Cinema Diverse 2013
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Gmm Grammy Public Company Limited | Annual Report 2013
CONTENTS 20 22 24 34 46 Message from Securities and Management Board of Directors Financial Highlights Chairman and Shareholder Structure and Management Group Chief Information team Executive Officer 48 48 48 50 52 Policy and Business Vision, Mission and Major Changes and Shareholding Revenue Structure Overview Long Term Goal Developments Structure of the and Business Company Group Description 82 85 87 89 154 Risk Factors Management Report on the Board Report of Sub-committee Discussion and of Directors' Independent Report Analysis Responsibility Auditor and towards the Financial Financial Statement Statements 154 156 157 158 159 Audit Committee Risk Management Report of the Report of the Corporate Report Committee Report Nomination and Corporate Governance Remuneration Governance and Committee Ethics Committee 188 189 200 212 214 Internal Control and Connected Corporate Social Details of the General Information Risk Management Transactions Responsibilities Head of Internal and Other Audit and Head Significant of Compliance Information 214 215 220 General Information Companies in which Other Reference Grammy holds more Persons than 10% Please see more of the Company's information from the Annual Registration Statement (Form 56-1) as presented in the www.sec.or.th. or the Company's website 20 ANNUAL REPORT 2013 GMM GRAMMY Mr. Paiboon Damrongchaitham Ms. Boosba Daorueng Chairman of the Board of Directors Group Chief Executive Officer …As one of the leading and largest local content providers, with long-standing experiences, GMM Grammy is confident that our DTT channels will be channels of creativity and quality, and successful. They will be among favorite channels in the mind of viewers nationwide, and can reach viewers in all TV platforms. -
Annual Report 2010
GMM GRAMMY PUBLIC COMPANY LIMITED ANNUAL REPORT 2010 CONTENTS Messsage From Chairman And Co-Chief Excutive Officers 004 Audit Committee Report 005 Board Of Directors 006 Executive Committee And Organization Chart 012 Business Structure & Investment Structure 013 Corporate Social Responsibility 016 Financial Highlights 030 Revenue Structure 031 General Information 032 Risk Factors 052 Captial, Management Structure And Corporate Governance 054 Connected Transactions 086 Corporate Governance Report 095 Management Discussion And Analysis 096 Report On The Board Of Director’s Responsibility 097 Towards The Financial Statements Independent Auditor’s Report And Financial Statements 098 Companies In Which Gmm Grammy Holds More Than 10% 147 Details of Board of Directors And Management Team 150 Other Reference Persons 159 MESSSAGE FROM CHAIRMAN AND CO-CHIEF EXCUTIVE OFFICERS MESSSAGE FROM CHAIRMAN AND CO-CHIEF EXCUTIVE OFFICERS Dear Shareholders, In 2010, the Company adjusted and developed its music The publishing business line has increasingly shifted over to business so that revenue streams primarily came from three new media. For instance, Maxim is published in an e-gazine. business lines: digital music, artist management, and show Content from this business line will also be increasingly business. This was accomplished by reducing the production applied to satellite business, as well as selling content capacity of physical products, and ramping up sales of digital through new electronic gadgets such as the iPad. music to better match the lifestyles of consumer behavior that The movie business line produced a total of three films, has shifted in tandem with modern technological innovations. of which “Kuen Muen Ho” (‘Hello Stranger’) brought in Baht The Company believes that making these changes will 126.3 million, making it the highest box office revenue making support and strengthen Grammy’s content so that it can be Thai film screened in 2010. -
Download The
