: A.N

Total Page:16

File Type:pdf, Size:1020Kb

MARION SAMBOURNE's DIARY 1902 1 Notes on Front Pages: A.N MARION SAMBOURNE’S DIARY 1902 Notes on front pages: A.N. ticket 89162 Read Jany “Tribulations of a Princess” V. interesting “Memoirs & letters of Balzac” by his sister Madame Bourget “Cruelle Enigme” Bouget, french! “War notes” Col. de Villebois Mareuil(?) “Her Royal Highness Woman” Max O’Rell, sad. “The theatre, its Greek & Latin origins” by C. Hastings Joseph McCabe, Peter Abelard V. badly written but interesting “A woman of thirty” Balzac, v. clever “Some great Battles” abominably written “Memoirs of Napoleon” Constant “The Diamond Necklace” by Franz French Branferro(?) badly told “Tante Aurelie” “Walpole Letters” “The House with the Green Shutters” by G. Douglas, horrid book. “A Gateless Barrier” Lucas Malet. Weird. “Memoirs of the Baroness de Courtrol” by Mauritz von Kreisenberg “France since 1814” by de Courbetin From April “History of the Spanish People” by Hume “Tales of my Father” V interesting, well written “Memoirs of Chateaubriand” most interesting. Vain conceited man, lofty opinion of himself “Sa Magicien d’Amour” Max O’Rell “La Coeur de Louise” H. Greville “Memoirs of Fénélon” “The Problem of Asia” by Cap. Mahon 1 MARION SAMBOURNE’S DIARY 1902 “Memoirs of Chateaubriand” autre tombe “Love letters of Victor Hugo” Schopenhauers Essays 7 volumes most interesting “Elize” Mrs. Pritchard re read Bacons Essays “The Cult of Chiffon” stupid “Memoirs Madame de Mottebille” v. lengthy “Westminster Alice” Hector Munroe, excellent “Une Gazeuse” Cherbulerg(?) re read Charles XII & Peter the Great by Voltaire “On the Bee” Maeterlinck “Journet to Lhasa & Centre of Tibet” by Sarah Chandra Das “Paris in 1789 - 1794” Alger “Un peu beaucoup passioné (illeg)” par Mlle Lescon. Very pretty little story “Five Stuart Princesses” by Robert Rait “South Africa a century ago 1797 - 1801” by Lady Anne Barnard “The autobiography of Sir Harry Smith” interesting, vy “Wisdom of Destiny” Maeterlinck “The mystery of Marie Stuart” Andrew Lang Wednesday 1 January Fine morg. To stores, to Mrs Graham & Mrs Mason about maids. To darling Maud’s, out in bath chair! Emma & Freda out afternoon & evening. Roy & Lennie at Nymans return tomorrow. Invitation to spend week at Renishaw. Roy returned Nymans. Thursday 2 January Lovely day. Invitation to Mrs Tate’s shoot 16th to 20th. Lin already engaged. Walked to Maud morning, going out in bath chair. Met Eve C. who went with me. To Maud’s at 3, remained till 6. Maud P. & Winnie Lockyer there. Nonie very sweet. Saw maid too high wages. Friday 3 January 2 MARION SAMBOURNE’S DIARY 1902 To darling, suffering from neuralgia, on sofa drawing room. Nonie came over at 3 for Mr Herbert’s address. Out morg. fille chasse. Met Mad’elle at Notting Hill in omnibus. Much pleased with Almanack. Finished reading 1st vol Balzac’s love letters. Roy dined with Maud. Saturday 4 January Out morg shop. Met Mr. Abbott. At 2.30 to Haymarket see “Frocks & Frills” . Very good & v. amusing. Met Mrs. Medley. Poured coming out. Lin & self straight home. Roy to first night “Pair of Spectacles”. Lin too tired to go. Roy on after to see Arthur Cusans. Nonie came morning, brought presents fr. darling Maud. Sunday 5 January Lin & self out morg. Walked Hyde Pk. Corner. Home in “bus”. Roy to lunch Maud’s. Darling Maud taken ill again after tea! Feel most anxious. No one called but Sp, Douglas & Hylda. Sp. bilious. Monday 6 January To darling M. after luncheon in her carriage, no, mine. Sat with her till 6 o’c. Lin came & saw her, we returned by tube! full, & omnibus. Dined 7 o’c. To see “The Twin Sister”. V. good but w’d not care to see it again. Gillie here to luncheon, drove her to M’s. Not able to see her, poor darling must remain in bed. Dr P. to see M. this morg. Tuesday 7 January In all morg. Lin left at 2 