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Festivalul De Film Asiatic / Asian Film Festival

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Festivalul De Film Asiatic / Asian Film Festival FESTIVALUL DE FILM ASIATIC / ASIAN FILM FESTIVAL Ediția a 4-a, București 19–28 Iunie 2009 / 4th Edition, Bucharest, 19–28 June 2009 ple şi un gol în peisajul cultural românesc. FestASIA’S NOT DEAD! FestASIA există în mare măsură datorită prieteni- lor de la Ogilvy, al căror ajutor a venit atunci când mai existau puţine şanse ca FestASIA să reînvie. Sloganul acestei ediţii este A Totally Different Ex- perience for the Eye, tot vizualul Ogilvy fiind con- ceput în jurul temei OCHI. Astfel încât ce poate fi mai potrivit anul acesta decât prezentarea După nenumărate amânări şi anulări, a IV-a ediţie trilogiei cult a fraţilor Danny şi Oxide Pang – The a unui festival neiubit de autorităţi, dar foarte iubit Eye? Poate doar descoperirea a două filmuleţe de public, va avea loc în Bucureşti. scurte cu OCHI scoşi: The Perfect Red Snapper Fish şi A Chalk, ambele venite de la Universitatea FestASIA este, deci, un festival punk. Şi asta nu Naţională de Arte din Coreea de Sud. doar pentru că a pornit cu buget zero, ci şi pentru 2 că, luptându-se cu aproape toată lumea, reuşeşte Focus Thailanda e unul din vârfurile ediţiei de anul 3 să supravieţuiască. Mai mult, continuă să îşi spo- acesta, cu patru lung-metraje şi patru scurt-me- rească numărul de spectatori şi de admiratori. traje în selecţie, iar în secţiunea Panorama puteţi vedea filme recente, prezentate la festivaluri mari FestASIA este singurul festival de film asiatic din din întreaga lume. Pe lângă acestea – secţiunile această parte a Europei. Filmul asiatic are un obişnuite: ShortASIA şi AnimASIA. Lui Johnnie To, public fidel, devotat, al cărui număr creşte rapid. unul din regizorii foarte bine cotaţi ai momentului, În acelaşi timp, numărul de filme asiatice pro- îi dedicăm un Portret. duse în fiecare an îl depăşeşte cu mult pe cel al filmelor de pe oricare alt continent. Aşadar, atât Nu în ultimul rând, festivalul include o proiecţie datorită argumentului cantitativ cât şi al celui ca- eveniment a unui film nord-coreean, amuzant litativ, necesitatea existenţei unui festival asiatic de ridicol, îmbibat cu discursuri proletcultiste, este justificată. cu idealuri comuniste. Filmele nord-coreene n-au mai pătruns în această parte de lume după Asta cu atât mai mult, cu cât ocazia de a vedea 1989. După 20 de ani, FestASIA vă propune un film asiatic în sălile româneşti de cinema se acest experiment tragi-comic. prezintă foarte rar, doar la câte un festival, pentru că în distribuţia curentă din cinematografe filmele asiatice sunt extrem de rare. Deci FestASIA um- how FestASIA comes also to fill a gap in the Ro- FestASIA’S NOT DEAD! manian cultural landscape. FestASIA largely owes its existence to its friends from Ogilvy who offered to help in a period of time when there was little hope for FestASIA to make a comeback. The slogan of this edition is A Totally Different Experi- After innumerable postponements and cancella- ence for the Eye, as the theme of the whole Ogilvy tions, the 4th edition of a festival not loved by the visual campaign design is the EYE. Then what authorities but very much loved by the public will can be more appropriate to present this year finally take place in Bucharest. than the cult trilogy by brothers Danny and Oxide