CENTER FOR SOUTHEAST ASIAN STUDIES UNIVERSITY OF HAWAI‘I AT MĀNOA CSEAS Bulletin Aloha from the Director Aloha and greetings. I am very Several films won prizes, the most notable pleased to report on the recent achieve- being the festival’s Golden Orchid for ments of the Center for Southeast Asian Best Feature, which went to Berbagi Suami Studies. (Love for Share), from Indonesia. INSIDE THIS ISSUE The jewel in our crown for the Director Nia Dinata and actress Jajang academic year 2006-07 was undoubtedly C. Noer were our guests. Another signifi- 1 the initiation of an ambitious subtitling cant film was Gubra (Anxiety), written and FACULTY project for Southeast Asian film, which directed by Yasmin Ahmad. Producer Aloha and Welcome, Conferences was conceived during our weekly Elyna Shukri and actress Sharifah and Papers, Research and Travel, screenings of Southeast Asian films on Amani attended the festival, and last Awards and Fellowships, Publica- campus. The workshop was held last April the Center organized a retrospec- tions, etc. summer, and the special class conducted tive of all of Ahmad’s films at the by John McGlynn (who came from Ja- Honolulu Academy of Arts. We were 2 karta) resulted in the subtitling of ten honored that Yasmin herself found time STUDENTS films from Southeast Asia which have in her busy schedule to come to this retro- Awards and Fellowships, Research never been viewed overseas. In the first spective, and the large audiences who and Travel, Conferences, etc. stages of this project we see the distribu- attended very much appreciated her gra- tion of these films to universities and cious and open responses to their ques- 3 colleges as an important addition to the tions. -
BAB III FILM TOP SECRET: the BILLIONAIRE A. Identitas Film
BAB III FILM TOP SECRET: THE BILLIONAIRE A. Identitas Film gambar 3.1 gambar 3.2 Judul : Top Secret: The Billionaire. Durasi film : 124 menit. Gendre film : Drama. Tahun terbit : 20 Oktober 2011. Asal film : Thailand. Sutradara : Songyos Sugmakanan. Produser : Jira Maligool, Chen ChonneeSoonthornsaratul, Suvimoon Techasupinun, Vannidee Pongsitisak, Radeenapis Kosiyachinda. Produser eksekutif : Pai Boon Damrongchaithan, Boogaba Daoruang, Visute Poolrakas, Jina Ososilp. Editor : Sasikan Suranasuthi. Produksi : GMM Thai Hub. 51 52 Naskah/skenario : Nawapol Tumrongrattanarit. Penyunting gambar : Niramon Ross. Ilustrasi : Phairot Siriwath. Penata musik : Terdsak Junpan. Penata rias :Kanung Damkaow. Penata busana : Wasana Bencachat. Lagu tema : Saeng Sudthay/The Last Night. Penyanyi : Body Slam. Sekilas mengenai film Top Secret: The Billionaire: The Billionaire, juga dikenal sebagai Top Secret: Wai Roon Pan Lan (Thai: วัยรุ่นพันล ้าน), adalah sebuah film biografi Thai dirilis oleh GMM Thai Hub. Hal ini disutradarai oleh Songyos Sugmakanan dan bintang Pachara Chirathivat, Somboonsuk Niyomsiri (Piak Poster) dan Walanlak Kumsuwan. Film ini menceritakan kisah Top Itthipat Kulapongvanich, bagaimana dia memuali bisnisnya dan pada usia sembilan belas tahun putus dari universitas untuk memulai bisnis rumput laut goreng kemasan.Sekarang ‘Tao Kae Noi Food & Marketing’pioner rumput laut kemasan di Thailand dan Top menjadi salah satu milyarder termuda Thailand. Film ini dirilis pada tanggal 20 Oktober 2011 di Thailand, di mana ia meraup 38.796.264 baht.1 1http://en.wikipedia.org/wiki/The_Billionaire diakses pada 02 Juni 2014. 53 Sinopsis film Top Secret: The Billionaire: Top Secret: The Billionaire adalah film yang diadopsi dari kisah nyata, menceritakan tentang seorang anak muda, Top Ittipat yang mempunyai ambisi besar untuk menjadi seorang pengusaha muda sukses. -
An Annotated Bibliography of Books, Dvds, and Internet Resources on Gays, Lesbians, Bisexuals, and Transgender People in Sports
Page 1 of 41 An Annotated Bibliography of Books, DVDs, and Internet Resources on Gays, Lesbians, Bisexuals, and Transgender People in Sports Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised February 15, 2016. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 7 III. Romance Fiction 11 IV. General Fiction 18 V. Drama 23 VI. Graphic Novel 23 VII. Children & Teens 24 VIII. DVDs 27 IX. Internet Resources 31 Index 39 Page 2 of 41 Introduction Sports has not been a traditional subject area associated with gays, lesbians, bisexuals, and transgender people (although there has been some recognition of the presence of lesbians in women’s sports). Homophobia can often be found there, and sometimes GLBT people do not feel comfortable participating in sports openly. In recent years, the visibility of GLBT people in the sports world has greatly increased, and several prominent athletes have come out as gay, lesbian, or transgender. There has been an accompanying increase in books and films that illustrate these changes, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in many different sports. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, a graphic novel, and children’s and teen books. Lots of sports-themed gay and lesbian romance novels have been published, so they also have a separate section. Several LGBT sports-related DVDs and websites are also listed, including a large number of transgender-related resources. -