o’c in dog cart for Col Lucas’ Easton Park until Saty. Saw maid from Coronet registry, £20, too much. To Maud’s 3 o’c in her carriage. Remained with her till 6.30. Mrs. Sington & Mrs. Messel called. Nonie to tea at Mrs. M’s. Darling better but vy weak. Roy to dine Midge’s, theatre after. Mrs. Armstrong & Miss Rose Innes called. Wednesday 8 January 3 MARION SAMBOURNE’S DIARY 1902 Nonie to luncheon. Was sick poor little fellow but so good. I went to Maud 3 o’c, stayed all afternoon. Mrs. Hohler called. Maudie seems v. weak, feel v. anxious. Thursday 9 January To Queen’s Rd. To darling Maud’s after shop’g some time. Winnie L. & Maud P. there. I think the child sees too many. Nonie boy not v. well. Roy read a story of Poe’s & we had Patience. Friday 10 January To Queen’s Rd. One letter fr. French lady rec. maid. Gillie to lunch. To see maid & lady. V. uncertain, french. Saw maid, English. To darling M. still fresh anxiety & the darling not doing well. Dr P. desires consultation whether advisable to bring it on. Feel most anxious. Roy dines Lennie’s. Roy’s arm v. bad. Baby not well!!! Saturday 11 January Lin returnes fr. Col. Lucas. Out all morning sur la chasse. Lin looking much better, home for luncheon. To darling Maud’s by cab. Looking better but Dr. Pollock not satisfied. Lennie arrived looking depressed. Miss Cusans there. Nonie not looking well. Roy v. seedy & arm v. inflamed. Lin, Roy & self alone. Sunday 12 January In all day. Alice Linley to luncheon & tea. Miss Macdougall & Miss Bateman called (Lin’s father’s partner’s sister) also Mr. Paxton who said sensible things about Roy. Lin to Calais. Roy in to luncheon. Monday 13 January Chasse aux filles sans succès, & to darling Maud’s. Also to Miss Mason’s & saw perfectly horrible German housemaid. French one called here also impossible, must be exception when they are nice. Saw Mrs. Messel & Mr. Loring at M’s. 4 MARION SAMBOURNE’S DIARY 1902 Tuesday 14 January Eve Coward’s wedding. Maud Paxton to lunch. Took her, & Lin came too. Darling Baby with the two nurses there just behind us, behaved sweetly, clapped after benediction, threw down rose leaves & gave bouquet of white heather! To reception & then to darling M’s. V. excited about it, took cake & Eve’s bouquet. Wednesday 15 January Out morg. to Mrs. Beresford, gave me name of maid. To darling M. after, in dressing rm, hers being cleaned & all new curtains. Dora & Brenda Coward there, account of Eve’s wedding. Brought Brenda back. Thursday 16 January In bed until night & slept better. Roy dined with Lin alone & to dance after at Levy’s, much bored. Friday 17 January In bed all day. Gillie here most kind & useful. Wrote letters, mended china, stockings, & talked, quite cheered me up. Roy to C. Burnand’s dance & greatly enjoyed it. Gillie left at 6 o’c. Saturday 18 January In bed until 3 o’c. Roy & Lin in to lunch. Envoyé quartorze sh. à la fille de Toula trop et probablement elle ne vaut rien. Fleurs et lettre de ma petite Maud. Finished reading “Tribulations of a Princess”. Sunday 19 January In bed till luncheon, alone, Lin to Calais. Roy to Lennie. Walked & met H. & Dora. Roy spent entire afternoon there. Dora dined here. Fritz Jackson called about Roy & my affairs, advice work only! Monday 20 January In all day, down to luncheon. Mended socks entire afternoon. Saw stopgap maid from Mrs. Masons, 10/- week. Letter fr. darling Maud, says 5 MARION SAMBOURNE’S DIARY 1902 she is better but had another fright yesterday & had to keep quiet. Dr Pollock went to see her. Not Toula’s maid so did not send money. Tuesday 21 January Lin dined Mr. Burnand for Coronation cut. Out morg. 11.30. Carriage round Park to enquire for my darling. Nurse M. brutally told me she had had only 3 cases & in each the child & in one the mother also died. Feel more then ever anxious. Gillie to lunch, most kind & useful. Lady