Pang,- The Eye ? Only perhaps the two recently FestASIA is therefore a punk festival. And this is not discovered short films about EYES taken out:The 4 only because it started with a zero budget, but Perfect Red Snapper Fish and A Chalk, both coming 5 also because, after fighting with nearly everybody, from South Korea National University of Arts. it has managed to survive. Moreover, it keeps on having an increasing audience and number of fans. Focus Thailanda is one of the peaks of this edition, with four full-lengths and four short films se- FestASIA is the only Asian film festival in this part of lected, while in the Panorama section you may see Europe. The Asian film has a loyal and devoted recent films presented in large festivals all over audience which is rapidly growing. At the same the world. These two sections will be added to time, the number of Asian films produced annu- the traditional ones, ShortASIA and AnimASIA. We ally exceeds by far the number of films on any will also dedicate a Portrait to Johnnie To, who is other continent. Consequently, due to both their currently one of the best rated directors. quantity and quality, the need for an Asian festival is fully justified. Last but not least, the festival will end by the special event of showing a North Korean film, In addition to this argument, it should be noted ridiculously funny, full of proletarian cult dis- that the opportunity of watching an Asian film in courses and communist ideals. North Korean Romanian movie theatres is extremely rare. It is films have never been presented in this part of more likely to see it in a film festival rather than the world since 1989. After 20 years FestASIA in- in the normal film distribution schedule, in which troduces you to this tragicomical experiment. Asian films are released only occasionally. This is CUPRINS / CONTENTS 9. PORTRET JOHNNIE TO / PORTRAIT: JOHNNIE TO 17. PANORAMA 33. TRILOGIE / TRILOGY 41. SHORt’ASIA 47. FOCUS THAILANDA / FOCUS ON THAILAND 57. Anim’ASIA PORTRET JOHNNIE TO / PORTRAIT: JOHNNIE TO ELECTION 1 / HAK SE WUI R: JOHNNIE TO HONG KONG, 2005, 100 MIN ELECTION 2 / HAK SE WUI YI WO WAI KWAI R: JOHNNIE TO HONG KONG, 2006, 92 MIN EXILED / FONG JUK R: JOHNNIE TO HONG KONG, 2006, 110 MIN HONG KONG PORTRET JOHNNIE TO / HAK seh WUI 2005, 100’ PORTRAIT: JOHNNIE TO ELECtion 1 SÂMBăTă 20 iunie, ORA 14.30 / SATURDAY 20 JUNE, 2.30PM V.O. cantoneză, mandarină / VINERI 26 IUNIE, ORA 21.30 / FRIDAY 26 JUNE, 9.30PM CANTONESEE AND MANDARIN DIALOGUES Regia / Director: Catherine Chan, Tiffany Chen, Festivaluri / Festivals: Director, Best Film – HKFCS Genul / Genre: Johnnie To Maylie Ho, Kok Leung Kuk, Cannes 2005 Awards 2006. Crimă, Dramă, Thriller / Scenariul / Screeplay: Dennis Law, Johnnie To Premii / Awards: Crime, Drama, Thriller Nai-Hoi Yau, Tin-Shing Yip Montajul / Editing: Best Screenplay, Best Sound Imaginea / Patrick Tam Effects – Golden Horse Director of Photography: Producţie / Production: Award 2005; Best Actor, Best Siu-keung Cheng China Star Entertainment Director, Best Picture, Best Muzica / Music: Cu / Cast: Screenplay – Hong Kong Tayu Lo Simon Yam, Tony Leung Ka Film Awards 2006; Best 10 Producători / Producers: Fai, Wong Tin Lan, Louis Koo Film – Sitges 2005; Best 11 La fiecare doi ani, membrii celei mai vechi „triade” din Hong Kong, Wo Shing Society, îşi aleg „capul”. Între cei doi candidaţi se naşte o rivalitate cruntă: Lok este preferatul, fiind