Festivalul De Film Asiatic / Asian Film Festival
FESTIVALUL DE FILM ASIATIC / ASIAN FILM FESTIVAL Ediția a 4-a, București 19–28 Iunie 2009 / 4th Edition, Bucharest, 19–28 June 2009 ple şi un gol în peisajul cultural românesc. FestASIA’S NOT DEAD! FestASIA există în mare măsură datorită prieteni- lor de la Ogilvy, al căror ajutor a venit atunci când mai existau puţine şanse ca FestASIA să reînvie. Sloganul acestei ediţii este A Totally Different Ex- perience for the Eye, tot vizualul Ogilvy fiind con- ceput în jurul temei OCHI. Astfel încât ce poate fi mai potrivit anul acesta decât prezentarea După nenumărate amânări şi anulări, a IV-a ediţie trilogiei cult a fraţilor Danny şi Oxide Pang – The a unui festival neiubit de autorităţi, dar foarte iubit Eye? Poate doar descoperirea a două filmuleţe de public, va avea loc în Bucureşti. scurte cu OCHI scoşi: The Perfect Red Snapper Fish şi A Chalk, ambele venite de la Universitatea FestASIA este, deci, un festival punk. Şi asta nu Naţională de Arte din Coreea de Sud. doar pentru că a pornit cu buget zero, ci şi pentru 2 că, luptându-se cu aproape toată lumea, reuşeşte Focus Thailanda e unul din vârfurile ediţiei de anul 3 să supravieţuiască. Mai mult, continuă să îşi spo- acesta, cu patru lung-metraje şi patru scurt-me- rească numărul de spectatori şi de admiratori. traje în selecţie, iar în secţiunea Panorama puteţi vedea filme recente, prezentate la festivaluri mari FestASIA este singurul festival de film asiatic din din întreaga lume. Pe lângă acestea – secţiunile această parte a Europei. Filmul asiatic are un obişnuite: ShortASIA şi AnimASIA. -
DORISEA WP 23 Ainslie Thai Horror Film in Malaysia-2.Pdf (594.9Kb)
Competence Network DORISEA – Dynamics of Religion in Southeast Asia 1 DORISEA WORKING PAPER ISSUE 23, 2016, ISSN: 2196-6893 MARY J. AINSLIE THAI HORROR FILM IN MALAYSIA URBANIZATION, CULTURAL PROXIMITY AND A SOUTHEAST ASIAN MODEL 23 DORISEA Working Paper, ISSUE 23, 2016, ISSN: 2196-6893 DORISEA WORKING PAPER SERIES EDITORS Peter J. Bräunlein Michael Dickhardt Andrea Lauser Competence Network “Dynamics of Religion in Southeast Asia” (DORISEA) The research network “Dynamics of Religion in Southeast Asia” (DORISEA) connects scholars from various academic institutions focused on Southeast Asia. It is coordinated by the Department of Social and Cultural Anthropology at the Georg-August-University of Göttingen. Its core is formed by scholars from the Universities of Göttingen, Hamburg, Münster, Heidelberg and Berlin (Humboldt University) who are involved in several projects that investigate the relationship between religion and modernity in Southeast Asia. How to cite this paper: Mary J. Ainslie (2016): Thai horror film in Malaysia. Urbanization, Cultural Proximity and a Southeast Asian model. In: DORISEA Working Paper Series, No. 23. Göttingen: Institute for Social and Cultural Anthropology. DOI: 10.3249/2196-6893-dwp-23 © 2016 by the author This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. http://creativecommons.org/licenses/by-nc/4.0 ISSN: 2196-6893 DOI: 10.3249/2196-6893-dwp-23 Research Network DORISEA Dynamics of Religion in Southeast Asia Project Office Georg-August-University Göttingen Institute of Social and Cultural Anthropology Theaterstr. 14 D - 37073 Göttingen Germany FUNDED BY: [email protected] www.dorisea.net Competence Network DORISEA – Dynamics of Religion in Southeast Asia 3 MARY J. -
Fan Chan My Girl