Goring, Maud P. & Miss Innes called. Roy dined Midge’s, met Fletchers. Bridge. Wednesday 22 January Amy Bateman leaves in morg. To darling Maud 3 o’c. Had been v. upset last night, Glover worries, Nana & Conrad. Such a shame. Roy & self dined alone & he read “Gold Bug” after. Quiet evg, peaceful. Maud’s under nurse came, Nurse Susan, pretty girl. Thursday 23 January In all morg. To stores about their muddle of 10/-. Met Hensman, & to darling, found her looking tired & thin, had had bad night. Miss Cusans there. Nonie boy v. sweet, gets prettier. Lin, Roy & self alone evg. Friday 24 January Wet. In all morg. Roy dines Maud. Saturday 25 January Edith Hames came. In all morg polishing & washed lace collars. At 2.30 to Gaiety with Lin “Toreador” v. good. Roy joined us later. To darling M. after. Roy made £10 tho’ Lennie & Mr. Fleishman. Sunday 26 January Mr. Paxton to luncheon. Walked with Roy to Lancaster Gate, left letter for Midge, & to Maud, complained of little pain. Lin & Roy lunched at Lennie’s, self & Mr. P. alone here. 6 MARION SAMBOURNE’S DIARY 1902 Monday 27 January Went darling M’s, looks pretty well only. Miss Cusans & Miss Rose Innes there, brought soldiers for Nonie. Roy to drill, home late. To see Mortimer Mempes strange house & people at 5.30. Met Lennie & Lin there. Tuesday 28 January To darling M’s morg 12.30. Had had bad night, toothache. Nonie came early with flowers. Lin Roy & self dined with Midge & Ham, Mr. & Mrs. Neil, ping pong. Lady Bergne & Effie Weigal called.
Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • Towards a Holistic Interpretation of Musical Genre Analysis Thesis
    1 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄN YLIOPISTO 1 2 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 2 3 Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄ STUDIES IN HUMANITIES 3 4 Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 4 5 ABSTRACT Kemp, Chris Towards a holistic interpretation of musical genre analysis Jyväskylä: University of Jyväskylä, 2004 ? (Jyväskylä Studies in Humanities ISSN ISBN Diss In the past, exploration of music has focused on analysis by formalists, refferentialists and through social, semiotic and anthropological viewpoints including Schenkerian-Yeston (1977), Semiotic-Eco (1977), and Motivic-Ruwet (1987). Although each has its merits in the formal analysis of music, few explore genre identification. In musical genre studies the exploration of musical, paramusical (extramusical) and perceptual elements are essential to facilitate a full understanding of the subject area. Johnson in Zorn supports such a perspective in his argument for a holistic approach to musical analysis (Zorn 2000:29). The multidisciplinary nature of music and the discourses embodied in its creation, development and dissemination utilise a range of signifiers for identification advocating the utilisation of a “hybrid” (Wickens 1999) methodology combining quantitative and qualitative analysis.
    [Show full text]
  • Recording Studio Design to Paul and Mum
    Recording Studio Design To Paul and Mum. Janet Recording Studio Design Philip Newell Focal Press An imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP 200 Wheeler Road, Burlington MA 01803 First published 2003 Copyright © 2003, Philip Newell. All rights reserved The right of Philip Newell to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science and Technology Rights Department in Oxford, UK. Phone: (+44) (0) 1865 843830; fax: (+44) (0) 1865 853333; e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining Permissions’ British Library Cataloguing in Publication Data Newell, Philip Richard Recording studio design 1. Sound studios – Design 2. Acoustical engineering I. Title 621.3′823 Library of Congress Cataloging in Publication Data Newell, Philip Richard Recording studio design / Philip Newell.