respectat de „unchii” cei bătrâni, însă rivalul său, Big D, este gata să încalce codurile multiseculare ale breslei şi să influenţeze votul prin bani şi violenţă. Every two years, senior members of Hong Kong’s oldest Triad, The Wo Shing Society, elect a new chairman. Fierce rivalries emerge between the two eligible candidates. Lok, respected by the Uncles is the favour- ite to win. His rival Big D will stop at nothing to change this by going against hundreds of years of Triad tradition – influencing the vote with money and violence. HONG KONG PORTRET JOHNNIE TO / HAK se WUI YI WO Wai KWai 2006, 85’ PORTRAIT: JOHNNIE TO ELECtion 2 MIERCURI 24 IUNIE, ORA 14.30 / WEDNESDAY 24 JUNE, 2.30PM V.O. cantoneză, mandarină / VINERI 26 IUNIE, ORA 23.30 / FRIDAY 26 JUNE, 11.30PM CANTONESEE AND MANDARIN DIALOGUES Regia / Director: Dennis Law, Johnnie To, Festivaluri / Festivals: Genul / Genre: Johnnie To Charles Heung Cannes 2006 Dramă, Crimă, Thriller / Scenariul / Screeplay: Montajul / Editing: Premii / Awards: Drama, Crime, Thriller Yau Nai-Hoi, Yip Tin-Shing Law Wing Cheong, Best Film, Best Director, Best Imaginea / Jeff Cheung Actor, Best Screenplay – Director of Photography: Producţie / Production: Hong Kong Film Awards; Best Cheng Siu-keung China Star Entertainment Film HKFCS 2007 Muzica / Music: Cu / Cast: Tayu Lo Louis Koo, Simon Yam, Nick 12 Producători / Producers: Cheung, Ka Tung Lam 13 Wo Sing este cea mai veche „triadă” din Hong Kong. Sub autoritatea lui Lok, aceasta devine cea mai respectată organizaţie criminală din oraş. Jimmy vrea să devină un om de afaceri cinstit şi să rupă orice legătură cu lumea criminalităţii. Dar mafia chineză, infiltrată pretutindeni, decide altceva pentru el. Jimmy nu se poate opune, pentru că lumea în care tră- ieşte este o lume în care corupţia pare că se împarte egal între criminali, politicieni şi afacerişti. Wo Sing is the oldest triad in Hong Kong. Under the authority of its cur- rent boss, Lok, it has become the most respected criminal organization in the city. Jimmy, a cultivated gangster, tries to rehabilitate himself by building a legal industrial empire. But his fame also draws the attention of the Chinese authorities, as he is the perfect intermediary to negotiate peaceful coexistence between the central government and the triads. HONG KONG PORTRET JOHNNIE TO / FonG JUK 2006, 108’ PORTRAIT: JOHNNIE TO EXILed MIERCURI 24 IUNIE, ORA 22.00 / WEDNESDAY 24 JUNE, 10PM V.O. cantoneză, mandarină / JOI 25 IUNIE, ORA 14.30 / THURSDAY 25 JUNE, 2.30PM CANTONESE AND MANDARIN DIALOGUES Regia / Director: Imaginea / Premii / Awards: Genul / Genre: Johnnie To Director of Photography: Best director, Best picture Horror, Crimă, Dramă / Scenariul / Screenplay: Cheng Siu-Keung – Golden Bauhinia 2007; Horror, Crime, Drama Szeto Kam-Yuen, Montajul / Editing: Special Award – Golden Yip Tin-Shing David Richardson Horse Film Festival 2006; Producător / Producers: Producţie / Production: Best director – HKFCS Johnnie To, John Chong, Milkyway Image Awards; Carnet Jove Jury Shirley Lau, Catherine Chan Cu / Cast: Award – Sitges 2006; Muzica /Music: Anthony Wong, Francis Ng, Official competition – Venice 14 Dave Klotz, Guy Zerafa Simon Yam, Nick Cheung Film Festival 2006 15 În 1998, cu un an înainte ca Macau să fie cedat Chinei, fiecare locuitor de aici încearcă să profite de orice ocazie pentru a face bani rapid.
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