57 Fan Chan My Girl Regie: 365 Film Production (Kollektiv) Land: Thailand 2003. Produktion: GMM Pictures (Bangkok); Tai Enter- Synopsis tainment; Hub ho hin Films (Bangkok). Regie: Komgrit Threewimol, In a small working-class town on the outskirts of Petcha- Songyos Sugmakanan, Nithiwat Tharatorn, Vijja Kojew, Vithaya Thong- buri, young Jeab always plays with his best (girl) friend, yuyong, Adisorn Tresirikasem (365 Film Production). Buch: Komgrit Noinah, who lives close by. Separated from the other boys Threewimol, Songyos Sugmakanan, Nithiwat Tharatorn, Vijja Kojew, who ride his school bus by a main road his mother won’t let Vithaya Thongyuyong, Adisorn Tresirikasem, Aumaraporn Paindinthong. him cross on his bicycle, Jeab yearns for acceptance. As he Kamera: Songyos Sugmakanan. Produktionsdesign: Arkadech Keawkotr. grows up and finally gets up enough courage to cross the Ausstattung: Juthamas Wangaryattawanich. Kostüme: Ditsanu Thana- road and play with the other boys, he gravitates away from paiboonkit, Noppadej Suaysom, Suthee Muarnwacha. Ton: Narej Sara- the gang of girls led by Noinah who have incorporated him passorn. Musik: Soonthorn Yodsrithong, Viroj Ta-Arsa, Kongkiat Ruen- in their role-playing games. Jeab’s conflicting loyalties lead noy. Schnitt: Nithiwat Tharatorn. Produzenten: Jira Maligool, Prasert to a crisis which is not entirely unpredictable. Wiwattananonpong, Yongyoot Thongkongtoon. Produktionsleitung: Seen through the eyes of Jeab, who is returning to his child- Paiboon Damrongchaitham, Boosaba Daorueng, Choopong Ratana- hood hometown to attend the wedding of his former best banthoon, Visute Poolvoralaks, Jina Osothsilp. friend, memories of the innocence of youth, friendship, love Darsteller: Chalee Trirat (Jeab als Junge), Chawin Chitsomboon (Jeab and hate return to haunt him. -
NEWS Sentosa Spooktacular Ropes in Thailand's Leading Film Studio To
PRESS RELEASE Sentosa Spooktacular Ropes in Thailand’s leading film studio to double the thrill and fun factor GTH, creator of international horror hits, partners with Sentosa to deliver Asia’s “Scariest Fun” Singapore, 13 June 2013 ― Sentosa today announced that for the first-time ever, it will be teaming up with renowned Thai movie production studios, GMM Tai Hub Co. Ltd. (GTH), in a joint production of its annual signature Halloween event – Sentosa Spooktacular 2013. Creator of international horror hits such as Coming Soon, Shutter, Body, Dorm and Pee Mak, GTH will bring their unique brand of storytelling, deeply-rooted in Asian horror folklore, to redefine this year’s edition of Sentosa Spooktacular. Pee Mak, the studio’s blockbuster horror-comedy, along with other horror titles will transform Fort Siloso, setting the stage for a terrifying Halloween event, filled with blood-curdling screams and side-splitting laughter. Sentosa Spooktacular, Asia’s largest horror fest, is set to take place for six nights in October and November. Fans of classic Thai horror films can expect to have their nerves tested in up to five elaborately themed, haunted trails inspired by GTH’s internationally acclaimed films namely, Coming Soon, Shutter, Pee Mak, Dorm and Body. These trails will be held once again at Fort Siloso. “Sentosa Spooktacular has been synonymous with Asia’s scariest fun and is one of the biggest Halloween events in Singapore. At GTH, we want people to experience the same terror, scares and a whole host of other emotions that are akin to watching a Thai horror movie. -
NEWS RELEASE Sentosa Spooktacular: There Will Be No Fort
NEWS RELEASE Sentosa Spooktacular: There Will be No Fort Siloso Halloween venue for Sentosa Spooktacular transforms into an immersive haunted village, Laddaland One of the many houses featured in haunted village Laddaland in Sentosa Spooktacular 2014 Singapore, October 2014 ― Sentosa Spooktacular returns this Halloween with a renewed, more immersive and integrated experience for visitors, where the boundaries of once Fort Siloso and new haunted village Laddaland will be blurred. This is the result of a returning partnership between Sentosa Leisure Management Pte Ltd and Thai film production studio, GMM Tai Hub Co. Ltd (GTH), as both organisations combine their expertise in destination and production capabilities to deliver the experience of being enveloped in a bone-chilling walkthrough for horror fans. All 40,000 square metres of Fort Siloso will be transformed into a haunted residential zone, and visitors to Sentosa Spooktacular’s Laddaland will venture through basements and houses just