    [Show full text]
  • Oldfieldscapes (Pdf)
    2020 Oldfieldscapes MUSICALBOXED.WORDPRESS.COM JORDI ADELL ÍNDICE Introduction 1 Tubular Bach (1973) 3 Nursery times (1968-1974) 6 Sobre la cresta de Hergest (1974) 10 Los albores de Ommadawn (1975) 14 Crónicas de Oldfield: el león, el cazador y el granero (1976) 18 Los embrujos de Incantations (1976-1978) 23 Enigmations (1978-1984) 26 Cala Pregonda (1978) 28 I believe in Oldfield Christmas (1974-1979) 31 Campanas de boda (1981-1982) 33 En el ojo de Irlanda (1982) 35 Mount Echeyde (1982) 40 Escribiendo a la luz de la luna (1983) 42 Cr11Ses (1982-1983) 46 Descubriendo el lago (1984) 48 Living on radio (1983-1992) 52 Amarok: los sonidos del silente (1990) 57 Sin sueños (1991) 61 Noche monumental (1993) 63 Midnight songs (1994) 67 Canciones distantes (1994) 69 Viajero en Ibiza (1996) 72 Le mont Saint Michel (1996) 75 Campanas bajo la lluvia (1998) 78 Far above the crowd (1999) 81 Pacha mama (1999) 84 I still believe in Oldfield Christmas (1980-1999) 88 A las lunas de Valencia (2002) 89 Un paseo por el arte gráfico oldfiliano (1973-2005) 92 Altas esferas en el Guggenheim (2008) 95 Take 4 (1978-2011) 99 Fadalack turns the clock back (1973-2012) 101 Man on the seas (2014) 104 Top of the rocks (2017) 106 New arrivals (1979-2019) 109 INTRODUCTION El día que nací salió a la venta The Yes Album de Yes y, cuando cumplí 11 años, Mike Oldfield publicó el disco Five Miles Out. Puede verse como dos coincidencias, pero a mí me gusta pensar que estos hechos tuvieron algún tipo de efecto sobre mi temprana afición por la música.
    [Show full text]
  • Gonzo Weekly
    2 Psychedelic Warlords – both started important tours, and sent me a whole wallage of photographs. So I asked Craig High, the lead singer of The Psychedelic Warlords, and no stranger to these hallowed pages, to write his impressions of the show. I also asked Andy Thommen for the same thing, but he suggested that, as these were the first Clepsydra gigs for a very long time, it would be more appropriate that I asked some of the loyal Clepsydra fans. He gave some email addresses and I asked away. I have always believed that a magazine should be a two-way process; that the flow of information - unlike entropy - goes both ways. Furthermore, I have always thought that one of the things that is most amiss with conventional reviews sections in magazines is that they give a sterile impression of Dear Friends, the event that they are meant to be describing. I think, totally by accident, that this issue has Welcome to another issue of Gonzo Weekly. managed to overcome that. The descriptions of a concert given in one case by the lead singer, and in You will notice an underlying theme in this issue – the other case by committed fans who have waited live music. Because Gonzo Multimedia is a record over a decade for their favourite band to reform, has company, the main crux of this magazine is (and produced results that are anything but sterile. probably always will be) about recorded music. But it so happens that this week two of my favourite I am grateful, and ever so slightly humbled, to be in contemporary bands – Clepsydra and The the position that I am with this magazine.
    [Show full text]
  • GERMAN SCENE Importantly, Macdonald Noted That a Lot Ofnew German Music Was in Germany Until It Found Critical Favour in the UK
    278 THE AMBIENT CENTURY AMBIENCE IN THE ROCK ERA 279 was a comparison. 13y 1975 Oldfield had 1973). Moreover most writers accuse the eminent British musicologist Ian returned to form with an elaborate album of instnnnental timbres MacDonald ofinventing the label during the early 19705 when he wrote about featunng Celtic harp and bodhran, Greek synthesizers, Northum­ German music in the New lvlusical In fact during December of 1972 brian pipes and African drumming. As with Tubular Bells, Ommadawn featured MacDonald published three articles titled 'Germany , two Sally Oldfield 011 backing vocals but expanded the contributors to of them double broadsheet pages. In not one line did he mention the term brass, and the sound of uileann pipes courtesy of The Chieftains' 'krautrock'! Moloney. Even OldfIeld's brother Terry played the pan pipes. The African Instead MacDonald gave a jaw-droppingly accurate description of German drummers ofJabula came into their own on the finale of the nineteen- rock ofthe late 60s and early 70s. For openers he stated that in the UK there was minute 'Part One' would be heard again on Oldfield's 1978 doublc­ a total ofcontinental rock. Secondly, there was a strong album Incarltatiol1S. 1984 Oldfield was great folk-rock songs with spirit among Germany's youth since 1968. They disliked rich P\fwl,()-I'\ 111 er1elln Reilly such as 'To France' and that year he also scored Roland groups playing in their country and a lot of students demanded free entry. The film The Killing Fields. Yet his first success would not go away concept of 'the revolutionary head' was paramount, a concept which 'chal­ and in 1992 Warner Bros.
    [Show full text]
  • Virgin –Richard Branson Dr
    Case: Virgin –Richard Branson Dr. Jack M. Wilson Distinguished Professor of Higher Education, Emerging Technologies, and Innovation © 2012 ff -Jack M. Wilson Distinguished Professor Richard Branson • Sir Richard Charles Nicholas Branson – born July 18, 1950 in London • Branson is the seventh richest citizen of the United Kingdom, – estimated net worth of $4.9 billion (U.S.) – http://www.forbes.com/profile/richard-branson/ – http://en.wikipedia.org/wiki/Richard_Branson • Severe Dyslexic (like me!) – on his last day at school, his headmaster, Robert Drayson, told him he would either end up in prison or become a millionaire • Richard Branson. "At school I was dyslexic and a dunce.", The Times, London, 11 September 1998, pg. 19 • "There is no point in starting your own business unless you do it out of a sense of frustration.“ • Helped form and fund “The Elders” with Nelson Mandela and others who were devoted to helping to solve world problems © 2012 ff -Jack M. Wilson Distinguished Professor • At the age of sixteen his first business venture was a magazine called Student. • In 1970 at the age of 20, he set up a mail-order record business. • Branson started his record business from a church where he ran The Student magazine. Branson interviewed several prominent personalities of the late 1960s for the magazine including Mick Jagger and R. D. Laing. Branson advertised popular records in The Student and it was an overnight success. • In 1972, he opened a chain of record stores, Virgin Records, later known as Virgin Megastores. – Convicted of tax evasion for selling records taxed at the export rate.
    [Show full text]
  • Cv-15-10832-00Cl Ontario Superior Court of Justice
    Court File No.: CV-15-10832-00CL ONTARIO SUPERIOR COURT OF JUSTICE COMMERCIAL LIST IN THE MATTER OF A PLAN OF COMPROMISE OR ARRANGEMENT OF TARGET CANADA CO., TARGET CANADA HEALTH CO., TARGET CANADA MOBILE GP CO., TARGET CANADA PHARMACY (BC) CORP., TARGET CANADA PHARMACY (ONTARIO) CORP., TARGET CANADA PHARMACY CORP., TARGET CANADA PHARMACY (SK) CORP., AND TARGET CANADA PROPERTY LLC. Applicants MOTION RECORD (Late Claims) (motion returnable November 29, 2016) October 31, 2016 GOODMANS LLP Barristers & Solicitors Bay Adelaide Centre 333 Bay Street, Suite 3400 Toronto, Canada M5H 2S7 Alan Mark LSUC#: 21772U [email protected] Jay Carfagnini LSUC#: 22293T [email protected] Melaney Wagner LSUC#: 44063B [email protected] Jesse Mighton LSUC#: 62291J [email protected] Tel: 416.979.2211 Fax: 416.979.1234 Lawyers for the Monitor INDEX Court File No.: CV-15-10832-00CL ONTARIO SUPERIOR COURT OF JUSTICE COMMERCIAL LIST IN THE MATTER OF A PLAN OR COMPROMISE OR ARRANGEMENT OF TARGET CANADA CO., TARGET CANADA HEALTH CO., TARGET CANADA MOBILE GP CO., TARGET CANADA PHARMACY (BC) CORP., TARGET CANADA PHARMACY (ONTARIO) CORP. TARGET CANADA PHARMACY CORP., TARGET CANADA PHARMACY (SK) CORP., AND TARGET CANADA PROPERTY LLC. Applicants INDEX Document Tab Notice of Motion returnable November 29, 2016 ..........................................................................1 Thirty-Second Report of the Monitor dated October 31, 2016 ......................................................2 Book of Authorities of the Monitor .................................................................................................3
    [Show full text]
  • Mike Oldfield Ommadawn Mp3, Flac, Wma
    Mike Oldfield Ommadawn mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Ommadawn Country: Canada Released: 1975 Style: Prog Rock, Experimental, New Age MP3 version RAR size: 1224 mb FLAC version RAR size: 1822 mb WMA version RAR size: 1691 mb Rating: 4.3 Votes: 895 Other Formats: MIDI XM AC3 MIDI AHX AIFF MOD Tracklist Ommadawn 1 Part One 19:14 2 Part Two 17:17 Companies, etc. Phonographic Copyright (p) – Espresso (Newspaper) Copyright (c) – Espresso (Newspaper) Licensed From – Minos-EMI S.A. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Distributed By – Espresso (Newspaper) Recorded At – The Manor Remastered At – Chop 'Em Out Designed At – Public Art Creative Consultants Ltd. Pressed By – Arcadia Credits Artwork [Reissue], Design [Reissue] – Rina Cheung Bagpipes [Uilleann Piper] – Paddy Moloney Composed By – Mike Oldfield, William Murray Conductor [The Hereford City Band] – Leslie Penning Coordinator [Remastered Series Co-ordinator] – Jason Day Drum [African Drums] – Jabula Ensemble – The Hereford City Band Leader [Jabula] – Julian Bahula Liner Notes – Dave Laing* Musician – Pierre Moerlen Recorder – Leslie Penning Remastered By – Simon Heyworth Vocals – Clodagh Simonds, Mike Oldfield, Sally Oldfield Notes The album was recorded over nine months in 1974-5 at Mike's home studio and at the Manor in Oxfordshire. Remastered at Chop 'Em Out, London, March/April 2000. The copyright in this recording is owned by Virgin Records Ltd (P) 1975 (C) 2000 Virgin Records Ltd. Made in the EU Printed in EU (P) (C) 2008 Espresso under license from Minos-EMI S.A. Released in Greece with "Espresso" newspapers as part of "History Of Rock" Series.
    [Show full text]
  • Universal Press Release Tubular Bells Release Date: 8Th June 2009 Mike
    Universal press release Tubular Bells Release date: 8th June 2009 Mike Oldfield is an artist like no other. Over the last 37 years he has produced timeless, unique and inspirational music that has enthralled listeners the world over. Fans old and new can celebrate the great man’s work with a special release of his classic, multiplatinum selling album Tubular Bells, out on 8th June through the Mercury Music Group/Universal Music Catalogue. This is the first classic album to be released from Oldfield’s back catalogue, which was transferred from Virgin to Mercury/Universal in 2008. It is 35 years since the opening passage was used in the film THE EXORCIST, making the album a global phenomenon. This exciting new version of his 1973 groundbreaking album will not only be repackaged, but Mike himself has also remastered the tracks from his home in the Bahamas. There will be FOUR physical editions of the album, as well as TWO digital versions. All versions will carry a new 2009 stereo mix of the album. The DELUXE EDITION has a 5.1 mix, while the boxed ULTIMATE EDITION, complete with 60 page hardback book with a foreword by Mike Oldfield, poster, plectrums and all manner of Tubular delights, contains all of this as well as previously unheard demo and rough mixes of this epochal recording. There will 500 of these superb, limited editions available through www.mikeoldfield.com signed and numbered. For those who like things old school, there is a vinyl version being released as part of the acclaimed Back To Black series.
    [Show full text]
  • Download/Pnlh-Document-Officiel-002.Pdf>
    URBAN DWELLINGS, HAITIAN CITIZENSHIPS: HOUSING, DAILY LIFE AND MEMORY IN PORT-AU-PRINCE, HAITI VINCENT JOOS A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Anthropology Department at the University of North Carolina. Chapel Hill 2015 Approved by: Rudolf Colloredo-Mansfeld Patricia Sawin Peter Redfield Townsend Middleton Karla Slocum © 2015 VINCENT JOOS ALL RIGHTS RESERVED ii ABSTRACT Vincent Joos: Urban Dwellings, Haitian Citizenships: Housing, Memory and Daily Life in Port- au-Prince, Haiti (Under the direction of Rudolf Colloredo-Mansfeld) Port-au-Prince is today the site of top-down urban planning practices that deeply affect the lives of its residents and the site of vernacular urban reconstruction by Haitian people who attempt to assert their right to the city. After the devastating 2010 earthquake, the state and many NGOs and UN agencies established and administered vast tent camps or provided temporary shelters designed to meet minimal housing requirements to people affected by the earthquake. However, many people refused to live in these hazardous camps and, instead, implemented housing solutions of their own. Staying or moving into the old districts of Port-au-Prince and the surrounding areas, people started to negotiate their access to resources such as potable water or electricity and their right to use public space for economic activities. Some of these displaced persons live in houses that belong to the national patrimony, like the Gingerbread Houses which are today included on the World Monument Watch List.
    [Show full text]