as how they would explore a new neighbourhood they just moved into. Visitors will experience an extended walkthrough each lasting about 20 to 30 minutes, and make a prolonged heart-pounding journey as they brace themselves for anticipated twists and turns, as well as sudden shocking moments. Fort Siloso’s combined natural settings, existing artilleries and tunnels present excellent assets to transform into the interior of houses and facility buildings, tracing the journey of spirits and souls who once lived in those houses, and may still lurk in the dark. The transformation of Fort Siloso into Laddaland in Sentosa Spooktacular 2014 is based on GTH’s well-received movie, Laddaland; story has it that a family of four started on a new life journey and moved into Laddaland, ready to settle in a beautiful home they could call their own and live their dreams. -
P.001-003 Thai Film Directory 2019-2020++.Indd
THAI FILM DIRECTORY 2019 – 2020 泰国电影指南 2019-2020 Publisher: Office of the Permanent Secretary, Ministry of Culture 10 Tiamruammit Rd., Huaykwang, Bangkok 10310, Thailand Tel: +66 2209 3519-20 Fax: +66 2209 3522 E-mail: [email protected], [email protected] Facebook: Content Thailand Line id: @contentthailand Editor: Alongkorn Klaisikaew Downlaod Art Director: Job Quality Thai Flim @ Office of the Permanent Secretary, Ministry of Culture, May 2020 Directory CONTENTS 074 2020 Releases (January-March) 088 Selected Future Releases 101 Cover Story: Happy Old Year 102 Thai Film Projects at International Film Market 2020 103 Experienced Co-production Producers 104 Film Organization & Company Addresses 112 Index 004 Message from Minister of Culture 006 Foreword by Permanent Secretary for Culture 008 Thai Film in 2019: The Big Picture 014 2019 Top-Grossing Thai Films 015 2019 Thai Films Industry by the Numbers 016 All-time Top Grossing Thai Films 018 2019 Releases สารจาก Message from นายอิทธิพล คุณปลื ม Itthiphol Kunplome รัฐมนตรีว่าการกระทรวงวัฒนธรรม Minister of Culture อุตสาหกรรมภาพยนตร์นับเป นหนึ่งในอุตสาหกรรมเศรษฐกิจสร้างสรรค์ ที่มีส่วนสําคัญในการขับเคลื่อน Film industry is one of Thailand’s creative activities which significantly boosts เศรษฐกิจของประเทศไทยด้วยความคิดสร้างสรรค์และนวัตกรรม ตามนโยบายไทยแลนด์ ๔.๐ โดยในช่วง the local economy through creativity and innovation as per the national policy, เวลาที่ผ่านมาอุตสาหกรรมภาพยนตร์ไทยได้พัฒนาศักยภาพจนเป นที่ยอมรับในตลาดภาพยนตร์นานาชาติ Thailand 4.0. Thailand has a well-established film industry -
BACC E-Journal 2021.Pdf
1 Message from the Director Luckana Kunavichayanont 2 “Intelligence is the capacity to perceive the essential, The BACC agenda has begun its second decade with the what is; and to awake this capacity, in oneself an expansion of new possibilities, utilizing other and in others, is education.” – Jiddu Krishnamurti platforms for displays, participatory activities, and information dissemination to help us reach a larger Since its inception more than 12 years ago, the audience. Beyond organizing lectures by artists and Bangkok Art and Culture Centre (BACC) has aimed experts, we are thrilled to have these opportunities to be a source of learning based on the content of because they expand the potential for learning our artistic and cultural works relating to the history beyond the Pathumwan intersection. At the moment, of modern and contemporary art movements in the wonderful collaborative participation we have Thailand and around the world. It’s all a process of received from artists, curators, professors, and experts fostering inspiration, encouraging critical thinking in art and culture, as well as various fields of the and the posing of questions in order to awaken social sciences, can be seen in the articles they have understanding, make connections, and bring rational contributed to Volume 1 of the Bangkok Art and analysis to a variety of issues. Culture Centre E-journal. Learning in this space not only generates excite- The Bangkok Art and Culture Centre places a high ment and entertainment through forms of art that value on the presentation of diverse artistic and are beautiful, impressive, diverse, or represent new cultural works, as well as the promotion of cross- trends; it also trains us to read both past and present disciplinary collaboration.